Charmed Jumpchain by Brotheranon Or Bean Counter Table of Contents
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SKIVLISTA 3-2018 Hello Music Lovers, the Following Items Will Be Sold on Open Auction Which Means You Can Ask About Leading Bids by Phone Or Mail
AUCTION – AUKTION SKIVLISTA 3-2018 Hello music lovers, The following items will be sold on open auction which means you can ask about leading bids by phone or mail. Please send your starting bids by mail, phone or post before the last day of auction. Hoppas allt är bra med er och era skivspelare. Här kommer en ny lista och jag hoppas du hittar något intressant till Auction deadline is Tuesday, March 27, 2018 at 22.00 / 10 PM Central samlingen. Jag har reflekterat över att vissa artister som tidigare brukade vara mycket efterfrågade nu är tämligen European time (20.00 / 8 PM UTC/GMT) svårsålda. Två bra exempel är Elvis och Spotnicks. Visst, jag förstår att det är ointressant om man redan har alla STOPPDATUM ALLTSÅ TISDAGEN DEN 27 MARS 2018 KL. 22.00 SVENSK skivorna på listan i samlingen. Men då ser jag heller ingen anledning att aktivt leta efter skivor med dessa artister för SOMMARTID. att eventuellt hitta något ni saknar. Det bästa är om ni som bara vill ha Elvis eller någon annan artist skickar en lista på vad ni har eller vad ni söker. Jag hjälper gärna till att leta fram skivor ni saknar men att lägga ner tid och resurser 7" SINGLES/EPs FOR AUCTION på att köpa in speciella artister som ni ändå aldrig köper verkar knappast meningsfullt. Men kom gärna med förslag på vad ni vill se mer av i mina listor. Någon speciell musikgenre? Minimum bid (M.B.) is SEK 50 / US$ 8 / € 6,- / £ 5 unless otherwise noted . Rutan har fått en fettknöl på huvudet bortopererad i dag men är nu hemma igen, pigg och glad. -
DEUTSCHES ELEKTRONEN-SYNCHROTRON F £*^ in Der HELMHOLTZ-GEMEINSCHAFT DESY 06-102 Hep-Ph/0607306 July 2006
DE06FA338 DEUTSCHES ELEKTRONEN-SYNCHROTRON f £*^ in der HELMHOLTZ-GEMEINSCHAFT DESY 06-102 hep-ph/0607306 July 2006 Charmed-Hadron Fragmentation Functions from CERN LEP1 Revisited B. A. Kniehl, G. Kramer IL Institut für Theoretische Physik, Universität Hamburg ISSN 0418-9833 NOTKESTRASSE 85 - 22607 HAMBURG DESY behält sich alle Rechte für den Fall der Schutzrechtserteilung und für die wirtschaftliche Verwertung der in diesem Bericht enthaltenen Informationen vor. DESY reserves all rights for commercial use of information included in this report, especially in case of filing application for or grant of patents. To be sure that your reports and preprints are promptly included in the HEP literature database send them to (if possible by air mail): DESY DESY Zentralbibliothek Bibliothek Notkestraße 85 Platanenallee 6 22607 Hamburg 15738 Zeuthen Germany Germany DESY 06-102 ISSN 0418-9833 July 2006 Charmed-Hadron Fragmentation Functions from CERN LEP1 Revisited Bernd A. Kniehl∗ and Gustav Kramer† II. Institut f¨ur Theoretische Physik, Universit¨at Hamburg, Luruper Chaussee 149, 22761 Hamburg, Germany (Dated: July 28, 2006) Abstract In Phys. Rev. D 58, 014014 (1998) and 71, 094013 (2005), we determined non-perturbative D0, + ∗+ + + D , D , Ds , and Λc fragmentation functions, both at leading and next-to-leading order in the MS factorization scheme, by fitting e+e− data taken by the OPAL Collaboration at CERN LEP1. The starting points for the evolution in the factorization scale µ were taken to be µ0 = 2mQ, where Q = c, b. For the reader’s convenience, in this Addendum, we repeat this analysis for µ0 = mQ, where the flavor thresholds of modern sets of parton density functions are located. -
Curtis Kheel Scripts, 1990-2007 (Bulk 2000-2005)
http://oac.cdlib.org/findaid/ark:/13030/kt4b69r9wq No online items Curtis Kheel scripts, 1990-2007 (bulk 2000-2005) Finding aid prepared by Elizabeth Graney and Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2011 The Regents of the University of California. All rights reserved. Curtis Kheel scripts, 1990-2007 PASC 343 1 (bulk 2000-2005) Title: Curtis Kheel scripts Collection number: PASC 343 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 8.5 linear ft.(17 boxes) Date (bulk): Bulk, 2000-2005 Date (inclusive): 1990-2007 (bulk 2000-2005) Abstract: Curtis Kheel is a television writer and supervising producer. The collection consists of scripts for the television series, most prominently the series, Charmed. Language of Materials: Materials are in English. Physical Location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Kheel, Curtis Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library Special Collections. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. -
Charmed Eloquence: Lhéritier's Representation of Female Literary
Charmed Eloquence: Lhéritier’s Representation of Female Literary Creativity in Late Seventeenth-Century France by Allison Stedman In 1690 when Marie-Catherine le Jumel de Barneville, comtesse d'Aulnoy decided to interpolate a fairy tale, "L'île de la félicité," into her first historical novel, L'histoire d'Hypolite, comte de Duglas, she did more than publish the first literary fairy tale of the French tradition.1 Hypolite not only provided a framework for introducing the fairy tale as a literary genre; it also launched a new hybrid publication strategy that would soon sweep printing houses all over Paris. This unprecedented literary trend—which I have chosen to call the novel/fairy-tale hybrid—involved the combination of fairy tales and novels by means of interpolation, framing, layering or juxtaposition. More than thirteen authors developed the genre between 1690 and 1715, and they produced a total of twenty-seven original works, sometimes at the rapid rate of two to three per year.2 In the late seventeenth and early eighteenth centuries, novel/fairy-tale hybrids were incredibly popular, frequently reprinted and widely circulated, with translations of some appearing as far away as England, Spain and Czecesolvakia.3 D'Aulnoy's Histoire d'Hypolite, for example, achieved more editions over the course of the eighteenth century than any other seventeenth-century literary work, with the exception of La Princesse de Clèves.4 In fact, the genre was so popular that it even experienced a brief revival between 1747 and 1759 when six new examples appeared. During the final decades of the eighteenth century, however, anthologists began pillaging the original editions of these works. -
Television Academy Awards
2019 Primetime Emmy® Awards Ballot Outstanding Comedy Series A.P. Bio Abby's After Life American Housewife American Vandal Arrested Development Atypical Ballers Barry Better Things The Big Bang Theory The Bisexual Black Monday black-ish Bless This Mess Boomerang Broad City Brockmire Brooklyn Nine-Nine Camping Casual Catastrophe Champaign ILL Cobra Kai The Conners The Cool Kids Corporate Crashing Crazy Ex-Girlfriend Dead To Me Detroiters Easy Fam Fleabag Forever Fresh Off The Boat Friends From College Future Man Get Shorty GLOW The Goldbergs The Good Place Grace And Frankie grown-ish The Guest Book Happy! High Maintenance Huge In France I’m Sorry Insatiable Insecure It's Always Sunny in Philadelphia Jane The Virgin Kidding The Kids Are Alright The Kominsky Method Last Man Standing The Last O.G. Life In Pieces Loudermilk Lunatics Man With A Plan The Marvelous Mrs. Maisel Modern Family Mom Mr Inbetween Murphy Brown The Neighborhood No Activity Now Apocalypse On My Block One Day At A Time The Other Two PEN15 Queen America Ramy The Ranch Rel Russian Doll Sally4Ever Santa Clarita Diet Schitt's Creek Schooled Shameless She's Gotta Have It Shrill Sideswiped Single Parents SMILF Speechless Splitting Up Together Stan Against Evil Superstore Tacoma FD The Tick Trial & Error Turn Up Charlie Unbreakable Kimmy Schmidt Veep Vida Wayne Weird City What We Do in the Shadows Will & Grace You Me Her You're the Worst Young Sheldon Younger End of Category Outstanding Drama Series The Affair All American American Gods American Horror Story: Apocalypse American Soul Arrow Berlin Station Better Call Saul Billions Black Lightning Black Summer The Blacklist Blindspot Blue Bloods Bodyguard The Bold Type Bosch Bull Chambers Charmed The Chi Chicago Fire Chicago Med Chicago P.D. -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
The Sand Canyon Review 2013
The Sand Canyon Review 2013 1 Dear Reader, The Sand Canyon Review is back for its 6th issue. Since the conception of the magazine, we have wanted to create an outlet for artists of all genres and mediums to express their passion, craft, and talent to the masses in an accessible way. We have worked especially hard to foster a creative atmosphere in which people can express their identity through the work that they do. I have done a lot of thinking about the topic of identity. Whether someone is creating a poem, story, art piece, or multimedia endeavor, we all put a piece of ourselves, a piece of who we are into everything we create. The identity of oneself is embedded into not only our creations but our lives. This year the goal ofThe Sand Canyon Review is to tap into this notion, to go beyond the words on a page, beyond the color on the canvas, and discover the artist behind the piece. This magazine is not only a collection of different artists’ identities, but it is also a part of The Sand Canyon Review team’s identity. On behalf of the entire SCR staff, I wish you a wonderful journey into the lives of everyone represented in these pages. Sincerely, Roberto Manjarrez, Managing Editor MANAGING EDITOR Roberto Manjarrez POETRY SELectION TEAM Faith Pasillas, Director Brittany Whitt Art SELectION TEAM Mariah Ertl, Co-Director Aurora Escott, Co-Director Nicole Hawkins Christopher Negron FIT C ION SELectION TEAM Annmarie Stickels, Editorial Director BILL SUMMERS VICTORIA CEBALLOS Nicole Hakim Brandon Gnuschke GRAphIC DesIGN TEAM Jillian Nicholson, Director Walter Achramowicz Brian Campell Robert Morgan Paul Appel PUBLIC RELATIONS The SCR STAFF COPY EDITORS Bill Summers Nicole Hakim COVER IMAGE The Giving Tree, Owen Klaas EDITOR IN CHIEF Ryan Bartlett 2013 EDITION3 Table of Contents Poetry Come My Good Country You Know 8 Mouse Slipping Through the Knot I Saw Sunrise From My Knees 10 From This Apartment 12 L. -
THE NEW YORK EMPLOYEE ADVOCATE Nelanational Employment Lawyers Association/New York • Advocates for Employee Rights
THE NEW YORK EMPLOYEE ADVOCATE NELANational Employment Lawyers Association/New York • Advocates for Employee Rights VOLUME 10, NO. 1 March/April 2000 Jonathan Ben-Asher, Editor Issue Spotting: Supreme Court Hears Arguments on Avoiding the Standard for Proving Employment Bias “Doorknob The Supreme Court heard oral argu- together with the plaintiff’s prima facie Syndrome” ment last month in a closely-watched case case, should be enough to get a plaintiff which may settle crucial questions about to a jury. Reeves also contended that the by William D. Frumkin, Esq. proving employment discrimination under Court of Appeals acted improperly by federal law. The argument appeared to reviewing the jury’s finding de novo; In my prior career as a psychi- have gone well for the cause of employ- instead, the court should have only con- atric social worker, I frequently ee rights in Reeves v. Sanderson Plumb- sidered the non-moving party’s evidence. encountered the following syn- ing Products, Inc. No. 99-536 (March The argument was extended and live- drome during the course of psy- 21, 2000). NELA National and many ly. As recounted by NELA member Eric chotherapeutic treatment: a patient other civil rights organizations filed ami- Schnapper, who was one of the co-authors would spend an entire therapy ses- cus briefs in the case. of plaintiff’s brief, Reeves’counsel James sion discussing trivial matters such As reported last issue, Reeves presents Wade had tremendous command of the as the weather or sports, but just the issue of the proper standard for over- evidence and trial record, and “completely prior to the end of the session would turning jury verdicts under the ADEA — charmed” the Court. -
HOMEGROWN CHRISTMAS’ Cast Bios
‘HOMEGROWN CHRISTMAS’ Cast Bios LORI LOUGHLIN (Maddie) – Best recognized for her role as Rebecca Donaldson (Aunt Becky) on the long-running hit comedy series “Full House,” Lori Loughlin currently stars in the hit Hallmark Channel Original Primetime Series, “When Calls the Heart” and has revived her role of Aunt Becky on Netflix’s “Fuller House.” In 2008, she added another iconic series to her resume: The CW’s “90210,” and she was a co-creator, producer and star of the acclaimed WB drama “Summerland.” Loughlin’s feature film credits include Old Dogs and Moondance Alexander, and she has starred in several Hallmark Channel Original Movies, including “Meet My Mom,” “Northpole 2: Open for Christmas” and “Every Christmas Has a Story.” She originated the role of Jennifer Shannon in Hallmark Movies & Mysteries’ “Garage Sale Mysteries” series, starring in the first film and subsequent installments “All That Glitters,” “The Deadly Room,” “The Wedding Dress,” “Guilty Until Proven Innocent,” “The Novel Murders,” “The Beach Murder,” “The Art of Murder,” “Murder by Text,” “Murder Most Medieval,” “A Case of Murder,” “The Pandora’s Box Murders,” “The Mask Murder” and “Murder in D Minor,” with the latest four installments of the popular franchise airing this last August as part of the second annual “Garage Sale Mysteries” Month. Born and raised in Hauppauge, Long Island, Loughlin got her start in show business at a young age when she was cast in the daytime drama “The Edge of Night,” for which she received a Young Artist Award nomination for Best Young Actress in a Daytime Series. Today, she resides in Los Angeles with her husband, fashion designer Mossimo Giannulli, and their three children. -
Saints, Seers, and Sorceresses: Femininity and the Spiritual Supernatural in Contemporary U.S
Saints, Seers, and Sorceresses: Femininity and the Spiritual Supernatural in Contemporary U.S. Film and Television by Megan E. Biddinger A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Communication) in The University of Michigan 2012 Doctoral Committee: Professor Susan J. Douglas, Chair Professor Gerald P. Scannell Associate Professor Amanda D. Lotz Associate Professor Bambi L. Haggins, Arizona State University © Megan E. Biddinger 2012 To My Family, With Love and Gratitude ii Acknowledgments Of all of the many things I have to be grateful for right now, the opportunity to take this space to thank the many, many people who have helped me through this process is at the top of the list. For years, I have kept a running list of people who have made me a better scholar and a better human being. At times when this process has been difficult, that list and the act of adding to it have served as powerful reminders of my good fortune. Looking at that list now I see an embarrassment of human riches. I am so grateful for the vast amounts and many kinds of support, encouragement, intellectual stimulation, camaraderie, and love I have received. I want to first thank my advisor and my committee without whom this project would have been impossible. First, I was incredibly fortunate to have Susan Douglas as an advisor and chair. She has been patient but persistent with me from the very beginning and my work is so much the better for learning from her. Her work inspired me to pursue my own investigations into gender, media, and culture and it has been an honor to be her student. -
A Charmed Death Ebook, Epub
A CHARMED DEATH PDF, EPUB, EBOOK Madelyn Alt | 289 pages | 05 Dec 2006 | Penguin Publishing Group | 9780425213179 | English | New York, NY, United States A Charmed Death PDF Book Paige wasn't Phoebe. Just when Piper thought Paige would completely fall into pieces, she straightened her shoulders, gathered herself and looked Piper straight in the eye. Piper banished any further thoughts from her conscious, subconscious and any other part of her mind. I like the characters Damsgaard has created and I will definitely continue to read this series. Easier said than done! The whole trip for evidence was just hokey and unnecessary. Very excellent descriptions of settings without boring one with minute details. Just apparently lose sleep because of her. Why did you leave? She's alive. I finished the book bc Damsgaard got me caring enough about her characters to want to get some resolution for them, but I'm not sure it's enough to get me to pick up another. She pines after a guy with no redeemable qualities - seriously we I really wanted to like this book. View all Cars Sites. Holly rated it liked it Jan 16, Were you surprised by what a dark turn he ends up taking? In this or any other reality or any time period. If she possessed Paige's powers, she probably would've orbed to the next continent. It's just a matter of when. She thought you were dead. And yet I couldn't stop reading this book even after I knew I was right about who done it.