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Dec. 22, 2015 Snd. Tech. Album Arch
SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) Affinity-Affinity S=Trident Studio SOHO, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R=1970 (Vertigo) E=Frank Owen, Robin Geoffrey Cable P=John Anthony SOURCE=Ken Scott, Discogs, Original Album Liner Notes Albion Country Band-Battle of The Field S=Sound Techniques Studio Chelsea, London. (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) S=Island Studio, St. Peter’s Square, London (PARTIAL TRACKING) R=1973 (Carthage) E=John Wood P=John Wood SOURCE: Original Album liner notes/Discogs Albion Dance Band-The Prospect Before Us S=Sound Techniques Studio Chelsea, London. (PARTIALLY TRACKED. MIXED: SOUND TECHNIQUES A-RANGE) S=Olympic Studio #1 Studio, Barnes, London (PARTIAL TRACKING) R=Mar.1976 Rel. (Harvest) @ Sound Techniques, Olympic: Tracks 2,5,8,9 and 14 E= Victor Gamm !1 SOUND TECHNIQUES RECORDING ARCHIVE (Albums recorded and mixed complete as well as partial mixes and overdubs where noted) P=Ashley Hutchings and Simon Nicol SOURCE: Original Album liner notes/Discogs Alice Cooper-Muscle of Love S=Sunset Sound Recorders Hollywood, CA. Studio #2. (TRACKED: SOUND TECHNIQUES A-RANGE) S=Record Plant, NYC, A&R Studio NY (OVERDUBS AND MIX) R=1973 (Warner Bros) E=Jack Douglas P=Jack Douglas and Jack Richardson SOURCE: Original Album liner notes, Discogs Alquin-The Mountain Queen S= De Lane Lea Studio Wembley, London (TRACKED AND MIXED: SOUND TECHNIQUES A-RANGE) R= 1973 (Polydor) E= Dick Plant P= Derek Lawrence SOURCE: Original Album Liner Notes, Discogs Al Stewart-Zero She Flies S=Sound Techniques Studio Chelsea, London. -
Contenido Estrenos Mexicanos
Contenido estrenos mexicanos ............................................................................120 programas especiales mexicanos .................................. 122 Foro de los Pueblos Indígenas 2019 .......................................... 122 Programa Exilio Español ....................................................................... 123 introducción ...........................................................................................................4 Programa Luis Buñuel ............................................................................. 128 Presentación ............................................................................................................... 5 El Día Después ................................................................................................ 132 ¡Bienvenidos a Morelia! ................................................................................... 7 Feratum Film Festival .............................................................................. 134 Mensaje de la Secretaría de Cultura ....................................................8 ......... 10 Mensaje del Instituto Mexicano de Cinematografía funciones especiales mexicanas .......................................137 17° Festival Internacional de Cine de Morelia ............................11 programas especiales internacionales................148 ...........................................................................................................................12 jurados Programa Agnès Varda ...........................................................................148 -
Photographers' Guide to Privacy
Photographers’ Guide to Privacy What every cameraman, photographer and videographer should know about invasion of privacy standards in the 50 states and D.C. Fall 2007 A primer on invasion of privacy The question of when the coverage and agrees that a news organization has omitted by reporting a misuse of taxpayer money. reporting of news becomes an invasion or played down facts that put a truthful state- (Harris v. City of Seattle, 152 Fed.Appx. 565 of privacy is a difficult one, especially for ment in its proper context. In 2003, a Florida (9th Cir. 2005)) photographers and videographers. jury awarded $18 million to Joe Anderson, The invasion of another’s privacy is a Reporting news stories in a way that the owner of a road-paving company who “tort,” meaning a civil wrong against another serves and informs the public will often entail sued over a Pensacola News Journal article that results in injury. publicizing facts or displaying images that that truthfully reported he had shot and A privacy tort occurs when a person or will embarrass or anger someone. killed his wife. However, the fact that an entity breaches the duty to leave another To make privacy matters even more diffi- investigation determined that the death was person alone. When journalists intrude on cult for journalists, courts constantly redefine a hunting accident was not mentioned until a person’s privacy and cause emotional or what is private based upon interpretations two sentences later, which Anderson said cre- monetary injury, they may be forced to pay of the elusive legal standard of a “reasonable ated a false impression that he murdered his damages. -
ALBUMS BARRY WHITE, "WHAT AM I GONNA DO with BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50S YOU" (Prod
DEDICATED TO THE NEEDS OF THE MUSIC RECORD INCUSTRY SLEEPERS ALBUMS BARRY WHITE, "WHAT AM I GONNA DO WITH BLUE MAGIC, "LOVE HAS FOUND ITS WAY JOHN LENNON, "ROCK 'N' ROLL." '50s YOU" (prod. by Barry White/Soul TO ME" (prod.by Baker,Harris, and'60schestnutsrevved up with Unitd. & Barry WhiteProd.)(Sa- Young/WMOT Prod. & BobbyEli) '70s savvy!Fast paced pleasers sat- Vette/January, BMI). In advance of (WMOT/Friday'sChild,BMI).The urate the Lennon/Spector produced set, his eagerly awaited fourth album, "Sideshow"men choosean up - which beats with fun fromstartto the White Knight of sensual soul tempo mood from their "Magic of finish. The entire album's boss, with the deliversatasteinsupersingles theBlue" album forarighteous niftiest nuggets being the Chuck Berry - fashion.He'sdoingmoregreat change of pace. Every ounce of their authored "You Can't Catch Me," Lee thingsinthe wake of currenthit bounce is weighted to provide them Dorsey's "Ya Ya" hit and "Be-Bop-A- string. 20th Century 2177. top pop and soul action. Atco 71::14. Lula." Apple SK -3419 (Capitol) (5.98). DIANA ROSS, "SORRY DOESN'T AILWAYS MAKE TAMIKO JONES, "TOUCH ME BABY (REACHING RETURN TO FOREVER FEATURING CHICK 1116111113FOICER IT RIGHT" (prod. by Michael Masser) OUT FOR YOUR LOVE)" (prod. by COREA, "NO MYSTERY." No whodunnits (Jobete,ASCAP;StoneDiamond, TamikoJones) (Bushka, ASCAP). here!This fabulous four man troupe BMI). Lyrical changes on the "Love Super song from JohnnyBristol's further establishes their barrier -break- Story" philosophy,country -tinged debut album helps the Jones gal ingcapabilitiesby transcending the with Masser-Holdridge arrange- to prove her solo power in an un- limitations of categorical classification ments, give Diana her first product deniably hit fashion. -
The Original Byrds: Clockwise from Top Left, Roger (Neé Jim ) Mcguinn, Gene Clark, Chris Hill Man, Michael Clarke, and David Crosby
The original Byrds: Clockwise from top left, Roger (neé Jim ) McGuinn, Gene Clark, Chris Hill man, Michael Clarke, and David Crosby. PERFORMERS The Byrds BY BUD S C O P P A I I WAS DYLAN MEETS THE BEATLES.” That’s Roger McGuinn’s succinct explanation of the Byrds’ bold, brainy take on rock & roll. True enough: What the Byrds pulled off with 1965’s landmark Mr. Tambourine Man Was a resonant synthesis of the Beatles’ charged pro forma precision and Dylan’s mytho- poeic incantations. It turned out to be a startlingly perfect fit, inspiring much that has followed, from their mentors’ subsequent Rubber Soul and Blonde On Blonde to the work of such disparate inheritors as Tom Petty, R.E.M., U2, and Crowded House. Mr. Tambourine Man was the first rock & roll album with group vocals, sounded both totally fresh and strangely in a message, the first made up entirely of anthems, the first to evitable, as did the shimmering Bo Diddley groove of “Don’t render sound and meaning inseparable, Byrds music was Doubt Yourself, Babe” and the eerie atmospherics of “Here such a departure that it got its own name— “folk-rock”-^ Without You.” But the linchpin of the album was its triumvi making the Byrds the first hybrid band. The jaggedly beauti rate of folk-rock extravaganzas: Dylan’s “Mr. Tambourine ful sound of their 12-string electric guitars was said to have a Man” and “Chimes Of Freedom,” and Pete Seeger’s “The Bells “jingle jangle,” after the line in the Dylan-penned title song. -
Lowen Dis Sep 29 2020
Rescue and Revival in Detroit Anti-Sex Trafficking Ministry: How sex industry outreach and the fight against human trafficking is reviving American evangelicals by Jessica C. Lowen A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2020 Doctoral Committee: Professor Alaina Lemon, Chair Professor Paul Johnson Assistant Professor Michael Lempert Associate Professor Gayle Rubin Jessica C. Lowen [email protected] ORCID iD: 0000-0002-3392-0642 ã Jessica C. Lowen 2020 DEDICATION To survivor leaders and those who support them. ii ACKNOWLEDGMENTS This project would not have been possible without external funding. In particular, I would like to acknowledge the Wenner Gren Foundation as well the King-Chavez-Park Initiative for Future Faculty development. In addition, various grant programs at the University of Michigan also supported this project, including: the Rackham Graduate School, the Program in Public Scholarship, the Center for the Education of Women (CEW), the Institute for Research on Women and Gender (IRWG), the Hatcher Graduate Library, the Undergraduate Research Opportunity Program (UROP), and the Department of Anthropology. I wish to express my gratitude to my dissertation committee for their guidance, their patience, and for their enduring belief in the value of this project. In particular, I wish to thank Professor Alaina Lemon for supervising my doctoral work at the University of Michigan. I would also like to thank my many faculty mentors who supported my work. By introducing me to the field of Linguistic Anthropology, Professors Chas McKhann and Bruce Mannheim provided the initial training that allowed me to conceptualize this project. -
The Sex Myth
‘As entertaining as it is erudite’ Catherine Hakin, Observer ieielout & ' Praise for The Sex Myth ‘She accomplishes this heroic task with humour, skill and passion in a book that is as entertaining as it is erudite’ Katherine Hakin, Observer ‘An important book . exactly the kind of level-headed analysis that could help to dispel some of the hysteria surrounding the sex industry’ Suzi Godson, The Times ‘There is a lot to admire in The Sex Myth . should be read by anyone claiming an interest in sex and, especially, sex equality’ Katie Law, Evening Standard ‘An enlightening must-read for anyone exposed to the press’ Abby O’Reilly, Independent on Sunday Dr Brooke Magnanti studied Genetic Epidemiology and gained her PhD at the Department of Forensic Pathology, University of Sheffield. Her professional interests include population-based research, stan dards of evidence, and human biology and anthropology. In 2009 it was revealed that she is an ex-call girl and author of the bestselling Belle de Jour series of memoirs, which were adapted into the T V series Secret Diary of a Call Girl, starring Billie Piper. Follow Brooke on Twitter @bmagnanti. By Brooke Magnanti Writing as Belle de Jour The Intimate Adventures of a London Call Girl Further Adventures of a London Call Girl Playing the Game Belle de Jour’s Guide to Men Writing as Dr Brooke Magnanti The Sex Myth The Sex Myth Why everything we’re told is wrong Dr Brooke Magnanti First published in Great Britain in 2012 by Weidenfeld & Nicolson This paperback edition published in 2013 by Phoenix, an imprint of Orion Books Ltd, Orion House, 5 Upper St Martin’s Lane London WC2H 9EA An Hachette UK company 1 3 5 7 9 10 8 6 4 2 Copyright © Bizrealm Limited 2012 Bizrealm Limited has asserted Dr Brooke Magnanti’s right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. -
Product Corning to Market (Ed)
Healthy Sign: More Product Corning To Market (Ed) ... Davis To Col/Epic Confab: Challenge Of 'Aggre- ssive Competition' ... Tyrell Label Thr Col ... Music Now Key In- August 8. 1970 gredient Of Allied Artistss s Film, TV Units ... Bell: Top 6 Mos. In Histo casábar ... Japan Surge On Soundtrack Product; King INTERNATIONAL MUSIC SECTION 'Definitive' 7 -LP Set ... Eurovision Changes 'TOMMY,' THAT'S WHO INT'L SECTION BEGINS ON PAGE 4 Pickettywitch The Manhattan Borough -Wide Chorus for The Friends of Music of New York City and their friends have a new hit single called "Hi -De -Ho:' (Their friends.) BLOOD,SWEAT& TEARS 3 Symphony For The Devil-Sympathy For The Devil Somethin' Comin' On/The Battle 40,000 Headmen/Hi-De-Ho/Lucretia MacEvil Blood, Sweat & Tears recorded "Hi -De -Ho" with 27 Junior High School students chosen from The Manhattan Borough -Wide Chorus for The Friends of Music (most of whom live in Ghetto neighborhoods). It isn't often that a single gets such tremendous air play and sales in only two weeks. It isn't often that you can look at the face of a kid and know that a recording session accomplished more than the making of a hit record. *Also available on tape. ON COLUMBIA RECORDS* iiiuAW iu iiAa HUMi=ii=iiäï /MIMI IIMU\MUM THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXII - Number 1/August 8 1970 Publication Office / 1780 Broadway, New York, New York 10019 / Telephone: JUdson 6-2640 /Cable Address: Cash Box, N.Y. GEORGE ALBERT President and Publisher MARTY OSTROW Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. -
The Beach Boys Smile Sessions Box Set Merchandising in 2011 SMILE
This is Google's cache of http://www.earcandymag.com/smilemerchandise-1211.htm. It is a snapshot of the page as it appeared on Jun 20, 2013 15:52:07 GMT. The current page could have changed in the meantime. Learn more Tip: To quickly find your search term on this page, press Ctrl+F or ⌘-F (Mac) and use the find bar. Text-only version EAR CANDY MAG - December 2011 The Beach Boys Smile Sessions Box Set Merchandising in 2011 It only took 44 years to see an official release of the Beach Boys SMiLE - but Capitol is undertaking a promotional merchandise campaign of the likes that haven't been seen since the 1964 wave of Beatles merchandising! The success of Smile box set versions that included a light-up Smile box and the Smile Surfboard are only the tip of the iceberg. The merchandise promotion for the Beach Boys Smile Sessions has now shifted into overdrive with the creation of SMiLE MALL - a magazine of SMiLE-only merchandise. Phase II of Smile merchandise has just been announced, and we are proud to display some of the new items that are available from the pages of SMiLE MALL! Click on each picture for larger view. SMILE SESSIONS PLATINUM BOX SET The limited edition Platinum Deluxe Box Set includes: 9 - CD's 3 - 45 rpms A 60 Page Domenic Priore book 2 - vinyl 12" albums The new Andrew G. Doe 400 page Book A recreation of the Beach Boys gingham shirts! (please specify size) A recreation of Mike Love's 1966 classic herringbone tweed flat cap. -
San Francisco Ephemera Collection SF SUB COLL
http://oac.cdlib.org/findaid/ark:/13030/kt2p30342b No online items Finding Aid to the San Francisco Ephemera Collection SF SUB COLL Finding aid prepared by David Krah, Stephanie Walls, and California Ephemera Project staff; updated by San Francisco History Center staff. The California Ephemera Project was funded by a Cataloging Hidden Special Collections and Archives grant from the Council on Library and Information Resources in 2009-2010. San Francisco History Center, San Francisco Public Library 100 Larkin Street San Francisco, CA 94102 [email protected] URL: http://www.sfpl.org/sfhistory 2010, revised January 2020 Finding Aid to the San Francisco SF SUB COLL 1 Ephemera Collection SF SUB COLL Title: San Francisco ephemera collection Date (inclusive): 1850-present Identifier/Call Number: SF SUB COLL Physical Description: 265.0 Linear feet(in 153 file drawers) Contributing Institution: San Francisco History Center, San Francisco Public Library 100 Larkin Street San Francisco, CA 94102 415-557-4567 [email protected] URL: http://sfpl.org/sfhistory Abstract: Consists of ephemeral materials, city records and clippings relating to the city of San Francisco and its citizens. Materials date from the 1850s to the present, the bulk from the 20th century. Subjects cover a diverse array of San Francisco history and primarily pertain to: municipal government; city planning; urban policy; environmental engineering; transportation; social history; labor history; community relations; notable events; public events, fairs and celebrations; and various aspects of local popular culture. Subjects also relate to specific local entities, such as: businesses; schools, colleges and universities; political parties; and associations, groups and clubs. -
Cineeco2008 XIV Festival Internacional De Cinema E Vídeo De Ambiente Serra Da Estrela Seia Portugal
cineeco2008 XIV festival internacional de cinema e vídeo de ambiente serra da estrela seia_portugal PRÉMIO NACIONAL DO AMBIENTE 2006 atribuido pela Confederação Portuguesa de Associações de Defesa do Ambiente membro fundador da ASSOCIAÇÃO DE FESTIVAIS DE CINEMA DE MEIO AMBIENTE (EFFN - ENVIRONMENTAL FILM FESTIVAL NETWORK) juntamente com cinemambiente . environmental film festival . turim . itália festival internacional del medi ambient sant feliu de guíxols . barcelona . espanha ecocinema . festival internacional de cinema ambiental . grécia parceiro dos festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema do ambiente washington . eua vizionária . international video festival . siena . itália wild and scenic environmental film festival . nevada city . eua em formação plataforma atlântica de festivais de ambiente de colaboração com festival internacional de cinema e vídeo ambiental goiás . brasil festival internacional de cinema e vídeo ambiental do mindelo . cabo verde extensões do cineeco centro das artes . casa das mudas . calheta . madeira dep. ambiente da câmara municipal de lisboa sec. regional do ambiente . ponta delgada . horta . praia da vitória . açores inatel . albufeira . vidigueira. quarteira . beja teatro aveirense . mercado negro . cine clube . aveiro biblioteca municipal . braga centro de ciência viva . bio blitz . semana de cultura cientifica . tavira quinzena do comércio justo . Almada fnac . porto teatro cine . torres vedras Edição: CineEco Título: Programa do CineEco’2008 -
Designer Vinyl & New
Designer Vinyl & New Art Bay Leaf Books, ABAA eList 23 – April 2018 eList 23 ~ This is Not a Toy ~ March 2018 If the terms Munny, Dunny, Labbit, or Qee are in your vocabulary, then you’re probably aware of the art toy subculture. If not, it can seem like an odd world where vinyl rabbits are arranged in display cases like sculpture, and collectors wait in line for hours to have graphic designers sharpie their signatures across the heads of their plastic figures. But an explanation of designer toys is actually pretty simple, “limited edition art objects that are designed […] by artists of all kinds, from all fields of art and graphic design.”1 The art toy world, which has enjoyed tremendous sales growth over the last several years,2 has become a major form of expression for a select group of designers and street artists. Some contemporary artists have taken advantage of the designer toy form to expand on characters they have developed through their art, like Mike Egan, whose popular Bones character grew from the artist’s folk-pop paintings of doom and gloom (see items 4 and 16). The DIY ethic is strong in the art toy community where base fig- ures—like the Dunny, a kind of a cartoony rabbit figure—are used as starting points for the designer’s individual vision. Kidrobot, one of the most popular designer toy companies, even produces blank Dunnys, so anyone can pick up some markers or paints and become the artist. Like books, there are some art toys that are truly limited, with a run of only 10, 50 or 100 pieces, while some mass-produced toys are only limited—again, like books—to the number that they can sell.