E376M Early Black Atlantic

Total Page:16

File Type:pdf, Size:1020Kb

E376M Early Black Atlantic E376M Early Black Atlantic Instructor: Woodard, H. Areas: G Diverse perspectives Unique #: 35150 Flags: Writing, Diversity Semester: Spring 2018 Restrictions: N/A Cross-lists: AFR 372E Computer Instruction: No Prerequisites: Nine semester hours of coursework in English or rhetoric and writing. COURSE DESCRIPTION: This course focuses primarily on representations of race in select eighteenth-century writings, art, and music. Focusing primarily on early Black Atlantic writings--especially in the U.S. and England, coterminously with the triangular, Transatlantic Slave Trade route, the course shows how race disrupts the rhetoric of Enlightenment humanism, which represents literature as a tool for moral instruction. What unites neoclassicists like Dryden, Pope, and Swift; Whig modernists like Addison & Steele, and Christian humanists like Samuel Johnson is a belief in art as a postlapsarian response to disharmony in the universe. The publications of early (18th century) Black Atlantic authors, Ukawsaw Gronniosaw (Narrative of Ukawsaw Gronniosaw, 1770), Ottobah Cugoano (Thoughts and Sentiments on the Evil of Slavery, 1789), Ignatius Sancho (Letters of the Late Ignatius Sancho, 1782), Olaudah Equiano (Narrative of Olaudah Equiano, 1787), and Mary Prince (History of Mary Prince, 1831) alter the notion that such a literary didacticism operates in a depoliticized humanist framework. Across the Atlantic, John Jea, John Morrant, Jupiter Hammon, Briton Hammon, and Phillis Wheatley perform a key epistemological task, notably in religious, social, literary, and gender contexts. Besides, Britain's exploration ventures to African territories, along with its participation in the Transatlantic Slave Trade, helped to shape perspectives on race that often clashed with humanism's didactic mode. African-British and Black Atlantic writings in the course uniquely underscore the mediative function of race between literature as a tool for moral instruction and certain social conditions that profoundly complicate that role. We shall resuscitate and challenge humanism’s collective system of values and its uniformity and orthodoxy of human nature. We will begin with a historical, global view of travel narratives that introduced spectators to ethnic cultures beyond their shores. We will study the writings of the captive African in prose, imaginative fiction, art, even legal and ecclesiastical discourse. In the final quarter of the course, we will move forward to Paul Gilroy, Smallwood, and others’ conception of the Black Atlantic legacy and aftermath. Through select contemporary readings of the Middle Passage, we will cast a glance towards an eco-critical, theoretical lens that ponders such water-driven events as the 1927 Mississippi Flood and the Katrina Flood, and the Flint, Michigan, water crisis. PRIMARY OBJECTIVES: To cultivate critical thinking, reading, and writing skills To develop effective skills in oral and visual communication To work effectively with others to support a shared purpose or goal To connect the early black Atlantic, e.g. slavery/the Middle Passage/writings, with its legacy in the modern era REQUIRED TEXTS: Jonathan Swift, Gulliver’s Travels, Book IV. Alphra Behn, Oroonoko. Phillis Wheatley, Complete Writings. Gates, Henry Louis, Jr. and William Andrews, Pioneers of The Black Atlantic: Five Slave Narratives, 1772-1815. Moira Ferguson, ed. The History of Mary Prince. Toni Morrison, A Mercy. REQUIREMENTS & GRADING: .75% Three critical essays (5 pages each; typed; ds, plus one major essay revision.) .15% Two response papers (3 pages each; typed ds, plus weekly reading quizzes.) .10% Group presentations; class participation. (You must be present to participate in class discussion.) Nonsubstantial (nongraded) writing projects include peer evaluations of oral presentations and constructive peer readings of critical essay drafts. Policies: Documented Disability Statement: The University of Texas at Austin provides upon request appropriate academic accommodations for qualified students with disabilities. For more information, contact Services for Students with Disabilities at 471- 6259 (voice) or 232-2937 (video phone), or visit http://www.utexas.edu/diversity/ddce/ssd. Honor Code: The core values of The University of Texas at Austin are learning, discovery, freedom, leadership, individual opportunity, and responsibility. Each member of the university is expected to uphold these values through integrity, honesty, trust, fairness, and respect toward peers and community. Academic Integrity: Any work submitted by a student in this course for academic credit will be the student's own work. For additional information on Academic Integrity, see http://deanofstudents.utexas.edu/sjs/acadint.php. Religious Holy Days: By UT Austin policy, you must notify me of a pending absence at least fourteen days prior to the date of observance of a religious holy day. If you must miss a class, an examination, a work assignment, or a project in order to observe a religious holy day, I will give you an opportunity to complete the missed work within a reasonable time after the absence. Other: additional policies, as desired (Q-drop, cell phone/computer, e-mail correspondence, BCAL, writing center). Web Site: Canvas READING SCHEDULE (I reserve the right to make adjustments to this syllabus, which I will announce to the class.) Wed 1/17 Classes begin. Introduction to course; policies, etc. Mon 1/22 Discussion, “Enlightenment Humanism: Art as the postlapsarian response to disharmony in the universe.” Wed 1/24 Discussion, “Travel fiction, the contact zone, and the Atlantic slave trade” Jonathan Swift, Gulliver’s Travels, “Book IV” Mon 1/29 Discussion, “The houyhnmhnms as colonizers” Jonathan Swift, Gulliver’s Travels, “Book IV,” Wed 1/31 Discussion, “Oroonoko, royal slave or ennobled being?” Apha Behn, Oroonoko Response paper I: “Is Lemuel Gulliver a reliable narrator?” Mon 2/5 Discussion, “Oroonoko, royal slave or ennobled being?” Aphra Behn, Oroonoko Wed 2/7 Discussion, “Slavery, The Middle Passage, and eco-critical theory” Phillis Wheatley poem, On Being Brought From Africa To America,” in Complete Writings Mon 2/12 Discussion, “The Encomium” Phillis Wheatley, “To the University of Cambridge,” in Complete Writings Wheatley, “To the Right Honourable William, Earl of Dartmouth,” in Complete Writings Critical essay I due: “Oroonoko in the contact zone” Mon 1/29 Phillis Wheatley, Complete Writings “On the Death of the Rev. George Whitefield” “On the Death of General Wooster” Wed 1/31 Phillis Wheatley, Complete Writings “To His Excellency General Washington” “[Letter and Reply] To George Washington” “[Letters] To the Countess of Huntingdon” ”[Letter] To Samson Occom” Wed 2/14 Group presentation I: Phillis Wheatley: “Celebrity” Slave Mon 2/19 Henry Louis Gates, Jr., and William Andrews, eds., Pioneers of the Black Atlantic, Discussion, “Ukawsaw Gronniosaw and ‘the trope of the talking book’” Wed 2/21 Henry Louis Gates, Jr., and William Andrews, eds., Pioneers of the Black Atlantic, Discussion, “Ukawsaw Gronniosaw and ‘the trope of the talking book’” Mon 2/26 Gates and Andrews, eds., Pioneers of the Black Atlantic, Olaudah Equiano, Interesting Narrative; Discussion, “The trope of the talking book” as ‘signification’ Wed 2/28 Gates and Andrews, eds., Pioneers of the Black Atlantic, Olaudah Equiano, Interesting Narrative Mon 3/5 Henry Louis Gates, Jr. and William Andrews, eds., Pioneers of the Black Atlantic, Olaudah Equiano, Interesting Narrative of the Life of Olaudah Equiano or Gustavus Vassa. Wed 3/7 Group presentation II: Defamiliarization in Equiano’s Interesting Narrative SPRING BREAK: MARCH 12-MARCH 17 Mon 3/19 Discussion, “The Hamitic Hypothesis” in Ottobah Cugoano, Thoughts and Sentiments on the Evil of Slavery, from Gates and Andrews, eds., Pioneers of the Black Atlantic Wed 3/21 Gates and Andrews, eds., Pioneers of the Black Atlantic, Ottobah Cugoano, Thoughts and Sentiments on the Evil of Slavery Mon 3/26 Ottobah Cugoano, Thoughts and Sentiments on the Evil of Slavery Gates and Andrews, eds., Pioneers of the Black Atlantic Wed 3/28 Group III presentation: “Who is Ignatius Sancho?” Mon 4/2 Moira Ferguson, ed., Mary Prince, History of Mary Prince Response paper II: (TBA) “Cugoano’s ‘trope of the talking book’” Wed 4/4 Moira Ferguson, ed., Mary Prince, History of Mary Prince Mon 4/9 Moira Ferguson, ed., Mary Prince, History of Mary Prince Wed 4/11 Moira Ferguson, ed., Mary Prince, History of Mary Prince Mon 4/16 Toni Morrison, A Mercy Critical Essay III: “Nationalism and the History of Mary Prince” Wed 4/18 Toni Morrison, A Mercy Mon 4/23 Toni Morrison, A Mercy Wed 4/25 Morrison, A Mercy Mon 4/30 Morrison, A Mercy Wed 5/2 Group IV presentation: A Mercy and Eco-critical Theory .
Recommended publications
  • 6.5 X 10.5 Long Title.P65
    Cambridge University Press 978-0-521-61526-6 - The Cambridge Companion to the African American Slave Narrative Edited by Audrey A. Fisch Index More information INDEX abolition 2 antebellum literature 116 British 64 Anti-Slavery Bugle 18 discourse of 3, 35 antislavery movement 11, 12, 16 Garrisonian abolitionists 19 print culture of 16–17, 18 lecture circuit of 19 Antislavery Record 18 literature of 3, 70–73, 151 Anti-slavery Reporter 66 poetry 71 “as told to” accounts 233, 235 rise of movement 28 The Atlantic Monthly 158 slave women in relation to 232–33 Augustan ideals 66 white abolitionists 3 authenticity 73–76 An Account of the Life of Mr. David see also slave narrative George 15 autobiography 4, 13, 14, 16, 26, 46, 99–102, aesthetic (literary) value 6, 23, 196–97, 223 207 Africa 87–92 African Diaspora 170 Bakhtin, M. M. 141, 147, 148–49 African American writers (literature) 4, 5, Ball, Charles 25, 39, 70 112, 137–41, 147, 148–49, 150–51, 183 Fifty Years in Chains 24 African American women writers 198 Slavery in the United States 23–24 Allen, Richard 95 Banneker, Benjamin amanuensis 241 letter to Thomas Jefferson 14 Gronniosaw’s use of 63 Barthelemy, Anthony G. 222 Hammon’s and Marrant’s use of 86 Baxter, Richard Picquet’s use of 239–41 Call to the Unconverted 92 Prince’s use of 233 Baym, Nina 128 Stowe as 76 Woman’s Fiction 117 Truth’s use of 101, 235, 236 Belinda 13–14 William Craft as 238 Bell, Bernard W.
    [Show full text]
  • 1 the Eugene D. Genovese and Elizabeth Fox-Genovese Library
    The Eugene D. Genovese and Elizabeth Fox-Genovese Library Bibliography: with Annotations on marginalia, and condition. Compiled by Christian Goodwillie, 2017. Coastal Affair. Chapel Hill, NC: Institute for Southern Studies, 1982. Common Knowledge. Duke Univ. Press. Holdings: vol. 14, no. 1 (Winter 2008). Contains: "Elizabeth Fox-Genovese: First and Lasting Impressions" by Evelyn Brooks Higginbotham. Confederate Veteran Magazine. Harrisburg, PA: National Historical Society. Holdings: vol. 1, 1893 only. Continuity: A Journal of History. (1980-2003). Holdings: Number Nine, Fall, 1984, "Recovering Southern History." DeBow's Review and Industrial Resources, Statistics, etc. (1853-1864). Holdings: Volume 26 (1859), 28 (1860). Both volumes: Front flyleaf: Notes OK Both volumes badly water damaged, replace. Encyclopedia of Southern Baptists. Nashville: Broadman Press, 1958. Volumes 1 through 4: Front flyleaf: Notes OK Volume 2 Text block: scattered markings. Entrepasados: Revista De Historia. (1991-2012). 1 Holdings: number 8. Includes:"Entrevista a Eugene Genovese." Explorations in Economic History. (1969). Holdings: Vol. 4, no. 5 (October 1975). Contains three articles on slavery: Richard Sutch, "The Treatment Received by American Slaves: A Critical Review of the Evidence Presented in Time on the Cross"; Gavin Wright, "Slavery and the Cotton Boom"; and Richard K. Vedder, "The Slave Exploitation (Expropriation) Rate." Text block: scattered markings. Explorations in Economic History. Academic Press. Holdings: vol. 13, no. 1 (January 1976). Five Black Lives; the Autobiographies of Venture Smith, James Mars, William Grimes, the Rev. G.W. Offley, [and] James L. Smith. Documents of Black Connecticut; Variation: Documents of Black Connecticut. 1st ed. ed. Middletown: Conn., Wesleyan University Press, 1971. Badly water damaged, replace.
    [Show full text]
  • E 376M Early Black Atlantic
    E 376M l Early Black Atlantic Instructor: Woodard, H Unique #: 35690 Semester: Spring 2019 Cross-lists: n/a Flags: Cultural Diversity in the U.S.; Writing Restrictions: n/a Computer Instruction: No Prerequisites: Nine semester hours of coursework in English or rhetoric and writing. COURSE DESCRIPTION: This course focuses primarily on representations of race in select eighteenth-century writings, art, and music. Focusing primarily on early Black Atlantic writings--especially in the U.S. and England, coterminously with the triangular, Transatlantic Slave Trade route, the course shows how race disrupts the rhetoric of Enlightenment humanism, which represents literature as a tool for moral instruction. What unites neoclassicists like Dryden, Pope, and Swift; Whig modernists like Addison & Steele, and Christian humanists like Samuel Johnson is a belief in art as a postlapsarian response to disharmony in the universe. The publications of early (18th century) Black Atlantic authors, Ukawsaw Gronniosaw (Narrative of Ukawsaw Gronniosaw, 1770), Ottobah Cugoano (Thoughts and Sentiments on the Evil of Slavery, 1789), Ignatius Sancho (Letters of the Late Ignatius Sancho, 1782), Olaudah Equiano (Narrative of Olaudah Equiano, 1787), and Mary Prince (History of Mary Prince, 1831) alter the notion that such a literary didacticism operates in a depoliticized humanist framework. Across the Atlantic, John Jea, John Morrant, Jupiter Hammon, Briton Hammon, and Phillis Wheatley perform a key epistemological task, notably in religious, social, literary, and gender contexts. Besides, Britain's exploration ventures to African territories, along with its participation in the Transatlantic Slave Trade, helped to shape perspectives on race that often clashed with humanism's didactic mode.
    [Show full text]
  • Black Cosmopolitans
    BLACK COSMOPOLITANS BLACK COSMOPOLITANS Race, Religion, and Republicanism in an Age of Revolution Christine Levecq university of virginia press Charlottesville and London University of Virginia Press © 2019 by the Rector and Visitors of the University of Virginia All rights reserved Printed in the United States of America on acid- free paper First published 2019 ISBN 978-0-8139-4218-6 (cloth) ISBN 978-0-8139-4219-3 (e-book) 1 3 5 7 9 8 6 4 2 Library of Congress Cataloging- in- Publication Data is available for this title. Cover art: Jean-Baptiste Belley. Portrait by Anne Louis Girodet de Roussy- Trioson, 1797, oil on canvas. (Château de Versailles, France) To Steve and Angie CONTENTS Acknowledgments ix Introduction 1 1. Jacobus Capitein and the Radical Possibilities of Calvinism 19 2. Jean- Baptiste Belley and French Republicanism 75 3. John Marrant: From Methodism to Freemasonry 160 Notes 237 Works Cited 263 Index 281 ACKNOWLEDGMENTS This book has been ten years in the making. One reason is that I wanted to explore the African diaspora more broadly than I had before, and my knowledge of English, French, and Dutch naturally led me to expand my research to several national contexts. Another is that I wanted this project to be interdisciplinary, combining history and biography with textual criticism. It has been an amazing journey, which was made pos- sible by the many excellent scholars this book relies on. Part of the pleasure in writing this book came from the people and institutions that provided access to both the primary and the second- ary material.
    [Show full text]
  • Slavery and Salvation
    Slavery and Salvation: The Problem of God and Slavery in the Americas GESM 120G: SEMINAR IN HUMANISTIC INQUIRY Prof. Kelsey Moss, University of Southern California GESM 120g, Fall 2019 4 units Meets: Tues, Thurs, 2 pm – 3:30 pm Room: LVL 3Y Office Hours: Tues 10 am – 12 pm and by appt. (ACB 225) Course Description How was Christianity—a religion seemingly premised on brotherly love and equality— deeply intertwined with the practice of racial slavery? This course explores this complicated relationship between religion, racialization, and slavery in the early Americas from a variety of perspectives. Utilizing extensive primary sources, it examines how missionaries, colonizers, and slave holders understood the role of Christianity in their encounters with enslaved Africans and the development of slavery as an institution. It simultaneously considers the faith systems and religious practices of African descended peoples and the wide-ranging responses they had to enslavement and their exposure to Christianity. We will also analyze the religiously rooted debates between pro-slavery advocates and anti-slavery abolitionists in order to demonstrate that there were profound religious, political, social, and economic consequences to particular interpretations of biblical and religious truth. One of the primary themes of the course will be to explore the variety of ways that different historical actors conceptualized “freedom” and “salvation” and conceived of an interdependent relationship between religious belief and true liberation. Slave preaching on a cotton plantation near Port Royal, South Carolina, engraving in The Illustrated London News, 5 Dec. 1863 Learning Objectives Through participation in this course, students will be able to: § Understand how the religious worldviews of historical subjects influenced values, ideas, and practices that were foundational to developing systems of colonization and slavery in the Americas.
    [Show full text]
  • African American Childhood and the Nineteenth-Century Literary Imagination (1850S-1900)
    BREWINGTON, PAULETTE YVONNE, Ph.D. Wild, Willful, and Wicked: African American Childhood and the Nineteenth-Century Literary Imagination (1850s-1900). (2013) Directed by Dr. Karen A. Weyler. 249 pp. This dissertation examines nineteenth-century depictions of African American children in Harriet Beecher Stowe’s Uncle Tom’s Cabin (1852), Frank J. Webb’s The Garies and Their Friends (1857), and Harriet E. Wilson’s Our Nig (1859). It explores Stowe’s characters as wild, willful, and unruly minstrel-inspired comic figures further exaggerated with nineteenth-century stereotypes such as: shiftlessness, ignorance heathenism, and demonism. Both novels of Webb and Wilson serve as respondents to Stowe’s creations. Frank J. Webb presents industrious, educated children whose pranks are born out of self-possession. Wilson, on the other hand, illustrates that for the African American child in servitude in the free North, hardship and violence can rival that of the slave-holding South. WILD, WILLFUL, AND WICKED: AFRICAN AMERICAN CHILDHOOD AND THE NINETEENTH-CENTURY LITERARY IMAGINATION (1850S-1900) by Paulette Yvonne Brewington A Dissertation Submitted to the Faculty of The Graduate School at The University of North Carolina at Greensboro in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy Greensboro 2013 Approved by ____________________________ Committee Chair © 2013 Paulette Yvonne Brewington APPROVAL PAGE This dissertation has been approved by the following committee of the Faculty of The Graduate School at The University of North Carolina at Greensboro. Committee Chair ______________________________________ Committee Members ______________________________________ ______________________________________ ______________________________________ ___________________________ Date of Acceptance by Committee _________________________ Date of Final Oral Examination ii TABLE OF CONTENTS Page LIST OF FIGURES ............................................................................................................v CHAPTER I.
    [Show full text]
  • 1. Slavery, Resistance and the Slave Narrative
    “I have often tried to write myself a pass” A Systemic-Functional Analysis of Discourse in Selected African American Slave Narratives Tobias Pischel de Ascensão Dissertation zur Erlangung des Grades eines Doktors der Philosophie am Fachbereich Sprach- und Literaturwissenschaft der Universität Osnabrück Hauptberichterstatter: Prof. Dr. Oliver Grannis Nebenberichterstatter: Prof. Dr. Ulrich Busse Osnabrück, 01.12.2003 Contents i Contents List of Tables iii List of Figures iv Conventions and abbreviations v Preface vi 0. Introduction: the slave narrative as an object of linguistic study 1 1. Slavery, resistance and the slave narrative 6 1.1 Slavery and resistance 6 1.2 The development of the slave narrative 12 1.2.1 The first phase 12 1.2.2 The second phase 15 1.2.3 The slave narrative after 1865 21 2. Discourse, power, and ideology in the slave narrative 23 2.1 The production of disciplinary knowledge 23 2.2 Truth, reality, and ideology 31 2.3 “The writer” and “the reader” of slave narratives 35 2.3.1 Slave narrative production: “the writer” 35 2.3.2 Slave narrative reception: “the reader” 39 3. The language of slave narratives as an object of study 42 3.1 Investigations in the language of the slave narrative 42 3.2 The “plain-style”-fallacy 45 3.3 Linguistic expression as functional choice 48 3.4 The construal of experience and identity 51 3.4.1 The ideational metafunction 52 3.4.2 The interpersonal metafunction 55 3.4.3 The textual metafunction 55 3.5 Applying systemic grammar 56 4.
    [Show full text]
  • Legacies of British Slave-Ownership Newsletter February 2019
    Centre for the Study of the Legacies of British Slave-ownership www.ucl.ac.uk/lbs Newsletter February 2019 Andrea Levy (1956-2019) We have lost a strong, witty and wise voice with the death of Andrea Levy, aged 62, from cancer on 14 February. Her writings spoke to the experiences of a generation of Black Britons. Andrea won widespread acclaim and a multitude of prizes with her fourth novel, Small Island. Her final novel, The Long Song, was recently dramatised by the BBC. “Britain made the Caribbean that my parents came from,” she said. “It provided the people – black and white – who make up my ancestry. In return my ancestors, through their forced labour and their enterprise, contributed greatly to the development of this country. My heritage is Britain’s story, too.” New LBS Director A new Chair of History at UCL will be appointed to take over the position of Director of LBS on the retirement of Nick Draper in September 2019. Interviews will take place in April and the successful candidate will be announced shortly after. In addition, UCL Institute of Advanced Studies is looking to appoint a Professor and Director of the newly-formed Centre for the Study of Race and Racism (CSRR). The new Centre will focus on critical race studies, race theory, the histories and representations of racialised thinking and its impacts and effects. The CSRR will offer a new MA in Race and Racism. The closing date for applications is 26 February. Black History Walks There are twleve events planned for late February and March by Black History Walks.
    [Show full text]
  • Slave Narratives and African American Women’S Literature
    UNIVERSIDAD DE SALAMANCA Facultad de Filología Departamento de Filología Inglesa HARRIET JACOBS: FORERUNNER OF GENDER STUDIES IN SLAVE NARRATIVES AND AFRICAN AMERICAN WOMEN’S LITERATURE Sonia Sedano Vivanco 2009 UNIVERSIDAD DE SALAMANCA Facultad de Filología Departamento de Filología Inglesa HARRIET JACOBS: FORERUNNER OF GENDER STUDIES IN SLAVE NARRATIVES AND AFRICAN AMERICAN WOMEN’S LITERATURE Vº Bº Tesis doctoral que presenta SONIA LA DIRECTORA, SEDANO VIVANCO, dirigida por la Dra. OLGA BARRIOS HERRERO Salamanca 2009 UNIVERSIDAD DE SALAMANCA Facultad de Filología Departamento de Filología Inglesa HARRIET JACOBS: FORERUNNER OF GENDER STUDIES IN SLAVE NARRATIVES AND AFRICAN AMERICAN WOMEN’S LITERATURE Sonia Sedano Vivanco 2009 a Manu por el presente a Jimena, Valeria y Mencía por el futuro People will forget what you said, people will forget what you did, but people will never forget how you made them feel. (Maya Angelou) Keep in mind always the present you are constructing. It should be the future you want. (Alice Walker) ACKNOWLEDGMENTS When I decided to undertake this project, enthusiasm and passion filled my heart. I did not know then that this would be such a demanding, complex—but at the same time enjoyable and gratifying—enterprise. It has been a long journey in which I have found the support, encouragement and help of several people whom I must now show my gratitude. First of all, I would like to thank Dr. Olga Barrios for all her support, zealousness, and stimulus. The thorough revisions, sharp comments, endless interest, and continuous assistance of this indefatigable professor have been of invaluable help. Thank you also to well-known scholar of African American literature Frances Smith Foster, whose advice in the genesis of this dissertation served to establish a valid work hypothesis.
    [Show full text]
  • The African-American Literary Tradition
    LINGUACULTURE, 2, 2012 CREATING THE NORM: THE AFRICAN-AMERICAN LITERARY TRADITION OANA COGEANU Alexandru Ioan Cuza University of Iaşi Abstract This paper starts from the premise that norm, in the sense of a prescriptive tradition based on a set of standards deriving from past practices and regulating future ones, is the result of an initial creative gesture; in other words, first there was creativity and creativity became the norm. Based on this premise, the paper looks at some of the earliest African-American pieces of writing to trace the itinerary from creativity to norm, thus witnessing the birth of the African-American literary tradition. To this end, the paper analyses the first published Black narrative and identifies the trope of the talking book as illustrating that original gesture which, by creatively incorporating the norm, marks the beginning of a new tradition. Then the paper follows subsequent early Black narratives and identifies the creative transgression of the norm illustrated by the Middle Passage as the process by which the new norm is established. Keywords: norm, creativity, African-American, literature, talking book, Middle Passage 1. A creative gesture Readers of early African-American writing cannot fail to notice that the establishment of the African-American literary tradition brings forth a peculiar connection between writing and travel. Within the boundaries of travel, like within those of writing, one finds both enslavement and freedom; then it is not fortuitous that the black subject first discovers the book as a metonymic expression of Westcentric discourse upon an actual, albeit enforced, journey. The earliest published black (travel) account, A narrative of the most remarkable particulars in the life of James Albert Ukawsaw Gronniosaw, an African Prince (1774), first reports of this revelation, as well as of the slave’s anxiety before it, in what scholars such as Henry Louis Gates Jr., Homi K.
    [Show full text]
  • On the Water: Life at Sea—1680 to 1806
    On the Water: Life at Sea—1680 to 1806 Overview These activities highlight different first person narratives available from the Life at Sea—1680 to 1806 Web site (http://americanhistory.si.edu/onthewater/oral_histories/life_at_sea/). Each activity asks students to take on the role of a historian by challenging them to analyze first person narratives and related primary sources (such as documents and artifacts) in order to answer historical questions. The words spoken in the narratives are taken directly from journals, memoirs, letters, or other documents written by each historical figure. The activities can be used in a variety of ways: to engage students in a new unit, to reinforce key points of instruction, as small group work, or homework. Some of the narratives pair well with others and can be used in combination as compare/contrast exercises. See the complete list of activities below. The Life at Sea—1680 to 1806 Web site is part of a larger online resource called On the Water (http://americanhistory.si.edu/onthewater/) which contains many more primary sources, images, and historical information spanning from 1450 to the early twenty-first century. The Price of Doing Business: Joseph Hawkins, American Officer on a Slave Ship, 1795 Lesson Plan: http://americanhistory.si.edu/onthewater/oral_histories/life_at_ sea/pdf/lesson_hawkins.pdf Length: 2:45 minutes Topics: Slavery & the slave trade, African-American history, Middle Passage Pairs With: Middle Passage (Olaudah Equiano) to look at the different perspectives of the slave trader
    [Show full text]
  • Black Community Building in the Virginia Tidewater, 1865 to the Post-1954 Era
    No Longer Lost at Sea: Black Community Building In the Virginia Tidewater, 1865 to the post-1954 Era Hollis Earl Pruitt Gloucester County, Virginia Bachelor of Arts, University of Arkansas at Little Rock 1979 Master of Arts, University of Tennessee at Knoxville 1991 A Dissertation presented to the Graduate Faculty of the College of William and Mary in Candidacy for the Degree of Doctor of Philosophy American Studies Program The College of William and Mary May 2013 UMI Number: 3574204 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Di!ss0?t&iori Publishing UMI 3574204 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Copyright © 2013 by Hollis Earl Pruitt APPROVAL PAGE This dissertation is submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Approved^ the Committee, March, 2013 Professor Michael L. Blakey, National Endowment for the Humanities College of William and Mary ‘ Professor Grey Gundaker Duane A. and Virginia S. Dittman Professor of American Studies and Anthropology College of William and Mary /?Q6jx (^<^k\ V y ro fesso r Kimberly Phillips Dean of Brooklyn Colleges School of Humanities and Social Sciences (J Professor M.
    [Show full text]