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56 T H E P R O G RA mm ES П р о г р а м и т е 57 ARCHIVE 1993 – 2012 Aрхив 1993 – 2012 Theatre оf the Bulgarian Army Tales from the Vienna Woods театър на българската армия 1993 by Ödön von Horvath 1993 Приказки oт Виенската гора directed by Krikor Azaryan от Йодон фон хорват OFFICIAL SELECTION офиЦиална Програма режисьор Крикор азарян — Theatre Laboratory "Sfumato" — selector: "Yovkov" Programme селекционер: театрална работилница "сфумато" Borislav Chakrinov The Zlatil Sin Борислав Чакринов Програма "Йовков" directed by Margarita Mladenova грехът златил The necessity imposed on the Bulgarians The Kutsar Sin наложената на българина необходимост режисьор маргарита младенова to commeasure with the world, to make up directed by Ivan Dobchev от съизмерване със света, страшно бързо грехът куцар quickly for what has been missed, the fear, да се навакса пропуснатото, страхът, а режисьор иван добчев but maybe also the love, have lead to intense Youth Theatre – Sofia може би любовта, доведоха в театъра до staging of classic – from Shakespeare and Ae- Chekhov Revue /Gender and Crave бясно поставяне на класически текстове– младежки театър – софия schylus to Beckett and Pinter… in Chekhov’s Texts/ от Шекспир и есхил, до Бекет и Пинтър... Чехов– ревю /Пол и копнеж в The necessity to define the problems, to out- after A. P. Chekhov необходимостта да се дефинират тези текстовете на а. П. Чехов/ line and analyze the tendencies, to compare directed by Ivan Panteleev проблеми, да се очертаят и анализират по а.П.Чехов the results is real, and the opportunity, that тенденциите, да се съпоставят резулта- режисьор иван Пантелеев the Varna festival gives, is unique. First Private Theatre "La Strada" тите, е реална, а и възможността, пре- Hamlet after William Shakespeare доставена от фестивала във варна, Първи частен театър "ла страда" directed by Alexandar Morfov е уникална. хамлет по уилям Шекспир National Theatre "Ivan Vazov" режисьор александър морфов Vassa Zheleznova 1910 Drama Theatre – Varna народен театър "иван вазов" by Maxim Gorky The Cherry Orchard Васа Железнова, 1910г. драматичен театър – варна directed by Krasimir Spasov by A. P. Chekhov от максим горки Вишнева градина от а.П.Чехов directed by Asen Gadzhalov режисьор Красимир спасов режисьор асен гаджалов 58 T H E P R O G RA mm ES П р о г р а м и т е 59 Drama Theatre – Sliven Drama Theatre – Pleven драматичен театър – сливен драматичен театър – Бургас Miss Julie Paranoia by Stefan Tsanev госпожица юлия Мечо Пух от а. а. милн after August Strindberg directed by Stefan Tsanev по аугуст стриндберг режисьор асен гаджалов directed by Galin Stoev режисьор галин стоев Drama Theatre – Vratsa свободен театър Dragons after P. Yavorov/ P. Y. Todorov Малкият принц от а. екзюпери PARALLEL PROGRAmmE directed by Bina Haralampieva Паралелна Програма режисьор мадлен Чолакова — — selector: Drama Theatre – Burgas селекционер: малък градски театър "Зад канала" Yavor Koinakov Winnie the Pooh Явор Койнаков господата балкански by A. Milne oт гeорги данаилов directed by Asen Gadzhalov режисьор Борислав Чакринов Free Theatre нов драматичен театър"сълза и The Little Prince смях" by A. de Saint-Exupéry белезници за двама directed by Madlen Cholakova oт гeорги данаилов режисьор Бойко илиев Small City Theatre "Off the Channel" The Balkanski Gentlemen родопски драматичен театър – смолян by Georgi Danailov Легенда за сибил directed by Borislav Chakrinov от емилиян станев Chekhov-Revue, Youth Theatre – Sofia "Чехов-ревю", младежки театър – софия "васа железнова, 1910 г.", нт "ив. вазов" Vasa Zheleznova.1910, NT "Iv. Vazov" режисьор Катя Петрова Drama Theatre – Shumen Drama Theatre "Salza i Smyah" драматичен театър – Шумен Lolita Handcuffs for Two Лолита по владимир набоков / драматичен театър – русе after Vladimir Nabokov/ Edward Albee by Georgi Danailov едуард олби сватба от елиас Канети directed by Dimitar Dimitrov directed by Boyko Iliev режисьор димитър димитров режисьор любомир дековски Drama Theatre – Dimitrovgrad Theatre of the Bulgarian Army драматичен театър – димитровград театър на българската армия Icarus's Fall Sex, Drugs, and Rock & Roll Падането на Икар секс, наркотици и рокендрол after Yordan Radichkov/ Ingmar Bergman by Eric Bogosian по Йордан радичков/ингмар Бергман от ерик Богосян directed by Ivan Dobchev directed by Nikolai Lambrev режисьор иван добчев режисьор николай ламбрев Drama Theatre – Razgrad First Private Theatre "La Strada" драматичен театър – разград Първи частен театър "ла страда" The Terrible Parents La Strada written and directed Ужасните родители Улицата by Jean Cocteau by Stefan Moskov Stefan Moskov от жан Кокто сценарий и режисура directed by Vazkresia Viharova режисьор възкресия вихърова стефан москов Theatre "Movement" Drama Theatre – Ruse The Glass Menagerie драматичен театър – варна театър "движение" Wedding by Tennessee Williams хранениците на Йорда стъклената менажерия by Elias Canetti directed by Iliya Dobrev от Кръстьо дренски от тенеси уилямс directed by Lyubomir Dekovski режисьор Костадин Бандутов режисьор илия добрев Rodhope Drama Theatre – Smolyan драматичен театър – Плевен The Legend of Sibil Параноя by Emilian Stanev от стефан Цанев directed by Katia Petrova режисьор стефан Цанев Drama Theatre – Varna драматичен театър – враца Yorda‘S Foster-Children змейове by Krastyo Drenski по П. Яворов/П. тодоров directed by Kostadin Bandutov режисьор Бина харалампиева 60 T H E P R O G RA mm ES П р о г р а м и т е 61 PARALLEL PROGRAmmE Паралелна Програма — — 1994 Everything for Sale 1994 всичко за продан selector: Nikolay Polyakov селекционер: николай Поляков OFFICIAL PROGRAMME ОФИЦИАЛНА ПРОГРАМА — — The Rediscovery of America Преоткриване на америка selector: Ivan Dobchev селекционер: иван добчев I have provisionally divided the selected per- условно съм разделил селекционираните formances into two groups. The first group спектакли на две групи. Първата ("архе- ("The Archetype of the Modern Man") is an типът на модерния човек") е опит да се attempt to bring together under one formula обединят под една формула търсенията the search for the archetype, a particular es- на архетипа, едно своеобразно бягство cape from modern times /more precisely from от съвремеността /по-точно от ней- their obvious meanings/, the nostalgic journey ните видими значения/, носталгичното to lost, submerged, dreamed native lands of пътуване в едни загубени, потопени, съ- man… The second group ("The Modern Man in нувани родини на човека... втората група Modern Times") comprises performances that ("модерният човек в модерните време- deal directly with the crisis of man, set in the на") е съставена от спектакли, които ди- landscape of an americanized world… ректно се занимават с кризата на човека, стоящ в пейзажа на един америкаризиран National Theatre "Ivan Vazov" свят... Easter Wine, NT "Ivan Vazov" "великденско вино", нт "иван вазов" Antigone by Sophocles театър 199 directed by Margarita Mladenova народен театър "иван вазов" аризона – пейзаж с Ландроувър "стари времена", театър 199 Old Times, Theatre 199 антигона от софокъл от евгени василев Theatre 199 Theatre 199 режисьор маргарита младенова режисьор иван добчев Old Times by Harold Pinter Arizona – а Landscape with a Landrover directed by Nikolay Polyakov by Evgeni Vasilev театър 199 драматичен театър – ловеч directed by Ivan Dobchev стари времена Железният светилник State Stolling Theatre от харолд Пинтър от димитър талев The Glass Menagerie Drama Theatre – Lovech режисьор николай Поляков режисьор юлия огнянова by Tennessee Williams The Iron Candlestick directed by Krasimir Spasov after Dimitar Talev държавен пътуващ театър народен театър "иван вазов" directed by Yulia Ognyanova стъклената менажерия анатол Theatre of the Bulgarian Army от тенеси уилямс от артур Шницлер Oupy, or the Theatre at the End of the National Theatre "Ivan Vazov" режисьор Красимир спасов режисьор Красимир спасов Century Anatol by Arthur Schnitzler by Ivan Radoev directed by Krasimir Spasov театър на българската армия народен театър "иван вазов" directed by Krikor Azaryan Упи, или театърът в края на века Великденско вино National Theatre "Ivan Vazov" от иван радоев от Константин илиев Theatre of the Bulgarian Army Easter Wine by Konstantin Iliev режисьор Крикор азарян режисьор иван добчев The Last Yankee by Arthur Miller directed by Ivan Dobchev directed by Leon Daniel театър на българската армия държавен пътуващ театър State Strolling Theatre Последният янки Лимонаденият Джо Theatre Laboratory "Sfumato" Lemonade Joe от артър милър от иржи Бръдечка Drama Theatre – Dimitrovgrad by Irzi Burdechka режисьор леон даниел режисьор андрей аврамов "Radichkov" Programme directed by Andrey Avramov Mad Grass by Yordan Radichkov театрална работилница "сфумато" драматичен театър – Пловдив directed by Margarita Mladenova Drama Theatre – Plovdiv драматичен театър – димитровград седем дни от живота на разколников Seven Days From the Life of Razkolnikov Програма "радичков" от Константин соколов by Konstantin Sokolov Луда трева по Йордан радичков режисьор александър димитров directed by Alexander Dimitrov режисьор маргарита младенова 62 T H E P R O G RA mm ES П р о г р а м и т е 63 Youth Theatre – Sofia младежки театър – софия Make Love Прави любов after J. Heller, F. Arabal, A. Rossi 1995 по дж. хелър, ф. арабал, а. роси 1995 directed by Plamen Kyorlenski режисьор Пламен Кьорленски OFFICIAL PROGRAMME ОФИЦИАЛНА ПРОГРАМА Drama Theatre – Vratsa — драматичен театър – враца — The Merchant of Venice Theatre Turned Towards Itself Венецианският търговец театърът, oбърнат към себе си by William Shakespeare
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  • Preliminary Pages

    Preliminary Pages

    Distribution Agreement In presenting this thesis as a partial fulfillment of the requirements for a degree from Emory University, I hereby grant to Emory University and its agents the non-exclusive license to archive, make accessible, and display my thesis in whole or in part in all forms of media, now or hereafter known, including display on the world wide web. I understand that I may select some access restrictions as part of the online submission of this thesis. I retain all ownership rights to the copyright of the thesis. I also retain the right to use in future works (such as articles or books) all or part of this thesis. Signature: Leesa Haspel April 14, 2010 Becoming Miss Julie: A Study in Practical Dramaturgy by Leesa Haspel Adviser Donald McManus Department of Theater Studies Donald McManus Adviser Lisa Paulsen Committee Member Joseph Skibell Committee Member April 14, 2010 Becoming Miss Julie: A Study in Practical Dramaturgy By Leesa Haspel Adviser Donald McManus An abstract of A thesis submitted to the Faculty of Emory College of Arts and Sciences of Emory University in partial fulfillment of the requirements of the degree of Bachelor of Arts with Honors Department of Theater Studies 2010 Abstract Becoming Miss Julie: A Study in Practical Dramaturgy By Leesa Haspel This paper serves to document and reflect upon an actor’s experience using research to inform and develop a role. Theater Emory’s 2009 production of Miss Julie serves as the case study, describing the process of creating the titular role. An overview of the history of dramaturgy, a dramaturgical protocol, exploration of relevant acting styles, analysis of the Theater Emory production, and personal reflection on the experience of developing Miss Julie cohere to create a guide advocating the use of practical dramaturgy in contemporary acting.
  • Network Program Democracy

    Network Program Democracy

    Democracy Network Program DemNet II: Building Civil Society in Bulgaria Final Report Democracy Network Program DemNet II: Building Civil Society in Bulgaria 1998-2002 FINAL REPORT TO THE U.S. AGENCY FOR INTERNATIONAL DEVELOPMENT Cooperative Agreement No. 181-A-00-98-00320-00 Institute for Sustainable Communities 535 Stone Cutters Way, Montpelier, VT 05602 USA Phone 802-229-2900 | Fax 802-229-2919 [email protected] | www.iscvt.org April 2003 Photos, front and back inside covers: Bulgarian landscapes; next page: DemNet-supported activities of SO partners and NGOs working for positive change in Bulgaria. Table of Contents I. Executive Summary • 6 II. The Context • 8 III. Program Design & Goals • 9 IV. Strengthening the Capacity of SO Partners • 11 • SELECTING SUPPORT ORGANIZATION PARTNERS • ORGANIZATIONAL STRENGTHENING • DEEPENING PROGRAM IMPACT • KEY OUTCOMES IN DEMNET’S FUNCTIONAL AREAS V. SO Partner Performance Stories • 22 VI. Supporting a Vibrant NGO Sector & Strengthening Civil Society in Bulgaria • 24 • TARGETING UNDERSERVED POPULATIONS & IMPROVING SOCIAL SAFETY NETS • CREATING ECONOMIC OPPORTUNITY • NETWORKING & COALITION BUILDING FOR SUPPORT & SUSTAINABILITY • STRENGTHENING OUTREACH & PUBLIC RELATIONS • INCREASING CITIZEN PARTICIPATION IN POLICY DIALOGUE VII. Lessons Learned • 27 VIII. Conclusion • 29 IX. Attachments A: DEMNET SO PARTNER PUBLICATION B: SO PARTNER SUMMARIES C: ORGANIZATIONAL STRENGTHENING & PERFORMANCE MONITORING COMPONENTS D: SERVICE QUALITY REVIEW REPORT E: DONOR SURVEY EXECUTIVE SUMMARY F: ENGAGE INITIATIVE REPORT G: TRAVEL NOTES PUBLICATION (ENGAGE INITIATIVE) H: VOICES FOR CHANGE PUBLICATION I: ADVOCACY INITIATIVE REPORT J: LEADING LIGHTS PUBLICATION K: SUMMARY OF NGO GRANTEES L: SENSE OF EMPOWERMENT VIDEO Acknowledgements The success of any project is in the hands of many people—the SO partners, the capable and dedicated ISC staff in Bulgaria, many excellent consultants who supported the program, and the Bulgaria USAID mission that provided sound support and counsel at critical junctures.
  • Downloaded 4.0 License

    Downloaded 4.0 License

    CHAPTER 14 Choral Societies and National Mobilization in Nineteenth-Century Bulgaria Ivanka Vlaeva Compared with the histories of many national movements in nineteenth- century Europe, in Bulgaria the industrial revolution was delayed and mod- ern culture arrived late. Lagging behind most other Europeans, the Bulgarian population had to compensate for its lack of modern cultural development. Thus, one important characteristic of Bulgarian culture is its evolution at accelerated rates. Before liberation in 1878, for almost five centuries the Bulgarian lands were under Ottoman rule, without their own governmental and religious institu- tions. Foreign rule, a feudal economy, a weak middle class, and the absence of national cultural institutions were serious obstacles to the development of a new culture on the western European model. The most important aims for the Bulgarians (led by educators, intellectuals, and revolutionists) were to struggle politically against Ottoman governance, economically for new industrial pro- cesses in the Ottoman Empire, and culturally for a national identity. The lead- ers of the revolutionary movement called for a struggle not against the Turkish people, but against Ottoman rulers and foreign clerks.1 These historical processes resemble those elsewhere in Europe, especially in the central and southeastern regions. Nineteenth-century Bulgarian culture therefore needs to be considered along with that of the Balkans more gener- ally because of the cultural similarities, interactions, and fluctuations in this region.2 The establishment of a new economy and the fight for modern educa- tion were among the main priorities in Bulgarian communities. The eighteenth and nineteenth centuries are the so-called Revival period in Bulgarian cultural development, strongly influenced by the ideas of the Enlightenment.
  • Risiken Und Nebenwirkungen

    Risiken Und Nebenwirkungen

    Luna Filmverleih präsentiert eine Produktion der epo-Film RISIKEN UND NEBENWIRKUNGEN Ein Film von Michael Kreihsl nach dem Stück „Die Niere“ von Stefan Vögel Kinostart: Pressebetreuung: Susanne Auzinger PR [email protected] Tel.: +43 664 263 92 28 Kooperationen: Elisabeth Hinterholzer [email protected] Tel.: +43 676 / 7925280 Produktion: epo-film produktionsges.m.b.h. 1120 Wien, Edelsinnstraße 58 E-Mail: [email protected] Tel: (+43 1) 812 37 18 http://www.epofilm.com/de/ INHALT Cast, Credits, technische Daten .................................................................... 3 Kurzinhalt & Synopsis .................................................................................... 4 Regiestatement von Michael Kreihsl .............................................................. 5 Produzentenstatement epo-film ..................................................................... 5 Interview mit Michael Kreihsl ......................................................................... 6 Biografien ..................................................................................................... 10 Michael Kreihsl ..................................................................................... 10 Inka Friedrich ....................................................................................... 11 Samuel Finzi ........................................................................................ 12 Pia Hierzegger ..................................................................................... 13 Thomas