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International Production Notes
INTERNATIONAL PRODUCTION NOTES PUBLICITY CONTACT Julia Benaroya Lionsgate +1 310-255-3095 [email protected] US RELEASE DATE: SEPTEMBER 28, 2018 RUNNING TIME: 89 MINUTES TABLE OF CONTENTS PRODUCTION INFORMATION ..................................... 4 ABOUT THE CAST ................................................ 14 ABOUT THE FILMMAKERS ..................................... 18 END CREDITS ...................................................... 26 3 PRODUCTION INFORMATION In this terrifying thrill ride, college student Natalie is visiting her childhood best friend Brooke and her roommate Taylor. If it was any other time of year these three and their boyfriends might be heading to a concert or bar, but it is Halloween which means that like everyone else they will be bound for Hell Fest – a sprawling labyrinth of rides, games and mazes that travels the country and happens to be in town. Every year thousands follow Hell Fest to experience fear at the ghoulish carnival of nightmares. But for one visitor, Hell Fest is not the attraction – it is a hunting ground. An opportunity to slay in plain view of a gawking audience, too caught up in the terrifyingly fun atmosphere to recognize the horrific reality playing out before their eyes. As the body count and frenzied excitement of the crowds continue to rise, he turns his masked gaze to Natalie, Brooke, Taylor and their boyfriends who will fight to survive the night. CBS FILMS and TUCKER TOOLEY ENTERTAINMENT present a VALHALLA MOTION PICTURES production HELL FEST Starring Amy Forsyth, Reign Edwards, Bex Taylor-Klaus and Tony Todd. Casting by Deanna Brigidi, CSA and Lisa Mae Fincannon. Music by Bear McCreary. Costume Designer Eulyn C. Hufkie. Editors Gregory Plotkin, ACE and David Egan. -
Rawrs Camera Wows
rawr21s camera wows British cameraman Ousama Rawi worked on the film Coup d'Etat in Toronto and shares with Mark Irwin some of his thoughts and techniques about lighting. by Mark Irwin Ousama Rawi checks a shot 22/ Cinema Canada / managed to meet Ousama Rawi two going to need a lot of light; it's going When Ossie Morris was shooting days before he began shooting Coup to be a very warm set. Equus here last year, he very openly d'Etat for Magnum Films. I had fol expressed his lack of confidence in lowed his work after seeing Pulp Canadian labs and their work. Have Your lighting style has managed to be (a Michael Caine comedy/thriller) you experienced any such horrors? a directional soft light. How have you in 1972. Since then I'd seen Black achieved that? Windmill, Gold and Sky Riders, all Well, Medallion is doing all our Some bounce, some diffuse. It de of them incredibly well photographed work. I spent a day with them and they pends on two factors: one, the location and I was very honored to finally meet were terrific. We're printing 5381 and we're shooting in, the height of the the man himself. not Gevaert because I think that final ceiling, the color of the ceiling, etc., ly 5247 and 5381 have now matured. I Born in Bagdad, and educated in and then two, the style of the director. was very disappointed when I first Scotland, he began shooting news for If he wants to pan through 270 degrees used 5247 before the modification Border Television in 1965. -
Comiccon 2018 Held October 20-21, 2018
Metrics Associated with the ComicCon 2018 Held October 20-21, 2018 Prepared by: David Nash Research and Data Manager John Meroski Chief Executive Officer October 26, 2018 Contents i. Introduction ii. They Identified Themselves as… iii. Where Were They From? ▪ Overview ▪ By State, County and City iv. How Did They Find Out About Event? v. Survey Requirements ▪ Requirements ▪ Information Provided vi. Bureau Generated Publicity vii. Public Relations Recap viii. Occupancy Comparison ix. Summary 2 Introduction • All data was collected by the ComicCon staff. • The ComicCon management estimated 10,000 attendees prior to the event. • The agreed upon minimum number of completed surveys needed was 370. • The final number of submitted surveys was 145. • Using the 10,000 attendees, the Confidence Interval for this presentation with a 145 Sample Size is +/- 8.08%. Because of the size of the sample the Confidence Interval is below the “best practice” of +/- 5.00%. 3 Introduction • Surveys were collected at the following times (blue shaded area indicates event is in progress): Completed Completed Completed Time Time Time Surveys Surveys Surveys Thursday, Oct 18, 2018 Saturday, Oct 20, 2018 Sunday, Oct 21, 2018 3-4 p.m. 2 8-9 a.m. 1 10-11 a.m. 0 Total Collected Day 1 2 9-10 a.m. 1 11 a.m.-12 Noon 0 10-11 a.m. 0 12-1 p.m. 0 11 a.m.-12 Noon 1 1-2 p.m. 11 12-1 p.m. 8 2-3 p.m. 0 1-2 p.m. 19 3-4 p.m. 1 2-3 p.m. -
Bob Oei Thesis Final Final
ABSTRACT The Cinematography of Closet Memories Robert Oei, M.A. Advisor: Christopher J. Hansen, M.F.A. The cinematography of a film heavily influences the audience’s mood and their perception of tension. The way a director of photography uses lights and the camera can enhance or destroy the moments of a film a director has built. Keeping this knowledge in mind, the cinematography of Closet Memories uses film noir lighting, a mixture of handheld and smooth camera work, and other techniques to maintain the emotional content of the film’s scenes. The Cinematography of Closet Memories by Robert Oei, B.A. A Thesis Approved by the Department of Communication David W. Schlueter, Ph.D., Chairperson Submitted to the Graduate Faculty of Baylor University in Partial Fulfillment of the Requirements for the Degree of Master of Arts Approved by the Thesis Committee Christopher J. Hansen, M.F.A., Chairperson James Kendrick, Ph.D. DeAnna M. Toten Beard Ph.D. Accepted by the Graduate School May 2013 J. Larry Lyon, Ph.D., Dean Page bearing signatures is kept on file in the Graduate School Copyright © 2013 by Robert Oei All rights reserved TABLE OF CONTENTS Chapter One: Introduction ..................................................................................................1 Chapter Two: Literature Review .........................................................................................6 Chapter Three: Methodology .............................................................................................14 Scene 1 and 2 ........................................................................................................15 -
Introduction
CINEMATOGRAPHY Mailing List the first 5 years Introduction This book consists of edited conversations between DP’s, Gaffer’s, their crew and equipment suppliers. As such it doesn’t have the same structure as a “normal” film reference book. Our aim is to promote the free exchange of ideas among fellow professionals, the cinematographer, their camera crew, manufacturer's, rental houses and related businesses. Kodak, Arri, Aaton, Panavision, Otto Nemenz, Clairmont, Optex, VFG, Schneider, Tiffen, Fuji, Panasonic, Thomson, K5600, BandPro, Lighttools, Cooke, Plus8, SLF, Atlab and Fujinon are among the companies represented. As we have grown, we have added lists for HD, AC's, Lighting, Post etc. expanding on the original professional cinematography list started in 1996. We started with one list and 70 members in 1996, we now have, In addition to the original list aimed soley at professional cameramen, lists for assistant cameramen, docco’s, indies, video and basic cinematography. These have memberships varying from around 1,200 to over 2,500 each. These pages cover the period November 1996 to November 2001. Join us and help expand the shared knowledge:- www.cinematography.net CML – The first 5 Years…………………………. Page 1 CINEMATOGRAPHY Mailing List the first 5 years Page 2 CINEMATOGRAPHY Mailing List the first 5 years Introduction................................................................ 1 Shooting at 25FPS in a 60Hz Environment.............. 7 Shooting at 30 FPS................................................... 17 3D Moving Stills...................................................... -
2014 FEATURE Press Kit
2014 FEATURE Press Kit CONTACT: Alec Peters — Axanar Productions — 10901 Whipple St. #208, Toluca Lake, CA 91602 phone: 404-918-1701 — email: [email protected] — www.StarTrekAxanar.com ©2014 Star Trek: Axanar. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. This website, the promotion thereof and/or any exhibi- tion of material created by the operators of this website are not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise. Table of Contents The Story of Star Trek: Axanar Page 3 Synopsis & Essential Information Page 4 Featured Cast Page 5 Featured Crew Page 9 Production F.A.Q. Page 12 Star Trek Continuity F.A.Q. Page 13 Internet Resources & Video Links Page 15 Interview & Podcast Links Page 16 Production Contacts Page 17 Publicity Stills Page 18 CONTACT: Alec Peters — Axanar Productions — 10901 Whipple St. #208, Toluca Lake, CA 91602 phone: 404-918-1701 — email: [email protected] — www.StarTrekAxanar.com ©2014 Star Trek: Axanar. STAR TREK and all related marks, logos and characters are owned by CBS Studios Inc. This website, the promotion thereof and/or any exhibi- tion of material created by the operators of this website are not endorsed or sponsored by or affiliated with CBS/Paramount Pictures or the STAR TREK franchise. 2 The Story of Star Trek: Axanar “Axanar” takes place 21 years before the events of “Where No Man Has Gone Before”, the first Kirk episode of the original Star Trek. Axanar is the story of Garth of Izar, the legendary Starfleet captain who is Captain Kirk’s hero. -
Fall 2020 Letter from the Editor
FALL 2020 LETTER FROM THE EDITOR Welcome, Greetings, Salutations and yI'el! Welcome to the Fall 2020 issue of the Ticonderoga newsletter. This issue finds the intrepid crew of the Ticonderoga once again boldly moving where only the foolish dare...among Dragons! Not only that, but we are going to explore our adventures among those whom we love to meet, who frequently bring dragons to life...the actors, authors, and artists that we've met and gotten their autographs!! This has been an unusual year with the world health issues having made it difficult to get out and enjoy conventions, films, or most any of the large gatherings that we all love so much. So this edition is going to help us live with our memories and share the times that we have had in the past meeting our celebrity crushes, while we look forward to the times in the near future where we will build new memories. “Lockhart'll sign anything if it stands still long enough!” — J.K. Rowling , Chamber of Secrets Some autographs are rather easy to obtain because the “autographee” seems to be at every event ever planned, while others fall under the “holy grail” category due to the rarity of encounters. For those who collect them, the reward is worth the chase in either case. So enjoy these stories of chasing dragons and autographs, stay safe and we'll all meet up on the other side! “Star Trek' says that it has not all happened, it has not all been discovered, that tomorrow can be as challenging and adventurous as any time man has ever lived.” —Gene Roddenberry As always.. -
TRADING CARDS 2016 STAR TREK 50Th ANNIVERSARY
2016 STAR TREK 50 th ANNIVERSARY TRADING CARDS 1995-96 30 Years of Star Trek 1995-96 30 Years of Star Trek Registry Plaques A6b James Doohan (Lt. Arex) 50.00 100.00 A7 Dorothy Fontana 15.00 40.00 COMPLETE SET (9) 100.00 200.00 COMMON CARD (R1-R9) 12.00 30.00 STATED ODDS 1:72 2003 Complete Star Trek Animated Adventures INSERTED INTO PHASE ONE PACKS Captain Kirk in Motion COMPLETE SET (9) 12.50 30.00 1995-96 30 Years of Star Trek Space Mural Foil COMMON CARD (K1-K9) 1.50 4.00 COMPLETE SET (9) 25.00 60.00 STATED ODDS 1:20 COMMON CARD (S1-S9) 4.00 10.00 STATED ODDS 1:12 2003 Complete Star Trek Animated Adventures Die- COMPLETE SET (300) 15.00 40.00 INSERTED INTO PHASE THREE PACKS Cut CD-ROMs PHASE ONE SET (100) 6.00 15.00 COMPLETE SET (5) 10.00 25.00 PHASE TWO SET (100) 6.00 15.00 1995-96 30 Years of Star Trek Undercover PHASE THREE SET (100) 6.00 15.00 COMMON CARD 2.50 6.00 COMPLETE SET (9) 50.00 100.00 STATED ODDS 1:BOX UNOPENED PH.ONE BOX (36 PACKS) 40.00 50.00 COMMON CARD (L1-L9) 6.00 15.00 UNNUMBERED SET UNOPENED PH.ONE PACK (8 CARDS) 1.25 1.50 STATED ODDS 1:18 UNOPENED PH.TWO BOX (36 PACKS) 40.00 50.00 INSERTED INTO PHASE TWO PACKS UNOPENED PH.TWO PACK (8 CARDS) 1.25 1.50 2003 Complete Star Trek Animated Adventures James Doohan Tribute UNOPENED PH.THREE BOX (36 PACKS) 40.00 50.00 1995-96 30 Years of Star Trek Promos UNOPENED PH.THREE PACK (8 CARDS) 1.25 1.50 COMPLETE SET (9) 2.50 6.00 PROMOS ARE UNNUMBERED COMMON CARD (JD1-JD9) .40 1.00 PHASE ONE (1-100) .12 .30 1 NCC-1701, tricorder; 2-card panel STATED ODDS 1:4 PHASE TWO (101-200) -
British Society of Cinematographers
Best Cinematography in a Theatrical Feature Film 2020 Erik Messerschmidt ASC Mank (2020) Sean Bobbitt BSC Judas and the Black Messiah (2021) Joshua James Richards Nomadland (2020) Alwin Kuchler BSC The Mauritanian (2021) Dariusz Wolski ASC News of the World (2020) 2019 Roger Deakins CBE ASC BSC 1917 (2019) Rodrigo Prieto ASC AMC The Irishman (2019) Lawrence Sher ASC Joker (2019) Jarin Blaschke The Lighthouse (2019) Robert Richardson ASC Once Upon a Time … in Hollywood (2019) 2018 Alfonso Cuarón Roma (2018) Linus Sandgren ASC FSF First Man (2018) Lukasz Zal PSC Cold War(2018) Robbie Ryan BSC ISC The Favourite (2018) Seamus McGarvey ASC BSC Bad Times at the El Royale (2018) 2017 Roger Deakins CBE ASC BSC Blade Runner 2049 (2017) Ben Davis BSC Three Billboards outside of Ebbing, Missouri (2017) Bruno Delbonnel ASC AFC Darkest Hour (2017) Dan Laustsen DFF The Shape of Water (2017) 2016 Seamus McGarvey ASC BSC Nocturnal Animals (2016) Bradford Young ASC Arrival (2016) Linus Sandgren FSF La La Land (2016) Greig Frasier ASC ACS Lion (2016) James Laxton Moonlight (2016) 2015 Ed Lachman ASC Carol (2015) Roger Deakins CBE ASC BSC Sicario (2015) Emmanuel Lubezki ASC AMC The Revenant (2015) Janusz Kaminski Bridge of Spies (2015) John Seale ASC ACS Mad Max : Fury Road (2015) 2014 Dick Pope BSC Mr. Turner (2014) Rob Hardy BSC Ex Machina (2014) Emmanuel Lubezki AMC ASC Birdman or (The Unexpected Virtue of Ignorance) (2014) Robert Yeoman ASC The Grand Budapest Hotel (2014) Lukasz Zal PSC & Ida (2013) Ryszard Lenczewski PSC 2013 Phedon Papamichael ASC -
4 Colour Zonal.Eps
Ingrid David Zucker Vilmos Zsigmond Bergman Marlon Gary Cooper Bruce Sharman Brando Russell Carpenter C B 5 Zakaria Aladui JJ Abrams Walter Bette Davis John Huneck Kacee DeMasi Allan Ekelund Brennan William Wyler Steven Soderbergh Jerry Zucker Robert Josph L. Mankiewicz Fred 6 Elia Kazan Norman Zemeckis Danny DeVito Tony Brownrigg Zinnemann Denise Patty Milos Forman Gay Gerald R. Molen Denis Holt Ridley Chris Colombus Minter Bonfilio Clint Robert Downey Sr. Scott 4 Darius Khondji Eastwood 5 John Toll Joseph Ruttenburg Lawrence Kasdan Barry Levinson Robert Richardson Jonathan Robert Surtees Robert De Niro George Templeton Latham Jane Whitney Houston Hartwell Ralph S. Haskell Janusz Barry Bernardi Louis M. Wiard Brown Wexler Kaminski Leon Shamroy Jane Fonda Walter Murch Freddie Francis Singleton Lucino Francis Ford Coppola Mann Ihnen Dustin Kevin Edgardo Jan Foster Hoffman Spacey Visconti Jay Roach Great Watkins Pabarno Guido Arthur Miller Leonardo Di Caprio 3 Ki-Duk Carlos Gerald R. Cerasuolo Kim Menendez 4 Molen Vivien Leigh Maggie Lee Katz Howard Stern Annie Ismail Merchant Elizabeth Symes Philip M. Smith Peter Jay-Z Lennox Daryl Kass Marco Oliveri James Stewart Goldfarb Kevin Smith Jackson Hsiao-hsien Hou John Bailey James P. Katherine Phil Rawlins Jan De Bont John Glen Jeff J.J. Authors Irving James Hogan Neil Young Berlin Erwin Ronald L. Hepburn Magic Johnson Ivory Ron Fricke Godschalk Schwary Richard A. Harris Tod Browning Abby Singer George Bam Margera Hans Stanley Kramer Dean Semler Stevens Zimmer Ron Shelton 200m Kazuo Hal Ashby Roger Michael Cary Grant Jon Landau Caine Miyagawa Irving G. Thalberg Daltrey Roger John Juan Clemente Halle Berry Jon De Bello Vangelis John Williams Douglas Trumbull 2 Elton John Moby Waters Carpenter 3 Propser Thelma Schoonmaker Conrad Hall Jack N. -
Ghost in the House Playbill
Schoenberg Hall UCLA october 9 – 11, 2015 Congratulations to Opening Minds Productions and UCLA Black Alumni Association for bringing Ghost in the House and Jack Johnson’s story to The Stage Patrick M. Schmidt FFF Enterprises – Helping Healthcare Care http://www.fffenterprises.com OPENING MINDS PRODUCTIONS is a 501c3 non-profit organization presenting Educational Theater, Multi/Media and Film Productions inspired by real people and real events from History. We also produce hands-on workshops and seminars. By making a donation to Opening Minds Productions you help us produce shows like Ghost in the House. It is easy to contribute—just click the DONATE button on our website www.OpeningMindsProductions.org. All donations are tax-deductible. Board of Directors: Raymond Bell, Dan Lauria, Bob Ladendorf, Diana Ljungaeus, Frank Megna, Doc Ogden, Neil Proto, and Gloria Zuurveen Opening Minds Productions in association with the UCLA Black Alumni Association Present GHOSTin the HOUSE The Life and Times of Jack Johnson By Ernie Hudson and Frank Megna Directed by Frank Megna Starring Tony Todd With Diahnna Nicole Baxter Eleen Hsu Kincaid Walker Technical Director/Original Music Myles West Musical Concepts Eleen Hsu Costumes Bo Roses Produced by Raymond Bell, Diana Ljungaeus, Bob Ladendorf, Dan Lauria, Doc Ogden, Gloria Zuurveen CAST Jack Johnson . Tony Todd Mama . Diahnna Nicole Baxter The Siren . Kincaid Walker The Wraith . Eleen Hsu Time: 1885 to 1946 Place: All over the world DIRECTor’s Notes Rarely in my 30-plus years in the theater have I encountered a greater spirit of collaboration than in this production of Ghost. Everyone involved in presenting this show—actors, writers, crew and producers—has been possessed with a desire to bring as much life, truth and soul to Jack Johnson’s story as our creativity and dedication allows. -
Richard Brooks the PROFESSIONALS 1966, (119 Min.)
September 30, 2008 (XVII:6) Richard Brooks THE PROFESSIONALS 1966, (119 min.) Produced, written and directed by Richard Brooks Original Music by Maurice Jarre Cinematography by Conrad L. Hall Film Editing by Peter Zinner Burt Lancaster... Bill Dolworth Lee Marvin... Henry 'Rico' Fardan Robert Ryan... Hans Ehrengard Woody Strode... Jake Sharp Jack Palance... Jesus Raza Claudia Cardinale... Mrs. Maria Grant Ralph Bellamy... Joe Grant Joe De Santis... Ortega Nominated for Best Cinematography, color, Best Director and Best writing, screenplay based on material from another medium Oscars RICHARD BROOKS (18 May 1912, Philadelphia, Pennsylvania— Oscars (Atlantic City, 1980, Birdman of Alcatraz 1962, From 11 March 1992, Beverly Hills, California, congestive heart Here to Eternity 1953) and won one (Elmer Gantry 1960). Some failure) wrote 36 screenplays and directed 24 films. Some of the of his other 86 films were Field of Dreams (1989), Zulu Dawn films he wrote and directed were Looking for Mr. Goodbar (1979), Go Tell the Spartans (1978), The Island of Dr. Moreau (1977), In Cold Blood (1967), The Professionals (1966), Lord Jim (1977), Twilight's Last Gleaming (1977), The Cassandra Crossing (1965), Sweet Bird of Youth (1962), Elmer Gantry (1960), Cat on (1976), Victory at Entebbe (1976—as Shimon Peres), Buffalo Bill a Hot Tin Roof (1958), The Brothers Karamazov (1958), and the Indians, or Sitting Bull's History Lesson (1976), Ulzana's Something of Value (1957), and Blackboard Jungle (1955). He Raid (1972), Valdez Is Coming (1971), Airport (1970), The Gypsy was nominated for 5 Best Screenplay and 3 Best Director Oscars Moths (1969), Castle Keep (1969), The Swimmer (1968), The (In Cold Blood, The Professionals and Cat on a Hot Tin Roof).