Volume 127, Issue 44
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
Bookstore Blues
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 2007-09-13 Chanticleer | Vol 56, Issue 3 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 56, Issue 3" (2007). Chanticleer. 1479. https://digitalcommons.jsu.edu/lib_ac_chanty/1479 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. I Volume 56, Issue 3 * . Banner may be toI . blame for mis'sing checks JSU remembers 911 1, By Brandon Hollingsworth was not in the mailbox," Ellis said. confirmed that students who d~dnot six years later. News Editor "So I go the financial aid office to get their checks would have to wait Story on ge, make an inqu~ry." for manual processing to sort through Many JSU students received finan- There, Ellis said, workers told the delay. cia1 aid refund checks on Monday, him that due to a processing glitch, Adams indicated that JSU's new Sept. 10. his check would not be ready until Banner system is partly responsible SGA President David Some put the mmey in the bank, Wednesday, Sept. 12. for the problem. Jennings joins other sofrle spent it on booka, some on At the earl~est. "There were some lssues ~n the, student presidents in less savory expen&we$. , Another student, Kim Stark, was [older] Legacy system," Adams said, an effort to fight book However, some students, mostly tdd to Walt up to two weeks for her "But with the new Banner system, prices. -
Hands Off My Boardwalk! Locals Cringe at News That Private Group May Control Coney Events
Yo u r Neighborhood — Yo u r News® BrooklynPaper.com • (718) 260–2500 • Brooklyn, NY • ©2014 Serving Brownstone Brooklyn, Williamsburg & Greenpoint AWP/18 pages • Vol. 37, No. 46 • November 14–20, 2014 • FREE VICE VERSUS CIRCUS City evicts Williamsburg acrobats who narced on hipster media company By Danielle Furfaro Vice’s contractors. The Brooklyn Paper “I do not know how we are going to A circus school’s bid to get back at continue operating here,” she said. “We incoming upstairs neighbor Vice Me- feel we are in danger.” dia for allegedly dangerous construc- Partial eviction or no, the school is the tion work backfired dramatically on latest casualty of Vice’s arrival at Kent Nov. 6 when the city, called to inspect Avenue and S. First Street, following Vice, kicked out a half-dozen acrobats announcements of the imminent shut- living illegally in the non-residential tering of indie music venues Death by Photos by Stefano Giovannini building. Audio and Glasslands . The mass exodus The contested building is at S. The circus school the Muse is the lat- is the result of a deal struck with build- First Street and Kent Avenue. est artistic institution getting the boot ing owner CTA Digital to boot current ahead of Vice’s takeover of two con- tenants to make room for Vice, through negotiations and by refusing to renew tain a newly formed community of nected buildings at Kent Avenue and acrobats, aerialists, and tumblers, she S. First Street. The performers are sup- the leases, Gawker and the Commer- said. The building owner originally al- posed to move out by January. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Kenyon Collegian College Archives
Digital Kenyon: Research, Scholarship, and Creative Exchange The Kenyon Collegian College Archives 10-27-2005 Kenyon Collegian - October 27, 2005 Follow this and additional works at: https://digital.kenyon.edu/collegian Recommended Citation "Kenyon Collegian - October 27, 2005" (2005). The Kenyon Collegian. 330. https://digital.kenyon.edu/collegian/330 This News Article is brought to you for free and open access by the College Archives at Digital Kenyon: Research, Scholarship, and Creative Exchange. It has been accepted for inclusion in The Kenyon Collegian by an authorized administrator of Digital Kenyon: Research, Scholarship, and Creative Exchange. For more information, please contact [email protected]. hi Tmi isaR- CRac 51 Established 1856 Volume CXXXIII Number 2 wwwkenyoncollegiancom ThBaro- saseing enyon Collegian Gambier Ohio THURSDAY OCTOBER 27 2005 12 Pages official ARAMARK out AVI in Its of billing and increased AMARK were invited to cam- When asked about input from other to make drastic change BY WILLOW BELDEN accuracy Gebele man- EditorinCh- ief interaction with students pus to evaluate ARAMARKs students McConnell said he used Niles the general Although some students said performance According to Sam as the conduit for that ager of ARAMARK at Kenyon Based on the recommendation they feel that food services at Ke- McConnell the two compa- But not all students agree with declined to comment on the fairness or Chief Business Officer David nyon have improved this semester nies gave ARAMARK similar Shopinskis assessment of ARA- of -
ESTTA1036119 Filing Date: 02/14/2020
Trademark Trial and Appeal Board Electronic Filing System. http://estta.uspto.gov ESTTA Tracking number: ESTTA1036119 Filing date: 02/14/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD Proceeding 88094045 Applicant IMH Columbia, LLC Applied for Mark THE MERRIWEATHER Correspondence DAVID V. RADACK Address ECKERT SEAMANS CHERIN & MELLOTT, LLC 600 GRANT STREET, 44TH FLOOR PITTSBURGH, PA 15219 UNITED STATES [email protected], [email protected], lamor- [email protected] 412-566-6777 Submission Applicants Request for Remand and Amendment Attachments MOTION TO REMAND THE MERRIWEATHER.pdf(15649 bytes ) THE MERRIWEATHER APPEAL BRIEF.pdf(88500 bytes ) EXHIBIT A THE MERRIWEATHER_Part1.pdf(3027937 bytes ) EXHIBIT A THE MERRIWEATHER_Part2.pdf(2942201 bytes ) EXHIBIT B THE MERRIWEATHER.pdf(3242075 bytes ) EXHIBIT C THE MERRIWEATHER.pdf(314919 bytes ) EXHIBIT D MERRIWEATHER.pdf(29279 bytes ) EXHIBIT E THE MERRIWEATHER.pdf(183581 bytes ) EXHIBIT F MERRIWEATHER.pdf(403263 bytes ) EXHIBIT G THE MERRIWEATHER .pdf(2218486 bytes ) EXHIBIT H MERRIWEATHER.pdf(100152 bytes ) EXHIBIT I THE MERRIWEATHER Part1.pdf(3482996 bytes ) EXHIBIT I THE MERRIWEATHER Part2.pdf(4474539 bytes ) EXHIBIT I THE MERRIWEATHER Part3.pdf(5104906 bytes ) EXHIBIT J THE MERRIWEATHER.pdf(300909 bytes ) Filer's Name David V. Radack Filer's email [email protected], [email protected], ipdock- [email protected] Signature /David V. Radack/ Date 02/14/2020 IN THE UNITED STATES PATENT AND TRADEMARK OFFICE BEFORE THE TRADEMARK TRIAL AND APPEAL BOARD In re: IMH Columbia, LLC Law Office 114 Serial No. 88/094,045 Examining Attorney – Brian J. Pino Filed August 27, 2018 For THE MERRIWEATHER Attorney Reference No. -
2012 April 21
SPECIAL ISSUE MUSIC • • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES STREET DATE: APRIL 21 ORDERS DUE: MAR 21 SPECIAL ISSUE ada-music.com 2012 RECORD STORE DAY-RELATED CATALOG Artist Title Label Fmt UPC List Order ST. VINCENT KROKODIL 4AD S 652637321173 $5.99 ST. VINCENT ACTOR 4AD CD 652637291926 $14.98 ST. VINCENT ACTOR 4AD A 652637291919 $15.98 BEGGARS ST. VINCENT MARRY ME BANQUET CD 607618025427 $14.98 BEGGARS ST. VINCENT MARRY ME BANQUET A 607618025410 $14.98 ST. VINCENT STRANGE MERCY 4AD CD 652637312324 $14.98 ST. VINCENT STRANGE MERCY 4AD A 652637312317 $17.98 TINARIWEN TASSILI ANTI/EPITAPH A 045778714810 $24.98 TINARIWEN TASSILI ANTI/EPITAPH CD 045778714827 $15.98 WILCO THE WHOLE LOVE DELUXE VINYL BOX ANTI/EPITAPH A 045778717415 $59.98 WILCO THE WHOLE LOVE ANTI/EPITAPH CD 045778715626 $17.98 WILCO THE WHOLE LOVE ANTI/EPITAPH A 045778715619 $27.98 WILCO THE WHOLE LOVE (DELUXE VERSION) ANTI/EPITAPH CD 045778717422 $21.98 GOLDEN SMOG STAY GOLDEN, SMOG: THE BEST OF RHINO RYKO CD 081227991456 $16.98 GOLDEN SMOG WEIRD TALES RHINO RYKO CD 014431044625 $11.98 GOLDEN SMOG DOWN BY THE OLD MAINSTREAM RYKODISC A 014431032516 $18.98 ANIMAL COLLECTIVE TRANSVERSE TEMPORAL GYRUS DOMINO MS 801390032417 $15.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO A 801390024610 $11.98 ANIMAL COLLECTIVE FALL BE KIND EP DOMINO CD 801390024627 $9.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO A 801390021916 $23.98 ANIMAL COLLECTIVE MERRIWEATHER POST PAVILION DOMINO CD 801390021923 $15.98 ANIMAL COLLECTIVE STRAWBERRY JAM -
In This Issue
The California Tech Volume CXiX number 22 Pasadena, California [email protected] aPril 4, 2016 Grand Canyon visit among Caltech Y alternative spring break trips MATTHEW CEDENO of Sedona. The group enjoyed a Trail at the Grand Canyon while went to the Grand Canyon after provided a majestic view for the Contributing Writer night under the stars with a warm the rest took the scenic route to a 100-mile drive, enjoying the students. After packing up camp, campfire and s’mores. Sedona. From Camp Verde, the view of Arizona’s mountains and everyone finished the morning For spring break 2016, plains. Once at Grand Canyon with another hike along the two 21 Techers left campus to National Park, everyone split main trails. Shortly after departing explore Sedona and the Grand into groups to take on the from the national park, the group Canyon. Led by students different trails of the park. met up at a pizza place for lunch Xaomi Du, Tyler Okamoto One group took the Rim and relaxation. The delicious pizza and Matthew Cedeno, along Trail to see all of the different was a great way to chat as a group with Caltech Y staff member overlook points at the top about the experiences of the trip Greg Fletcher, these students of the Canyon. Others went and to fuel up for the ride back got the chance to explore on the South Kaibab or the home. The drive back to Caltech Grand Canyon National Park Bright Angel trails to get was long, but stops along the way and its many trails. -
The History of Rock Music - the Nineties
The History of Rock Music - The Nineties The History of Rock Music: 1995-2001 Drum'n'bass, trip-hop, glitch music History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Post-post-rock (These are excerpts from my book "A History of Rock and Dance Music") The Louisville alumni 1995-97 TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. The Squirrel Bait and Rodan genealogies continued to dominate Kentucky's and Chicago's post-rock scene during the 1990s. Half of Rodan, i.e. Tara Jane O'Neil (now on vocals and guitar) and Kevin Coultas, formed Sonora Pine with keyboardist and guitarist Sean Meadows, violinist Samara Lubelski and pianist Rachel Grimes. Their debut album, Sonora Pine (1996), basically applied Rodan's aesthetics to the format of the folk lullaby. Another member of Rodan, guitarist Jeff Mueller, formed June Of 44 (11), a sort of supergroup comprising Sonora Pine's guitarist Sean Meadows, Codeine's drummer and keyboardist Doug Scharin, and bassist and trumpet player Fred Erskine. Engine Takes To The Water (1995) signaled the evolution of "slo-core" towards a coldly neurotic form, which achieved a hypnotic and catatonic tone, besides a classic austerity, on the mini-album Tropics And Meridians (1996). Sustained by abrasive and inconclusive guitar doodling, mutant rhythm and off-key counterpoint of violin and trumpet, Four Great Points (1998) metabolized dub, raga, jazz, pop in a theater of calculated gestures. -
Northumbria Research Link Northumbria Research Link
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Northumbria Research Link Northumbria Research Link Citation: Sexton, Jamie (2019) Low Budget Audio-visual Aesthetics in Indie Music Video and Feature Filmmaking: The Works of Steve Hanft and Danny Perez. In: The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury. ISBN 9781501342332 (In Press) Published by: Bloomsbury URL: https://www.bloomsbury.com/us/the-bloomsbury-handb... <https://www.bloomsbury.com/us/the- bloomsbury-handbook-of-popular-music-video-analysis-9781501342332/> This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/39862/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/pol i cies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. -
Corpus Antville
Corpus Epistemológico da Investigação Vídeos musicais referenciados pela comunidade Antville entre Junho de 2006 e Junho de 2011 no blogue homónimo www.videos.antville.org Data Título do post 01‐06‐2006 videos at multiple speeds? 01‐06‐2006 music videos based on cars? 01‐06‐2006 can anyone tell me videos with machine guns? 01‐06‐2006 Muse "Supermassive Black Hole" (Dir: Floria Sigismondi) 01‐06‐2006 Skye ‐ "What's Wrong With Me" 01‐06‐2006 Madison "Radiate". Directed by Erin Levendorf 01‐06‐2006 PANASONIC “SHARE THE AIR†VIDEO CONTEST 01‐06‐2006 Number of times 'panasonic' mentioned in last post 01‐06‐2006 Please Panasonic 01‐06‐2006 Paul Oakenfold "FASTER KILL FASTER PUSSYCAT" : Dir. Jake Nava 01‐06‐2006 Presets "Down Down Down" : Dir. Presets + Kim Greenway 01‐06‐2006 Lansing‐Dreiden "A Line You Can Cross" : Dir. 01‐06‐2006 SnowPatrol "You're All I Have" : Dir. 01‐06‐2006 Wolfmother "White Unicorn" : Dir. Kris Moyes? 01‐06‐2006 Fiona Apple ‐ Across The Universe ‐ Director ‐ Paul Thomas Anderson. 02‐06‐2006 Ayumi Hamasaki ‐ Real Me ‐ Director: Ukon Kamimura 02‐06‐2006 They Might Be Giants ‐ "Dallas" d. Asterisk 02‐06‐2006 Bersuit Vergarabat "Sencillamente" 02‐06‐2006 Lily Allen ‐ LDN (epk promo) directed by Ben & Greg 02‐06‐2006 Jamie T 'Sheila' directed by Nima Nourizadeh 02‐06‐2006 Farben Lehre ''Terrorystan'', Director: Marek Gluziñski 02‐06‐2006 Chris And The Other Girls ‐ Lullaby (director: Christian Pitschl, camera: Federico Salvalaio) 02‐06‐2006 Megan Mullins ''Ain't What It Used To Be'' 02‐06‐2006 Mr. -
Talking About Animal Collective's Strawberry Jam
Through A Child’s Eyes: Talking About Animal Collective’s Strawberry Jam Chance Lytle 7 May 2018 What makes an album is messily drumming your fingers out of step with a beat down a highway; splicing segments of it into a mix CD with poorly drawn, bootleg art; mishearing lyrics for years and laughing at realizations. These parts mature with you, different chunks randomly rising to the surface, developing an impression of the whole. When played straight through, albums can create an organic, bubbly mix of all the manufactured memories surrounding them. The noticed changes in loving and listening to it layer with the nostalgia of the original emotions surrounding it. Yet, the refractions of what’s heard can be radically different from what went into it. Animal Collective cram new takes on their age-old themes and fresh synths and samples into a tight, mason jar prism to make as perfect a pop album as you can get. STRAWBERRY JAM is abstract and personal to the point where it risks sinking in its gooey depths, but it remains optimistic, hopeful. A near-decade of transcribing nostalgia toward childhood and fantasy lead up to its place as a transitional record, focused on the band’s new, immediate present. By the time its first tracks debuted live in October 2005, Panda Bear had moved across the Atlantic. Avey Tare had started performing with Kría Brekkan the summer before. Geologist had just finished graduate studies. Deakin was soon to take a breather after the tour. The band had put out an album a year since 2000, but 2006 was the first one they missed.