Asmahan Presence and Distinctive Performance Style

Total Page:16

File Type:pdf, Size:1020Kb

Asmahan Presence and Distinctive Performance Style A versatile singer renowned for her powerful voice, enchanting stage Asmahan presence and distinctive performance style. Amal Al-Atrash, (1912-1944), better known by her stage name Asmahan, was an exceptional Syrian-Egyptian singer and actor who rose to fame in Egypt in the 1930s and early 1940s. Born into a prominent family, she moved from Syria to Egypt with her mother and siblings due to political unrest. To earn a living, her mother, who had an excellent voice, began singing and playing the oud. She was a source of inspiration for Asmahan and her brother, Farid Al-Atrash, who also became a famous musician. Asmahan, like her mother, demonstrated vocal talent from an early age, and went on to sing songs written by DID YOU KNOW? renowned musicians in some of Egypt’s most important venues. Asmahan collaborated with the great artist Mohammed Abdel Wahab, Asmahan was a versatile singer celebrated singing one of his compositions for for her powerful voice, enchanting stage the Film Yawm Sa’id (Happy Day). presence and distinctive performance style. She was not only skilled in tarab, but she was also incredibly innovative. Her voice was FUN FACT regarded as one of the few in the Arab world at the time able to compete with renowned Asmahan and her brother Farid Al- Egyptian singer Umm Kulthum. Atrash starred in the successful 1941 film Intisar al-Shabab (The Triumph Despite her short life, Asmahan performed of Youth), in which they portray two and recorded several memorable songs young singers looking for fame in Egypt. composed by renowned musicians, including her brother Farid Al-Atrash. Asmahan also appeared in a number of critically acclaimed MUSICAL TERM films, and some of her songs for these films became major hits. She was one of the most Tarab: Arabic word referring to distinguished female Arab singers of the 20th a state of musical bliss where the century, paving the way for the female artists listener is deeply moved and carried who followed her. away by a musical performance. .
Recommended publications
  • Curriculum Vitae
    Name: Taiseer Elias Date: 08/11/2015 CURRICULUM VITAE 1. Personal Details Permanent Home Address: P.O. Box 686, El-Fawar, 20200 Shefaram, Israel Home Telephone Number: (04) 986-2365 Office Telephone Number: (04) 828-8481 Cellular Phone: (050) 780-5055 Fax Number: (04) 986-2365 Electronic Address: [email protected] 2. Higher Education . A. Undergraduate and Graduate Studies Period of Name of Institution Degree Year of Approval of Study and Department Degree 1974–79 Rubin Conservatory graduated cum 1979 of Music - Haifa laude 1980–83 Jerusalem Academy performance and - of Music and Dance music education 1983–85 Hebrew University B.A. in 1985 of Jerusalem: musicology cum Musicology laude; Department minor in Arabic literature and language, and Theatre. 1986–91 Hebrew University M.A. in 1991 of Jerusalem: musicology cum Musicology laude Department 2001–07 Hebrew University Ph.D. in 2007 of Jerusalem: Musicology Musicology Department 1 B. Post-Doctoral Studies NONE 3. Academic Ranks and Tenure in Institutes of Higher Education Dates Name of Institution and Rank/Position Department 1982-1983 David Yellin Teachers Music Lecturer College, Jerusalem 1993 Oranim College, Tivon Music Lecturer 1993-1995 Arab Teachers Training Music Lecturer Institute - Beit Berl College, Kfar Saba 1996-Present Jerusalem Academy of Music Professor of Violin, and Dance: Eastern Music Oud, Singing and Department Theory - Adjunct Associate Professor (with tenure) 2001– 2011 Bar-Ilan University – Professor of Theory - Department of Music Adjunct Associate Professor
    [Show full text]
  • When Maqam Is Reduced to a Place Eyal Sagui Bizawe
    When Maqam is Reduced to a Place Eyal Sagui Bizawe In March 1932, a large-scale impressive festival took place at the National Academy of Music in Cairo: the first international Congress of Arab Music, convened by King Fuad I. The reason for holding it was the King’s love of music, and its aim was to present and record various musical traditions from North Africa and the Middle East, to study and research them. Musical delegations from Egypt, Iraq, Syria, Morocco, Algiers, Tunisia and Turkey entered the splendid building on Malika Nazli Street (today Ramses Street) in central Cairo and in between the many performances experts discussed various subjects, such as musical scales, the history of Arab music and its position in relation to Western music and, of course: the maqam (pl. maqamat), the Arab melodic mode. The congress would eventually be remembered, for good reason, as one of the constitutive events in the history of modern Arab music. The Arab world had been experiencing a cultural revival since the 19th century, brought about by reforms introduced under the Ottoman rule and through encounters with Western ideas and technologies. This renaissance, termed Al-Nahda or awakening, was expressed primarily in the renewal of the Arabic language and the incorporation of modern terminology. Newspapers were established—Al-Waq’i’a al-Masriya (Egyptian Affairs), founded under orders of Viceroy and Pasha Mohammad Ali in 1828, followed by Al-Ahram (The Pyramids), first published in 1875 and still in circulation today; theaters were founded and plays written in Arabic; neo-classical and new Arab poetry was written, which deviated from the strict rules of classical poetry; and new literary genres emerged, such as novels and short stories, uncommon in Arab literature until that time.
    [Show full text]
  • Contentious Politics in the Maghreb – Dynamics of Contention In
    Johan Roko graduated from the American University in Cairo in 2012 with an MA in Political Science. His research interests include processes of democratization and regime change, as well as foreign policy studies. Johan's work has focused on the contemporary Middle East Contentious Politics in the Maghreb – Dynamics of Contention in Tunisia and Morocco Johan R. Roko Abstract This article draws upon an early study of the spring 2011 unrest in the Arab world to examine and compare how popular mobilization could take place under the repressive conditions of the Tunisian and Moroccan regimes. The analysis is structured around concepts borrowed from Social Movement theory and Political Economy and tests their validity. The study finds that the Social Constructivist approach can best be adapted to understand the events of early 2011. In particular, this article emphasizes how economic pressures had spurred the creation of shared discourses and collective action frames which could be disseminated via Social Media in order to mobilize large groups. However, the role of social media was overstated while the Tunisian revolution and protests in Morocco took place, and this article highlights the continued importance of established forms of collective organization such as the trade unions. This article also looks at variations in how the regimes reacted to the unrest. One conclusion is that the Moroccan regime benefited from its traditional legitimacy and was more flexible in its encounter with protesters than the regime of Ben Ali - These characteristics are strengths which protected the Moroccan monarchy during those tumultuous days. Table of Contents Introduction ..................................................................................................................................................... 1 Recent developments in the understanding of contentious politics ......................................................
    [Show full text]
  • Sky Over the East International Museum Day 2014 in REVIEW O Sky Over the East! Whose Abaya Floats Over the Tides of Knowledge, Creations, Dreams and Visions
    Sky Over The East International Museum Day 2014 IN REVIEW O Sky over the East! Whose abaya floats over The tides of knowledge, Creations, dreams and visions. From above, she has witnessed a history Replete with days of glory, but with Bitterness and hindrances as well. The same sky that first distilled The legend of creation, And first inscribed its alphabet Upon the chronicles of time. Facing page: selected works from the exhibition by artists Abdul Qader Al Rais, Abdullah Al Muharraqi, Baya, Ali Al Abdan, Fateh Moudarres, Chafic Abboud, Jafar Islah, Louay Kayali, Paul Guiragossian, Mohammed Melehi, and Laila Shawa. Under the patronage of His Excellency Sheikh Nahayan Mabarak Al Nahyan UAE Minister of Culture, Youth & Community Development Sky Over The East: Works from the Collection of Barjeel Art Foundation presented by Abu Dhabi Music & Arts Foundation Emirates Palace Gallery Abu Dhabi, United Arab Emirates 29 May - 27 June 2014 Primary Strategic Partner The Leadership of Abu Dhabi has demonstrated In partnership with Barjeel Art Foundation, its commitment to arts and culture in the 2030 ADMAF sought to shine a light with this Vision – and in particularly the need to invest exhibition on the history of the 20th century as in museums for the 21st century. ‘Sky over seen through the eyes of the Arab world’s leading the East’ highlights the shared objective of the artists, mindful that the visual arts strengthens Leadership, Abu Dhabi Music & Arts Foundation understanding, ambition and identity. and Barjeel Art Foundation to create prominent As with all ADMAF exhibitions, admission to public platforms that elevate the understanding ‘Sky Over The East’ was free and accompanied and appreciation of the visual arts in the United by a comprehensive catalogue, workshops (for Arab Emirates and beyond.
    [Show full text]
  • LAD LUX Fold-Out ARTWORK V2
    ROOM 1 Introduction R DDLE I belonged to a woman whose voice stole the show! I can also be the star, with my glitter and glow. D D YOU KNOW? This necklace reflects the UAE’s long history in pearling. The discovery of the world’s oldest known pearl in Marawah Island, Abu Dhabi, shows how pearls have been harvested and valued for nearly 8000 years. This beautiful necklace was gifted to the great singer Umm Kulthum by Sheikh Zayed bin Sultan Al Nahyan, Founding Father of the UAE. With nine rows, it is decorated with pearls, gemstones and gold pendants. ACT V TY Where would you wear this sparkling necklace if it were given to you? ROOM 2 The Origins of Luxury R DDLE Like the moon and stars against night skies, My pearls and dark hair will catch your eyes. D D YOU KNOW? The type of jewellery in this portrait was considered to be the most expensive and popular during the Roman period, 2,000 years ago. The most beautiful pearls were from the island of Dilmun, in present day Bahrain. ACT V TY Try to find other precious objects decorated with pearls in the exhibition. ROOM 4 Luxury at the Table R DDLE You’ll find me in your tea cup, When you want to cosy up. I go round and round in circles, you see. Oh, how much fun that is for me. D D YOU KNOW? In Europe around 500 years ago, spoons were regarded as personal items. Although this spoon was not for tea, many guests used to bring their own spoons when invited to lavish meals.
    [Show full text]
  • The Pleasures of Polyglossia in Emirati Cinema: Focus on ‘From a to B’ and ‘Abdullah’
    The Pleasures of Polyglossia in Emirati Cinema: Focus on ‘From A to B’ and ‘Abdullah’ Doris Hambuch United Arab Emirates University [email protected] ABSTRACT: Polyglot films highlight the coexistence of multiple languages at the level of dialogue and narration. Even the notoriously monolingual Hollywood film industry has recently seen an increase in polyglot productions. Much of Europe’s polyglot cinema reflects on post-war migration. Hamid Naficy has coined the phrase “accented cinema” to define diasporic filmmaking, a closely related category. The present essay considers polyglot Emirati films as part of an in- creasingly popular global genre. It argues that the lack of a monolin- gual mandate is conducive to experiments with language choices, and that the polyglot genre serves best to emphasize efforts made to ac- commodate the diversity of cultures interacting in urban centers in the United Arab Emirates. Case studies of Ali F. Mostafa’s From A to B (2014) and Humaid Alsuwaidi’s Abdullah (2015) demonstrate the considerable contributions Emirati filmmakers have already made to a genre, which offers a powerful potential for cinema in the UAE. A comparative analysis identifies the extent to which each of the two films reveals elements inherent in three of the five sub-categories out- lined by Chris Wahl. Keywords: Ali Mostafa; Emirati cinema; film analysis; Humaid Alsu- waidi; multilingualism; polyglot cinema Introduction The United Arab Emirates is a comparatively young nation, founded in 1971 as the union of seven emirates in the north of the Arabian Peninsula. Cinemas did not become popular in the UAE until the mid-1990s (Yunis, 2014), and until very recently, they screened exclusively movies made in Hollywood, Bollywood, or Egypt.
    [Show full text]
  • Why They Died Civilian Casualties in Lebanon During the 2006 War
    September 2007 Volume 19, No. 5(E) Why They Died Civilian Casualties in Lebanon during the 2006 War Map: Administrative Divisions of Lebanon .............................................................................1 Map: Southern Lebanon ....................................................................................................... 2 Map: Northern Lebanon ........................................................................................................ 3 I. Executive Summary ........................................................................................................... 4 Israeli Policies Contributing to the Civilian Death Toll ....................................................... 6 Hezbollah Conduct During the War .................................................................................. 14 Summary of Methodology and Errors Corrected ............................................................... 17 II. Recommendations........................................................................................................ 20 III. Methodology................................................................................................................ 23 IV. Legal Standards Applicable to the Conflict......................................................................31 A. Applicable International Law ....................................................................................... 31 B. Protections for Civilians and Civilian Objects ...............................................................33
    [Show full text]
  • Women in Sha'bi Music: Globalization, Mass Media and Popular Music in the Arab World
    WOMEN IN SHA'BI MUSIC: GLOBALIZATION, MASS MEDIA AND POPULAR MUSIC IN THE ARAB WORLD DANA F. ACEE A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC December 2011 Committee: David Harnish, Advisor Kara Attrep © 2011 Dana F. Acee All Rights Reserved iii ABSTRACT David Harnish, Advisor This thesis focuses on sha’bi music, a style of popular music in the Arab world. More specifically, it discusses the role of women in sha’bi music, focusing on singers Nancy Ajram and Haifa Wehbe as examples of female pop singers. I take a feminist approach to understanding the lives, images, and legacies of two of the most influential female singers of the twentieth century, Umm Kulthum and Fairouz, and then I explore how these legacies have impacted the careers and societal expectations of Ajram and Wehbe. Several issues are explicated in the thesis, including the historic progression of popular music, the impacts of globalization and westernization, and the status of women as performers in the Arab world. The fan bases of the various female sha’bi singers are explored to examine why people are drawn to popular music, how youth cultures utilize music to define their generations, and why some people in the Arab world have problems with this music and/or with the singers: their lyrics, clothing, dancing bodies, and music videos. My ethnography on these issues among Arabs in Bowling Green, Ohio, reveals how members of the diaspora address the tensions of this music and the images of female performers.
    [Show full text]
  • Civil Marriage in Lebanon
    Empowering Women or Dislodging Sectarianism?: Civil Marriage in Lebanon Sherifa Zuhurt In this article, I reflect on the proposed Lebanese civil marriage law, which initiated a political crisis in Lebanon in March of 1998 and was followed by an indefinite shelving of that proposed law. Many Westerners assume that women in today's Middle East passively submit to extreme male chauvinism and glaring legal inequalities. In fact, Middle Eastern women have been actively engaged in a quest for empowerment and equity through legal, educational, political, and workplace reforms for many decades, and through publication of their writings in some countries for over a century. Although women's rights were at stake in the proposed law, it is curious that many failed to perceive the connection between legal reform and women's empowerment. Those who understand this linkage only too well are the most frequent opponents of such legal reform, arguing that it will destroy the very fabric of society and its existing religious and social divisions. First, I will provide some information on the history of sectarianism (known as ta'ifzyya in Arabic) in Lebanon. The drama surrounding the proposed bill's debut will be followed by information on women's politically and socially transitional status in the country. I relate women's status to their inability to lobby effectively for such a reform. I will allude to similar or related regional reforms in the area of personal status in order to challenge the idea of Lebanon's exceptionalism. I then explore the politicized nature of the t Sherifa Zuhur holds a Ph.D.
    [Show full text]
  • Emerging Infectious Diseases
    Peer-Reviewed Journal Tracking and Analyzing Disease Trends pages 349-520 EDITOR-IN-CHIEF D. Peter Drotman Associate Editors EDITORIAL BOARD Paul Arguin, Atlanta, Georgia, USA Dennis Alexander, Addlestone, Surrey, UK Charles Ben Beard, Ft. Collins, Colorado, USA Timothy Barrett, Atlanta, Georgia, USA Ermias Belay, Atlanta, Georgia, USA Barry J. Beaty, Ft. Collins, Colorado, USA David Bell, Atlanta, Georgia, USA Martin J. Blaser, New York, New York, USA Sharon Bloom, Atlanta, GA, USA Christopher Braden, Atlanta, Georgia, USA Mary Brandt, Atlanta, Georgia, USA Arturo Casadevall, New York, New York, USA Corrie Brown, Athens, Georgia, USA Kenneth C. Castro, Atlanta, Georgia, USA Charles H. Calisher, Ft. Collins, Colorado, USA Louisa Chapman, Atlanta, Georgia, USA Michel Drancourt, Marseille, France Thomas Cleary, Houston, Texas, USA Paul V. Effler, Perth, Australia Vincent Deubel, Shanghai, China David Freedman, Birmingham, Alabama, USA Ed Eitzen, Washington, DC, USA Peter Gerner-Smidt, Atlanta, Georgia, USA Daniel Feikin, Baltimore, Maryland, USA Stephen Hadler, Atlanta, Georgia, USA Anthony Fiore, Atlanta, Georgia, USA Nina Marano, Nairobi, Kenya Kathleen Gensheimer, Cambridge, Massachusetts, USA Martin I. Meltzer, Atlanta, Georgia, USA Duane J. Gubler, Singapore David Morens, Bethesda, Maryland, USA Richard L. Guerrant, Charlottesville, Virginia, USA J. Glenn Morris, Gainesville, Florida, USA Scott Halstead, Arlington, Virginia, USA Patrice Nordmann, Fribourg, Switzerland Katrina Hedberg, Portland, Oregon, USA Tanja Popovic, Atlanta, Georgia, USA David L. Heymann, London, UK Didier Raoult, Marseille, France Charles King, Cleveland, Ohio, USA Pierre Rollin, Atlanta, Georgia, USA Keith Klugman, Seattle, Washington, USA Ronald M. Rosenberg, Fort Collins, Colorado, USA Takeshi Kurata, Tokyo, Japan Frank Sorvillo, Los Angeles, California, USA S.K.
    [Show full text]
  • Umm Kulthum Lesson9
    Lesson 9 - Umm Kulthum’s Relationship to President Gamal Abdel Nasser Essential Questions: • What makes one person, especially an artist, famous or successful? • What are important events in the history and shaping of the 20th century Arab world? Objectives: Students will be able to: • Explain the events and outcomes of the 1952 Egyptian Revolution • Analyze the effects of the relationship between Umm Kulthum and Gamal Abdel Nasser Standards Alignment: • Common Core Reading Standards for Literacy in History/Social Studies o RH 1. Cite specific textual evidence to support analysis of primary and secondary sources. o RH 4. Determine the meaning of words and phrases as they are used in a text, including vocabulary specific to domains related to history/social studies. o RH 7. Integrate visual information (e.g., in charts, graphs, photographs, videos, or maps) with other information in print and digital texts. Materials: o Visual Inquiry handout o “A Mutually Beneficial Relationship,” reading handout o “Umm Kulthum and Gamal Abdel Nasser Reflection” handout Copyright © 2012 Al Bustan Seeds of Culture. All Rights Reserved. Procedure (suggested time): Opening/Hook/Activate Prior Knowledge/Do Now (5) As students come in, they should write their answer in a journal or on other paper to the prompt you have written on the board: What does the phrase “mutually beneficial” mean? If you don’t know the words, look them up. After you define what it means, describe a relationship you know that is mutually beneficial for the two people who are part of it. After five minutes, ask students to share their answers.
    [Show full text]
  • Aswat Zellerbach Hall (“Voices”)
    Cal Performances Presents Program Tuesday, March 17, 2009, 8pm Aswat Zellerbach Hall (“Voices”) Aswat PROGRAM (“Voices”) Mohammad Abdel Wahhab (1907–1991) Fakkaruni Wadi’ Al-Safi (b. 1921) Jannat Al-Safi Weili Laou Yidrun Wahhab Sakana l-Layl Zakariyya Ahmad (1896–1961) Il Wardi Gamil Assi Rahbani (1923–1986) & Mansour Rahbani (1925–2009) Sahrit Hubb INTERMISSION Celebrating the Golden Age of Arab Music & Cinema Farid Al-Atrash (1915–1974) Kahramana starring Al-Atrash Layalil Unsi Fi Vienna Ibrahim Azzam Ahmad Ana Fi Intidharak Malleit Sonia M’barek Wahhab Ya Wardi Min Yishtirik Khalil Abonula Rima Khcheich Al-Atrash Ma ‘Alli w-‘Ultillu Wahhab Ya Di n-Na’im Simon Shaheen, director Presented in Association with the John F. Kennedy Center for the Performing Arts and the University Musical Society at the University of Michigan. Cal Performances’ 2008–2009 season is sponsored by Wells Fargo Bank. 4 CAL PERFORMANCES CAL PERFORMANCES 5 Program Notes Cast Aswat Repertoire The Aswat Orchestra Fakkaruni (“Remind Me”) This traditional Arab orchestra features virtuoso instrumentalists playing violins, ouds, double An instrumental arrangement of a vocal master- an instrumental dance performed in his filmAfrita bass, cello, nay, qanun (zither) and percussion under the direction of maestro Simon Shaheen, piece composed in 1966 by Mohammad Abdel Hanim (“Jinni”), produced in Egypt in 1949. It was recreating the sound of the Golden Age. Wahhab and sung by Egyptian diva Um Kulthum. composed for dancer and actress Samia Gamal, The song starts with a lengthy introduction and in- who played the main role next to Al-Atrash. Director, Violin Simon Shaheen cludes several interludes that link together to form a fantastic instrumental.
    [Show full text]