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This Day Author(S): Akram Zaatari Source: Framework: the Journal of Cinema and Media, Vol
Drake Stutesman This Day Author(s): Akram Zaatari Source: Framework: The Journal of Cinema and Media, Vol. 43, No. 2, MIDDLE-EASTERN MEDIA ARTS (FALL 2002), pp. 184-195 Published by: Drake Stutesman; Wayne State University Press Stable URL: http://www.jstor.org/stable/41552342 Accessed: 09-02-2017 17:39 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at http://about.jstor.org/terms Drake Stutesman, Wayne State University Press are collaborating with JSTOR to digitize, preserve and extend access to Framework: The Journal of Cinema and Media This content downloaded from 216.185.144.171 on Thu, 09 Feb 2017 17:39:15 UTC All use subject to http://about.jstor.org/terms This Day regroups recordings I N. used to produce as a child N. during the '82 Israeli invasion of South Lebanon (1981-85). They N. included clips from radio, audio lsraeli F_16 air fighter June 1981 clips of television programs, and audio recordings of daily life. I used to create my own radio programs, featuring my top hit songs, reading the news, and commercials ....etc. I developed those recording habits that soon extended to include photography, and a diary, reporting on the politico-military situation in the South, and daily reviews of all the films I managed to watch on the Lebanese, Egyptian and Israeli TV channels. -
Curriculum Vitae
Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor -
When Maqam Is Reduced to a Place Eyal Sagui Bizawe
When Maqam is Reduced to a Place Eyal Sagui Bizawe In March 1932, a large-scale impressive festival took place at the National Academy of Music in Cairo: the first international Congress of Arab Music, convened by King Fuad I. The reason for holding it was the King’s love of music, and its aim was to present and record various musical traditions from North Africa and the Middle East, to study and research them. Musical delegations from Egypt, Iraq, Syria, Morocco, Algiers, Tunisia and Turkey entered the splendid building on Malika Nazli Street (today Ramses Street) in central Cairo and in between the many performances experts discussed various subjects, such as musical scales, the history of Arab music and its position in relation to Western music and, of course: the maqam (pl. maqamat), the Arab melodic mode. The congress would eventually be remembered, for good reason, as one of the constitutive events in the history of modern Arab music. The Arab world had been experiencing a cultural revival since the 19th century, brought about by reforms introduced under the Ottoman rule and through encounters with Western ideas and technologies. This renaissance, termed Al-Nahda or awakening, was expressed primarily in the renewal of the Arabic language and the incorporation of modern terminology. Newspapers were established—Al-Waq’i’a al-Masriya (Egyptian Affairs), founded under orders of Viceroy and Pasha Mohammad Ali in 1828, followed by Al-Ahram (The Pyramids), first published in 1875 and still in circulation today; theaters were founded and plays written in Arabic; neo-classical and new Arab poetry was written, which deviated from the strict rules of classical poetry; and new literary genres emerged, such as novels and short stories, uncommon in Arab literature until that time. -
INDEVCO 2016 Childhood Development in the Middle East Initiatives
NURTURING CHILDHOOD DEVELOPMENT IN THE MIDDLE EAST NURTURING CHILDHOOD DEVELOPMENT IN THE MIDDLE EAST NURTURING CHILDHOOD DEVELOPMENT IN THE MIDDLE EAST OUR COMMITMENT TO CHILDREN’S EDUCATION is to partner with local and international organizations, NGOs, and the media to promote and support childhood education as a precursor to success in life. Responsibility Context Investment in Early Childhood INDEVCO member companies, Sanita values and facilitate the right to Development (ECD) in the Middle in Lebanon, and Napco Consumer education for children through early East and North Africa (MENA) is Products in Saudi Arabia, have adulthood. 1 cited among the lowest in the world . introduced education interventions UNICEF and the World Bank link ECD UNICEF, WHO, and the World Bank, to parents, identified in the World to UN Sustainable Development among others, have developed Bank’s Stepping Up Early Childhood Goal SDG4 for access to inclusive frameworks to guide policy makers Development as key areas for high and quality education and lifelong and practitioners in how to invest in returns, not only for individuals and opportunities for all3. young children, linking ECD directly families, but also communities and to children’s ability to contribute society2. Impact is measured by meaningfully to society. Given partnerships, engagement and reach that many governments have strict across countries. budgets, the private sector has an INDEVCO provides support to important role to play. Georges N. Frem Foundation initiatives that disseminate core 2 -
1 Self-Representation of Arab Female Influencers on Instagram
Self-representation of Arab Female Influencers on Instagram: A qualitative and quantitative analysis Sara S. Elmaghraby ∗ Abstract This paper aims at exploring the new media platform (Instagram) and its role in offering an innovative platform for women to present themselves, and, to break stereotypes. It aims at identifying the ways Arab Female Influencers present themselves to their followers on Instagram visually and verbally. In order to collect the sample of the Arab Influencers, a survey was conducted on 100 female college students. Then a quantitative and qualitative analysis was conducted on the accounts of 115 Arab female influencers that these students followed the most. Influencers were divided according to their careers, and their official accounts and were analyzed according to a 7-category coding scheme. The last post published on their account was described with its caption, hashtag, tag, and visual frame. The paper concluded that college students prefer to follow actresses, singers and fashionistas, travel bloggers and nutritionists. It also concluded that Arab female influencers mainly tend to present themselves promoting their work and publishing personal stories on this new media platform (Instagram). Keywords: Instagram, Gender, Middle East, Framing, Visual studies, Self Representation ∗ Teacher at Journalism department Faculty of Mass Communication, Cairo University 1 Introduction After Goffman suggested his theory of self–presentation (Goffman, 1959) several types of research defined self- presentation as a behavior that tries to deliver information about oneself or some image of oneself to other people. According to Baumeister self-presentation “ denotes a class of motivations in human behavior (…) that are in part stable dispositions of individuals but they depend on situational factors to elicit them. -
Faten Hamama and the 'Egyptian Difference' in Film Madamasr.Com January 20
Faten Hamama and the 'Egyptian difference' in film madamasr.com January 20 In 1963, Faten Hamama made her one and only Hollywood film. Entitled Cairo, the movie was a remake of The Asphalt Jungle, but refashioned in an Egyptian setting. In retrospect, there is little remarkable about the film but for Hamama’s appearance alongside stars such as George Sanders and Richard Johnson. Indeed, copies are extremely difficult to track down: Among the only ways to watch the movie is to catch one of the rare screenings scheduled by cable and satellite network Turner Classic Movies. However, Hamama’s foray into Hollywood is interesting by comparison with the films she was making in “the Hollywood on the Nile” at the time. The next year, one of the great classics of Hamama’s career, Al-Bab al-Maftuh (The Open Door), Henri Barakat’s adaptation of Latifa al-Zayyat’s novel, hit Egyptian screens. In stark contrast to Cairo, in which she played a relatively minor role, Hamama occupied the top of the bill for The Open Door, as was the case with practically all the films she was making by that time. One could hardly expect an Egyptian actress of the 1960s to catapult to Hollywood stardom in her first appearance before an English-speaking audience, although her husband Omar Sharif’s example no doubt weighed upon her. Rather, what I find interesting in setting 1963’s Cairo alongside 1964’s The Open Door is the way in which the Hollywood film marginalizes the principal woman among the film’s characters, while the Egyptian film sets that character well above all male counterparts. -
Song, State, Sawa Music and Political Radio Between the US and Syria
Song, State, Sawa Music and Political Radio between the US and Syria Beau Bothwell Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 Beau Bothwell All rights reserved ABSTRACT Song, State, Sawa: Music and Political Radio between the US and Syria Beau Bothwell This dissertation is a study of popular music and state-controlled radio broadcasting in the Arabic-speaking world, focusing on Syria and the Syrian radioscape, and a set of American stations named Radio Sawa. I examine American and Syrian politically directed broadcasts as multi-faceted objects around which broadcasters and listeners often differ not only in goals, operating assumptions, and political beliefs, but also in how they fundamentally conceptualize the practice of listening to the radio. Beginning with the history of international broadcasting in the Middle East, I analyze the institutional theories under which music is employed as a tool of American and Syrian policy, the imagined youths to whom the musical messages are addressed, and the actual sonic content tasked with political persuasion. At the reception side of the broadcaster-listener interaction, this dissertation addresses the auditory practices, histories of radio, and theories of music through which listeners in the sonic environment of Damascus, Syria create locally relevant meaning out of music and radio. Drawing on theories of listening and communication developed in historical musicology and ethnomusicology, science and technology studies, and recent transnational ethnographic and media studies, as well as on theories of listening developed in the Arabic public discourse about popular music, my dissertation outlines the intersection of the hypothetical listeners defined by the US and Syrian governments in their efforts to use music for political ends, and the actual people who turn on the radio to hear the music. -
22 Vertiefungstext 13.Mdi
TBS 16 The Appeal of Sami Yusuf and the Search for Islamic Authenticity by Christi... Page 1 of 13 PEER REVIEWED ARTICLE: The Appeal of Sami Yusuf and the Search for Islamic Authenticity By Christian Pond A quick glance at the top 40 most requested songs on the Web site for the popular Arabic music video channel Melody Hits TV reveals the latest and greatest from stars such as Lebanon’s Nancy Ajram—infamous for her sexually suggestive videos—as well as others like America’s rapper Eminem and Egypt’s crooner Tamer Hosny. Next to each song’s title and number is also displayed a picture of the artist. At number 32, next to her hit Megamix, is a picture of Britney Spears staring at the viewer with the fingers of her right hand resting suggestively on her bottom lip. At number 35, popular rapper 50 Cent is shown in front of an expensive sports car wearing a fur coat, diamond-studded chain and black bandana. Wedged between the two at number 34 is the British Muslim singing phenomenon Sami Yusuf with his latest hit Hasbi Rabbi.(1) Well-dressed, sporting a fashionably cut, close-cropped beard and preferring tailored black suits to traditional dress, he is famous for his glitzy religious CDs and music videos. Born in 1980 to Azerbaijani parents, Sami Yusuf grew up in London and first studied music under his father, a composer. From a young age he learned to play various instruments and at the age of 18 was granted a scholarship to study at the Royal Academy of Music in London.(2) In 2003, Yusuf released his first album entitled Al Mu’allim (The Teacher). -
MASARYKOVA UNIVERZITA Problematika Sýrie Jako Součást
MASARYKOVA UNIVERZITA PEDAGOGICKÁ FAKULTA KATEDRA OBČANSKÉ VÝCHOVY Problematika Sýrie jako součást mezinárodních vztahů Diplomová práce Brno 2017 Vedoucí práce: Vypracoval: doc. PhDr. Marta Goňcová, CSc. Bc. Marek Pernica Bibliografický záznam PERNICA, Marek. Problematika Sýrie jako součást mezinárodních vztahů: diplomová práce. Brno: Masarykova univerzita, Pedagogická fakulta, Katedra občanské výchovy, 2017, 132 s., 10 l. příl. Vedoucí diplomové práce doc. PhDr. Marta Goňcová, CSc. Anotace Předložená diplomová práce „Problematika Sýrie jako součást mezinárodních vztahů“ je rozdělena do dvou částí. Teoretická část na základě rešerše odborné literatury a dostupných informačních zdrojů mapuje politický vývoj Sýrie ve 20. a 21. století a chronologicky také syrskou občanskou válku. Praktická část se zaměřuje na tvorbu didaktického materiálu pro učitele občanské výchovy na toto či podobná témata. Jsou zde prezentovány výsledky dotazníkového šetření uskutečněného na všech stupních vzdělání v ČR, které se týkalo obecných znalostí o Sýrii a faktů a postojů ohledně probíhajícího konfliktu. Annotation Submitted diploma thesis „The topics of Syria as a part of international relations“ is separated into two parts. Based on search of specialized literature and available informational sources the theoretical part describes political evolution of Syria in 20th and 21th century, and also the syrian civil war by chronological way. The practical part is focused on creation of didactical materials for teachers of Civics on this one or similar topic. There -
Arabic Poetry As a Possible Metalanguage for Intercultural Dialogue Author: Daniel Roters
Arab-West Report, December 22, 2009 Title: Arabic Poetry as a possible Metalanguage for Intercultural Dialogue Author: Daniel Roters “For me the province of poetry is a private ecstasy made public, and the social role of the poet is to display moments of shared universal epiphanies capable of healing our sense of mortal estrangement—from ourselves, from each other, from our source, from our destiny, from the Divine” (Danial Abdal-Hayy, US-American poet) Introduction The aim of this study is to show how modern Arabic literature and poetry could help in the effort to understand modern Arab society and its problems. At the same time it will be necessary to describe the history of Arabic poetry if we want to understand how important poetry in contemporary Arab society is. This whirlwind tour through the history of Arabic poetry will be restrained to the function of the poet and the role of poetry played in general in Arabic-Islamic history. Indeed the preoccupation with works of modern writers should not only be an issue for organizations working on the improvement of intercultural dialogue. It is also of great importance that the scholarly discourse in Islamic or Middle Eastern Studies recognizes the importance of modern Arabic literature. Arabic literature could be another valuable source of information, in addition to the Qur' ān and Sunnah. If you 1 consider the theory of theologian Hermann Gunkel about the “Sitz im Leben ” (seat in life) and if we question a lyrical or prose text about the formative stage, it is possible to learn much about the society from which an author is addressing his audience. -
The Camps'': 1 the Emergence of Palestinian Rap in Lebanon, a New
”Welcome to the Camps”: 1 The Emergence of Palestinian Rap in Lebanon, a New Social and Political Song Nicolas Puig To cite this version: Nicolas Puig. ”Welcome to the Camps”: 1 The Emergence of Palestinian Rap in Lebanon, a New Social and Political Song. Muhammad Ali Khalidi. Manifestations of Identity, The Lived Reality of Palestinian Refugees in Lebanon, Institute for Palestine Studies ; IFPO, pp.107-122, 2010, ISBN 978-9953-453-35-4. hal-02957782 HAL Id: hal-02957782 https://hal.archives-ouvertes.fr/hal-02957782 Submitted on 5 Oct 2020 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Chapter 7 “Welcome to the Camps”:1 The Emergence of Palestinian Rap in Lebanon, a New Social and Political Song Nicolas Puig ombining the festive and aesthetic dimensions of protest, rap is now blossoming among a category of young Palestinians Cas a powerful vector channeling political and social messages. Still confidential and sometimes condemned, this form of music represents a special mode of expression related to the new generation, which stands out in the current cultural landscape. Indeed, the emergence of Palestinian rap in Lebanon and in Arab countries generally, raises the question of the appearance of a cultural activity characterized by a sense of strangeness and distinctiveness.2 As one of the cultural activities anchored in the city, rap testifies to the urbanity of the individual and constitutes a matrix of neighborhood and refugee camp representations. -
THE DESTINY of the WORLD : a STUDY on the END of the UNIVERSE in the Llght of ANCIENT EGYPTIAN TEXTS
THE DESTINY OF THE WORLD : A STUDY ON THE END OF THE UNIVERSE IN THE LlGHT OF ANCIENT EGYPTIAN TEXTS Sherine M. ElSebaie A thesis submitted in conformity with the requirements for the degree of Master of Arts Graduate Department of Near and Middle Eastern Civilizations University of Toronto O Copyright by Sherine M. ElSebaie (2000) National Library Bibliothèque nationale of Canada du Canada Acquisitions and Acquisitions et Bibliographic Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KfA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la fome de microfiche/nlm, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The Destiny of The World: A Study on the End of The Universe in The Light of Ancient Egyptian Texts Sherine M. ElSebaie Master of Arts, 2000 Dept. of Near and Middle Eastern Civilizations University of Toronto ABSTRACT The subject of this thesis is a theme that has not been fully çtudied until today and that has long been thought to be overlooked by the ancient Egyptians in a negative way.