UC Santa Cruz UC Santa Cruz Previously Published Works
UC Santa Cruz UC Santa Cruz Previously Published Works Title “Of Marabouts, Acrobats, and Auteurs: Framing the Global Popular in Moumen Smihi’s World Cinema.” Permalink https://escholarship.org/uc/item/1r86d1c5 Author Limbrick, Peter Publication Date 2021 Peer reviewed eScholarship.org Powered by the California Digital Library University of California FINAL ACCEPTED MANUSCRIPT, FORTHCOMING IN CULTURAL CRITIQUE, 2021 “Of Marabouts, Acrobats, and Auteurs: Framing the Global Popular in Moumen Smihi’s World Cinema.” Peter Limbrick, Film and Digital Media, University of California, Santa Cruz One of the critical commonplaces in the study of Arab cinemas is the idea that we can distinguish between Egyptian cinema, a dominant popular and industrial cinema akin to Hollywood, and smaller national or regional cinemas (Palestinian, Tunisian, Algerian, Moroccan) which are typically discussed as auteur or art cinemas. While historically defensible, in that Egypt preceded these others in having its own studios and industry, such an assessment nonetheless tends to foreclose on the possibilities for those films inhabiting the “non-Egyptian” model ever be accorded the status of popular cinema. Moreover, where local distribution and exhibition for North African films has been historically partial or non-existent (due to commercial decisions that have historically favored Egyptian, Indian, and Euro-American productions), it has been difficult for many directors in countries like Morocco to avoid the charge that their films—which are often more visible in European festivals than at home—are made for other markets or audiences. Whether in sympathy with the idea of distinctive local or national cinemas and resistance to cultural hegemony, or in suspicion of the politics of international funding and coproduction, many critical treatments of non-Egyptian Arab films make of the popular an evaluative term that signifies local authenticity and a resistance towards European art cinema tendencies and that privileges commercial success over experimentation.
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