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SYNCHRONICITY and VISUAL MUSIC a Senior Thesis Presented to the Faculty of the Department of Music Business, Entrepreneurship An
SYNCHRONICITY AND VISUAL MUSIC A Senior Thesis Presented to The Faculty of the Department of Music Business, Entrepreneurship and Technology The University of the Arts In partial fulfillment of the requirements for the degree of BACHELOR OF SCIENCE By Zarek Rubin May 9, 2019 Rubin 1 Music and visuals have an integral relationship that cannot be broken. The relationship is evident when album artwork, album packaging, and music videos still exist. For most individuals, music videos and album artwork fulfill the listener’s imagination, concept, and perception of a finished music product. For other individuals, the visuals may distract or ruin the imagination of the listener. Listening to music on an album is like reading a novel. The audience builds their own imagination from the work, but any visuals such as the novel cover to media adaptations can ruin the preexisted vision the audience possesses. Despite the audience’s imagination, music can be visualized in different forms of visual media and it can fulfill the listener’s imagination in a different context. Listeners get introduced to new music in film, television, advertisement, film trailers, and video games. Content creators on YouTube introduce a song or playlist with visuals they edit themselves. The content creators credit the music artist in the description of the video and music fans listen to the music through the links provided. The YouTube channel, “ChilledCow”, synchronizes Lo-Fi hip hop music to a gif of a girl studying from the 2012 anime film, Wolf Children. These videos are a new form of radio on the internet. -
Played 2013 IMOJP
Reverse Running Atoms For Peace AMOK XL Recordings Hittite Man The Fall Re-Mit Cherry Red Pre-Mdma Years The Fall Re-Mit Cherry Red Voodoo Posse Chronic Illusion Actress Silver Cloud WERKDISCS Recommended By Dentists Alex Dowling On The Nature Of ElectricityHeresy Records And Acoustics Smile (Pictures Or It Didn't Happen) Amanda Palmer & TheTheatre Grand Is EvilTheft OrchestraBandcamp Stoerung kiteki Rmx Antye Greie-Ripatti minimal tunesia Antye Greie-Ripatti nbi(AGF) 05 Line Ain't Got No Love Beal, Willis Earl Nobody knows. XL Recordings Marauder Black Pus All My Relations Thrill Jockey 1,000 Years Black Pus All My Relations Thrill Jockey Records All Out of Sorts Black Pus All My Relations Thrill Jockey Abstract Body/Head Coming Apart Matador Records Sintiendo Bomba Estéreo Elegancia Tropical Soundway #Colombia Amidinine Bombino Nomad Cumbancha Persistence Of Death Borut Krzisnik Krzisnik: Lightning Claudio Contemporary La noche mas larga Buika La noche mas largaWarner Music Spain Super Flumina Babylonis Caleb Burhans Evensong Cantaloupe Music Waiting For The Streetcar CAN The Lost Tapes [DiscMute 1] Obedience Carmen Villain Sleeper Smalltown Supersound Masters of the Internet Ceramic Dog Your Turn Northern-Spy Records track 2 Chris Silver T & MauroHigh Sambo Forest, LonelyOzky Feeling E-Sound Spectral Churches Coen Oscar PolackSpectral Churches Narrominded sundarbans coen oscar polack &fathomless herman wilken Narrominded To See More Light Colin Stetson New History WarfareConstellation Vol. 3: To See More Light The Neighborhood Darcy -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
FACT Magazine Music & Art News, Upfront Videos, Free Downloads
FACT magazine: music & art news, upfront videos, free downloads, classic vinyl, competitions, gigs, clubs, festivals & exhibitions - End of year charts: volume 5 04/01/10 19.08 Home News Features Broadcast Blogs Reviews Events Competitions Gallery search... Go Want to advertise? Click here Login Username End of year charts: volume 5 Password 1 FACT music player 2 Friday, 18 December 2009 Remember me Login 3 4 Lost Password? 5 No account yet? Register (2 votes) Open player in pop-up ACTRESS (pictured) 1. Cassablanca – Mzo Bullet [CD-R] Latest FACT mixes 2. Bibio - Ambivalence Avenue [Warp] 3. Keaver & Brause - The Middle Way [Dealmaker] 4. Thriller - Freak For You / Point & Gaze [Thriller] 5. Nathan Fake - Hard Islands [Border Community] 6. Hudson Mohawke - Butter [Warp] 7. The Horrors - Primary Colours [XL] 8. Actress – Ghosts Have a Heaven [Prime Numbers] Follow us on 9. Joy Orbison - Hyph Mngo [Hotflush] 10. Animal Collective - Merriweather Post Pavilion [Domino] 11. Leron Carson - Red Lightbulb Theory '87 - '88 [Sound Signature] 12. Raekwon - Only Built For Cuban Linx 2 [H2o] Last Comments 13. Darkstar - Aidy's Girl's A Computer [Hyperdub] 14. Zomby - Digital Flora [Brainmath] 1. FACT mix 112: Deadboy 15. Thriller – Swarm / Hubble [Thriller] by mosca 16. Peter Broderick - Float [Type] 2. Daily Download: Actress vs... by coxy 17. Rick Wilhite - The Godson EP [Rush Hour] 3. FACT mix 58: Untold 18. The xx - The xx [XL] by beezerholmes 4. 20 albums to look forward to... 19. Rustie – Bad Science [Wireblock] by tomlea 20. Cloaks – Versus Grain [3by3] 5. 100 best: Tracks of 2009 by jonhharris Compiled by Actress (Werk Discs), London, UK. -
Nov./Dec. 2007 VOL.57 TOTAL TIME: 73'37” 01 ANIMAL COLLECTIVE Peacebone TBTF 03 STARS the Night Starts Here 04 the GOOD
01 ANIMAL COLLECTIVE 07 CARIBOU 13 REVEREND & THE MAKERS Peacebone Melody Day Heavyweight Champion of the World (Remix Edit) Nov./Dec. 2007 VOL.57 アニマル・コレクティヴ「ピースボーン」 カリブー「メロディー・デイ」 レヴァランド・アンド・ザ・メイカーズ「ヘヴィウェイト・チャ (Animal Collective)5:14 (Dan Snaith)4:11 ンピオン・オブ・ザ・ワールド(リミックス・エディット)」 taken from the album STRAWBERRY JAM taken from the album ANDORRA (McClure, Cosens, Smith)4:02 [Domino / Hostess]>030 [City Slang / Merge / Hostess]>012 original version is taken from the album THE STATE OF THINGS [Wall Of Sound / Hostess]>018 02 BROKEN SOCIAL SCENE PRESENTS KEVIN DREW 08 BRICOLAGE 14 ENON TBTF Flowers Of Deceit Pigeneration ブロークン・ソーシャル・シーン・プレゼンツ・ ブリコラージュ「フラワーズ・オブ・ディシート」 イーノン「ピージェネレーション」 ケビン・ドリュー「ティービーティーエフ」 (words by Wallace Meek; music by Bricorage) (Enon)3:33 (Kevin Drew)3:50 2:49 taken from the album GRASS GEYSERS... CARBON taken from the album SPIRIT IF... taken from the album BRICOLAGE CLOUDS [Arts & Crafts / Pony Canyon]>022 [Memphis Industries / Kurofune]>090 [Touch And Go / Traffic]>053 03 STARS 09 EIGHT LEGS 15 PINBACK The Night Starts Here Tell Me What Went Wrong From Nothing To Nowhere スターズ「ザ・ナイト・スターツ・ヒア」 エイト・レッグス「テル・ミー・ホワット・ウェ ピンバック「フロム・ナッシング・トゥ・ノーホ (Stars)4:54 ント・ロング」 エア」 taken from the album IN OUR BEDROOM AFTER (words by Sam Jolly; music by Eight Legs)2:32 (The Rob And Zach Show)3:28 THE WAR taken from the album SEARCHING FOR THE SIMPLE LIFE taken from the album AUTUMN OF THE SERAPHS [Arts & Crafts / Pony Canyon]>026 [Weekender / Kurofune]>088 [Touch And Go / Traffic]>050 04 THE GOOD LIFE 10 JEAN-MICHEL 16 LIARS You Don’t Feel -
Bookstore Blues
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 2007-09-13 Chanticleer | Vol 56, Issue 3 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 56, Issue 3" (2007). Chanticleer. 1479. https://digitalcommons.jsu.edu/lib_ac_chanty/1479 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. I Volume 56, Issue 3 * . Banner may be toI . blame for mis'sing checks JSU remembers 911 1, By Brandon Hollingsworth was not in the mailbox," Ellis said. confirmed that students who d~dnot six years later. News Editor "So I go the financial aid office to get their checks would have to wait Story on ge, make an inqu~ry." for manual processing to sort through Many JSU students received finan- There, Ellis said, workers told the delay. cia1 aid refund checks on Monday, him that due to a processing glitch, Adams indicated that JSU's new Sept. 10. his check would not be ready until Banner system is partly responsible SGA President David Some put the mmey in the bank, Wednesday, Sept. 12. for the problem. Jennings joins other sofrle spent it on booka, some on At the earl~est. "There were some lssues ~n the, student presidents in less savory expen&we$. , Another student, Kim Stark, was [older] Legacy system," Adams said, an effort to fight book However, some students, mostly tdd to Walt up to two weeks for her "But with the new Banner system, prices. -
Current, September 10, 2012
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 9-10-2012 Current, September 10, 2012 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, September 10, 2012" (2012). Current (2010s). 114. https://irl.umsl.edu/current2010s/114 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. September 10, 2012 Vol. 46 Issue 1383 News 3 Features 4 Gallery 210 hosts a winning set of A&E 5 exhibits to kick off its fall season Opinions 6 GARRETT KING music and culture. associate professor of art and art history Phillip included sculpture, silk-screens, sketches, As is typical of Gallery 210’s receptions, the Robinson and professor of art and art history photography and even a graphic design portfolio. Staff Writer Comics 8 artists whose pieces were on display came to join Ken Anderson (all UMSL faculty presenting their Douglas stuck to mediums like enamel paint Gallery 210, University of Missouri – St. Louis’ in the festivities and field the questions of 210’s work for the Jubilee) were also present, as was and graphite, Alvarez used paper and mixed resident exporter of St. Louis art and culture, eager patrons. Arny Nadler, the sculptor behind “Whelm.” media and Corley employed cardstock, string and Mon kicked off its fall season on September 6 with a Thursday’s reception welcomed Deb Douglas, The artists’ work varied immensely. -
Sonntags Im Bistro Grottino, Sommer 2015 (16.59H Bis Ca
Sonntags im Bistro Grottino, Sommer 2015 (16.59h bis ca. 19.08h) Set vom 7.6. Real Estate: Past Lives Department of Eagles: No One Does It Like You Unknown Mortal Orchestra: So Good… Ruby Suns: Oh Mojave The Congos: Fisherman The Upsetters: Big Gal Sally Beastie Boys: Song for the Man Captain Beefheart: Abba Zaba Destroyer: Del Monton Magnetic Fields: The Luckiest Guy… Beck: Black Tambourine Can: Halleluhwah Dorothy Collins: Lightworks (Raymond Scott) Erykah Badu: Soldier Digable Planets: Black Ego Calexico: Not Even Stevie Nicks Avey Tare's Slasher Flicks: Little Fang Panda Bear: Boys Latin Deerhoof: Super Duper Rescue Head Daniel Johnston: The Sun Shines Down Gil Scott Heron: Home Is Where the Hatred Is Timmy Thomas: Why Can't We Live Together The Four Tops: Baby I Need Your Loving Matthew E. White: Golden Robes William Onyeabor: Atomic Bomb Connan Mockasin: Megumi the Milkyway Above Django Django: Found You Atlas Sound: Walkabout Islands: Jogging Gorgeous Summer Tame Impala: Let it Happen The Notwist: Gloomy Planets Dan Deacon: Feel the Lightning Tocotronic: Spiralen Destroyer: Kaputt Set vom 14.6. Simone White: Flowers in May Beach House: Walk in the Park Peaking Lights: All the Sun That Shines The Slits: Man Next Door Jaako Eino Kalevi: Deeper Shadows Sisyphus: Lion's Share The Soundcarriers: So Beguiled Toro y Moi: Empty Nesters Kyu Sakamoto: Sukiyaki Homeboy Sandman: Holiday (Kosi Edit) Real Estate: Crime Devendra Banhart: Won't You Come Over Yo La Tengo: Automatic Doom Caribou: Melody Day Chris Cohen: Don't Look Today Unknown Mortal Orchestra: Can't Keep Checking My Phone John Cale: Hanky Panky Nohow Mac DeMarco: Let Her Go Girls: Oh So Protective One Stereolab: Fuses Beck: Tropicalia Cloud One: Atmosphere Strut Remix 1979 Cliff King Solomon: But Officer! Ariel Pink: Baby Frank Ocean: Forrest Gump Animal Collective: Rosie Oh Alexis Taylor: Am I Not A Soldier? Freddie Gibbs & Madlib: Shame (Instrumental) Arthur Russell: That's Us / Wild Combination The Streets: Never Went to Church Jacques Palminger: Wann strahlst Du? Dick Justice: Henry Lee Set vom 21.6. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames -
Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent. -
For Education by Grace Mullaney (PSC) of Georgia Last Week
bagpipeonline.com Vol. 57 No. 23 the April 13, 2011 BAGPIPE ALL PHOTOS BY TAD EVEARITT A+ For Education by Grace Mullaney (PSC) of Georgia last week. Education Department qualify for state schools every time they submit reports [email protected] “This has been the easiest on-cam- teacher certification. There are eight to assess their Education Department. something” that the Board of Examiners pus review I’ve ever done,” said one of PSC standards a program must meet to Professor of Education Steve found during their assessment. “The thing Two years of hard work paid off the commission board members. “The be approved by the commission. Every Kaufmann, a faculty member for almost that struck me this time,” Kaufmann said, for the Covenant College Educa- reports were so thorough and compre- seven years the PSC requires education thirty years, recalls numerous PSC as- “was that the response of the committee tion Department when it received hensive, we didn’t have much to do.” departments to submit reports on each sessments. The department has always was so uniformly positive. For them to say a firm stamp of approval from the The PSC of Georgia determines of the eight standards. Additionally, the received approval, he said, but they have Professional Standards Commission whether or not graduates of the Board of Examiners for the PSC visits “usually had to fix something or respond to continued on page 3 What Doesn’t Kill Him Makes Him Stronger Professor MacDougall recovering from hiking accident what he said is a relatively small never gave a thought to the danger.” fore so we thought we should show It was 15 to 18 inches in diam- by Adrienne Belz injury compared to what some The accident happened when the our visitors the falls because they eter.