962 ŠŠŠZZZPPP†††ggg¬¬¬ËËËZZZeeeZe Wz6fZÏÁZ zŠ ‹Zg ÒŠ yzZ ! ZgÒi ŠZ gƒÑÔ[ºeY )*©~)»[Š zZ Š ZzgZg ´ùÆV>»!Š ~Z môZ Literary columns are valuable in understanding the literary scenario of specific language and literature.Same is the case with Urdu Literature.There are many prominent writers who wrote literary columns abouts Urdu books,writers,poets and trends.Though these columns are brief in length hence they have critical element in them.So we can't ignore them .This article deals with those books which are collectiin of such literary articals.They are helpful in understanding the importance of literary columns in a glance. t]‡ Zz ‰Xì;g¨¸yDg»}ûzW6ÃÅ VZzgZy 'ŠZÆÇÜç~V>»!ŠZ ÆZgŠFÁÐ}p~W6gîˎDƒ„Ì,Z »Ý Fë@Xì@ÅÎâCZW@W xk!~ V>» Zy , z{Zi ´XM}Š 7Zg ÛŒ'½g¬c à Òû¡ë¹XZ Dƒ 7 ZZzg Ä,ZFXìCY|(Ì Zzg Ì ~Z WÅV>» pZy Ò XZk DWckiÌ]*Dg!ŠZÜç Zzg Æ Zy …ÐV>»4 ÔZ DY−~©:6¯Å];ŽzZB‚Æäg¦Ü‰zŽdŠZ DY0= fg »ÄcgŠ ÅV-š{@Å õg@!ŠZ »Ý tV-Xì ¸è~}g!Æ?£Å Zy 4¨E3E{! D¯ qçñÌÃÃÅ Zy c èEG zZgÔ ŠZ¸¦ z{ ´Æ zg ŠÜçÆ[ŠZ »Ý !ŠZ]‡ Zz ‰X XD™Ýq/zZ Ðõg@!ŠZ¸¦Mg‡ÆÇÜçb§ XZk  6R@¬Ã[Š yzZ !iK gZ ó »Ý tcÍ) fg Æ XZy ZZ¯}ÙCzŠÆ g~ ó »Ý ~~môZ ~môXZ ìC tW Š™6V>»‰‘ÐáZjÆ[Š zZ Š ]Zg !¸XDY0az»äZ™sg” Z¡Ô÷g( ZyÔ %» ãŒ~ XZy x*VcúFá zZ ™ »Ý ÐáZjÆ[Š yzZ !zi Š Zg ~ æuÔ¹ gz ÃV]Z$ ÔÔ Ng0s ÔÔgz ]‚fZ¦Ôjœk2Wz6Ô£Z−{ÔÝ°ZзÔ@gO ÔZ ¦ ïá hŸ Zzgg @%¬Ô*0 Ôgzl . k„Ü*ÔÜ_gqÔñgZ ÍgâÔmz6ëÔZ qšcÔ ð4 Xìè¾»á£? Zzg sîqZ©qZ» g~ ó Å»Ý ƒ Zy ë@X 072 +ZÉÐ~ XZy ñƒùá ~^! »Ý ÆXԐgó »Ý qz{ çñ»á£ Zk 6[ŠZð‡´ÆyÎ0c[Š ~Z môZ~ÃvŠXïá »Ý ~W0Ð[Š zZ Š Zg ¡~X Æ[Š zZ Š Zg ~Xðƒ[øŠÌ+ZÃPŒ6V>»!Š XZ ‰Kïá Ì »Ý ~W XˆðÑckiÃ0ÐqçñÆ{)z„ (Qc[ŠZÆVâ!ivŠc[Š ~Z mô z{ÔZ ´ ~e Zkà 8891Y ·,Cultural Images in Post-Iqbal World [ÂÅ Zy%» ㌠tXì~š~WëZÅeÆKÃmÆÄp [Zzg ŠZ·ùt»V>»Æ XZy ìÝqx¼á Z (The V~Šg¶ ~Z môZŽì·ù»V>» ZytXðƒk5® á xZ ÈZkiÆgƒÑ wÔ D ÄZ )[Â Æ XZy 0Ð[Š zZ Š Zg »Ý g{)21( !ïá ~[ XZk ìg Dƒùá ~gƒÑNation) :s g`f Š]*ZÄ 1- Muslim Renaissance as Metaphour 2- The World of Muslim Imagination 3- The Voice from the Recent Past 4- Intizaar Hussain's Roop Nagar, Meerut 5- New Roots and Old Memories 6- A Sitting with A Man of Letters 7- Neo Sufism in Poetry 8- Laila and the Thirsty Birds 9- Call it Madness 10- Nak Parveen Makes the Choice 11- The Black Cat in a Dark Room 12- A Literary Perspective

6gîòÀä Zy%» ãŒ~"Muslim Renaissance as Metaphour" Zy Ä/ »Ý ¬ yvà gzb Å[ŠZä g~ ó|~ÇÜç~ñgZ Å XZy ìH{û6wq‹gßÅ[ŠZÜç ~ g~ t‡ íX슮U»kWÅw~ XZk ìŠ g{ ™0k?»V9ÅwqsÜtXìcà e]gßÏZi» XZk ì;gY`@ƒgD»8cÆ Z] WZ-ZÆ[Š {Z Ñç Zzg ì@g¸Z8c Æ Zy%» ãŒXƒZa/ZÅ"(Ð ZzgW yQ~}Ñçž@Ôƒ g{ 7Z»6{ >Z ¶›[ŠZžì :~pÖZ "The Muslim Renainssance as a metaphour of history can help our creative writings, and it can also redeem the helpless situation which has caused 172 psychopathic ailment in out thought and experience. Modernism in literature has brought about a break in the tradition of creative writing. Only a vision of the future can bring about continuity in the tradition and new view of creative experience in our writings." 1 Ht‹»[ÂÅ×;K¬~"The World of Muslim Imagination" Zy Ä/ »Ý }uzŠ Xïá WZF~môZÆ~²á ÅÔ kZ „ VZzg âYZÆ@{−{~[ XZk ìŠ Islamic [ÂÅÔZ†Ñ~"The Voice from the Recent Past" Zy Ä/ »Ý }Š ~"Intizaar Hussain's Roopnagar Meerut" Zy Ä/ »Ý ¸aXìŠ1{^Y» Ideaology ÑH5_ "New Roots and Old Zy Ä/ »Ý ,v0XñWckiÜÁðG5é BE*~ zw *Æ@gOZ @gO ZyZ %»ãŒñƒD™{û6zw * XZk ìqçñ Ò†å i„ zw *»@gOZ~Memories" :˜ñƒïŠ Zg ÛŒ(Social Historian) gc ñCÑçà "As a mature writer he has given maturer work to our literature and one wonders Intizaar Hussain has eventually become a social historian or he has given a new dimension to his world of fiction." 2 Æ£ tZ ËZä Zy%» ãŒ~"A Sitting with a Man of Letters" Zy Ä/ »Ý ,^W ìHgÖZ»ñgZ Zk ñƒD™{û6VE¹Å Zy 6gî¦ùVW'h×'XìHyÒ ZwjZ»]‡5B‚ Æ Zy%»ãŒXìàyvÿ!ÆVE¹Å£ tZ ËZ:Æpg:Ã7ÃøÚÆwž :~pÖZ

"---inability to perceive the future has damaged the creative act." 3

XìŠ1{^Y» 1µ^¨7 Þß, ó egZ Æ£ tZ ËZ~"The Two Caravans" Zy Ä/ »Ý ,â Æ]§5Å´ù ZyZk %» ãŒXì8gÎÆš·ù~Ä»ð4æuqçñ »Ý» ,‚ ™{~è£Ã~²á Åð4æuä]§ Zy žg~e gzZ ð‡´~ñgZ Å Zy ë@Xs2 :˜ Zy%»ãŒX슃 Zg ØŠÌÀF» Zk6¯Å]§Åqâ XZk ìcŠ "These poems are written in a new poetic language which is based on folk idiom. Thus, archiac dialectal words give an unfamiliar pre-modern hue of the poems. Sermad Sehbai has, indeed discovered a charming poetic world but its language has made it a tropographical object. He has created a highly localised hetrocosm on a soil which is extremly volatile with intense emotions. One can 272 enjoy this world but cannot convey it to an outsider who is not familiar with its vocabulary. Perhaps this feature marks the difference between classical sufism and the neo-sufism of out times. The universal has been reduced to the particular in this collection of poetry. Perhaps Sermad Sehbai was not aware of this lurking danger during his state of ecstacy." 4 ~[ŠZ@¬XìY@ ƒŠzö[ŠZF6裞 YYH7t·ZÐñgZ Zk Å Zy%» ㌠Zk ÂWh]XÅÝq]à@¬™ g{ }aÐ}iKZäV'Š zVZzgZ ²á V˜BV+ZϹ Z¯ 0Z»²á tX¦YÐÄÃÅ„è£,aÅ ZkÉ7gŠãWðÃEÃWžìïqÅbà ¹Ã ÔWáãZ]zÌ~´ù g{ èà Æð4æuXìêŠwJe~o¹ÃWÌÃ8gò£Žìk’ „gŠIŠzö Zzg ïq»è£¹Z6¯Åhg»]§Ð[ŠZußa XZk ìïqÅ zV u X7ñ ~gZ W 1Ò Ü Úç‰ Ô ]m ´ù~ÄÆy{£Z¢~"Laila and the Thirsty Birds" »Ý ,Ί XìŠc¯qç Ãñ}g7ZÆ}06V;Æ mZy

sZzg ¦~ Zk :Z(» XZk ÅÝqq=u"ä Þ^Úä `^h m\WÅ[Þv ]Z gŠ äV,XZ ìYYcŠ Zg ÛŒWC;Å~/öZÎ yZk *t» Zy%» ãŒXåyÒ»ÜÁ][ tZ ¯ H-4EJ& ìcŠ Zg ÛŒ ZzZg aÅðËÅxc ~Z yWÆ[Þv ]Z gŠÃ Zg Š™][ tZ ¯Æ óó ö * LL~Ýgz Å46™ 72 3 Xce™* (Case Study) ~SRÅ~/öZÎ ZkÃV9¨¤Æ];žìcŠ izg 6% ZzgZkZ XZy ìH7t ~iZz WŠ»ä Zy%» ãŒÌ~"A Literary Perspective" »Ý ,ðg! ÚŠZÅ zV k’ ZzgZy ce*Y1{^Y~øÚ!ŠZ»]h Zzg kg»0ÐyÎ0q’~ñgZ Å GE ÂñY1y Ãâ Ã0î ©$ ZkÆ Zy%» ãŒXìëZ~e Zk Q»yÎ0Z›Š Zg ÛŒm»ïá ~[ Zk ¦ù¨ ,k’Üçë xZ ӐzÁÐáZjÆâ zwZzgegZ *Ô:Y ~ÔZ ²á ~K XZk ì Š 36Ðà [Š zZ Š Zg ~V>»vŠP z{ ´ÆV> Ñ» !!"ä Zy%»ãŒ~[ VZk W'h×'XˆWcki c¯qç Ãñ t Iá zZ äYñVZ~dg»!Š gzVZzgZ Ç VÔ ²Ð à» zZ äƒÂÐáZjÆ XìïqÅÌ [Z Ât~KƃÅ]*Dg!ŠZÆð;ŠÅÏZÎ/ XZ ì ¬ Ð ~ X ïá »Ý !Š 7(Z )8 ¿Z À~~ Perceptions [ Å]‚fZ· XZk ðƒùá ~ 9891Y ÐyMxÈZkiÆW, gzZy »[ÂtX0Ð[Š zZ Š zy)15(Zg »Z Òû¡wÅV>»yë@XX }û~W6Ã!ŠZëZà zZ à ~ÇÜç »Ý !˜~[ Æ]‚fZjœZ·XñV ]Z ï~W{ŠŽz!Æg"Zä]‚fZ ~ XZy 7ÏÅà : Zi§¶g~dâŠÆ[ Zk ñƒD™p°ÅÛ ~iZz W "It is only in the perspective of time that he sets out to analyse story or a novel or a poem. He gives due consideration to the mental makeup of the writer and how he proceeds. He has an abiding respect for creativity and hence his critical writings are an ideal blend of involvment and detachment." 6 'Æ [ZzgZk Âcki~¯¸B‚Æ„zÅ}p‰Kïá ~[ Zk~sf :ì;gYcŠx*» 72 4 1- A Verse Collection With a Difference

(>>>iii> ^^^i aaa^a 111‰‰‰^^^‰ nnn^ µµµnµ ·ù~Ä» g~ g gr Ã) 2- The Irony of Love

(]]]†††] nnn† ÚÚÚn ^^^Ú ããã^ iiiãi ÀÀÀËËËÀ ÖÖÖËÖ kkkfffvvvf ÚÚÚvÚ ·ù~Ä»jœl²) 3- New Vistas in Ghazal

(^^^mmm^ ………m … ÍÍÍw ·ù~Ä» ZièQ) 4- Poetry of Love, Strife and Hope

(777^^^7 qqq^ †††q ¿¿¿† ßßß¿ ÚÚÚßÚ ·ù~Ä» g~ »Zº )Z 5- Pablo Neruda Translated

(Ï*/ :Z Wá Ô 666nnn6 ÛÛÛn ¿¿¿Û ÞÞÞ¿Þ Zy >WZFÆV¸ÅZŠz.0) 6- Quest for Self Identification

(777^^^7 nnn^ ñññn ^^^ñ ßßß^ ß æææ ………æ… ·ù~Ä»Ï*/ )Z 7- The Rueing Dew

(]]] ‡‡‡]‡ ggg ·ù~Ä»OM) 8- Poetry of Vision

(äääßßßä nnnß ñññn ñ ÑÑÑ………Ñ æææ…æ ÑÑÑ………Ñ æææ…æ ·ù~Ä»~hiŒ)Z 9- Symbolic Poetry

(111jjj1 µµµj ………µ æææ… ]]]æ <<<] nnn< µµµnµ ·ù~Ä»nc )gZxg 10- Symbolism in Poetry

(lll………^^^… ŽŽŽ^ eeeŽ 111e 1‰‰‰ ÍÍÍçççìììçì ‚‚‚fff‚ ßßßf +++ß+ ·ù~Ä»„k2) 11- Poetry of Rythem and Meaning

(111333mmm3 ………m … ·ù~Ä»{á zi 9·) 72 5 12- Poetry of Meaning

(]]]†††] ‰‰‰†‰ hhh]]]h ççç] ìììçì ·ù~Ä»@á Ð) 13- An excellent Natia Nazm

(äääÚÚÚä ^^^Ú ÞÞÞ^Þ ÕÕÕŸŸŸçççŸ ÖÖÖçÖ Ä¾sîÅw)gâ )Z 14- Haiku in Urdu

(çççÓÓÓç nnnÓ ñññn ^^^ñ aaa^a ·ùŒ6r;žãY0 »}Z·) 15- The Hour of Flower

(ØØØ+++ kkkÂÂÂ^^^ ‰‰‰^‰ ·ù~Ä»É{@á ) 16- Traditional But Fresh

(-ÞÞÞ///Þ ………/ ]]]… ^^^] ÒÒÒ^Ò >>>ÓÓÓ> ÞÞÞÓ Þ ooojjjo 222j ççç2 ‰‰‰ç‰ ·ù~Ä»]gŠ¯c¦) 17- Baqa Kay Taiver

(………ççç… nnnç iiin 111i 1ÒÒÒ ^^^Ò ÏÏÏ^ eeeÏe ·ù~Ä»‰»º )Z 19- A Pleasing Anthology of Verse ù (………^^^… ÓÓÓ^ ÊÊÊÓ ]]]Ê] ÝÝÝôôôçççÝ rrrç aaara · ~Ä»~<%Zº )Z XZy ÐáZjÆÃŎ}p )23( AvŠïá ~[ z{ÔZk ´Æ}p/ ZyZ :ìs g`f Š„zÅ

20- Memories of A Writer

(111‰‰‰ †††mmm† ;;;m ßßß; ÚÚÚßÚ 111ÒÒÒ ÝÝÝ^^^Ý ^ [ÂF6V¤Z ŠŠ cŸWk )zi 21- A Critique on Faiz

W á Å Å ; % (‚‚‚nnn‚ ŽŽŽnŽÒÒÒ oooÒÒÒ ÙÙفÙ áááôôô çççá ìììçì [Â~ 6~² ; dZ iZ ) 22- An Appriciable Work ~ û ù }p Å g~ gX} XZ ii [ XZk dZ; %777^^^7 eee^ †††e ```† ÚÚÚ`Ú ………ôôô^^^… mmm^ ôôôôm ^^^ mmm^m· » ‰‘6g~ gX} XZ i )i 672 (ïá Ì,k’P

23- Photography in Words

(ÜÜÜfffÜ ÖÖÖf ]]]Ö ]]†††] ‰‰‰† æææ‰ æ [ÂŒ6VÃ{Æ]†gÅ g~ g gr Ã) 24- Theory and Practice of Inshaiya

(^^^ nnn^ ßßßn eeeß oooe oÒÒÒ ääännnä ñññn ^^^ñ ŽŽŽ^ ÞÞގ ]]]Þ] [Â~WźZÐË )eZ 25- Ghalib : A Psychoanalysis

(†††Â† ^^^ ^ ^^^ ÒÒÒ^Ò………ççç… ÃÃÃç ÃŸŸŸ ………Ÿ æææ… ]]]æ ………] ççç… ÃÃÃç Ã[Â~WÐáZjÆ¨¸ÅºZÐË )eZ 26- Literature and Culture

(†††333† ×××3 ÒÒÒ×Ò ………æææ… ]]]æ] hhh]]]] [Â~WźZÐË )eZ 27- The Epistolary Art

(ÝÝÝ^^^Ý ÞÞÞ^ 111Þ 1ÒÒÒ ‚‚‚mmm‚ ‚‚‚m‚‰‰‰ ………ççç… ÞÞÞç ]]]Þ ½½½] ççç½ ___ç_ììì 111ÒÒÒ ^^^Ò ÆÆÆ^ Æ ††† mmm† ‡‡‡m æææ‡æ [Âû%Åh‡gâZË )eZ 28- Inshaiya : A Revolution

(666nnn6 ÚÚÚnÚ hhh]]] æææ] æ ……… ]]]… äää] nnnä ñññn ^^^ñ ŽŽŽ^ ÞÞގ ]]]Þ] [Â~WÅh‡gâZË )eZ 29- Village in Urdu Short Story (ÓÓӎŽŽnnnŽ µµµn oooµ oÒÒÒ lll^^^l ```^ mmm` m 666nnn6 ÚÚÚnÚ 111ÞÞÞ1 ^^^Þ ŠŠŠ^ ÊÊÊŠ ]]]Ê æææ] æ ……… ]]]…] [Â~WÅh‡gâZË )eZ 30- An Illuminating Thesis (666nnn6 ÓÓÓn mmmÓ †††m vvv† iiiv oooi oÒÒÒ hhh]]] æææ] æ ……… ]]]…] !£»fË eZ »h‡gâZË )eZ 31- The World of Ghalib (………æææ… ]]]æ 777] ^^^7 ```^`qqq ^^^q ÒÒÒ^Ò gggÖÖÖ^^^Ö ÆÆÆ^Æ [Â~WÅh‡gâZË )eZ 32- An Impressionistic Novel

(åååæææå ………æ æææ… ]]]æ 666] nnn6 ÚÚÚnÚ zw *»Ï*/ )Z 33- Manto Rediscovered

(ççç999ç ßßß9 ÚÚÚßÚ àààŠŠŠuuu lll^^^ ÃÃÃ^ ‰‰‰Ã‰ [Â~WÅÏ*/ )Z 72 7 34- Urdu Short Stories

( åå偁å ^^^ uuu^ äääu ‰‰‰ä‰[ÂÅVE¹ÅŠú gt ¤) 35- A Symbolic Novel

(cccc >>> ,,,> nnn, ÚÚÚn äääÚ ×××ä ÖÖÖ× ]]]Ö] zw *»Šú gt ¤) 36- A Rational Critic

(………^^^… ,,,^ ÞÞÞ, äääÞ ÞÞÞä ^^^Þ ŠŠŠ^ ÊÊÊŠ ]]]Ê 111] ÞÞÞ1 ]]]Þ †††] µµµ† ………µ æææ… ]]]æ 111] òòò1 ÞÞÞò >>>Þ 333>3ÒÒÒ Zzg ^^^ÚÚÚ^ ]]]Ú ………] JJJ…J sssnnns 999n ‰‰‰9‰ ææ恁æ ……… ]]]…] ÁÂ~WzŠÅsÑ XZ !X} )Z 37- The Art of Humour

(ØØØnnnØ ‰‰‰n‰ ‹‹‹ßßßmmmß †††m òòò† nnnò ×××n ÒÒÒ×Ò [ÂF6Zb×'z9Å„ŠZP) 38- The Art of Story Telling

(oooÞÞÞo ^^^Þ ```^`ÒÒÒ hhh^^^h jjj^ ÒÒÒjÒ ·ù~âYZ»+−Z}Z„) 39- A Miscellany of Wisdom

(ÐÐÐvvvÖÖÖv ]]]Ö ‚‚‚] fff‚ ÂÂÂf lllôôôô ]]]l ] ççç ÚÚÚç †††Ú ÊÊÊ†Ê [Âû%ÅÝ°Z¥Ë )eZ 40- A Book on Syed Waqar Azim

(ÜÜÜnnnÜ ¿¿¿n ¿ ……… ^^^… ÎÎÎ^ æææÎ ‚‚‚æ nnn‚ ‰‰‰n‰ [Âû%ÅÝ°Z¥Ë )eZ 41- Modern Urdu Ghazal

(ÙÙÙˆˆˆÙ ÆÆÆˆÆ ææ恁æ ……… ]]]… ‚‚‚] mmm‚ ‚‚‚m qqq‚q [Âû%Œ6}p~WÅÝ°Z¥Ë )eZ 42- Studies in Iqbal

(lll^^^l nnn^ ’’’n’íí퍍 ÜÜÜnnnÜ ¿¿¿n ¿ ……… æææ… ]]]æ ÙÙÙ] ^^^Ù fff^ ÎÎÎf ]]]Î] [Âû%Å~²ÂÙC¤Ë )eZ 43- Expository Criticism

(lll^^^l ÞÞÞ^ ^^^Þ vvv^vqqq………q… [Â~WÅ~²ÂÙC¤Ë )eZ 44- A Critic's Autobiography

(¥ZÙCiû% ………æææ… †††æ ‰‰‰†‰ ÍÍ͆††uuu†u ]§öZÎÅ zg u£ )WwZ 72 8 45- Welcome Addition

(ccc‡‡‡c ]]]‡ æææ] ………æ … ‚‚‚ ßßß‚ eeeß 777e ^^^7 nnn^ ÒÒÒn <<<Ò ããã<ãÒÒÒ ooo×××o ããã×ãÒÒÒ ·ù~âYZ» XWgXW * )Z 46- A Collection of Traditional Short Stories

(>>>ÓÓÓ> ÞÞÞÓ Þ oooÒÒÒ †††ããㆠjjjã µµµjµ ·ù~âYZ»zgZ @t¤) 47- A Tale of Faith and Struggle

(lll^^^l nnn^ uuun åååÿÿÿÿu å ^^^ qqq^q m\WÅzgZ @t¤) 48- An Impressionistic Travelogue

(†††Ëˈ ‰‰‰Ë‰ ØØØôôô nnnØ fffn ‰‰‰f †††‰ eee†e )*^»ncg£Znc )g 49- The Art of Letter Writing

(111ÒÒÒ oooqqq ^^^q ^ ááá]]]á ¼¼¼] ¼ììì ·ù»oèƶZû%Æncg£Znc )g 50- Literary Historiography

(^^^ÏÏÏ^ iiiÏ ………i ]]]… ooo] ßßßo aaaß ƒƒƒa ^^^ƒ ÒÒÒ^Ò HHH^^^H aaa^ ççça ÒÒÒçÒ [ÂóÅpZ6£ )Z 51- A Poet With A Message

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1- The Essential Iqbal

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2- Iqbal and the contemporary Situation

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4- Ahmad Nadeem Qasmi

(k?ÆÄpzõg@›äYZÆŠ‡*0£ )Z

5- Manto's Anniversary

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6- Ismat Chughtai

(ì_Y~ŠwVÐáZj :Zk ^â)

7- Rashid (Noon Meem) - Early Poems

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8- Zia Jallundhari on Criticism

(}p‰‘ÐáZjÆWzŠ ZgÆ~OßYM)

9- Quratulain Haider

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11- The Progressive Error

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(ÐáZjÆxâZ© Zzg „k2 wÔ DZ;m

13- Riaz Taseer's Short Stories

(·_C;» ZgzV Š™ÆVE¹Å|@nc )g

14- Ghalib's Psychology of Sorrow

Ghalib's [ Š7ÛŒvZ ˜Wz6Ð áZj XZk ì Š 1 {^Y ~W» §§¦Æ ¨¸) (ìðWckiPsychology of Sorrow

15- Rawalpindi Fiction Writers »VâYZÆáæq iZ % Zzg hzY£ ÔZ ŠîZŠ£ ÔZ ŠcAÔëZæ gzVg ó:YZá zZ pgmÐ~f )gZz q( çñ Zzg 2ÔW@¦ù 16- Discovering Innocense (‚‚‚ÞÞÞ‚ ^^^Þ 222^ ^^^2 ÒÒÒ^Ò lll]]]l ………]… ooo×××o ```× µµµ`µ ·ù~Ä»jœï) 17- An Urdu Novel

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(¨¨¨^^^¨ ```^ eee`e zw *» gh @@ê) 19- Zia Jallundhari in English Translations

(h Zg ËÀáThe Grey Void ·ù»WZF~môZÆ~²á Å~OßYM) 282 20- A Book of Humour

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24- Two Versions of a Popular Tale

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{( ^Y~W» Pakistani Culture - A Profile [ÂÅÏ„Š-)

26- Dreams of Iqbal

("Dreams of Iqbal" Zy >y*»v [Z xÔÑ zZ à ÐáZjÆwDZ~kkkÚÚÚ¡¡¡Ú¡ÂÂÂ)xâ) 27- Foggy Directions

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ÆV1ÂZ ge Zzg ÐáZjÆ^/Æ]†!Š gZ iÐ~V> Ñ» !g{ èà XF6}^Y~W £ZÐ ~Zzg jŒ·ŠÕë zZ ŠÆ[Š zZ Š Zg ~ Zy ìc¯qç Ãñ ]†XäjœnWz6 XìŠ –6ŒÒÃ{²á ðƒC½ZÅ܉z Zk »Ý q XZ 6~Š!W'lŽ }pzŠXïá "Jamil Jalbi : A Writer With Solid Acheivements" Zy >Ù~V>»‰‘6]† ÐáZjÆ]â}!Š ZzgZ ,ÅwYÕË eZ ~[ g{ èà Xì{^Y~W»[ÂqZÝgZ Š ZÆ,ÅwYÕÌäjœnWz6~ »Ý Zk LZ~öÏ XZ ìŠHŠÃ}p ì¸g»&§òÀ»jœnWz6~V>» Zy ‰‘ÐáZjÆ]†Xìà eZ Ýgz 6VîU ™f»{E‚ZÆ£ZÐ ~Zzg jŒ}XD™ ˜iÑÌ{™E»]†ëZ~| ZŠ6!ŠZÅ Zyž : Zi§¶gñƒD™ "While Firaq Gorakhpuri was fortunate in having a disciple like Hasan Askari, Hasan Askari was blessed with more than one distinguished disciples such as 482 Saleem Ahmad, Intizar Husain, Mozaffer Ali Syed and Sajjad Baqar Rizvi." 01 ŒÔ£ZÐ Zzg ¸Š¤á Æ g~ OgÍ Zt ہ ~Ô jŒ·žì¸ètsÜ*Ðk½ZÑ!!" ÛŒ!Š= Zzg ¦Z¡Ô@gOZ~ zV Š¤á Æ~jŒžì@W~DÌtɸŠ¤á Æ~j X¸ïá [ŠZçLG.9Xx‰~çg XZy ìÅcÝq§Ì6WþLG$ §Æ£ZÐ ~Zzg jŒ zV ŠÕVâzŠ Zy äjœnWz6 :˜jœnçOXìŠ36~øÚDpÃ[ŠZ~ zV k’FÅ "Like Askari, Saleem was more concerned with cultural issues than literary issues of his time." 11 V;zD™™f»VçpÅ VZy ˜~ »Ý ‰‘ÐáZjÆ~Š!W'lŽÔjœnWz6 Æ Ziy à,{hIK z{Z žì¸èÐ XZk D™Ì{™E»Ùâ Z[Ñ}V- zg $—Å Zy Xz{ ì: gZ —Yà{ñgZ Å Zy ÐáZjÆ~²á ÅlŽ% XZ D3Š~\ gz FÆ ZkB‚ i~ *¡ Zzg Š‡*0£ ÔZ ëZˆ.Þ £Æ ZyžZ XïŠ Zg ÛŒ²á Z(Ѓ »zŠ Zg ˆÆwDZ¹Z ` XW å–~ð;ŠÅ}ây*täjœnWz6XïŠ Zg ÛŒZ"z6» zV ŠÕ!ŠZÃp°Å Z ìY@ cŠ Zg ÛŒ²á »õÖ¡ÃlŽXì_ƒã ~zZ ÈzgŠ!ŠZÅZÄ Zy ˆÆäg¦k'æ Xì;gYHt²á {×6¯Å[| ]ZzgZ ¬çñÆ Zy à i~ *¡ Zzg Š‡*0£ ÔZ ëZˆž *ZÂðƒC½QqZÅ~²á zŠ Zg ¹ZjœnWz6~ »Ý ‰‘ÐáZjÆ~²á ÅŒÒà t‚™ƒãzZ B‚Æ܉zÌñgZ ÐáZjÆ~²á ÅŒÒÃ~ó*©!Š {Z ŠŽñXìcŠ Zg ÛŒ WzZi XN0™7L| Ù~ÄKZŒÒʎz!Æäƒ^Ã6zV Ç~ ZgzV ŠZëZÆ[Š zZ Š XZg ì_W Xì »Ý {6ŒÒÃt~øÚÆð;ŠÅ}âë@ *0Glimpses of the East and West in Urdu Literature [ÂÅjœnWz6 "Urdu ~{¬Xì Š H„~V”zŠÃ[ XZk ðƒT~ 6991Y Ð~f ÔgZz ÅX +−ZÕqZÐ~Xïá »Ý !Š 3(Z )3 ÞÆ Zy ÄÆLiterature in Progress" ÆªZîX »Ý !Š )72(Z K*ÐáZjÆ[ŠZ!f~{}uzŠÆ[ÂXì{Š™k’ à» ¬ + ÔzZz n»t IÆ ZzgZy „zÅ]*ZÄÆV>»0Ð[Š zZ Š Zg ¡~sfÃ7ÆÚ} :ì;gYcŠ~ 582 1- Diwan-e-Ghalib Kamil

û%»T »à (gggÖÖÖ^^^Ö ÆÆÆ^Æáááôôô ]]]á ççç] mmmç m ZkŠ ) 2- Ghalib Kay Khatoot

(t‹~W»ÜZÜû% ½½½ççç½ ___ç_ììì 111ÒÒÒ gggÖÖÖ^^^Ö ÆÆÆ^Æ) 3- A Study of Maulana Azad

H{™E»]â}Å g~ 7V~á yÑ ~Zzg ª» glØÔ$wÎ xg Ý*ÑñÐáZjÆÏÙŠ WiZ ~ )Zk (ìŠ

4- From Atheist to Theology

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5- Azizan-e-Aligarh

â²" 0Þ û% Œ h Æj y( {y Z Zzg * Z. bbb<<

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o( èÆ~jŒ‰‘x*Æ£ [Z ëWË )eZ

8- A Study of Poetics in Urdu

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9- Study of Urdu Criticism

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10- Nasir Kazmi's Diary 682 äjœnWz6ÌVŒX슖y*tÐáZjÆ® á Z~^!ÂÅ~] eZ ʼn»Ü*) (yÃA%Æ~] eZ ZkžÅ7k’]!~Šã

11- Shamasur Rahaman Faruqi : An Eminent Critic of Urdu

(¹ gz ÃÝ°ZÒ» ^^^ÛÛÛ^ ÞÞÞÛÞ hhh^^^h jjj^ ÒÒÒjÒ }h`á zZ äƒùá ] Zg ŠZkiÅV{Z@á ЋŠ) 12- Mohib Arfi : A Poet with Scientific Look

(Â6»„³‚~~²á Å°g¬B)

13- Remembering Shaukat Thanvi

(ìŠ;ZuÃ]â}!Š zZ ]§Å Zy~Ty* g~ ÇŠcŠ–ˆÆ]ÃzÅ~âå•Ø)

14- The Woman Rebel of 1940's

{( ^Y» g~ ó:YZ®Æð,Ó)

15- A Comprehensive Book About Manto

(7g èà x*»[ÂÌ~y* XZk ·ù»}p~W‰‘6œû%»~©4)

16- Great Muslim Women

™ »& c Å y~ û%Å´ − *Ññ (ì{ E ZpVú )62( £ y*z T ‚‚‚ßßß‚ aaaßaáááôôô]]]á †††] jjj† ìììj ì [ ‚+ ZD ) 17- Khawaja Hassan Nizami His Art and Personality

([ÂF6á£ÆfË eZ ƨ%xâZ‰‘6òÂŒzZp)

18- Pen-Portrait of Hazrat Nizamuddin Aulia

~y* XZk ì6i§Å+➠Ž{ [ˆèÐáZjÆ,Å1 Zz +− xZ ÂÅqہÅZË )eZ (ìH{Š¬Z»tŶŠ:x*»[ÂäjœnWz6Ì

19- Prominent Personalities of Muslim World +E g~ ¶Zá zZ äƒT6µñÆÏ'Å Zy c õA ‚Æ]ÃzÅ‹x›~T[Âû%ÅÝ°ZŠúË )eZ (7g èà ~y*Ìx*»[ XZk ïá »Ý 782 20- 1999 : Fath Baghair Jan

Zy Ä/ÀFzŠ Zg » 1999 : Victory without War [ÂÅ (Richard Nixon) °el)g (-ßßßqqqß †††q nnn† ÇÇÇn eeeÇ xxxe jjjx ÊÊÊj VVVÊ MMMV UUUM UUUUUU 21- Jadeed Urdu Inshaiya

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(ÝÝ݁Ý  ‚‚‚ôôôô ÎÎ΂Π[ÂŒ6VÃ{Å~qº )Z 23- Aadmi Ghanimat Hai, A Book of Pen-Portraits

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25- Life Time of Learning z]§Å Zy 2{^Y» Experiences in Science and Education [ÂÅjœ+−ZègË )eZ (ìˆà eZ Ýgz 6]â}

26- Concept of Half Meeting

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àààÛÛÛà 222Û2 kkkôkôôô  ccc†††c ÚÚÚ†Ú ccc]]]c] ´ù~ĸaLZäV,yZ *tXì{Š™k’ à» ¬+−ZÕy*t) ÐáZjÆ]cÃ~ÄLZäV,Z~ XZk –6gîÆb]Æ »Ý ÆjœnWz6‰‘6 (Å̬Ÿz¼ 882 ÔDawn }ZZ`z gZ] ¶ ~Z môZZ»¯»zŽì·ù»V>»~WÆ [Zy ÂÅ÷g( k5® á Z~ zgZy ŠÆ 0991Y Ð 4691Y »Ý tXìgDƒùá ~Star Zzg The Muslim ÔMag A%ÃV>» Zy ~]§KZäV,Zë@X¸D™–Ðx*NÆ(Zeno) ei »Ý t÷g(Xñƒ ¹Zäncg%¬Ã7ÆÌ ~Z W Zzg !ŠZÅV>» Zy ˆÆ]ÃzÅ÷g(XcZ™7ùá Æ™ (A zad i^Z6ÚZŠ WiZ } Zg ŠZ á Z ~ 8991Y [Ât XHA%~ ]gß!ÂÆ™ Y q Xðƒùá ÐEnterprises) ¹ZäA%ÉŠcŠ7KFÐpÒãâiÃV>» XZy ïá »Ý )27( 4À~[ Zk :s g`f ŠŽì3gÆ]*ZÄge 1- Commitment 2- Among Contemporaries 3- Despair and Withdrawl 4- The Modern Sensibility

Ðõg@Zzg ÄôÔ„ (Ô½£~ XZy  »Ý äa~"Commitment" Zy Ä/{¬ Pà zZ pgmÐs0ZÅó ZzgegZ äY VZ W'h×'XìŠc¯qç Ãñ zV k’!ŠZÅ]†h zZ Xïá ~{kÌ »Ý 6]†ëZ ~ßñÔZ Zrl~ßñÔ »Ý {Ô ™E»»LZä÷g(ÐáZjÆ„ (b§ÏZ ã¹Å Zi ہzÝÅÏ0iÏ(KZ2X1zg7½~„ (iÅR'ähaXZ ìë xZ *»h XðƒÝqðZk5[p~*Š!ŠZ&XèÐx*Æo ‡Þ‚+ äV,Z [ÂÅG·~"Annals of Modern Lahore" »Ý LZäV,ZÐáZjÆ g~ óõg@ 'ÃÌZRÅ ]ZzgZy â£]g@ÆgƒÑ~[ XZk ìc¯qç Ãñ Lahore A Memoir 982 ~^~mz*ŠcÍÌà zV ŠcÅ]†Ï(zRëZÅgƒÑVW'h×'XìHȯÐϐe.ä Ô´‚+−ZDWz6Ô¹æ)´ÔIÛgÔ âZægpÔãZèº yÔZ {Z;*Ññ~ XZy ì1™pô I Zy -Š Zg ŠuÔ$wÎ xg Ý*ÑñÔ´‚ØZ†*ÑñÔ' g~ !Ôo£Z¨%*ÑñÔZŠ-vZ†)´ Xïá Vi&Üœ ~Zzg OßYïÔ|@ Xe~ * g~ÔZ gö XZ } ÔZ ŒŠ-œyÔ < "In An Alien Land - Sanctuary of Urdu Zy Ä/ »Ý zŠÆ{¬ Zk Æ[ ëZá zZ äƒùá ÐVŒ VÔ ñ¤uDpz!ŠZÅgƒÑ~"Chelsa of Lahore" Zzg Literature" ™¯Zyñm»~WLZä÷g(žì¸èÐ}p "Writer of a Poor »Ý ™¯ XZÍwZ ng¢&§¾ÅäVZ]ÑZÎ6b)!Š z{Z É ðCZ ÅV'ŠZiZžìðÑŠz Zzg ìc¯WU¶Ã gzl Å46{Š%Å *Š!ŠZÅzŠ Zg äV,Z~Nation" äV,Z~"Parsi Theatre and Urdu Drama" »Ý ‚XceãYÅðZk5~„]§Å Zy Ïg0Å›~¹FzózFÅó zegZ Š XZg ìÅÌ4gŠÅVçzG!ŠZPÐáZjÆó egZ ~R' Å Zy cσCZ|y!iÅVñ ZyegZ žìY@ Hkªt6¯ ZkpVOXHZŠ ZgZ Š™ëZäVµpÀ Ïg0žìHã ZzgzZ ìÅhŠFÅ% ZkZ ä÷g(Xǃ‚g"ÛŒÐdCZ|wì~œ%» ã¹ k?Æd›zytÐáZjR Zzg ¶zŠ yZg !iÅVñ egZ {Zy Š™7ÆVµpÀ (12) ¸ œ~ ZyžìãzZ Є]*ZÄÆ Zy ë@X »Ý âÐáZjÆœ~{¬ ZkÆ[ ÔÏ?Å]ÑqÏ( g~Ô ó|~VâYZÆœ~ XZy ìŠ1{^YÐV- ~iZz WZ»®Æ 092 ¹FÆœÐáZjÆ ZyaÃj ZgŠ™~œ%Æ óóyâ‡* LL äYZm Ñ» !!"XìŠc¯qçñÌÃb gz ÆÚŠÐÛ iZz :ZŠg^ZqZà ZgzV Š™gÇ{kV;Æ :s g`f Š]*ZÄ 1- Azad and Manto 2- Two Great Fiction Writers 3- Saadat Hassan Manto

4- Manto's Realism 5- Politics of Manto 6- Manto's Mangoo Tonga wala 7- Manto: Writing As Libral Passion 8- Manto Reflecting Progressive Principles 9- Manto Great Writer of Social Behaviour 10- Manto Saw Purity in the Sinner's Heart ~ > ~ Ýgz Åp ]Òf† ô …e^… Zzg ìn^Ù - Þn†Þ ?£ÅŠ WiZ V »zŠ¬Ð „zˆÅ g` Š6Zz ~[ Zk Å÷g(XìŠH.Þ »Ð Zi 0ZÆ~I|ŜԻ[|Z3 Zzgg 46ÇÅ Zy ~ }uzŠÆ[žìzz¸XìÌpŠÐ6Å÷g(zzÅ XZk ïá »Ý {ŠciЃ6œ áZjÆ gzV ó zw *c gzV ó:YZÌ »Ý Fïá ~"Among Contemporaries" Zy Ä/{ ä÷g(~ ÔZk ìãzZ Ð Zy ÄÆ{ Zkž 6Xïá »Ý g{ VZ~{}uzŠXÐ Æ]*ZÄÆV>» Zy ~sf Xì1{^Y~W»?£Å gzV ó zw * gzVZzg ó:YZÆÇÜç :ì;gYH gZ` 0Z»"Å ZzgZk '´~+ zZz .Þ £ A Tribute to Rajinder Singh Bedi ·ù»]Ñ£~W‰‘6~ËIg+ )gZ ( q†m‚å Ghulam Abbas of Anandi Zzg ^óó ÔLL óó ~# VLLW âYZ Æ k„xÝ) ( óó \z¾ LL 192 A Novel of Kashmiris Outside ( µ†]Þ^Î^Önà zw *Æ7ÛŒG1 )Z Kashmir

A Tale of Two Woman 1Ò à …‰ æ ]… «z* » a:ÎÙCÍ ) ( e Ahmad Saeed And the Third Word ( Þn^ p† inŠ zw *»G£ )Z Reality Fictional and Spiritual ( 2Ûà - …Þ  +† zw *»g©7 Z>Z ÛŒ) Progressive Fiction Revival in Urdu (Ýgz Å gZ] ·ù~âYZ»'!I) Human Character and Modern («WÆj·ù~âYZ»'!I) Fiction

In Memory of Khawaja Ahmad â egZ n wZzg »Ñ COŠ ™Åk„£ZzZp) Abbas (}è Zzg YS0Ç A Novel of Pakistani Feudalism ( oeŠjo ‚]Ò ì zw *»jœ•Ø) Of Lucknow Past and Present Zzg Ò^…m^ . zw * »g© 7 Z>Z ÛŒ) Åwq Zzg èâÆ©~ 2Ûà - …Þ  +† (Ï?B‚ÆgÅ]g@ Memories of a Spectator to Film Life à Ò† [ÂF6V¤Z ŠŠ c MÅŒ·) ( Ú†+n^ o eã Saqi and a Delhi Lost Forever (]â}Å ‰^Îo á‚g!ŠZÆ~ŠŠ£Z@á ) Khadija Mastoor - A Consistent ( ‡Únà zw *»g˜"}) Progressive Writer

Jamila Hashmi's Magic City ( …Êjä  i zw *»×;@) 292 Consciousness of Time ÞÓãn6 gqÔ ‡…m6i^t zw *Æ£Zm³) zw *Æg©7 >Z ÛŒ Zzg açñn6  µç aà »Ü‰z~ zw *zŠ Zg ~Ýgz Å Ò^…m^ . g( Å Surrealistic Prose of Anwar Sajjad ( ]‰jÃ^…c ·ù~âYZ»Š=gâZË )eZ The Influence of Mikhali Shokokhov 6V'ŠZ@¬ÆsßpØáLgó zw *Ï )gz (ÐáZjÆxcÎm» Zy ~s Xf ì1{^Y»?£Üç :ì„gY~Š,ÅÃà zZ äWcki Literature of Despair and Å@gO ÔZ Ò^e^É ìçnç7 zw *»Š=gâ )Z Withdrawl y( DgC¬çñ¦ù»?£ A Mystifying Collection of Essays }p ù ( æqç ô i¡ 0”î »Š=gâ )Z $ Absurd drama - a symptom of ~hŠceçE.nGZ~ g~ óâ egZ m

Underdevlopment of the Novel ‰Ë† aÜ 1Ò g ì† zw *»g©7>Z ÛŒ) ( eŠjo zw *»@gO ZzgZ Fall of the House of Literature à ~izZw „¦ùÆ[ŠZÜç~y* )Zk (ìŠc¯qçñ 392 Anguish of Fiction Writers :YZ »@gO ZzgZ 6óó LL :YZ »Ý°ZÐ) ( óóÏ LL Contemporary Wave in Urdu .Þ £ Æ V'ŠZ I ¹F~ [ŠZ Üç) Writings {( ^Y»]*DgÆV'ŠZIeh] Writer Versus Society (m»}Ñç Zzg dŠ )Z G Abstraction and Symbolism in ÔŠ=gâZmZ ÛŒ Zzg açñn6 aà E+G »yDgÆ ïGG3B g@~6zŠ Zg ÐáZjÆ {( ^Y Intizaar Husain's Discovery of India ( ]æ… Ô ‡Únà]æ…Ê× )*^»@gO )Z Apologia of a Civil Servant ( Þ^Úä `^h m\WÅ[Þv ]Z gŠ) Shifting back to Commitment » Comitment in Art y*ÆçÑZ ( Þn^æ… !‚g·,¦Z ZiÀF Jean-Paul Sartre and Existentialism »]cÃÐáZjÆeŠŽzÆ}Fg‚) (sg¬ {Zzg ^Y ÷g(t‹»]*DgÚÅ?£~ ZkžìãzZ Ð{^Yà)ZÆV>»ïá ~{ Zk EE @™cÐeŠŽz 0ªî i ¡ÒÆ}Fg‚™¯Zyñ}ìÌ0Ð[ŠZ@¬ »Ý |ŠWqXZ ìÃ7Æ Xì 492 »Ý g{ !~ XZk ì"The Modern Sensibility" Zy Ä»{~y ZzgW ¸aÆ[ÂÃki :ì;gYcŠ~+ zZz n»t I Zzg „zÅ]*ZÄÆ Zy ~s Xf ïá In Search of the Modern Æb˜Z Å óóFh]LL ~[ŠZÜç) Sensibility »}p~W‰‘ÐÃt iZz xZzgZk | (}pÆ4¡Ë ZzgeZ 4Ò}{^Y Path of Alienation and New Š 1{^Y»yDg:‘V;ÆV'ŠZ6) Writers (ì The Collapse of Humanism and (Humanism) 4zŠy¨Z~ó*©!ŠZ@¬) New Forces (Š zgz »]*DgvŠ.Þ £ÆyDgÆ The Essense of Modernism I X h ] q‚m‚ [ ~WÅ ~Ggû) ]΂]… p m^eßn^ ]Þv†]Í 1‰ h ΂mÜ] ( Ò^q^ñˆå oev^Öo Ò The Essence of Modernism II »]cÃÐáZjÆeh]Æ~E_ )zZg (sg¬zt‹ Majnun - The Progressive ÐcZ™aÆd Z` yà g~ OgÍV7) Romantic è c á » Úrßç7 ô ]…ÚÇ^á yÔ g~Zg ÇŠ{” ù {( ^Y Purity of Literary Art Ï0iñZ'[ŠZÆ g~ 7ñgZ @ºZË )eZ (t‹~W»bÃÆ Dr. Raipuri - A Progressive World ~W:ZI¹FÆ g~ 7ñgZ @ºZË )eZ View (sg¬»]cà A Writer Committed to (]cÃ:ZI¹F~ zV k’ÅZ£ )Z Progressivism 592 Third World Literature sp~[Š zZ Š Zg m»ïá ~{ Zk [Zy Âà zZ à ÐcZ™ÔÅX[ŠZãÎ0Ôà 8991Y ·,Reflections [ÂÅ~w'Zx™Z Zx™Z'XìgDƒ#á ~hZ`z gZ] ¶ZÛŒ¸»¯»z, Zi IŽì·ù»V>» )34( :3 VîU]Æ[Š zZ Š Zg ä'6gî¦ù~[ XZk ì~Š™~dâŠs ŸzÅ% ZkZ ä~w' t I¦ùÐáZjÆ[Š zZ Š Zg »Ý qZPXìH©qZ»®z„ ]Zzg &Å!Š ZzZ Ä{¢ÐáZjÆ Æ zg Š Zk~ ZzgZy ‰‘~ zgZy ŠÆ 791Y 8Ð Ô6791Y »Ý !˜~[ XZk D™x¯ÌÐ 4¨E3E{! Cc‹ÆèEG zs0Z~ ZkžìZ}gŠÐpÒ [Zk ÂtXìŠc¯W»çñÄ[ŠZ kOC¬çñWz»[Â:» ZkìÙCª Zzg ìŠcCZW Z¯0 qZ –Ð9oÅqçñÔ~¬_ :s g`f ŠŽìŠHË~V”iÀÐg±ZC¬ç Ãñ [ÂXåè¾»%ZÏZŽì 1- On Poetry and Poets 2- Iqbaliyat 3- On Men of Letters and Role of the Language and Literature 4- On Prose and Fiction 5- On Critic and Criticism 6- On Wit and Humour

ZzÄ{¢ÐáZjÆVîU]Æ[Š zZ Š Zg ä'~[žìãzZ Ð]*ZÄÑ!!" Å ]ÑZÎ~W Zzg t I¦ùÐáZjÆ[Š zZ Š Zg ~çE,»qZPXìH©qZ»®z„ ]Zzg &Å!ŠZ Å I4& :ìg™} Å ]*Ò}gø]*ZÄÆçE,»Æsf}ÃøLGFÆ' 692 1- "Poetic Language" ( P.15 ) 2- "Sensibility in Urdu Literature"( P.21 ) 3- "Pain and Grief in Urdu Poetry"( P.33 )

4- "Problems of Style, Tone and Content in Urdu Poetry" ( P.44) 5- "The Role of Language in Literature" (P.123) 6- "Symbolic Short Story Writing"(P.149) 4¨E3E{! Ô'gØ@gàKnZZ~ Zy ìŠc¯c»çñîz„ Zzg ?£ÅèEG ZzÄX2 ‡Ë ÔeZ ¢¸WË ~ÔeZ ŠŠ£Z@á g~Ô 7ñgZ @º ÔZ ( g{ ‚ yÔ {ZŒÔZ ãâ gz MÔ¹ gz ÃiÚZ ЛŠXïá öW Z†gw ZzgZ â!ãŒÔ¢−{Ô*0k„ E Å Wqçñà zg ŠÜç~ ZzgZy ‰‘~õG/# zgZ ŠÆJ 791Y 8Ð 6791Y çE,»!˜~[ Šg{ èà çE,»!˜~[ Zkžì–6gîãzZ ~dâŠ~w'Zx ™Z'ÐáZj XZk ìŠc¯ E :6¯Å» Zg á zZ äƒ~[Š zZ Š Zg ~Vß‚¸¦¹ZpVOXŒ6]°_ÜçÆõG/# zgZ Š XñY36 V>» g~ ¶ ZyZ Symphony of Reflections [ÂÅmz6ëZË eZ à zZ äƒùá ~ 6002Y k5® á Z~The Nation Zzg The Frontier Post Ô News gZ] ¶ ~Z môZ»¯»zŽì·ù» XyDYï]ï~W{~ Zy ë@XìYY3 g~}%iÆWCZW@à zV û XZy ñƒ YY¹Ì·ù»Ãñ;{ûÃ[ Zk cÍìŠH{û6{)zZZ`!Š VZzgZ 1Âà zZ à 5~V>» o1%)ÔЉÂÆ ZkžìqŠÎG Zx ŠZt»ä™Yq~]gß!Âà zV û6V1Âë@Xì Éc¯7qç Ãñ ÃÅ~²á ¡ämz6ë XXZ 슃A%)*©»[ŠZÜçԝ~„ Zi0Z XìH7Ì·_Cc‹»ÃÅWZF~môZÆ~²á zŠ mZg » {)41( Ša Qy Æ 7002YZy ·,On the Wings of Poesy [ÂÅûZãŒxÝ xÝWz6Xñƒk5® á Z~The Pakistan Times ZNyÎ0~Šg¶ ~Z môZŽì·ù XcZ™ùá ÐgƒÑÔòO zZ Š ZgÆ™A%¹Zä%¬¡@ iZ Ë ÔeZ ˆÆ]ÃzÅûZ㌠vŠ Zzg 6ZÄh]]‚Ð~Xïá »Ý kŠ~{¬XìŠH„~V”zŠÃ[ :s g`f Š]*ZÄÆV>» XZy ÐáZjÆ gzV óŽh]& 1- Faiz - the pilgrim of eternity 2- N. M. Rashed - the iconoclast 3- Majeed Amjad - a poet of poets

4- Meeraji - the man and the myth 5- Yusuf Zafar - Pageant of a bleading heart 6- Qayyum Nazar - a soul in anguish

7- Mukhtar Siddiqi - In search for Music 8- Raja Mehdi Ali Khan - Humorist Par excellence 892 9- Zamir Jafri - a frontline humorist 10- Wazir Agha - an appriciation

ÅjœgU Zzg Ãx¶Ô;Š-ÔYZ÷ÔëZˆÔ” ÔgZ ;KnZZ »Ý ]‚¬Ð~ Zy Zb×'Å~Q;y* ZV â Zzg 6y{Z~uz ggZ ó Zb×'szc »Ý ZV^ XW ÐáZjÆ~²á XìŠc¯qç ÃñW ~Zzg ²á ŸWk zi ~y*,ΊXìÐáZjÆ g~ ó Zy 2Xqž{»,´žìtg»&§»ûZãŒxÝWz6~V>»}g‚zÁ Æ}pXDÑckiÃ]:SVcú]Ŏc~²á QXD zZ ™sg¬¿» zV k’Å Zy 2XD™p°™wÅwŠÅVîU{~k’ÅdŠZc²á ´ z{ žìãzZ ÌÐ]*ZÄ ÝsZ Ü*~K XZk D™7ÌBVÐk’ÔÐn¾ÅäÑt‚]˜VcúÅ®z„Æ áZjÆ;}XD™xÈZ»ä™ g` ŠÌWZF~môZRÆQ ZkɐD™ gZ` 0Z»Q Y H[õZÐWZFÆtŠ™·Ë ZzgeZ h Zg ËÔ(V. G. Keirnan) áPXY z~X ~Ý ¹é G1J4µ‘Ð s g`f ŠÆÄÅ;XìÅ[Åä™ÀF»ÄÆdŠZc²á ´ÌŠpäV,Z}}XìŠ À& :õG/ŸGŠÀF~mô ZZƒH»ûZãŒxÝWz6»k½Z “Í » zg Š×' ~ iZg !ì ‚ LZ LL ì ‚ Û » V'¾ ? VƒZÙCá b7 : ì ’Z Æ g{g{ ~ J ÏvW ì Lg 7 „ 1‡ = 6wŠ LZ Whenever the workman's flesh is sold in the market The blood of the poor flows on the high roads Something like a fire that is always in my breast mount up, do not askNo control over my heart is left to me." 31 ™7eñÅesŽìcC ZiZ 0Z»3FŠäûZãŒxÝWz6žìãzZ Ð3F Zk Éì zg ŠVÎÃÐesÝZÀF» “óó »Í zg Š×'~ iZg !ì‚LZ LL´^„¬mÅqâ Zk ïŠñgZ ñƒD :™ Zi ñ»VâzŠ ZzgZy ïŠ!Zj»k½ZqZÆ óó ðË LLĬÐk½ZÑ!!" : "The difference between these two pieces is quite evident. They were written approximately at the same age, but the one is sheer poetry, the other is sheer prose ' But it is just a statement made round the street corner. It fails to touch a sympathetic chord in the heart of the reader." 41 CÑçÆqâ XZk ì²á »Œ Zzg ›;ÝgZ ŠžìñgZ tÅûZãŒxÝWz6VW'h×' ÿLE&‡Ì6gîËt‹t»ûZãŒxÝ X51 ng7|@a Zk ñ007z»kˆZÆ ]Zk ¬çñ ~ iZg !XLL ìC zgW ¢tŠ™]!t6 ZkìHäV,ZÀF»qâT»k½ZÑ!!"% XZ 7wJ ìC½Zá0ZŠgŠgkZÎ Zzg t9ŽÐ]»õ Zk óó …Û»V' ?¾ VƒZÙCá ZzgLL óó …“ »Í zg Š×' ;X7„gŠbŠ Zg ÛŒ²á »›zŒ¡Ã;,'¯XìY™kC!lÌ g~ ‡x¬»y!zi Š Zg ÐZ Å™Ä pg ÅÃeÄFxÓÌ g~ ó|~~²á KZäV,Zžì¸„ gZi »q= Zzg !x»Å Xì }XD™7Ðϐ~(ž{»]†Å!Š ZzZ Ä´~V>»LZûZãŒxÝWz6 :˜ÐáZjÆ”gZ "Rashed (1912-1976) was tall and dignified. With his almost bald head, he looked like an aging politician. One was always struck by his authoritative stance." 61 qXZ ì6~²á Å¨¸q ZzgZ 6wD zZ ŠÐ~ XZy ïá »Ý ge~{}uzŠÆ[ÂÃki :s g`f Š]*ZÄÆV>» XZy ìÌÐáZjÆ~²á !ºÅ{á _ zZg »Ý 1- Ghalib - a poet for all ages 2- Iqbal on the decline of the west

3- Iqbal on poetry and Arts 4- Warris Shah - Poet Par Excellence

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Ô1‰ >ÖçaÜ ‰nÓ k Úvf »oG Zy /Ô e‚æ‡ »²gŒ ÔZ æÞn^ Ù ô Òj^h »sg¬gŒZ Ô ’jo …ì ÄsîÅucwDZ−{Ô ‰^i>…aç m†aÛ^…c >3Ò»ŠúWÃÔ e^ÎoÞ¿Ûn6 » Zy%» ㌠»_¡Ô Þäaçño p Þnß‚µç… »Ù!gëÔ Ú^aj^h àí‰ àí‰ »yˆZíÔ ]ñ†c ÚÏËØ »°gŠú Ü*Ô iã^ p †æ… • i†]Ú×ß^ Zzg - 1]Ö ‰ g‰ ìç]h »H²Ô +†åôÞnÜe^‡ »kÑ'¨%Ôk ]ÖŠ »~w= Ôg . ‚e† ‘»™á +z6Ô Ò†Þ^ 1µn^… ‰ Öç+ç7 ]]Œ » ãgZ Š‰*–Ô .ôÞ1 e† »‰» àí •f¼ô‰ gq»g\i*%Ô ÆˆÙa1 Š^á in†]]u »V yzZ ˆZs ïÔ“í Æ^…Ún6en9ã^ »# gt ¤Ôl ar† oÒ ìçfç »wŠ¬+− bZ &Ô ]Þv†]Í »¦g*Ô æ]‡ Ô ]m »l]ۍ¸WÐÔ :ç:^ »~õ@ ZzgiZ o ‡Þ‚+ p æ‰† »qšcÔ> Ò 1Ò ÖÛv^l »{Š iZ c¦Ôl un† oÒ …iç7 e‚Öjo X m^ …Ÿ Þ1 ·2 p Ún† 1 ]‰ sî°Z†:tx*Æà XZy ìïá Ì{^Y»Ã~WF~[ÂÃkiÅmz6ëZË eZ ʼn»Ü!Ôp ‰^u†Ö‚ân^Þç k Úvf ô Þ^Ò^Ý ÅhzY× ÔZ The Legend of Sajjad Zahir Åo ³Z·e]ðgJB'Ôg Ã†Æ^Ö ‚‘ źZGæqJB'Ô æÊà k ’n í Ò^¾Ûo † Þ^‘ Úß9ç(J]Ò9† àŠu l ‰Ã^ Å g~ gzZË ÔeZ ]æ…Êà k ’n í ì^á ÚvÛ‚ Ò†ÞØ Åjœ ]…eÃä(ƈ٠1]…e^h Ò Ü q‚m‚Þ¿ [ÂqZzZpÀÔ Ún6 ñnß1 1Ò _ç½ ì oÒ ‚m‚ ‰ ]Þç… Å+æ° gzyZ ;Ë ÔeZ ]æ…Êà k ’n í Î^‰Ûo Ð Â_^]Öv Åu zg £ tZ ËZË ÔeZ - …Þ 1Ò 1Ò Ò×3† Å mz6ëZË ÔeZ Ò^]…iÏ^ h ]…æ] Å 7ÛŒ©z Ë ÔeZ ‰^‡ Â`‚ 1Ò Â`‚ Ún†c hzYsÑ gZzgZ à Zy /Ô irˆmä p o]æ…ÊÓ† Ò^‰^ñߊ ißÏn‚ o ]Újˆ]q ŸWk zi Ë ÔeZ ‚æì^Ù ì Ô q^ñˆå Ô ]m p ^† p‚ ÚÏ’ Å ãâ gz ]‚Ô1 + 1‰ ‚æì^Ù ì ì^Ö‚]uÛ‚ "žœÅ Zy Ä/ÀF»[Âè6~²á Zzg ,Å;~y!iÏgz Å (Ludmila Vasilieva) ZÇcz~® á Åg¼kàÔ Ún6]…æa^ñnÓç Šj^á µ^Ò Å~w= (Ôg ¹ gz Ã)‚ :Z À ) æÎ×Ü Öç| ô µ†æ… Zzg £ZG2Wð¶ZÅ Wig ÕWz6Ô ]‰j^]Úà Å×Zkà Zzg ]æ…m^m6 k ’n í ì^Ö‚ ÚÆ]t Xìïá p ^† † ÚÃ^‘ "žœÅw¾(@ »jœ³Z·JB'~ Zy ïá ~[ Zk »Ý Œ6}û~W6Vúù~âYZX 303 1Ò Ú9o »hzY Zg 1Ô 29^á oÒ Ò^Þ4 »+z6sÛÔ æåÊ^‘×1 æåΆejn6 »²Zg âZË ÔeZ 1 1ißÓ Ò ÞÓ> o iã Ô ]m Zzg Šjä a o eã ‹ ‰^Þ Ö1 »a£ZïÔ ‰Ûß‚…ÞÓãn6 `†c 2 2^Þ‚ » ÞZŠ°Ô Újç]Ö1 ~mô VZzgZ Ƕ WVZ 'h×'Xïá Ø Ò^qß, ]mß9ç7 â» Ñ Zg]@Zzg l… Ø qß, » gt ¤+z6Ô Ú×Óä X‰bŠ~[ ZkÌ]c‹ÆÃF6VúùÆWZF Æ zg ŠÜçÐVúù~WŒ6V>»!ŠZžDWt‚ò}tÐ]c‹‰KJ Z[ ÷,i{ @ zVZzg ²á VÔ 'ŠZëZ -~ÃxÓÅqâ ZkžìãzZ Ì%Ztë@XìYYcÎ Zi{ 0Z!p/»]*D ~g „z/Æ Åó*©!ŠZÆÇLZ »Ý të@XìYYcŠ Zg ÛŒ]°_~Wà)Z¹XZ X7]°_~W XD™ZŠ ZgZ Š™ëZ~ƒ ]]]YYY!!!ZZZjjj 1. Gillani Kamran. Cultural Images in Post Iqbal World . Lahore: Bazm-e-Iqbal, 1988, p. 25

2. Ibid , p. 62

3. Ibid , p. 70

4. Ibid , p.p. 97, 98

5. Ibid , p. 160

5. M.Afsar Sajid. "Preface" (Muhammad Ali Siddiqui) Perceptions . Multan: Caravan Book Centre, 1989, p. ii

6. Gillani Kamran. Pakistan : Cultural Metaphour . Lahore: Reema Nadeem Book House, 1993, p. 16

7. Ibid , p. 34

8. Ibid , p. 38

9. Prof. Nazeer Siddique. Reflections on Life and Literature . Islamabad: 403 Sana Publications, 1994 , p. 133

10. Ibid , p. 135

11. Safdar Mir. "Azad's Note". Modern Urdu Prose . Lahore: Azad Interprises,

1998, p. 150

12. Prof. Ghulam Jilani Asghar. On the Wings of Poesy . Lahore: Urdu Academy, 2007, p. 24

13. Ibid

14. Ibid

15. Ibid, p. 27