Katalog 2004

Total Page:16

File Type:pdf, Size:1020Kb

Katalog 2004 DOK. FEST 19. Internationales Dokumentarfilmfestival München 07. bis 15. Mai 2004 Heute schon die digitale Lösung von morgen... ARRI ist in allen wichtigen Bereichen der Filmproduktion positioniert.Vom Equipment am Filmset über das Kopierwerk bis hin zur digitalen Postproduktion entstehen bei ARRI zukunftsweisende Lösungen für Ihr Projekt. Mit dem revolutionären ARRICAM-System, dem ARRILASER, einer neuen Generation von Objektiven, Licht-Systemen, allen modernen Möglichkeiten der Postproduktion und innovativen Serviceleistungen unterstützen wir Sie dabei, Ihre Ideen Wirklichkeit werden zu lassen. ARRI – analoge und digitale Lösungen der Spitzenklasse. ARNOLD & RICHTER CINE TECHNIK · Türkenstr. 89 · D-80799 München · Fon 00 49 (89) 38 09-0 · Fax 00 49 (89) 38 09-17 91 · www.arri.de DOK. FEST 19. Internationales Dokumentarfilmfestival München 07. bis 15. Mai 2004 19. Internationales Dokumentarfilmfestival München Veranstalter Filmstadt München e.V. Internationales Dokumentarfilmfestival München e.V. zusammen mit Münchner Stadtbibliothek Am Gasteig Münchner Filmmuseum, Kulturreferat und Referat für Arbeit und Wirtschaft der Landeshauptstadt München Gefördert von der Bayerischen Staatskanzlei im Rahmen der Bayerischen Filmförderung, vom Aus- wärtigen Amt, dem Bayerischen Rundfunk, Telepool GmbH, German Cinema und BMW Group Inhalt Impressum 6 Danksagungen 7 Grußworte 11 Filmpreise 15 Die internationale Jury 16 Einleitung/Introduction 17 Internationales Programm: Wettbewerb 25 Internationales Programm: Point of View 61 Aspects of Future 103 Neue Filme aus Bayern 119 BR Special 141 Workshops 147 Register 148 5 Dok.Fest Impressum 19. Internationales Dokumentarfilmfestival München Festivalleitung Dr. Hermann Barth Katalogredaktion Dr. Hermann Barth, Ines Botzenhard, Meredith Haaf Redaktionelle Mitarbeit Dunja Bialas, Dr. Tamara Danicic, Alexandra Hog Anzeigen Katrin Gebhardt-Seele Organisation, Pressearbeit und Gästebetreuung Ursula Wessler, Anna Ginestí, Franziska Leipold Mitarbeit Julia Bayer, Marc Bernhard, Madeleine Dallmeyer, Anna Eberspächer, Katrin Gebhardt-Seele, Doris Kuhn, Juli Lambert, Patrick Lange, Anja Lupfer, Fabiola Maldonado, Kerstin Petretto, Klaus Rascher, Moritz Rechenberg, Maja Reichert, Stefan Schaller, Laetitia v. Trotha, Gerhard Ullmann, Matthias Wanckel, Gereon Wetzel, Elgin Wolf, Philip Zölls Übersetzung und Moderation Anastasia Apostolidou, Marga Boehle, Marion Herz, Knut Karger, Benjamin Kempas, Eva Kluge, Silke Kraus, Lonnie Legg, Gudula Meinzolt, Maja Speranskij, Antje Schumann, Christine Weissbarth Programm Dr. Hermann Barth, Dunja Bialas, Ines Botzenhard, Dr. Tamara Danicic, Heike Depenbrock, Katrin Gebhardt-Seele, Gudula Meinzolt, Waco Wagner, Ursula Wessler, Andreas Wutz Koordination Hochschule für Fernsehen und Film Knut Karger, Daniel Sponsel Website Heiner Gassen, Dynweb Net Services Konzeption und Design Gerwin Schmidt Gestaltung Heiner Gassen Gesamtherstellung MEOX GmbH Das Internationale Dokumentarfilmfestival München ist Mitglied der European Coordination of Film Festivals in Brüssel Landwehrstraße 79, 80336 München Tel. +49-89-51399788, Fax +49-89-51563936 [email protected], www.dokfest-muenchen.de © Internationales Dokumentarfilmfestival München e.V. München 2004 6 Ein besonderer Dank an die Firma TELEPOOL, Europäisches Film- Danksagung kontor GmbH, Herrn Dr. Thomas Weymar, für die großzügige finan- zielle Unterstützung, an das Bayerische Fernsehen, Herrn Prof. Dr. Gerhard Fuchs, an Hubert von Spreti und alle Mitarbeiter/innen der Redaktionen Film und Teleclub und Dokumentarfilm, die uns logistische und organisatorische Unterstützung gewähren. Für Kooperation und Unterstützung durch German Cinema, die Export Union des Deutschen Films GmbH, danken wir Christian Dorsch und Mariette Rissenbeek. Für die großzügige Unterstützung danken wir Jörg E. Schweizer, BMW Group. Für die Unterstützung beim Transport der Filmkopien danken wir der TNT Express GmbH. Für die Bereitstellung perfekter Projektionstechnik ein herzliches Dankeschön an cine plus Media, Miriam Rönn und Sabine Kolberg, und an Marc Mikulla von Licht und Ton GmbH für hochwertige Zuspielgeräte. Ein ganz besonderer Dank geht an Frau Sabine Kinder und Frau Susanne Winter von der Münchner Stadtbibliothek Am Gasteig, die uns den Vortragssaal zur Bespielung überlassen. Wir danken Herrn Peter Amtmann von der Spaten-Franziskaner Brauerei für die Versorgung unserer Gäste mit Getränken bei Emp- fängen und Rahmenveranstaltungen. Für die großzügige und engagierte Hilfe bei der Herstellung unse- res Trailers bedanken wir uns bei ARRI Film + TV Services GmbH, Walter Brus, Christian Littmann und Bernd Schreiner, und bei Georg Wittermann und Karl Kresling, BLOW UP Filmtechnik. Ein herzlicher Dank geht an Claude-Anne Savin und Gabriele Dasch, Presse- und Öffentlichkeitsarbeit ARTE Straßburg, für die Ausrichtung unseres Eröffnungsempfangs. 7 Danksagung Für ideelle, finanzielle und organisatorische Deckert Distribution, Heino Deckert, Leipzig Unterstützung, die Ausleihe der Filme und Hilfe Dschoint Ventschr Filmproduktion, Zürich bei der Erstellung des Katalogs danken wir: Eden Production, Tel Aviv Egoli Tossell Film AG, Jens Meurer, Berlin 48media Inc., Jim Morrison, Toronto e-Motion Picture GmbH, Baden-Baden Accent Films, Montreux Filmakademie Baden-Württemberg, Ludwigsburg Jörg Adolph, München FilmFernsehFonds Bayern, Lothar Just, München Angel Scandinavia, Kopenhagen FilmFernsehFonds Bayern, Dr. Klaus Schaefer, München Amythos Films & Eden Productions, Tel Aviv Filmfest München, Andreas Ströhl Arbeitsgemeinschaft Dokumentarfilm, Filmfest München, Eva Knitterscheidt Thomas Frickel, Frankfurt Filmkraft Peter Heller, München Arbeitsgemeinschaft Dokumentarfilm, Film-Licht Krückl, Vogt & Wagner GmbH, München Matti Bauer, Olivia Hagemann München Filmstiftung NRW, Sonja Steinberg, Düsseldorf Argofilm, Stephan Komandararev, Sofia Fuworks, Amsterdam ARRI Cinetechnik, Ivan Paul, München First Hand Films, Zürich Arsenal Film, Tübingen Freunde der Deutschen Kinemathek e.V., Berlin ARTE, Anne Baumann, Strassburg Good Ideas Films, Berlin ARTE, Ulle Schröder, Strassburg Gruppe 3, Frank Jahn, München Auswärtiges Amt, Frau Streubel, Berlin Haifisch Entertainment, München AVID Technology GmbH, Evelyn Tietz, München halbtotal Filmproduktion, Andrzej Klamt, Wiesbaden barca media, Joachim Puls, München Haus des Dokumentarfilms, BASIS Filmverleih, Berlin Dr. Peter Zimmermann, Stuttgart Bauhaus-Universität, Fakultät Medien, Weimar Hektor & Rydzewski GmbH, Ulrich Rydzewski, Düsseldorf Bayerische Staatskanzlei, Dr. Paula Ewert, München Hochschule für Fernsehen und Film, Bayerische Staatskanzlei, Rita Peter, München Tina Janker, München Bayerischer Rundfunk, Christian Baudissin Hochschule für Fernsehen und Film, Bayerischer Rundfunk, Claudia Gladziejewski Knut Karger, München Bayerischer Rundfunk, Walter Greifenstein Hochschule für Fernsehen und Film, Bayerischer Rundfunk, Christel Hinrichsen Prof. Heiner Stadler, München Bayerischer Rundfunk, Benigna von Keyserlingk Ideale Audience International, Paris Bayerischer Rundfunk, Wolfgang Preuss Illumina Films, Amsterdam Bayerischer Rundfunk, Dr. Sabine Scharnagl In München Verlags Magazin, Christiane Heinrich Bayerischer Rundfunk, Dr. Renate Stegmüller Irusoin, San Sebastián Big River Pictures, Vik Franke, Amsterdam Marijke Jongbloed, Amsterdam Boomtown Media GmbH, Berlin Karin Jurschick, Köln Bulgarian National Film Center, Sofia Amar Kanwar, New Delhi Busse & Halberschmidt Filmproduktion, Düsseldorf Peter Kerekes, Vistuk Caligari Film, Gabriele M. Walther, München Kinoko, Antoine Cattin, St. Petersburg Weijun Chen, Wuhan Vinayan Kodoth, Ahmedabad Ciulei Films, Thomas Ciulei, München Kool Filmdistribution, Michael Isele, Freiburg cinepix GmbH, Stefan Finkenzeller, München Kuiv Productions, Paris cine plus Media Service GmbH, Miriam Rönn, Berlin Kunsthochschule für Medien, Köln cine plus Media Project GmbH, Sabine Kolberg, Landeshauptstadt München, München Kulturreferat (Sachgebiete Film, Medien) Cinomade, Berni Goldblatt, Noisy Andreas Rost und Christoph Schwarz Coordination of European Film Festivals, Landeshauptstadt München, Marie-José Carta, Brüssel Referat für Arbeit und Wirtschaft Coordination of European Film Festivals, Rita Müller-Roider Robin Mallick, Dresden Landeshauptstadt München, creative pictures, München Referat für Arbeit und Wirtschaft Nina Davenport, New York Dr. Reinhard Wieczorek Denkmal Film GmbH, LfA Förderbank Bayern, Anja Schmidt, München Bertram Verhaag und Claus Strigel, München Lardux Films, Montreuil Deutsche Film- und Fernsehakademie Berlin Lichtfilm, Wolfgang Bergmann, Köln Det Danske Filminstitut, Kopenhagen Liechti Filmproduktion, Peter Liechti, Zürich Ruth Diskin Ltd., Jerusalem Ludwig Kamera Verleih GmbH, Martin Ludwig, München 8 Angela Mai Film Productions, Stuttgart Andres Veiel, Berlin mec-film, Irit Neidhardt, Münster Vidhi Films, Schiltigheim Media Luna entertainment GmbH, Ida Martins, Köln Wanda Vision, Madrid Medien- und Filmgesellschaft Baden-Württemberg Windspiel Reisen, Martin Derx, Alfter GmbH, Anne Marburger, Stuttgart Yona Productions, Nitzan Gilady, Tel Aviv megaherz GmbH, ZDF, Das Kleine Fernsehspiel, Christian Cloos, Mainz Franz X. Gernstl und Fidelis Mager, Unterföhring Zephir Film, Köln Mexican Film Institute, Mexico Zygote Films, Duki Dror und Haya Nastovici, Tel Aviv Mille et Une Films, Rennes Zinnober Filmproduktion, Aachen Momento! Sourat Films, Paris Zipporah Films, Frederick Wiseman, Cambridge, MA Neue Visionen Film Verleih, Wulf Sörgel, Torsten Frehse, Berlin
Recommended publications
  • 16-Th INTERNATIONAL FESTIVAL of RED CROSS and HEALTH FILMS
    16-th INTERNATIONAL FESTIVAL OF RED CROSS AND HEALTH FILMS Through humanity to peace and friendship Varna, Bulgaria September 28 - October 3, 2015 UNDER THE PATRONAGE OF THE VICE PRESIDENT OF THE REPUBLIC OF BULGARIA MRS. MARGARITA POPOVA 16-th INTERNATIONAL FESTIVAL OF RED CROSS AND HEALTH FILMS Varna, Bulgaria September 28 - October 3, 2015 ORGANIZERS International Festival of Red Cross and Health Films 3, Bratya Shkorpil Str. Varna, Bulgaria e-mail: [email protected] www.redcrosslmfest.org For more than 25 years, from 1965 to 1991, the Bulgarian Red Cross was the The International Festival of the Red Cross and Health lms started for the rst initiator and main organiser of the International Festival of the Red Cross and Health time in our city in 1965. In 2014, after nearly 25-year interruption, Medical University lms, which was held in Varna with the support of the international Red Cross - Varna and the Bulgarian Red Cross restored one of the most prestigious festivals of institutions and numerous organizations worldwide. the sea capital, which was held from 3 to 7 November under the patronage of Vice In November 2014 following the initiative of the Bulgarian Red Cross and with President Margarita Popova. the support of Varna Medical University, in our sea capital was held the revived after 25 years’ break „International Festival of the Red Cross and Health Films“ under the This year with the XVIth edition of the festival, we will once again follow our patronage of the Vice President of the Republic of Bulgaria Margarita Popova. This is main goal, and namely - to break the everyday trivial thinking, to use the power of only festival in the Balkans from category A, which is the category of the lm festivals the lm art, to show that the road to the peaceful world starts with humanism.
    [Show full text]
  • Abecedni Izpis
    COBISS Kooperativni online bibliografski sistem in servisi COBISS Abecedni izpis 1. ABBOTT, Edwin Abbott, 1838-1926 Dežela Ravnina : pripovedka o več dimenzijah z avtorjevimi ilustracijami / Edwin A. Abbott ; prevedel Sandi Kodrič. - 1. natis. - Ljubljana : UMco, 2018 ([Ljubljana] : Primitus). - 159 str. : ilustr. ; 21 cm. - (Zbirka Angažirano) Prevod dela: Flatland. - 400 izv. - Dežela Ravnina za 21. stoletje / Sandi Kodrič: str. 153-159. - O avtorju na zadnjem zavihku ov. ISBN 978-961-6954-55-6 : 16,90 EUR 821.111-313.1 COBISS.SI-ID 284055296 2. ABERCROMBIE, Joe Na vešalih : druga knjiga trilogije Prvi zakon / Joe Abercrombie ; [prevedel Sergej Hvala]. - 1. izd. - Ljubljana : Mladinska knjiga, 2018 ([Nova Gorica] : Grafika Soča). - 590 str. ; 21 cm. - (Zbirka Srednji svet) Prevod dela: Before they are hanged. - 700 izv. ISBN 978-961-01-5204-0 : 39,99 EUR 821.111-312.9 COBISS.SI-ID 295996928 3. ACCENTUS Sephardic romances [Zvočni posnetek] : traditional Jewish music from Spain / Ensemble Accentus ; director Thomas Wimmer. - Munich : MVD music and video distribution GmbH, p 1995, cop. 1996. - 1 CD (59 min, 15 sek) : stereo ; 12 cm + spremno besedilo ([20] str.). - (Early music = Alte Musik) Posneto v W*A*R Studio pri Lutheran Stadtpfarrkirche A.B. na Dunaju, 17., 18. in 20. septembra 1995. - Iz vsebine: Avrix mi galanica = Let me in, my love ; La Serena = Calm ; Sa'dâwî ; Partos trocados = Babes exchanged 8.553617 783(086.76) COBISS.SI-ID 14626361 4. ADAMS, Taylor Brez izhoda / Taylor Adams ; [prevedla Maja Lihtenvalner]. - 1. izd. - Tržič : Učila International, 2018 (natisnjeno v EU). - 313 str. ; 20 cm Prevod dela: No exit. - Tiskano po naročilu.
    [Show full text]
  • ACROSS WORKS and VREME FILM STUDIO Present Documentary Film
    ACROSS WORKS and VREME FILM STUDIO present documentary film by Stefan Valdobrev short synopsis Following the quest of a man's awkward dream to be named after his favorite football club, the film director brings us close to a Bulgarian builder and his memorable mates, and creates a moving portrait of contemporary Bulgaria with its bewildered and confused people, so disappointed by the life in the country that they migrate to their own substitute reality. The journey starts in Svishtov, a small town on the bank of the river Danube, tells the story of the protagonist's struggle with the authorities, leads us all the way to Old Trafford Stadium, where he meets his idol, the Manchester United top-striker Dimitar Berbatov, and ends up back home, raising questions about identity, about who we are and who we want to be. full synopsis A single 48-year-old man from a small town on the bank of the river Danube lives alone with his mother and his cat called Beckham. The only thing of meaning in his life is his love for a football club. He is one of the millions who become significant through the successes of their idols. But there's something special about him: his name. In 1999 Manchester United are playing Bayern Munich in the Champions League final and are losing 1:0 in the 89th minute. On the verge of despair, this passionate Bulgarian fan declares that if his team somehow manage to win the match, he will change his name to Manchester United. In the next two minutes the "red devils" do the impossible, scoring two goals to win the trophy, and that's how Marin Zdravkov Levidzhov starts his ten- year odyssey through court, churches and authorities, hoping that one day he will wake up as Manchester United Zdravkov Levidzhov.
    [Show full text]
  • Slovenian Film Guide 2012 Guide Film Slovenian
    23 2 31 36 32 34 10 14 37 26 45 40 4 24 18 22 6 21 28 33 35 29 8 16 42 38 12 27 slovenianfilmGuide 2012 1 features 20 documentaries 25 shorts 30 postproduction 39 preproduction 44 developing projects 47 who is who 2 The State Of Shock by Stanje šoka Andrej Košak 4 Bread And Circuses by Kruha in iger Klemen Dvornik Fea- 6 Archeo by Arheo Jan Cvitkovič 8 The Woman Who Brushed by off Her Tears Teona Strugar Ženska, ki si je otrla solze Mitevska tures 10 A Night Too Young by Mlada noč Olmo Omerzu 12 The Parade by Parada Srdjan Dragojević 14 Tractor, Love and Rock’n’Roll by (2011- Traktor, ljubezen in rock’roll Branko Djurić 16 A Trip by Izlet Nejc Gazvoda 18 Good Night, Missy by 12) Lahko noč, gospodična Metod Pevec The State of Shock directed by Andrej Košak Stanje šoka _feature 2011 / 35 mm, DCP, Scope (1:2.35), Dolby Digital SR-D, in colour, 96 min The first of May or Labour Day, 1986, Ljublja- na. Metalworker Peter Zmazek is awarded the title “the Worker of the Year” at the fac- tory Udarnik (Shock-Worker) and in addition to that – an apartment from the social hous- ing fund. He is so overwhelmed that he falls into a state of shock and remains in a daze; nobody can help him to wake up. Peter ends up in a psychiatric institution, dreaming his dream of a communist paradise for full ten Andrej Košak (1965, Slovenia), director, years.
    [Show full text]
  • The Judgement Sadilishteto
    THE JUDGEMENT SADILISHTETO By Stefan KOMANDAREV Synopsis Short In a small and poor village in Bulgaria, located close to the border with Turkey and Greece, Mityo loses his job and is forced to accept to work for his former commander in order to keep his house and pay his loans. His job is to smuggle illegal immigrants from Syria through the Bulgarian-Turkish border into the EU. Since the death of his wife, the relations between Mityo and his son are strained. The revelation of a terrible secret will force Mityo to face the past, in order to regain his internal peace and find forgiveness from his son. Long The story takes place nowadays, in a small and poor village in Bulgaria, which is located close to the border with Turkey and Greece. Mityo (45) lives with his son Vasko (18). The relations between the two of them are strained after the recent death of Fanka – Mityo’s wife and mother of Vasko. The situation is getting even worse – the dairy, where Mityo has worked for 15 years, went bankrupt. He remains unemployed and he can’t cover the payments on the loan, which he has taken several years ago for the treatment of Fanka. There is a real danger that Mityo and Vasco end up homeless – the family house serves as a guarantee of the mortgage. Fallen into deadlock Mityo accepts to work for his former commander from the time when he served in the military – the Captain. His job is to smuggle illegal immigrants from Syria through the Bulgarian-Turkish border into the EU.
    [Show full text]
  • A HISTORY of the FESTIVAL BAND According to Stefan Kitanov - Kita
    A HISTORY OF THE FESTIVAL BAND according to Stefan Kitanov - Kita I met Peter Georgiev – Pesheto in 1988. We were sitting together during the rehearsals of the “Sredets” choir. We were both tenors. I joined the choir in the autumn, soon after my daughter Ana was born. In the spring of 1989, the choir went on a tour in Greece. Pesheto said that he would bring his guitar. Then I knew he was a musician! I took my guitar too. In the bus, on the way to Athens, we prepared the first repertoair of Kita and Pesheto and we performed it at Omonia Square, right after the bus arrived there. After the 10th of November 1989 Pesheto went to play in restaurants in Norway and I went on the street and became one of the first buskers in Sofia after the democratic changes. It was an incredible time. In the beginning I played in underpasses, because it was cold – the underpass in front of the “Pliska” hotel was the warmest. In the spring, my favourite sport was in front of a bench on “Vitosha” blvd., on the corner with “Neofit Rilski” str. Then Pesheto came back and joined me. We played in the underpass of “Pliska”, the National Palace of Culture and Eagle’s Bridge, on “My spot” at Vitosha blvd., in front of the “Sveta Nedelya” church... Several times we were joined by the Danish clown Luna, with whom we made a short video in front of the National Palace of Culture. It was the end of april-may 1992.
    [Show full text]
  • Scottsdaleperformingarts.Org
    Oct. 1-5, 20101111 Presents I COTl&ll[E IN itlffl OO ~TI ONAL ;:-I Sponsored By • Q,' llarlfins 11arlfins cametview 5 . flleatres (7001 E Highland Ave) ULT IMATE MOVIEGOING 0 2010 2011 SEASON John Lithgow in Stories by Heart Venice Baroque Orchestra with Robert McDuffie André Watts Michael Feinstein: The Sinatra Project The Capitol Steps ARTrageous Starring Bernadette Peters A John Waters Christmas Spalding Gray: Stories Left to Tell The Legendary Count Basie Orchestra Kodo Drummers L.A. Theatre Works Merce Cunningham Dance Company Ramsey Lewis Trio Mark Morris Dance Group 480.994.ARTS (2787), ext. 2 & Music Ensemble ScottsdalePerformingArts.org David Sedaris 7380 E. Second St., Scottsdale Aquila Theatre, March 24–25, 2011. Photo: Lois Greenfield BE OUR CO-STAR! Experience six days of great food and drink at the SCOTTSDALE 33rd Annual Scottsdale Culinary Festival. CULINARY You’ll have fun with friends and family all while FESTIVAL giving back to the arts community. BE A SPONSOR You know the value of 40,000 (hungry and thirsty) guests. Show us what you bring to the table as a Festival sponsor! BE A VOLUNTEER You’re enthusiastic about supporting the arts. Prove it by lending your time — and that smile of yours — as a Festival volunteer! FESTIVAL DATES ARE APRIL 5 - 10, 2011 Reserve your spot in the action now! Visit www.ScottsdaleCulinaryFestival.org for our volunteer application and sponsorship opportunities. 100% of proceeds from the Scottsdale Culinary Festival, hosted by the Scottsdale League for the Arts, fund diverse art and art education programs in Arizona. We rely on dedicated community volunteers and local and national sponsors to make our Festival a great success for our community.
    [Show full text]
  • 04 Ganka Nedelcheva BG-EN
    СТАНОВИЩЕ от проф. д-р Ганка Неделчева, СУ „Св.Климент Охридски”, ФНОИ по конкурс за „доцент” по професионално направление 8.3. Музикално и танцово изкуство (Инструментознание, Музикален анализ, Компютърен нотопис и приложна оркестрация) обявен в ДВ, бр. 67/28. 07. 2020 с единствен кандидат: ВЕСЕЛИН ХРИСТОВ КАРААТАНАСОВ I. Данни за конкурса Конкурсът е обявен за нуждите на катедра „Музика” във ФНОИ на СУ „Св. Климент Охридски”. Налице е необходимият за процедурата хорариум. Документите на кандидата са разгледани и одобрени на заседание на катедра „Музика” с необходимия протокол. II. Данни за кандидата Веселин Караатанасов е роден през 1966. Възпитаник е на Средно музикално училище „Панайот Пипков” в Плевен. Завършва Теоретичен факултет в Национална музикална академия „Проф. Панчо Владигеров” през 1991 със специалност „композиция” в класа на проф. Александър Танев. В следващата година прави специализация в Кралската консерватория за музика и театър (Хага) по композиция, компютърна и електронна музика при проф. Тео Лувенди. През 2016 защитава докторат в СУ на тема: „Методически практики в обучението по компютърен нотопис и приложна оркестрация”. Интересът му към нотната типография е доминиращ за професионалната му реализация. От 1992 е сътрудник на издателство Donemus, Амстердам и „Лира”, София. От 1999 участва в проекти на най-реномирани европейски издателски и музикални центрове, където е ангажиран с клавирни редакции на оркестрови произведения и нотна типография. Има изяви като радиоводещ в Classic FМ радио и като пианист в капела „София Бад Закса”, Германия, 1998. Веселин Карааатанасов работи в звукозаписно студио „Скай” от 2014 като композитор, аранжор и тонрежисьор. Определя себе си като композитор, аранжор и оркестратор на свободна практика, редактор на съвременна оперно- симфонична музика, нотна типография, музикален консултант по филмови проекти, музика за реклама, компютърна интерпретация на симфонични, оркестрови и солови произведения за филми и синхронизационни тракове.
    [Show full text]
  • Db4b87bfbfead78d2a0a62ee26a
    Siegfried Kracauer was one of the twentieth century's most brilliant cultural crit­ ics, a bold and prolific scholar, and an incisive theorist of film. In this volume his important early writings on modern society during the Weimar Republic make their long-awaited appearance in English. This book is a celebration of the masses—their tastes, amusements, and every­ day lives. Taking up the master themes of modernity, such as isolation and alienation, mass culture and urban experience, and the relation between the group and the individual, Kracauer explores a kaleidoscope of topics: shop­ ping arcades, the cinema, bestsellers and their readers, photography, dance, hotel lobbies, Kafka, the Bible, and boredom. For Kracauer, the most revela­ tory facets of modern metropolitan life lie on the surface, in the ephemeral and the marginal. The Mass Ornament today remains a refreshing tribute to popu­ lar culture, and its impressively interdisciplinary essays continue to shed light not only on Kracauer's later work but also on the ideas of the Frankfurt School, the genealogy of film theory and cultural studies, Weimar cultural politics, and, not least, the exigencies of intellectual exile. This volume presents the full scope of his gifts as one of the most wide-ranging and penetrating interpreters of modern life. "Known to the English-language public for the books he wrote after he reached America in 1941, most famously for From Caligari to Hitler, Siegfried Krac­ auer is best understood as a charter member of that extraordinary constella­ tion of Weimar-era intellectuals which has been dubbed retroactively (and mis- leadingly) the Frankfurt School.
    [Show full text]
  • Bulgarian Films 2017
    2017 BULGARIAN FILMS 2017 FEATURES FEATURES 3 6.9 ON THE RICHTER SCALE 6,9 po Rihter Romania / Bulgaria / Hungary, 2016, 117 min, BluRay/DCP COMPLETED 2016 Director: Nae Caranfil 4 Script: Nae Caranfil Cinematography: Vivi Dragan Vasile Music: Nae Caranfil Cast: Laurentiu Banescu, Teodor Corban Production: Mobra Film Srl. (Romania), Korund-X Ltd (Bulgaria) Producres: Cristian Mungiu, Hristo Hristov, Gabor Garami Supported by Bulgarian National Film Center Contact details: +359 888 303 879; +359 887 66 17 94 [email protected] A musical comedy about a father-son relationship, where the father is a young man and the son is old; about living your life without fear, facing the challenges in life without panic attacks. All we need to make our fantasies come true is a talent. FEATURES 18 2016, 72 min Director: Atanas Hristoskov Script: Atanas Hristoskov Cinematography: Martin Balkansky 5 Music: Georgi Strezov Cast: Martin Dimitrov, Milena Ermenkova, Desislava Kasabova, Teodor Hristov Production: Inkoms Project – Plamen Yordanov Supported by Bulgarian National Film Center Contact details: + 359 888 220 978 [email protected] Four high school friends jump in a car to escape the noise and pageantry of their prom. Inspired by the pouring rain and the high- speed adrenaline rush, they set out on an exciting journey into their thoughts, desires and fears, a journey which is full of dangerous twists and romantic passions. FEATURES CAINI/DOGS Kucheta France/Romania/Bulgaria/Qatar, 2016, 104 min, DCP Director: Bogdan Mirica; Script: Bogdan Mirica Cinematography: Andrei Butica Cast: Dragos Bucur, Ghorghe Visu, Vlad Ivanov Production: EZ films (France), 42 km film (Romania), Argo film (Bulgaria) Producers: Elie Meirovitz, Marcela Ursu Co-producers: Stephan Komandarev, Katya Trichkova Supported by CNC-Cinema du Monde, Romanian National Film Centre- 6 CNC, Bulgarian National Film Center, MEDIA, Eurimages, Doha Flm Institute Contact details: Argo Film Ltd, 5B Yantra St, ap.
    [Show full text]
  • The Film Music of Edmund Meisel (1894–1930)
    Ford, Fiona (2011) The film music of Edmund Meisel (1894–1930). PhD thesis, University of Nottingham. Access from the University of Nottingham repository: http://eprints.nottingham.ac.uk/12271/1/Thesis_FINAL.pdf Copyright and reuse: The Nottingham ePrints service makes this work by researchers of the University of Nottingham available open access under the following conditions. · Copyright and all moral rights to the version of the paper presented here belong to the individual author(s) and/or other copyright owners. · To the extent reasonable and practicable the material made available in Nottingham ePrints has been checked for eligibility before being made available. · Copies of full items can be used for personal research or study, educational, or not- for-profit purposes without prior permission or charge provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. · Quotations or similar reproductions must be sufficiently acknowledged. Please see our full end user licence at: http://eprints.nottingham.ac.uk/end_user_agreement.pdf A note on versions: The version presented here may differ from the published version or from the version of record. If you wish to cite this item you are advised to consult the publisher’s version. Please see the repository url above for details on accessing the published version and note that access may require a subscription. For more information, please contact [email protected] The Film Music of Edmund Meisel (1894–1930) FIONA FORD, MA Thesis submitted to The University of Nottingham for the degree of Doctor of Philosophy DECEMBER 2011 Abstract This thesis discusses the film scores of Edmund Meisel (1894–1930), composed in Berlin and London during the period 1926–1930.
    [Show full text]
  • University of Southampton Research Repository Eprints Soton
    University of Southampton Research Repository ePrints Soton Copyright © and Moral Rights for this thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given e.g. AUTHOR (year of submission) "Full thesis title", University of Southampton, name of the University School or Department, PhD Thesis, pagination http://eprints.soton.ac.uk UNIVERSITY OF SOUTHAMPTON FACULTY OF HUMANITIES School of Film Volume 1 of 1 Transnational Bulgarian Cinema – Pieces of the Past, Present and Future by Maya Nedyalkova Thesis for the degree of Doctor of Philosophy September 2015 UNIVERSITY OF SOUTHAMPTON ABSTRACT FACULTY OF HUMANITIES Film Studies Thesis for the degree of Doctor of Philosophy TRANSNATIONAL BULGARIAN CINEMA – PIECES OF THE PAST, PRESENT AND FUTURE Maya Todorova Nedyalkova My thesis investigates issues of sustainability and belonging surrounding the Bulgarian feature film industry. There is a limited body of scholarship on Bulgarian cinema, most of which focuses on film aesthetics and fails to account for the socio-historical and industrial context of local film creation, dissemination and consumption. My work is a continuation of Dina Iordanova’s New Bulgarian Cinema (2008) which promoted the idea of cross-Balkan creative collaborations.
    [Show full text]