DOCSLIB.ORG

December 1 1978

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
December 1 1978 California State University, San Bernardino CSUSB ScholarWorks Friday Bulletin Arthur E. Nelson University Archives 12-1-1978 December 1 1978 Friday Bulletin Follow this and additional works at: https://scholarworks.lib.csusb.edu/fridaybulletin Recommended Citation Friday Bulletin, "December 1 1978" (1978). Friday Bulletin. 483. https://scholarworks.lib.csusb.edu/fridaybulletin/483 This Article is brought to you for free and open access by the Arthur E. Nelson University Archives at CSUSB ScholarWorks. It has been accepted for inclusion in Friday Bulletin by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. - BULLETin ,5. CALIFORNIA STATE COLLEGE • SAN BERNARDINO 1965 1978 December 1, 1978 APPROVAL OF $1 MILLION A proposal which could result in a grant totaling over GRANT PENDING IN U.S.O.E. $1 million during five years for use in part by the College is under consideration by the U.S. Office of Education. Last week, following review by the Department of Education, Wilson Riles, State Superintendent of Schools, forwarded a proposal for a five-year 14th Cycle Teacher Corps program to the U.S.O.E. in Washington, D.C. with the recommendation, "We find the proposal to be compatible with the criteria established by the Department and urge that it be funded." Submitted jointly by the College's School of Education and the Redlands Uni­ fied School District, the project would provide faculty development for the College and the school district, the latter on all three levels, elementary, junior high and senior high school. Under the program CSCSB would be able to provide development activities for CSCSB faculty on campus, including conferences, materials for audio-visual facili­ ties, library materials, special consultants, etc. If approved, $300,000 will become available the first year, effective Septem­ ber, 1979. The project would be directed by Joe Gray, Asst. Prof., Education. Nathan Kravetz, Dean of the School of Education, states that the Redlands School District was selected as the cooperating district after numerous conferences with teachers and personnel in several districts. * * * CHILD CARE CENTER BLDG. The long-hoped for campus Child Care Center Building Is PLANS BEING PREPARED nearing reality. Initial drawings are now being prepared for the facility and are expected to be submitted for review by College administrators soon. The culmination of years of planning and negotiating with community organi­ zations, the building has long been the hope of students and administrators of the Col lege. Funds for the center have been granted from community development resources of the City and County of San Bernardino, each contributing $75,000. The work of ac­ quiring the funds and processing of leases and other legal matters has been in pro­ cess for over two years. The Child Care Building, to be located west of the Student Services Building, will be constructed in a U-shape, with much the same design and appearance as the Student Services, Fine Arts and Administration Buildings. The facility, expected to cost around $150,000, will provide space for about 50 children and will have an outside, fenced yard. Following approval of the Initial drawings, the working drawings are expected to be completed In about three months. The next step Is advertising for bids. SALLY WATSON, ACCOUNTANT, Yesterday was the last day on the job for Sally Wat- RETIRES FRCM CSCSB STAFF son, one of the original CSCSB employees. Joining the College in February, 1965, she and former Account­ ing Officer John Fredricks comprised the entire accounting staff, then located in downtown San Bernardino offices at Arrowhead and Fifth Sts. Even following the move to cajipus, posting was then done by hand; later book­ keeping machines were added, and about four years ago the corrputers were put to use. Throughout all the changes Mrs, Watson maintained an enviable reputation for a singular knowledge of State accounting practices which made her advice in­ valuable. Ihe accounting staff now totals 12, si^ervised and trained by the veteran accountant. Now retiring after a career which included a number of years with the Department of Corrections and private business, Mrs. Watson will remain in San Bernardino. She has plans for a forthcoming trip to Alaska and other travels which she has been postponing. A luncheon in her honor was held last Monday. * * * ANDY klAUREL RECEPTION An open house will be held in the Physical Plant in hon- TUESDAY, DECEMBER 5 or of Andy Maurel, Chief of Plant Operations, upon his retirement at the end of December. During the hours of 10 a.m. and noon on Tuesday, December 5, all fellow enployees are invited to attend. •k f: * ARTIST BRUCE DECKER PUTS A unique autobiographical art exhibit illustrating the HIS LIFE ON DISPLAY life of Bruce Decker will be on display in Gallery 2 beginning December 5- Mr. Decker Is the Art Depart­ ment Technician. Titled, "I've Worn Many Hats," the exhibit Is a collection of glass walking stick sculptures filled with memorabilia gathered at different times during the artist's life. Each glass shaft is topped with a hand carved wooden hat. The exhibit is part of a project Mr. Decker is working on toward his MFA degree at Claremont Graduate School. The show will open with a reception on December 5 from 8-11 p.m. in Gallery 2 of the Fine Arts Building. All members of the College community are invited to attend the reception and view the exhibit at no charge. The show will be open from 9^0 a.m. to A:30 p.m. Monday-Friday through December 15- a a a Note: Stuart Ellins (Psych) will appear in a prncovArc Cottage, congKcUalatz^ telecast Sun., Dec. 10 on KNBC-4 in color at FtRbUNAL:^ ^ Va- 8 a.m. tAyick Stapl2Xon {Amanda Sue (Thcataz kAtb] on tko, oaoa- asZon 0^ tkedA ma/LfUage. SatuAda^, Septejn- CSCSB BULLETIN bo/i 25, 197S, In RlaZto. Stapl^ton^ The California State College, San Bernardino a muAXdcan, a 1971 gfuxdaatz CSCSB. BULLETIN is published by the Office of Col­ lege Relations, AD-151, Ext. 7217, Material ^ ^ for publication must be received by noon GYPSY "ROMEO & JULIET*'- "Los Tarantos," a Tuesday before the Friday of publication. Spanish gypsy version of "Romeo and Juliet Editor Barbara Nolte screens tomorrow evening, 7 p.m., In PS-10 Printed at Duplicating Admission is free and all are welcome. (English subtitles). 2 CAMPUSWIDE CHRISmS PARTY This year the College will revert to its previous SET FOR DECEMBER 15 F,M, custom of holding a can^uswide Christmas party, ^ a result of a survey conducted by the Staff Council, in which the majority of enployees indicated they preferred one large party rather than separate parties for each building, President John M. Pfau has agreed to the change. Employees are being contncted by Staff Council representatives to provide holiday cookies and other delectables or $1 donations to buy paper goods, decora­ tions and punch. [m Date: Friday, December 15 \ Time: 3:00 - 5:00 p.m. (Mli^ Place: Student Union >1ulti-purpose Room President Pfau states that regarding small office parties, he sees no objec­ tion, but urges that large building parties not be held. ' * * * "Vanitiesa poignant comedy tracing three girls' lives from high school into womanhood opens tonight in the Theatre of the Creative Arts Building. Lucy Chaille, senior theatre arts major, will direct this all-female comedy. The presentation of this New York Drama Critics Circle Award nominee, by Jack Heifner, marks the first time a main stage production at the College has been di­ rected by a student. "Vanities" is often funny, but moves with power and raises some serious gues- tions. The play begins in 1963 with three vivacious high school cheerleaders who hold beauty and popularity as their highest ideals. Later they are seen as soro­ rity sisters, nervously confronting their futures. In 1974 they are reunited and each has separate and different lives. Mary Kay Vincent, Nancy Meek, and Corrine Soto play the tri-leads. Others in the production include Jeff Hubbard, stage manager, Tina Ellis, costume designer, Don Gruber, lighting designer, Ted Betcher, sound designer, and Allen Evenson, set designer. Other performances are set for December 2, 3. Curtain time for all shows is 8:15 p.m. Call 7452 for ticket information. * * * CHRISTMAS MUSIC AND ODE TO Christmas music and a song dedicated to smog will be SMOG IN CHOIR CONCERT among selections in an evening performance of the ~ CSCSB Chamber Singers Friday, December 8. The free concert will begin at 8:15 p.m. in the Recital Hall. All are i v to attend. The 17-voice choir will be directed by Loren Filbeck, Assoc. Prof., Music * * * TUFDP'<: RTTII IW . There's still time to be included on the mutual holiday inthL 0 OliLL IliC greeting card of the College community. If you contri­ bute to the Cal State Faculty Wives Scholarship Fund before December 4, your name will be listed as a donor. Money received goes to deserving CSCSB students. Checks should be sent c/o Linda Bennecke, 3^15 Ferndale, SB SlkOh or c/o Richard Bennecke, SU-A. 3 i ^'ROFESSIONAL ACTIVITIES] Robert O'Brien (Sociology) will chair a session entitled "Quatitive Methods-^eaninc from Numoers," at the Pacific Sociological Assn. annual meeting in March, 1979. The^national nomlnatii^ corroittee of the American Society for Public Administration has notified Margaret Gibbs (Admin.1 .ho hlfhe" >'• Chhrl.s Christie, Jr. (Ad„in.; Travestied: Eugene Scribe" for the .inter meeting of the ^ ^ conducted a volleyball workshop and a volleyball official's workshop for the recreation therapists at Patton State Hospital, Nov. 1/*. ixcxai s wurKsnop program of the 10th Int'l Conf.
Load more

Recommended publications
  • There's a [Space] for Us
    Shakespeare en devenir ISSN électronique : 1958-9476 Courriel : [email protected] “ere’s a [space] for us”: Place and Space in Screen Versions of Romeo and Juliet in the Spanish 1960s: West Side Story (R. Wise and J. Robbins, 1961), Los Tarantos (F. Rovira-Beleta, 1963) and No somos ni Romeo ni Julieta (A. Paso, 1969) [1] Par Víctor Huertas-Martín Publication en ligne le 07 décembre 2020 Résumé This article examines the critical reception of the film adaptation of West Side Story (Jerome Robbins and Robert Wise, 1961) in Spanish culture and cinematography. It looks into two other screen versions of Romeo and Juliet: Los Tarantos (Francesc Rovira-Beleta, 1963) and No somos ni Romeo ni Julieta (Alfonso Paso, 1969). West Side Story remains in the Spanish cultural memory as a filmic event associated with the arrival of foreign influence amidst national-catholic dictatorship. I will use the variables “place” and “space,” which distinguish, on one hand, proper orders established by authority and, on the other hand, areas transformable by interactions and changes, and will refer to Shakespeare’s presentist criticism, French cultural theory and French Film Theory as lenses. I will examine West Side Story’s 1963 Spanish reception material as well as its possible interactions with the webwork of cultural forces in operation amidst the 1960s Spanish culture. Then, I will examine the mise en scenes of Los Tarantos and No somos ni Romeo ni Julieta focusing on the forms in which characters, places and camerawork contribute to create spaces, i.e. places permeable to change and transformation through human interaction.
    [Show full text]
  • (Macarena Navarro Los Tarantos Rovira Como Recurso
    REVISTA DE INVESTIGACIÓN SOBRE FLAMENCO LLLaLa madrugá Nº11, Diciembre 2014, ISSN 1989-6042 LOS TARANTOS , DE ROVIRA BELETA, COMO RECURSO DIDÁCTICO PARA LA ENSEÑANZA DEL FLAMENCO Dra. Macarena Navarro Pablo Universidad de Sevilla Enviado: 16-01-2015 Aceptado: 25-01-2015 Resumen Partiendo del cine como recurso didáctico, en el presente artículo analizamos, ofrecemos datos y hacemos sugerencias para el uso en el aula de la película Los Tarantos , un filme ambientado en el Somorrostro de Barcelona de la década de los sesenta que tiene entre sus protagonistas a Carmen Amaya y a Antonio Gades. Palabras clave: Flamenco, baile, etnia gitana, Somorrostro, Carmen Amaya, Antonio Gades, Sara Lezana, Antonia la Singla. Abstract Using cinema as a methodological resource, the present paper analyzes Francisco Rovira Beleta’s film Los Tarantos , offers information about it and proposes activities to be done while and after watching it. The film located in the marginal district of Somorrostro in Barcelona has Carmen Amaya, Antonio Gades and Sara Lezana among its main characters. 101 © SERVICIO DE PUBLICACIONES DE LA UNIVERSIDAD DE MURCIA http://revistas.um.es/flamenco 1. El cine, un recurso didáctico innovador Siempre se ha dicho que una imagen vale más que mil palabras. Y, ¿qué decir de una imagen que habla y se mueve?, que eso es ni más ni menos el cine. Recientemente, se han constituido grupos de investigación que tienen como fin explorar nuevos campos para la didáctica de diversas materias a distintos niveles educativos 1. Esas son nuestras inquietudes. En este sentido, estamos plenamente de acuerdo con Pereira Domínguez cuando dice: El cine, y más el de autor, es una traslación constatada de un considerable poder sociocultural, artístico y humano, porque es capaz de acoger la más impensable diversidad de sentimientos, deseos, acontecimientos y percepciones.
    [Show full text]
  • 1 Shakespeare and Film
    Shakespeare and Film: A Bibliographic Index (from Film to Book) Jordi Sala-Lleal University of Girona [email protected] Research into film adaptation has increased very considerably over recent decades, a development that coincides with postmodern interest in cultural cross-overs, artistic hybrids or heterogeneous discourses about our world. Film adaptation of Shakespearian drama is at the forefront of this research: there are numerous general works and partial studies on the cinema that have grown out of the works of William Shakespeare. Many of these are very valuable and of great interest and, in effect, form a body of work that is hybrid and heterogeneous. It seems important, therefore, to be able to consult a detailed and extensive bibliography in this field, and this is the contribution that we offer here. This work aims to be of help to all researchers into Shakespearian film by providing a useful tool for ordering and clarifying the field. It is in the form of an index that relates the bibliographic items with the films of the Shakespearian corpus, going from the film to each of the citations and works that study it. Researchers in this field should find this of particular use since they will be able to see immediately where to find information on every one of the films relating to Shakespeare. Though this is the most important aspect, this work can be of use in other ways since it includes an ordered list of the most important contributions to research on the subject, and a second, extensive, list of films related to Shakespeare in order of their links to the various works of the canon.
    [Show full text]
  • Ell 1E5 570 ' CS 20 5 4,96;
    . MC0111117 VESUI17 Ell 1E5 570 ' CS 20 5 4,96; AUTHOR McLean, Ardrew M. TITLE . ,A,Shakespeare: Annotated BibliographiesendAeaiaGuide 1 47 for Teachers. .. INSTIT.UTION. NIttional Council of T.eachers of English, Urbana, ..Ill. .PUB DATE- 80 , NOTE. 282p. AVAILABLe FROM Nationkl Coun dil of Teachers,of Englishc 1111 anyon pa., Urbana, II 61.801 (Stock No. 43776, $8.50 member, . , $9.50 nor-memberl' , EDRS PRICE i MF011PC12 Plus Postage. DESCRIPTORS Annotated Biblioal7aphies: *Audiovisual Aids;'*Dramt; +English Irstruction: Higher Education; 4 *InstrUctioiral Materials: Literary Criticism; Literature: SecondaryPd uc a t i on . IDENTIFIERS *Shakespeare (Williaml 1 ABSTRACT The purpose of this annotated b'iblibigraphy,is to identify. resou'rces fjor the variety of approaches tliat teachers of courses in Shakespeare might use. Entries in the first part of the book lear with teaching Shakespeare. in secondary schools and in college, teaching Shakespeare as- ..nerf crmance,- and teaching , Shakespeare with other authora. Entries in the second part deal with criticism of Shakespearear films. Discussions of the filming of Shakespeare and of teachi1g Shakespeare on, film are followed by discu'ssions 'of 26 fgature films and the,n by entries dealing with Shakespearean perforrances on televiqion: The third 'pax't of the book constituAsa glade to avAilable media resources for tlip classroom. Ittries are arranged in three categories: Shakespeare's life'and' iimes, Shakespeare's theater, and Shakespeare 's plam. Each category, lists film strips, films, audi o-ca ssette tapes, and transparencies. The.geteral format of these entries gives the title, .number of parts, .grade level, number of frames .nr running time; whether color or bie ack and white, producer, year' of .prOduction, distributor, ut,itles of parts',4brief description of cOntent, and reviews.A direCtory of producers, distributors, ard rental sources is .alst provided in the 10 book.(FL)- 4 to P .
    [Show full text]
  • Press Release
    PRESS RELEASE The Film Society of Lincoln Center and Dance Films Association announce the 41st edition of DANCE ON CAMERA February 1-5, 2013 Opening Night launches with the World Premiere of Alan Brown’s FIVE DANCES th Lineup highlights include the 50 Anniversary of Francisco Rovira Beleta’s flamenco classic, LOS TARANTOS; ice dancing with Olympic legend Dick Button, and a salute to pioneer dance filmmaker Shirley Clarke "A Dance of Light: Forty-Years of Self-Portraits by Arno Rafael Minkkinen," photography exhibit will be on display New York, NY, December 5, 2012 – The Film Society of Lincoln Center and Dance Films Association today announced the lineup for the 41st edition of Dance on Camera. Taking place February 1-5, the dance-centric film festival returns to the Film Society for the 17th consecutive year with an exciting and diverse array of dance films, including several premieres. This year’s selections range widely in subject and genre beginning with the Opening Night presentation of Alan Brown’s youthful, sexy contemporary coming of age film, FIVE DANCES, with stunning choreography by Jonah Bokaer. Closing Night honors will be shared by Sylvie Collier’s charming documentary TO DANCE LIKE A MAN, featuring the first known Cuban identical boy triplets - 11-year-old students at the National Ballet School in Havana, and Andrew Garrison’s TRASH DANCE inventive choreographed “dance” of Austin, Texas garbage collectors. "Dance on Camera is an exuberant hybrid. Its roots hold the seeds of innovation inherent in the concept of combining dance with cinematography in ways that alter one’s perception of both mediums," said Joanna Ney, co-curator of the Dance on Camera Festival.
    [Show full text]
  • National Endowment for the Arts Annual Report 1979
    National Endowment for the Arts National Endowment for the Arts Washington, D.C. 20506 Dear Mr. President: I have the honor to submit to you the Annual Report of the National Endowment for the Arts and the National Council on the Arts for the Fiscal Year ended September 30, 1979. Respectfully, Livingston L. Biddle, Jr. Chairman The President The White House Washington, D.C. February 1980 1 Contents Chairman’s Statement 2 The Agency and Its Functions 4 National Council on the Arts 5 Programs Deputy Chairman’s Statemen~ 8 Dance 10 Design Arts 30 Expansion Arts 50 Folk Arts 84 Literature 100 Media Arts: Film/Radio/Television 118 Museum 140 Music 172 Opera-Musical Theater 202 Special Projects 212 Theater 222 Visual Arts 240 Policy and Planning Challenge Grants 272 Evaluation 282 International/Fellows 283 Research 286 Special Constituencies 288 Office for Partnership Executive Director’s Statement 296 Education (Artists-in-Schools) 299 Federal-State Partnership (State Programs) 305 Intergovernmental Activities 312 Financial Summary 314 History of Authorizations and Appropriations 315 Chairman’s Statement A Common Cause for the Arts isolated rural coraraunities to the barrios and Perhaps nothing is raore enviable--or raore ghettoes of our inner cities. The dreara---that daunting--than the opportunity to raake a prac­ of access for all Araericans to the best in art-­ tical reality out of a visionary dreara. I happen is becoraing reality. to have this unusual privilege. As special assist­ But reality, as we all know, is a thorny ant to Senator Claiborne Pell frora 1963 to thing, with catches, snares and tangles.
    [Show full text]
  • Queering the Queer(Ed): Pomosexual 'Wwdingsw Of
    QUEERING THE QUEER(ED): POMOSEXUAL 'WWDINGSWOF SHAKESPEARE'S ADAPTATION OF ROME0 AND JU'ET A Thesis Presented to The Faculty of Graduate Studies of The University of Guelph by JENMFEX L. AILLES In partial fuffilment of requirements for the degree of Master of Arts August, 2000 Q JeMer L. Ailles, 2000 National Library Bibliothèque nationale 1 of,,, du Canada Acquisitions and Acquisitions et Bibliographie Services services bibliographiques 395 Wellington Street 395, rue Wellington Ottawa ON K1A ON4 Ottawa ON KIA ON4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant a la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/fïh, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or othewise de celleci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Canada ABSTRACT QUEERING THE QUEER(ED): POMOSEXUAL READINGS OF SHAKESPEARE'S ADAPTATION OF ROME0 AND JULJET Jennifer L. Ailles Advisors: University of Guelph. 2000 frofessor Daniel Fischiin Professor Michael Keefer This thesis investigates Shakespeare's Romeo and Juliet, one of the exemplary heteronormative love stories in Western culture.
    [Show full text]
  • Roma on the Screen the Roma on Europe’S Cinema Screens - Images of Freedom
    ROMA ON THE SCREEN THE ROMA ON EUROPE’S CINEMA SCREENS - IMAGES OF FREEDOM DOMINIQUE CHANSEL 2 CONTENTS Page Introduction 5 1. Big-screen portrayals - from the Romanesque to the fantastic. A general study on a small number of themes 9 1.1. The beautiful rebels of French historical films 10 1.1.1. “The Hunchback of Notre Dame” by J. Delannoy (France / Italy, 1956) 10 1.1.2. “Cartouche” by Ph. de Broca (France / Italy, 1962) 13 1.2. Tales of love and death. From Russia to Spain 16 1.2.1. “Queen of the Gypsies” by E. Loteanu (USSR, 1976) 16 1.2.2. “Carmen” by F. Rosi (France / Italy, 1984) 20 2. Preoccupation with the sordid aspects of Roma life or real empathy? The uncertain paths of recognition 27 2.1. Between grandeur and destitution 27 2.1.1. “Kriss romani” by J. Schmidt (France, 1962) 27 2.1.2. “I Even Met Happy Gypsies” by A. Petrovi (Yugoslavia, 1967) 31 2.2. A lesson in freedom 34 2.2.1. “Devils, Devils” by D. Kdzierzawska (Poland, 1991) 34 2.2.2. “Into the West” by M. Newell (USA / Ireland, 1992) 36 3. An exuberant, baroque vision - the films of Emir Kusturica 41 3.1. Emir Kusturica or the lure of excess 41 3.2. “Time of the Gypsies” (Yugoslavia, 1988) 42 3.3. “Black Cat, White Cat” (France / Germany / Serbia, 1998) 47 4. A view from the inside? - the successes and contradictions of the films of Tony Gatlif 53 4.1. Tony Gatlif, music at heart 53 4.2.
    [Show full text]
  • La Imagen De La Periferia Marginal De Barcelona En Los Tarantos*
    La imagen de la periferia marginal * de Barcelona en Los Tarantos Iván Villarmea Álvarez Abstract – Resumen Este artículo tiene como objeto realizar un análisis textual de la película Los Tarantos, dirigida por Francisco Rovira-Beleta en 1963, tomándola como testimonio histórico para conocer la imagen que registró de la ciudad de Barcelona en el momento de su rodaje. Más en concreto, el trabajo se centra en la representación de las chabolas del Somorrostro y de Montjuïc, dos barrios periféricos marginales habitados por personas de etnia gitana. La idea es contrastar la información urbanística y sociológica que contiene la película con otra clase de fuentes documentales, explorando la utilidad que puede tener el cine como documento audiovisual específico para conocer el paisaje arquitectónico del pasado. Además, el texto incluye también algunos apuntes sobre la imagen antropológica que transmite Los Tarantos de los gitanos y sobre las distintas opiniones críticas que mereció desde el momento de su estreno. Introducción. Una lectura historiográfica del cine de no-ficción contemporáneo <<Filma este lugar. Pronto no quedará nada>>: es la conciencia la que habla, la certeza de la destrucción, la nostalgia. Es un obrero del distrito industrial de Tie Xi, en la ciudad de Shenyang, al norte de China, en Manchuria. Ese obrero sabe que el lugar en el que vivió y trabajó tiene sus días contados, y por eso le pide al cineasta Wang Bing que registre ese paisaje con su cámara. El resultado es Tie Xie Qu: West of the Tracks (Id., Wang Bing, 2003), un documental estructurado en tres largas partes (Rust, Remnants y Rails), de casi diez horas de duración en total, que documenta la decadencia y la desmaterialización de ese lugar.
    [Show full text]
  • Basic Films of Catalan Cinema
    BASIC FILMS OF CATALAN CINEMA An anthology of Catalan Cinema, from the origins to the present days Goal: International diffussion of our film patrimony. A New Look Target: FIAF Members and Affiliates, Festivals, Museums, Cultural Institutions Format: DCP [35 mm for the cinema of the origins] Content: 5 programs, 12 sessions, 23 films . An open project Languages: Original Catalan or Spanish versions with English and French subtitles BASIC FILMS OF CATALAN CINEMA Session 1: THE ORIGINS. ATTRACTIONS I SERIALS L’hereu de Can Pruna (Segundo de Chomón, 1904) Barcelona en tranvía (Ricardo de Baños, 1909) La secta de los misteriosos (Albert Marro, 1917) A satire by Segundo de Chomón, a stroll through the Barcelona of 1909 and an adventure serial illustrate the early days of Catalan cinema. BASIC FILMS OF CATALAN CINEMA Session 2: CIVIL WAR IN CATALUNYA. LAYA FILMS: DOCUMENTARIES AND NEWSREELS Els tapers de la costa (Laya Films, 1937) Espanya al dia. Edició especial (Laya Films, 1937) Catalunya màrtir (Laya Films, 1938) Laya Films was the Catalan Government’s production company during the Second Spanish Republic. It’s documentaries were weapons in the fight against fascism. BASIC FILMS OF CATALAN CINEMA Session 3: SURVIVAL (I) Vida en sombras/Life in Shadows (Llorenç Llobet Gràcia, 1948) An affectionate portrait of a man in love with cinema. Born in the shadow of Lumière Brothers, comes back to life thanks to Alfred Hitchcock. BASIC FILMS OF CATALAN CINEMA Session 4: SURVIVAL (II) Apartado de Correos 1001/PO Box 1001 (Julio Salvador, 1950) A genuine exemple of 1950’s Barcelona’s film noir.
    [Show full text]
  • Spanish Movies in Usa – February 2013 Usa
    SPANISH MOVIES IN USA – FEBRUARY 2013 USA For more information go to film website Mama Dir. Andrés Muschietti – Spain, Canada | 2013 | 100 min. Cast: Jessica Chastain, Nikolaj Coster-Waldau, Megan Charpentier. A loving couple learn that their two adopted nieces have brought a dark secret into their home in this foreboding domestic thriller from executive producer Guillermo del Toro (Pan's Labyrinth). For more information go to the Landmark Theaters Website The Impossible Dir. Juan Antonio Bayona – Spain | 2012 | 114 min. Cast. Ewan McGregor, Naomi Watts. Henry (Ewan McGregor) and Maria (Naomi Watts) have taken their three young sons to Thailand to spend Christmas 2004 at an idyllic beachfront resort. The family is playing outside by the pool when a tsunami hits the shore, laying waste to everything in its path. Spanish director Juan Antonio Bayona utilizes 3D sound technology — although the film is in 2D — and seamless effects to immerse the viewer in the terrifying life-and-death struggle to survive the rush of water and debris. However, the film is as intimate as it is epic; at times, it feels inspired by the tone Steven Spielberg strikes in films like JURASSIC PARK and WAR OF THE WORLDS. Based on a true story, THE IMPOSSIBLE gives us the terrifying spectacle and emotional drama of a family trying to find each other — dead or alive — among the thousands of strangers searching for each other in the aftermath of a disaster. MIAMI Tower theatre 1508 S.W. 8th Street, Miami, Florida 33135 – (305) 642 1264 For more information go to Tower theater website La chispa de la vida (As Luck Would Have It) Dir.
    [Show full text]
  • New Mexico Daily Lobo, Volume 080, No 56, 11/8/1976." 80, 56 (1976)
    University of New Mexico UNM Digital Repository 1976 The aiD ly Lobo 1971 - 1980 11-8-1976 New Mexico Daily Lobo, Volume 080, No 56, 11/ 8/1976 University of New Mexico Follow this and additional works at: https://digitalrepository.unm.edu/daily_lobo_1976 Recommended Citation University of New Mexico. "New Mexico Daily Lobo, Volume 080, No 56, 11/8/1976." 80, 56 (1976). https://digitalrepository.unm.edu/daily_lobo_1976/129 This Newspaper is brought to you for free and open access by the The aiD ly Lobo 1971 - 1980 at UNM Digital Repository. It has been accepted for inclusion in 1976 by an authorized administrator of UNM Digital Repository. For more information, please contact [email protected]. crmond 0 r~ -:~·.. ' ."' '"""''" ··~··- 57~.:. 79}=1 r. ~~·--.. l lJ n ,:;·•Q\J·' . i\J I ~o. nrt. H-'6"ASUNM Attorney General Says. 1 Nov B1s1s , . Sh ZIMM~u·~ • I nv~st1gat1on ows...... m ...,roprlety By Joe Donnell)' Goodhue, as assistant, in the Sanderoff said another problem discrepancy,'' said Sanderoff. Soll)e alleged unauthorized business office. Tobias requested to come out during the interview In her letter to Sanderoff on business proced\tres by Film Com­ the investigation to be made and it with Ott on Nov. 2 was an Nov. 3, Ott stated that the transfer mittee acting Chairperson began on records after Sept. 1 unauthorized transfer of money to from the Societe probably amoun­ Margaret Ott were discovered by because Sept. 1 was the first date of occur at the end of the year to the ted to $857.90 incurred from five -ASUNM Attorney General Brian a report to Tobias.
    [Show full text]