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SYNCHRONICITY and VISUAL MUSIC a Senior Thesis Presented to the Faculty of the Department of Music Business, Entrepreneurship An
SYNCHRONICITY AND VISUAL MUSIC A Senior Thesis Presented to The Faculty of the Department of Music Business, Entrepreneurship and Technology The University of the Arts In partial fulfillment of the requirements for the degree of BACHELOR OF SCIENCE By Zarek Rubin May 9, 2019 Rubin 1 Music and visuals have an integral relationship that cannot be broken. The relationship is evident when album artwork, album packaging, and music videos still exist. For most individuals, music videos and album artwork fulfill the listener’s imagination, concept, and perception of a finished music product. For other individuals, the visuals may distract or ruin the imagination of the listener. Listening to music on an album is like reading a novel. The audience builds their own imagination from the work, but any visuals such as the novel cover to media adaptations can ruin the preexisted vision the audience possesses. Despite the audience’s imagination, music can be visualized in different forms of visual media and it can fulfill the listener’s imagination in a different context. Listeners get introduced to new music in film, television, advertisement, film trailers, and video games. Content creators on YouTube introduce a song or playlist with visuals they edit themselves. The content creators credit the music artist in the description of the video and music fans listen to the music through the links provided. The YouTube channel, “ChilledCow”, synchronizes Lo-Fi hip hop music to a gif of a girl studying from the 2012 anime film, Wolf Children. These videos are a new form of radio on the internet. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Spotlight on Erie
From the Editors The local voice for news, Contents: March 2, 2016 arts, and culture. Different ways of being human Editors-in-Chief: Brian Graham & Adam Welsh Managing Editor: Erie At Large 4 We have held the peculiar notion that a person or Katie Chriest society that is a little different from us, whoever we Contributing Editors: The educational costs of children in pov- Ben Speggen erty are, is somehow strange or bizarre, to be distrusted or Jim Wertz loathed. Think of the negative connotations of words Contributors: like alien or outlandish. And yet the monuments and Lisa Austin, Civitas cultures of each of our civilizations merely represent Mary Birdsong Just a Thought 7 different ways of being human. An extraterrestrial Rick Filippi Gregory Greenleaf-Knepp The upside of riding downtown visitor, looking at the differences among human beings John Lindvay and their societies, would find those differences trivial Brianna Lyle Bob Protzman compared to the similarities. – Carl Sagan, Cosmos Dan Schank William G. Sesler Harrisburg Happenings 7 Tommy Shannon n a presidential election year, what separates us Ryan Smith Only unity can save us from the ominous gets far more airtime than what connects us. The Ti Summer storm cloud of inaction hanging over this neighbors you chatted amicably with over the Matt Swanseger I Sara Toth Commonwealth. drone of lawnmowers put out a yard sign supporting Bryan Toy the candidate you loathe, and suddenly they’re the en- Nick Warren Senator Sean Wiley emy. You’re tempted to un-friend folks with opposing Cover Photo and Design: The Cold Realities of a Warming World 8 allegiances right and left on Facebook. -
Ramones 2002.Pdf
PERFORMERS THE RAMONES B y DR. DONNA GAINES IN THE DARK AGES THAT PRECEDED THE RAMONES, black leather motorcycle jackets and Keds (Ameri fans were shut out, reduced to the role of passive can-made sneakers only), the Ramones incited a spectator. In the early 1970s, boredom inherited the sneering cultural insurrection. In 1976 they re earth: The airwaves were ruled by crotchety old di corded their eponymous first album in seventeen nosaurs; rock & roll had become an alienated labor - days for 16,400. At a time when superstars were rock, detached from its roots. Gone were the sounds demanding upwards of half a million, the Ramones of youthful angst, exuberance, sexuality and misrule. democratized rock & ro|ft|you didn’t need a fat con The spirit of rock & roll was beaten back, the glorious tract, great looks, expensive clothes or the skills of legacy handed down to us in doo-wop, Chuck Berry, Clapton. You just had to follow Joey’s credo: “Do it the British Invasion and surf music lost. If you were from the heart and follow your instincts.” More than an average American kid hanging out in your room twenty-five years later - after the band officially playing guitar, hoping to start a band, how could you broke up - from Old Hanoi to East Berlin, kids in full possibly compete with elaborate guitar solos, expen Ramones regalia incorporate the commando spirit sive equipment and million-dollar stage shows? It all of DIY, do it yourself. seemed out of reach. And then, in 1974, a uniformed According to Joey, the chorus in “Blitzkrieg Bop” - militia burst forth from Forest Hills, Queens, firing a “Hey ho, let’s go” - was “the battle cry that sounded shot heard round the world. -
FACT Magazine Music & Art News, Upfront Videos, Free Downloads
FACT magazine: music & art news, upfront videos, free downloads, classic vinyl, competitions, gigs, clubs, festivals & exhibitions - End of year charts: volume 5 04/01/10 19.08 Home News Features Broadcast Blogs Reviews Events Competitions Gallery search... Go Want to advertise? Click here Login Username End of year charts: volume 5 Password 1 FACT music player 2 Friday, 18 December 2009 Remember me Login 3 4 Lost Password? 5 No account yet? Register (2 votes) Open player in pop-up ACTRESS (pictured) 1. Cassablanca – Mzo Bullet [CD-R] Latest FACT mixes 2. Bibio - Ambivalence Avenue [Warp] 3. Keaver & Brause - The Middle Way [Dealmaker] 4. Thriller - Freak For You / Point & Gaze [Thriller] 5. Nathan Fake - Hard Islands [Border Community] 6. Hudson Mohawke - Butter [Warp] 7. The Horrors - Primary Colours [XL] 8. Actress – Ghosts Have a Heaven [Prime Numbers] Follow us on 9. Joy Orbison - Hyph Mngo [Hotflush] 10. Animal Collective - Merriweather Post Pavilion [Domino] 11. Leron Carson - Red Lightbulb Theory '87 - '88 [Sound Signature] 12. Raekwon - Only Built For Cuban Linx 2 [H2o] Last Comments 13. Darkstar - Aidy's Girl's A Computer [Hyperdub] 14. Zomby - Digital Flora [Brainmath] 1. FACT mix 112: Deadboy 15. Thriller – Swarm / Hubble [Thriller] by mosca 16. Peter Broderick - Float [Type] 2. Daily Download: Actress vs... by coxy 17. Rick Wilhite - The Godson EP [Rush Hour] 3. FACT mix 58: Untold 18. The xx - The xx [XL] by beezerholmes 4. 20 albums to look forward to... 19. Rustie – Bad Science [Wireblock] by tomlea 20. Cloaks – Versus Grain [3by3] 5. 100 best: Tracks of 2009 by jonhharris Compiled by Actress (Werk Discs), London, UK. -
Nov./Dec. 2007 VOL.57 TOTAL TIME: 73'37” 01 ANIMAL COLLECTIVE Peacebone TBTF 03 STARS the Night Starts Here 04 the GOOD
01 ANIMAL COLLECTIVE 07 CARIBOU 13 REVEREND & THE MAKERS Peacebone Melody Day Heavyweight Champion of the World (Remix Edit) Nov./Dec. 2007 VOL.57 アニマル・コレクティヴ「ピースボーン」 カリブー「メロディー・デイ」 レヴァランド・アンド・ザ・メイカーズ「ヘヴィウェイト・チャ (Animal Collective)5:14 (Dan Snaith)4:11 ンピオン・オブ・ザ・ワールド(リミックス・エディット)」 taken from the album STRAWBERRY JAM taken from the album ANDORRA (McClure, Cosens, Smith)4:02 [Domino / Hostess]>030 [City Slang / Merge / Hostess]>012 original version is taken from the album THE STATE OF THINGS [Wall Of Sound / Hostess]>018 02 BROKEN SOCIAL SCENE PRESENTS KEVIN DREW 08 BRICOLAGE 14 ENON TBTF Flowers Of Deceit Pigeneration ブロークン・ソーシャル・シーン・プレゼンツ・ ブリコラージュ「フラワーズ・オブ・ディシート」 イーノン「ピージェネレーション」 ケビン・ドリュー「ティービーティーエフ」 (words by Wallace Meek; music by Bricorage) (Enon)3:33 (Kevin Drew)3:50 2:49 taken from the album GRASS GEYSERS... CARBON taken from the album SPIRIT IF... taken from the album BRICOLAGE CLOUDS [Arts & Crafts / Pony Canyon]>022 [Memphis Industries / Kurofune]>090 [Touch And Go / Traffic]>053 03 STARS 09 EIGHT LEGS 15 PINBACK The Night Starts Here Tell Me What Went Wrong From Nothing To Nowhere スターズ「ザ・ナイト・スターツ・ヒア」 エイト・レッグス「テル・ミー・ホワット・ウェ ピンバック「フロム・ナッシング・トゥ・ノーホ (Stars)4:54 ント・ロング」 エア」 taken from the album IN OUR BEDROOM AFTER (words by Sam Jolly; music by Eight Legs)2:32 (The Rob And Zach Show)3:28 THE WAR taken from the album SEARCHING FOR THE SIMPLE LIFE taken from the album AUTUMN OF THE SERAPHS [Arts & Crafts / Pony Canyon]>026 [Weekender / Kurofune]>088 [Touch And Go / Traffic]>050 04 THE GOOD LIFE 10 JEAN-MICHEL 16 LIARS You Don’t Feel -
Bookstore Blues
Jacksonville State University JSU Digital Commons Chanticleer Historical Newspapers 2007-09-13 Chanticleer | Vol 56, Issue 3 Jacksonville State University Follow this and additional works at: https://digitalcommons.jsu.edu/lib_ac_chanty Recommended Citation Jacksonville State University, "Chanticleer | Vol 56, Issue 3" (2007). Chanticleer. 1479. https://digitalcommons.jsu.edu/lib_ac_chanty/1479 This Book is brought to you for free and open access by the Historical Newspapers at JSU Digital Commons. It has been accepted for inclusion in Chanticleer by an authorized administrator of JSU Digital Commons. For more information, please contact [email protected]. I Volume 56, Issue 3 * . Banner may be toI . blame for mis'sing checks JSU remembers 911 1, By Brandon Hollingsworth was not in the mailbox," Ellis said. confirmed that students who d~dnot six years later. News Editor "So I go the financial aid office to get their checks would have to wait Story on ge, make an inqu~ry." for manual processing to sort through Many JSU students received finan- There, Ellis said, workers told the delay. cia1 aid refund checks on Monday, him that due to a processing glitch, Adams indicated that JSU's new Sept. 10. his check would not be ready until Banner system is partly responsible SGA President David Some put the mmey in the bank, Wednesday, Sept. 12. for the problem. Jennings joins other sofrle spent it on booka, some on At the earl~est. "There were some lssues ~n the, student presidents in less savory expen&we$. , Another student, Kim Stark, was [older] Legacy system," Adams said, an effort to fight book However, some students, mostly tdd to Walt up to two weeks for her "But with the new Banner system, prices. -
Current, September 10, 2012
University of Missouri, St. Louis IRL @ UMSL Current (2010s) Student Newspapers 9-10-2012 Current, September 10, 2012 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current2010s Recommended Citation University of Missouri-St. Louis, "Current, September 10, 2012" (2012). Current (2010s). 114. https://irl.umsl.edu/current2010s/114 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (2010s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. September 10, 2012 Vol. 46 Issue 1383 News 3 Features 4 Gallery 210 hosts a winning set of A&E 5 exhibits to kick off its fall season Opinions 6 GARRETT KING music and culture. associate professor of art and art history Phillip included sculpture, silk-screens, sketches, As is typical of Gallery 210’s receptions, the Robinson and professor of art and art history photography and even a graphic design portfolio. Staff Writer Comics 8 artists whose pieces were on display came to join Ken Anderson (all UMSL faculty presenting their Douglas stuck to mediums like enamel paint Gallery 210, University of Missouri – St. Louis’ in the festivities and field the questions of 210’s work for the Jubilee) were also present, as was and graphite, Alvarez used paper and mixed resident exporter of St. Louis art and culture, eager patrons. Arny Nadler, the sculptor behind “Whelm.” media and Corley employed cardstock, string and Mon kicked off its fall season on September 6 with a Thursday’s reception welcomed Deb Douglas, The artists’ work varied immensely. -
Aller 210 Hosts a Wi Ning Set 0 Exhib Ets to Kick Off Its All Season
UMSL's independent student news September 10, 2012 Vol. 46 Issue 1383 News ................... 3 0 Features .......... 4 aller 210 hosts a wi ning set A&E ........................ 5 exhib ets to kick off its all season Opinions........ :6 GARRETT KING music and culture. associate professor of art and art history Phillip included sculpture, silk-screens, sketches, Staff Writer As is typical of Gallery 21O's receptions, the Robinson and professor of art and art history photography and even a graphic design portfolio. Comics .............. 8 artists whose pieces were on display came to join Ken And'erson (all UMSL faculty presenting their Douglas stuck to mediums like enamel paint Gallery 210, University of Missouri - St. Louis' in the festivities and field the Questions of 21O's work for the Jubilee) were also present, as was and graph ite, Alvarez used paper and mixed resident exporter of St. L0uis art and culture, eager patrons. Arny Nadler, the sculptor behind "Whelm." media and Corley employed cardstock , string and Mon kicked off its fall season on September 6 with a Thursday's reception welcomed Deb Douglas, The artists' work varied immensely. For dye. Each artist's work communicated different public reception. The gallery's latest Heather Corley and Gina Alvarez, who presented "Expsoure 15," Douglas's work featured blown up themes. Dou glas prefers to capture such additions ~ "Exposure 15," the UMSL Faculty their work in "Exposure 15 ." Professor of collages; Corley had a un ique sculptural piece abstraction s as nostal gia , rel ationsh ips and Jubilee and "Whelm" (the large metal sculpture photography, Dan Younger, associate professor called "Certain Uncertainty," which took pattern in her wo rk. -
WXYC Brings You Gems from the Treasure of UNC's Southern
IN/AUDIBLE LETTER FROM THE EDITOR a publication of N/AUDIBLE is the irregular newsletter of WXYC – your favorite Chapel Hill radio WXYC 89.3 FM station that broadcasts 24 hours a day, seven days a week out of the Student Union on the UNC campus. The last time this publication came out in 2002, WXYC was CB 5210 Carolina Union Icelebrating its 25th year of existence as the student-run radio station at the University of Chapel Hill, NC 27599 North Carolina at Chapel Hill. This year we celebrate another big event – our tenth anni- USA versary as the first radio station in the world to simulcast our signal over the Internet. As we celebrate this exciting event and reflect on the ingenuity of a few gifted people who took (919) 962-7768 local radio to the next level and beyond Chapel Hill, we can wonder request line: (919) 962-8989 if the future of radio is no longer in the stereo of our living rooms but on the World Wide Web. http://www.wxyc.org As always, new technology brings change that is both exciting [email protected] and scary. Local radio stations and the dedicated DJs and staffs who operate them are an integral part of vibrant local music communities, like the one we are lucky to have here in the Chapel Hill-Carrboro Staff NICOLE BOGAS area. With the proliferation of music services like XM satellite radio Editor-in-Chief and Live-365 Internet radio servers, it sometimes seems like the future EDITOR-IN-CHIEF: Nicole Bogas of local radio is doomed. -
Historical Painting Techniques, Materials, and Studio Practice
Historical Painting Techniques, Materials, and Studio Practice PUBLICATIONS COORDINATION: Dinah Berland EDITING & PRODUCTION COORDINATION: Corinne Lightweaver EDITORIAL CONSULTATION: Jo Hill COVER DESIGN: Jackie Gallagher-Lange PRODUCTION & PRINTING: Allen Press, Inc., Lawrence, Kansas SYMPOSIUM ORGANIZERS: Erma Hermens, Art History Institute of the University of Leiden Marja Peek, Central Research Laboratory for Objects of Art and Science, Amsterdam © 1995 by The J. Paul Getty Trust All rights reserved Printed in the United States of America ISBN 0-89236-322-3 The Getty Conservation Institute is committed to the preservation of cultural heritage worldwide. The Institute seeks to advance scientiRc knowledge and professional practice and to raise public awareness of conservation. Through research, training, documentation, exchange of information, and ReId projects, the Institute addresses issues related to the conservation of museum objects and archival collections, archaeological monuments and sites, and historic bUildings and cities. The Institute is an operating program of the J. Paul Getty Trust. COVER ILLUSTRATION Gherardo Cibo, "Colchico," folio 17r of Herbarium, ca. 1570. Courtesy of the British Library. FRONTISPIECE Detail from Jan Baptiste Collaert, Color Olivi, 1566-1628. After Johannes Stradanus. Courtesy of the Rijksmuseum-Stichting, Amsterdam. Library of Congress Cataloguing-in-Publication Data Historical painting techniques, materials, and studio practice : preprints of a symposium [held at] University of Leiden, the Netherlands, 26-29 June 1995/ edited by Arie Wallert, Erma Hermens, and Marja Peek. p. cm. Includes bibliographical references. ISBN 0-89236-322-3 (pbk.) 1. Painting-Techniques-Congresses. 2. Artists' materials- -Congresses. 3. Polychromy-Congresses. I. Wallert, Arie, 1950- II. Hermens, Erma, 1958- . III. Peek, Marja, 1961- ND1500.H57 1995 751' .09-dc20 95-9805 CIP Second printing 1996 iv Contents vii Foreword viii Preface 1 Leslie A. -
Punk Aesthetics in Independent "New Folk", 1990-2008
PUNK AESTHETICS IN INDEPENDENT "NEW FOLK", 1990-2008 John Encarnacao Student No. 10388041 Master of Arts in Humanities and Social Sciences University of Technology, Sydney 2009 ii Acknowledgements I would like to thank my supervisor Tony Mitchell for his suggestions for reading towards this thesis (particularly for pointing me towards Webb) and for his reading of, and feedback on, various drafts and nascent versions presented at conferences. Collin Chua was also very helpful during a period when Tony was on leave; thank you, Collin. Tony Mitchell and Kim Poole read the final draft of the thesis and provided some valuable and timely feedback. Cheers. Ian Collinson, Michelle Phillipov and Diana Springford each recommended readings; Zac Dadic sent some hard to find recordings to me from interstate; Andrew Khedoori offered me a show at 2SER-FM, where I learnt about some of the artists in this study, and where I had the good fortune to interview Dawn McCarthy; and Brendan Smyly and Diana Blom are valued colleagues of mine at University of Western Sydney who have consistently been up for robust discussions of research matters. Many thanks to you all. My friend Stephen Creswell’s amazing record collection has been readily available to me and has proved an invaluable resource. A hearty thanks! And most significant has been the support of my partner Zoë. Thanks and love to you for the many ways you helped to create a space where this research might take place. John Encarnacao 18 March 2009 iii Table of Contents Abstract vi I: Introduction 1 Frames