1. Slavery, Resistance and the Slave Narrative
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Slavery in America: the Montgomery Slave Trade
Slavery In America The Montgomery Trade Slave 1 2 In 2013, with support from the Black Heritage Council, the Equal Justice Initiative erected three markers in downtown Montgomery documenting the city’s prominent role in the 19th century Domestic Slave Trade. The Montgomery Trade Slave Slavery In America 4 CONTENTS The Montgomery Trade Slave 6 Slavery In America INTRODUCTION SLAVERY IN AMERICA 8 Inventing Racial Inferiority: How American Slavery Was Different 12 Religion and Slavery 14 The Lives and Fears of America’s Enslaved People 15 The Domestic Slave Trade in America 23 The Economics of Enslavement 24–25 MONTGOMERY SLAVE TRADE 31 Montgomery’s Particularly Brutal Slave Trading Practices 38 Kidnapping and Enslavement of Free African Americans 39 Separation of Families 40 Separated by Slavery: The Trauma of Losing Family 42–43 Exploitative Local Slave Trading Practices 44 “To Be Sold At Auction” 44–45 Sexual Exploitation of Enslaved People 46 Resistance through Revolt, Escape, and Survival 48–49 5 THE POST SLAVERY EXPERIENCE 50 The Abolitionist Movement 52–53 After Slavery: Post-Emancipation in Alabama 55 1901 Alabama Constitution 57 Reconstruction and Beyond in Montgomery 60 Post-War Throughout the South: Racism Through Politics and Violence 64 A NATIONAL LEGACY: 67 OUR COLLECTIVE MEMORY OF SLAVERY, WAR, AND RACE Reviving the Confederacy in Alabama and Beyond 70 CONCLUSION 76 Notes 80 Acknowledgments 87 6 INTRODUCTION Beginning in the sixteenth century, millions of African people The Montgomery Trade Slave were kidnapped, enslaved, and shipped across the Atlantic to the Americas under horrific conditions that frequently resulted in starvation and death. -
Captivity and Identity in Aphra Behn's Oroonoko Or, the Royal Slave
وزارة التعليم العالي والبحث العلمي MINISTERE DE L’ENSEIGNEMENT SUPERIEUR ET DE LA RECHERCHE SCIENTIFIQUE جامعة مولود معمري - تيزي وزو UNIVERSITE MOULOUD MAMMERI DE TIZI-OUZOU كلية اﻵداب واللغات FACULTE DES LETTRES ET DES LANGUES DEPARTEMENT D’ANGLAIS Domaine : Lettres et Langues Etrangères. Filière : Langue Anglaise. Spécialité: Media and Cultural Studies. Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Master in English Captivity and Identity in Aphra Behn’s Oroonoko or, The Royal Slave (1688) and Penelope Aubin’s The Noble Slaves (1722). Presented by: Supervised by:Mrs.Kahina LEGOUI Djamila BOUAZIZ Karima RAIAH Board of Examiners: Mrs. Tabti Kahina, M. A. A, Department of English, Chair. Mrs. Abdelli Fatima, M. A. A, Department of English, Examiner. Mrs. Legoui Kahina, M.A.A, Department of English, Supervisor Promotion: December 2016 N° d’Ordre : …………… N° de série : …………… Laboratoire de domiciliation du master: Etudes des Langues et Cultures Etrangères. To: my dear parents Ali and Baya my dear brother Salim my dear sister Houria my best friends Djamila To: my dear parents Said and Djouher my dear brothers especially Mouloud my dear sisters my best friends Karima I Acknowledgements We would like to thank our supervisor Mrs. LEGOUI for her precious help and assistance in the realization of this dissertation. We would like also to thank our teachers for their guidance and advice all along the academic year and for all the teachings they provided us with. Special thanks must go to our parents and our friends who have provided us with moral support and encouragement. II Content Acknowledgements ………………………………………………………………….………I Abstract………………………………………………………………………………………IV I. -
Elizabeth Keckley, Confidante to Mary Todd Lincoln Lady Edison?” It Was Rare Enough to Be a How Would a Child Born a Ter’S Son As a Wedding Gift
Vol. 11, Issue 2 Dr. Jeanne Ramirez Mather, Ed. March 2009 Who was called “The Elizabeth Keckley, Confidante to Mary Todd Lincoln Lady Edison?” It was rare enough to be a How would a child born a ter’s son as a wedding gift. While well known for her self- woman inventor in the 1800s, slave in Virginia grow up to Liz suffered various episodes of centeredness and unstable tem- but combine that with only an become the confidante to Mary abuse as a young slave, it was perament, but unlike most Liz elementary school education, Todd Lincoln? Since 2009 is between age fourteen and twenty- could see past all of this. Ap- and starting a career of inventing the bicentennial of Abraham four that she bore the brunt of both parently Liz recognized that as a child, and it becomes obvi- Lincoln’s birth, it seems appro- physical and sexual abuse, result- Mary’s life as a child was any- ous how Margaret Knight even- priate to introduce the reader to ing in her one and only child, a thing but perfect, and that they tually would be referred to as the child born Elizabeth son. shared an unhappy childhood. “The Lady Edison.” Born in Hobbs. Eventually she went back to Liz eventually would be in 1838 in Maine, Mattie was At her birth, Liz was con- live with her master’s widow and charge of caring for the Lincoln raised with her two older broth- sidered the daughter of literate children, and develop into ers by her mother. -
Intertextual Abolitionists: Frederick Douglass, Lord Byron, and the Print, Politics, and Language of Slavery
DePaul University Via Sapientiae College of Liberal Arts & Social Sciences Theses and Dissertations College of Liberal Arts and Social Sciences 6-2019 Intertextual abolitionists: Frederick Douglass, Lord Byron, and the print, politics, and language of slavery Jake Spangler DePaul University, [email protected] Follow this and additional works at: https://via.library.depaul.edu/etd Recommended Citation Spangler, Jake, "Intertextual abolitionists: Frederick Douglass, Lord Byron, and the print, politics, and language of slavery" (2019). College of Liberal Arts & Social Sciences Theses and Dissertations. 273. https://via.library.depaul.edu/etd/273 This Thesis is brought to you for free and open access by the College of Liberal Arts and Social Sciences at Via Sapientiae. It has been accepted for inclusion in College of Liberal Arts & Social Sciences Theses and Dissertations by an authorized administrator of Via Sapientiae. For more information, please contact [email protected]. Intertextual Abolitionists: Frederick Douglass, Lord Byron, and the Print, Politics, and Language of Slavery A Thesis Presented in Partial Fulfillment of the Requirements for the Degree of Master of Arts June 2019 BY Jake C. Spangler Department of English College of Liberal Arts and Social Sciences DePaul University Chicago, Illinois This project is lovingly dedicated to the memory of Jim Cowan Father, Friend, Teacher Table of Contents Dedication / i Table of Contents / ii Acknowledgements / iii Introduction / 1 I. “I Could Not Deem Myself a Slave” / 9 II. The Heroic Slave / 26 III. The “Files” of Frederick Douglass / 53 Bibliography / 76 Acknowledgements This project would not have been possible without the support of several scholars and readers. -
Racial Identity in Women's Life Writing of The
University of Kentucky UKnowledge Theses and Dissertations--English English 2018 AMERICAN MNEMONIC: RACIAL IDENTITY IN WOMEN’S LIFE WRITING OF THE CIVIL WAR Katherine Waddell University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/ETD.2018.169 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Waddell, Katherine, "AMERICAN MNEMONIC: RACIAL IDENTITY IN WOMEN’S LIFE WRITING OF THE CIVIL WAR" (2018). Theses and Dissertations--English. 71. https://uknowledge.uky.edu/english_etds/71 This Doctoral Dissertation is brought to you for free and open access by the English at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--English by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
6.5 X 10.5 Long Title.P65
Cambridge University Press 978-0-521-61526-6 - The Cambridge Companion to the African American Slave Narrative Edited by Audrey A. Fisch Index More information INDEX abolition 2 antebellum literature 116 British 64 Anti-Slavery Bugle 18 discourse of 3, 35 antislavery movement 11, 12, 16 Garrisonian abolitionists 19 print culture of 16–17, 18 lecture circuit of 19 Antislavery Record 18 literature of 3, 70–73, 151 Anti-slavery Reporter 66 poetry 71 “as told to” accounts 233, 235 rise of movement 28 The Atlantic Monthly 158 slave women in relation to 232–33 Augustan ideals 66 white abolitionists 3 authenticity 73–76 An Account of the Life of Mr. David see also slave narrative George 15 autobiography 4, 13, 14, 16, 26, 46, 99–102, aesthetic (literary) value 6, 23, 196–97, 223 207 Africa 87–92 African Diaspora 170 Bakhtin, M. M. 141, 147, 148–49 African American writers (literature) 4, 5, Ball, Charles 25, 39, 70 112, 137–41, 147, 148–49, 150–51, 183 Fifty Years in Chains 24 African American women writers 198 Slavery in the United States 23–24 Allen, Richard 95 Banneker, Benjamin amanuensis 241 letter to Thomas Jefferson 14 Gronniosaw’s use of 63 Barthelemy, Anthony G. 222 Hammon’s and Marrant’s use of 86 Baxter, Richard Picquet’s use of 239–41 Call to the Unconverted 92 Prince’s use of 233 Baym, Nina 128 Stowe as 76 Woman’s Fiction 117 Truth’s use of 101, 235, 236 Belinda 13–14 William Craft as 238 Bell, Bernard W. -
THE PRICE of BONDAGE: SLAVERY, SLAVE VALUATION, and ECONOMICS in the ALBEMARLE by Jacob T. Parks April 2018 Director of Thesis
THE PRICE OF BONDAGE: SLAVERY, SLAVE VALUATION, AND ECONOMICS IN THE ALBEMARLE By Jacob T. Parks April 2018 Director of Thesis: Donald H. Parkerson Major Department: History This thesis examines the economics of antebellum slavery in the Albemarle region of North Carolina. Located in the northeastern corner of the Carolina colony, the Albemarle was a harsh location for settlement and thus, inhabitants settled relatively late by Virginians moving south in search of better opportunities. This thesis finds that examination of a region’s slave economics not only conformed to, but also departed from, the larger slave experience in antebellum America. The introduction of this thesis focuses on the literature surrounding slave economics and valuation in antebellum America. After this, the main body of the thesis follows. Chapter one focuses on the various avenues slaves became property of white men and women in the Albemarle. This reveals that the county courts were intrinsically involved in allowing slave sales to occur, in addition to loop-holes slave owners utilized to retain chattel slavery cheaply. Additionally, this chapter pays special attention to slave valuation and statistical analysis. The following chapters revolve around the topics of: the miscellaneous costs associated with slavery in the Albemarle, such as healthcare, food, and clothing; insuring the lives of slaves and hiring them out for work away from their master; and examination of runaway slave rewards in statistical terms, while also creating a narrative of the enslaved and their actions. THE PRICE OF BONDAGE: SLAVERY, SLAVE VALUATION, AND ECONOMICS IN THE ALBEMARLE A Thesis Presented To the Faculty of the Department of History East Carolina University In Partial Fulfillment of the Requirements for the Degree of Master of Arts in History by Jacob Parks April 2018 © Jacob Parks, 2018 THE PRICE OF BONDAGE: SLAVERY, SLAVE VALUATION, AND ECONOMICS IN THE ALBEMARLE by Jacob T. -
Civilization and Sexual Abuse: Selected Indian Captivity Narratives and the Native American Boarding-School Experience
................................................................................................................. CROSSROADS. A Journal of English Studies 27 (2019) EWA SKAŁ1 DOI: 10.15290/CR.2019.27.4.05 University of Opole ORCID: 0000-0001-7550-3292 Civilization and sexual abuse: selected Indian captivity narratives and the Native American boarding-school experience Abstract. This paper offers a contrastive analysis of Indian captivity narratives and the Native American boarding-school experience. Indian captivity narratives describe the ordeals of white women and men, kidnapped by Indians, who were separated from their families and subsequently lived months or even years with Indian tribes. The Native American boarding-school experience, which began in the late nineteenth century, took thousands of Indian children from their parents for the purpose of “assimi- lation to civilization” to be facilitated through governmental schools, thereby creating a captivity of a different sort. Through an examination of these two different types of narratives, this paper reveals the themes of ethnocentrism and sexual abuse, drawing a contrast that erodes the Euro-American discourse of civilization that informs captivity narratives and the boarding-school, assimilationist experiment. Keywords: Native Americans, captivity narratives, boarding schools, sexual abuse, assimilation. 1. Introduction Comparing Indian captivity narratives and writings on the Native American board- ing- school experience is as harrowing as it is instructive. Indian captivity narratives, mostly dating from 1528 to 1836, detail the ordeals of white, Euro-American women and men kidnapped by Native peoples. Separated from their families and white “civili- zation,” they subsequently lived for a time among Indian tribes. Such narratives can be seen as a prelude to a sharp reversal that occurred in the late nineteenth century under U.S. -
Texts Checklist, the Making of African American Identity
National Humanities Center Resource Toolbox The Making of African American Identity: Vol. I, 1500-1865 A collection of primary resources—historical documents, literary texts, and works of art—thematically organized with notes and discussion questions I. FREEDOM pages ____ 1 Senegal & Guinea 12 –Narrative of Ayuba Suleiman Diallo (Job ben Solomon) of Bondu, 1734, excerpts –Narrative of Abdul Rahman Ibrahima (“the Prince”), of Futa Jalon, 1828 ____ 2 Mali 4 –Narrative of Boyrereau Brinch (Jeffrey Brace) of Bow-woo, Niger River valley, 1810, excerpts ____ 3 Ghana 6 –Narrative of Broteer Furro (Venture Smith) of Dukandarra, 1798, excerpts ____ 4 Benin 11 –Narrative of Mahommah Gardo Baquaqua of Zoogoo, 1854, excerpts ____ 5 Nigeria 18 –Narrative of Olaudah Equiano of Essaka, Eboe, 1789, excerpts –Travel narrative of Robert Campbell to his “motherland,” 1859-1860, excerpts ____ 6 Capture 13 –Capture in west Africa: selections from the 18th-20th-century narratives of former slaves –Slave mutinies, early 1700s, account by slaveship captain William Snelgrave FREEDOM: Total Pages 64 II. ENSLAVEMENT pages ____ 1 An Enslaved Person’s Life 36 –Photographs of enslaved African Americans, 1847-1863 –Jacob Stroyer, narrative, 1885, excerpts –Narratives (WPA) of Jenny Proctor, W. L. Bost, and Mary Reynolds, 1936-1938 ____ 2 Sale 15 –New Orleans slave market, description in Solomon Northup narrative, 1853 –Slave auctions, descriptions in 19th-century narratives of former slaves, 1840s –On being sold: selections from the 20th-century WPA narratives of former slaves, 1936-1938 ____ 3 Plantation 29 –Green Hill plantation, Virginia: photographs, 1960s –McGee plantation, Mississippi: description, ca. 1844, in narrative of Louis Hughes, 1897 –Williams plantation, Louisiana: description, ca. -
Image Credits, the Making of African
THE MAKING OF AFRICAN AMERICAN IDENTITY: VOL. I, 1500-1865 PRIMARY SOURCE COLLECTION The Making of African American Identity: Vol. I, 1500-1865 IMAGE CREDITS Items listed in chronological order within each repository. ALABAMA DEPT. of ARCHIVES AND HISTORY. Montgomery, Alabama. WEBSITE Reproduced by permission. —Physical and Political Map of the Southern Division of the United States, map, Boston: William C. Woodbridge, 1843; adapted to Woodbridges Geography, 1845; map database B-315, filename: se1845q.sid. Digital image courtesy of Alabama Maps, University of Alabama. ALLPORT LIBRARY AND MUSEUM OF FINE ARTS. State Library of Tasmania. Hobart, Tasmania (Australia). WEBSITE Reproduced by permission of the Tasmanian Archive & Heritage Office. —Mary Morton Allport, Comet of March 1843, Seen from Aldridge Lodge, V. D. Land [Tasmania], lithograph, ca. 1843. AUTAS001136168184. AMERICAN TEXTILE HISTORY MUSEUM. Lowell, Massachusetts. WEBSITE Reproduced by permission. —Wooden snap reel, 19th-century, unknown maker, color photograph. 1970.14.6. ARCHIVES OF ONTARIO. Toronto, Ontario, Canada. WEBSITE In the public domain; reproduced courtesy of Archives of Ontario. —Letter from S. Wickham in Oswego, NY, to D. B. Stevenson in Canada, 12 October 1850. —Park House, Colchester, South, Ontario, Canada, refuge for fugitive slaves, photograph ca. 1950. Alvin D. McCurdy fonds, F2076-16-6. —Voice of the Fugitive, front page image, masthead, 12 March 1854. F 2076-16-935. —Unidentified black family, tintype, n.d., possibly 1850s; Alvin D. McCurdy fonds, F 2076-16-4-8. ASBURY THEOLOGICAL SEMINARY. Wilmore, Kentucky. Permission requests submitted. –“Slaves being sold at public auction,” illustration in Thomas Lewis Johnson, Twenty-Eight Years a Slave, or The Story of My Life in Three Continents, 1909, p. -
Julia Faisst, Phin Beiheft
PhiN Beiheft | Supplement 5/2012: 71 Julia Faisst (Siegen) Degrees of Exposure: Frederick Douglass, Daguerreotypes, and Representations of Freedom1 This essay investigates the picture-making processes in the writings of Frederick Douglass, one of the most articulate critics of photography in the second half of the nineteenth century. Through his fiction, speeches on photography, three autobiographies, and frontispieces, he fashioned himself as the most "representative" African American of his time, and effectively updated and expanded the image of the increasingly emancipated African American self. Tracing Douglass's project of self-fashioning – both of himself and his race – with the aid of images as well as words is the major aim of this essay. Through a close reading of the historical novella "The Heroic Slave," I examine how the face of a slave imprints itself on the photographic memory of a white man as it would on a silvered daguerreotype plate – transforming the latter into a committed abolitionist. The essay furthermore uncovers how the transformation of the novella's slave into a free man is described in terms of various photographic genres: first a "type," Augustus Washington (whose life story mirrors that of Douglass) changes into a subject worthy of portraiture. As he explored photographic genres in his writings, Douglass launched the genre of African American fiction. Moreover, through his pronounced interest in mixed media, he functioned as an immediate precursor to modernist authors who produced literature on the basis of photographic imagery. Overall, this essay reveals how Douglass performed his own progress within his photographically inflected writings, and turned both himself and his characters into free people. -
Replaying and Rediscovering the Octoroon
Article Replaying and Rediscovering The Octoroon Merrill, Lisa and Saxon, Theresa Available at http://clok.uclan.ac.uk/17558/ Merrill, Lisa and Saxon, Theresa ORCID: 0000-0002-2129-2570 (2017) Replaying and Rediscovering The Octoroon. Theatre Journal, 69 (2). ISSN 0192-2882 It is advisable to refer to the publisher’s version if you intend to cite from the work. http://dx.doi.org/10.1353/tj.2017.0021 For more information about UCLan’s research in this area go to http://www.uclan.ac.uk/researchgroups/ and search for <name of research Group>. For information about Research generally at UCLan please go to http://www.uclan.ac.uk/research/ All outputs in CLoK are protected by Intellectual Property Rights law, including Copyright law. Copyright, IPR and Moral Rights for the works on this site are retained by the individual authors and/or other copyright owners. Terms and conditions for use of this material are defined in the policies page. CLoK Central Lancashire online Knowledge www.clok.uclan.ac.uk 1 Replaying and Rediscovering The Octoroon Lisa Merrill and Theresa Saxon "[W]hen one is considering the crimes of slavery, the popular theater is as central as the courthouse."1 Saidiya Hartman For over one hundred and fifty years, productions and adaptations of Irish playwright Dion Boucicault's explosive 1859 melodrama, The Octoroon, have reflected differing and sometimes contentious meanings and messages about race and enslavement in a range of geographic locations and historical moments. In this melodrama, set on a plantation in Louisiana, audiences witness the drama of Zoe Peyton, a mixed-race white-appearing heroine who learns after the sudden death of her owner/father, that she is relegated to the condition of "chattel property" belonging to the estate, since she was born of a mother who had herself been enslaved.2 Rather than submit to a new master, having been sold at auction, Zoe poisons herself and dies, graphically, on stage.