The Shroud of Turin and Related Objects – an Overview
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Finding Jesus: the Shroud of Turin Episode There Is No Record of What Jesus Looked Like in the New Testament. There Are No Conte
Finding Jesus: The Shroud of Turin Episode There is no record of what Jesus looked like in the New Testament. There are no contemporary descriptions at all. However, the Bible does record how Joseph of Arimathea, a member of the Jewish council and a sympathizer with Jesus, wrapped his dead body in expensive linen, and buried it in his own family tomb. In the 14th Century a shroud, bearing the image of a crucified man, surfaces in France, before eventually finding a home in Turin. Is this the very shroud that Joseph wrapped Jesus in? Is the image of the man Jesus Christ? The shroud appears to tell the whole story of Jesus’ Passion in one image – the scourging; the Crown of Thorns; carrying the cross; the Crucifixion; the spear in his side. For centuries, the shroud is a source of great controversy – many Christians believe it is genuine, but others have their doubts. In 1978 a team of scientists lead by former US Navy physicist Dr. John Jackson spend five days intensively studying the shroud, before ultimately concluding it is genuine. It isn’t a forgery or the work of an artist. But a decade later, in 1988, the shroud is subject to Radiocarbon 14 dating – scientists at three separate laboratories date the samples of the Shroud to some point between AD1260–1390. This strongly suggests the shroud is a medieval fake after all. In a final twist, the film visits the Cathedral of San Salvador, in Oviedo, Spain, where there is another burial cloth venerated as having covered the face of Jesus. -
Christ's Crucifixion: the Case of the Crown of Thorns
Christ’s Crucifixion: The Case of the Crown of Thorns Christ’s Crucifixion: The Case of the Crown of Thorns As the Easter weekend passes here in Prague, the postcard photographs and paintings of Christ are everywhere, seen available to buy at the markets and local stalls or plastered on street walls across the city. We are all familiar with the image – Christ, pinned to the wooden cross, limply hanging in a position of suffering, head hung low with the prickly, painful Crown of Thorns piercing his temples. It is a haunting presentation of Christ’s sacrifice to humanity, the harrowing crown depicted as the mocking sign of monarchical rule of the Son of God. This image of the crowned Christ has endured through history, an emblem of affective piety, the crown itself serving as a painful reminder of his cause. But where did this image of Christ crowned in thorns originate and how has it become one of the most enduring depictions of Jesus in visual history? Dr. Emily Davenport Guerry’s compelling lecture titled Passion Relics and Patrons between Paris and Prague sought to answer this question as the eighth lecture in the ‘Medieval Conceptual Conflicts and Contrasts: Text and Image’ series held in the Faculty of Arts on Wednesday 12th of April. Dr. Davenport Guerry is a current lecturer in Medieval History at the University of Kent, Compiled Apr 1, 2019 10:18:50 PM by Document Globe ® 1 as has taught at Oxford and York in the past, with a special interest in relic culture and Christian iconography. -
Progress of Research on the Shroud of Turin
Why we Can See the Image by Robert A. Rucker August 17, 2019 www.shroudresearch.net © 2019 Robert A. Rucker 1 Mysteries of the Shroud • Image – Why can we see the image? – How was the image formed? • Date – What is the date of the Shroud? – What about the C14 dating? • Blood – How did it get onto the Shroud? – Why is it still reddish? 2 www.shroudresearch.net • On the RESEARCH page: • Paper 5: “Information Content on the Shroud of Turin” • Paper 6: “Role of Radiation in Image Formation on the Shroud of Turin” • Paper 22: “Image Formation on the Shroud of Turin” 3 Components of Reality • Mass • Space • Time • Energy • Information – We live in the information age. 4 CAD/CAM • CAD = computer aided design • CAM = computer aided machining • 3 requirements for CAD/CAM – equipment / mechanism – energy – information 5 CAD/CAM • What information? • The information that defines the design. 6 Computer Aided Design • The design is information 7 Computer Aided Machining • Mechanism + energy + information 8 Examples of Information 1. She saw a black cat. 2. Hes wsa a calbk tac. 3. Bcs ask l ahate awc. 4. bc saSk la h.ate awc 5. ░░ ░░░░ ░░ ░░░░░ ░░░ 6. There is information in the location of the dots / pixels 9 Every image is due to Information • Newspaper • Magazine • Photograph • TV • Computer Monitor • Image on the Shroud of Turin 10 To Form Any Image • Three Requirements – Mechanism – Energy – Information • What information? – That which defines the image 11 Image on a Photograph The information that defines her appearance is encoded into the location of the pixels that form the image. -
A Rough Sketch of the History of Stained Glass
MEDIAEVAL STAINED GLASS FROM HOLYROOD ABBEY CHURCH. 81 IV. MEDIAEVAL STAINED GLASS RECENTLY RECOVERED PROE MTH . RUIN F HOLYROOO S D ABBE Y. EELESC CHURCH . P , Y B . P.S.A. SCOT. The fragment f mediaevao s l stained glass e describeaboub o t t d were found on the top of the vaulting of the south aisle of the nave of Holyrood Abbey Church during repairs to the roof in 1909. They have since been ^carefully cleaned and set up to form part of a window e picturth f o e e eas d galleryth en t t a . Their discover f first-claso s yi s importanc o Scottist e h ecclesiastical archaeology, because [hardly yan stained glas s surviveha s d from mediaeval Scotland. ROUGA H SKETCHISTORE TH F STAINEHF O Y O D GLASS. Before describing the Holyrood glass in detail, it will perhaps be n over ru s wel a ,o t lver y briefly e historth , d developmenan y f o t mediaeval stained glass, as a glance at the main points may make t easiei realiso t r exace eth t positio relatiod nan e newl th f no y recovered Holyrood fragments. The ornamentatio f glasno s vessel meany b s f colouso s practisewa r d e Romanbyth s wel a ss othea l r ancient e decorationationsth d an , n oa largf e surfac meany eb numbea f o s f pieceo r f coloureso d glasr o s glazed material carefully fitted together was also well known, but the principlt applieno s windowso dt wa e , althoug e glazinhth f windowgo s with plain glas s knowe Romansth wa s o nt r windofo , w glas founs i s d in almost every Roman fort. -
Comparitive Study of the Sudarium of Oviedo and the Shroud of Turin
III CONGRESSO INTERNAZIONALE DI STUDI SULLA SINDONE TURIN, 5TH TO 7TH JUNE 1998 COMPARATIVE STUDY OF THE SUDARIUM OF OVIEDO AND THE SHROUD OF TURIN By; Guillermo Heras Moreno, Civil Engineer, Head of the Investigation Team of the Spanish Centre for Sindonology (EDICES). José-Delfín Villalaín Blanco, DM, PhD. Professor of Forensic Medicine at the University of Valencia, Spain. Vice-President of the Investigation. Spanish Centre for Sindonology (CES). Member of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Jorge-Manuel Rodríguez Almenar, Professor at the University of Valencia, Spain. Vice-President of the Spanish Centre for Sindonology (CES). Vicecoordinator of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Drawings by: Margarita Ordeig Corsini, Catedrático de Dibujo, and Enrique Rubio Cobos. Spanish Centre for Sindonology (CES). Translated from the Spanish by; Mark Guscin, BA M Phil in Medieval Latin. Member of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Revised by; Guillermo Heras Moreno CENTRO ESPAÑOL DE SINDONOLOGÌA. AVDA. REINO DE VALENCIA, 53. 9-16™ • E-46005-VALENCIA. Telèfono-Fax: 96- 33 459 47 • E-Mail: [email protected] ©1998 All Rights Reserved Reprinted by Permission 1 1 - INTRODUCTION. Since Monsignor Giulio Ricci first strongly suggested in 1985 that the cloth venerated in Oviedo (Asturias, Northern Spain), known as the Sudarium of Oviedo, and the Shroud of Turin had really been used on the same corpse, the separate study of each cloth has advanced greatly, according to the terminology with which scientific method can approach this hypothesis in this day and age. The paper called "The Sudarium of Oviedo and the Shroud of Turin, two complementary Relics?" was read at the Cagliari Congress on Dating the Shroud in 1990. -
ITINERARY 7 Affrontare Lunghi Viaggi in Terre Lontane
Knowing Milan's province: History, art, nature and new architecture Today, Milan's province includes 189 cities. This area is so rich and diverse that it deserves several itineraries: hence, the publication "Knowing Milan and its province". Cultura, arte, paesaggi, tradizioni fan- Milano, la grande capitale della laborio- Dopo aver avviato, ormai nel lontano Conoscere Milano e la sua provincia. Un This project aims at promoting and enhancing the Milan no parte del patrimonio turistico, spes- sità italiana, ha una lunga storia da rac- 2002, i primi itinerari alla scoperta di invito che AIM rivolge a tutti i cittadini area; it was conceived by the Department for Tourism so sottovalutato, della provincia di contare e da leggere nei segni che dal una Milano in profonda trasformazio- della città centrale a diventare "viandan- of the Provincial Administration, together with the Milano. Eppure il nostro territorio è al passato ad oggi e nelle prospettive del ne,e in particolare dei nuovi quartieri ti nella loro terra", ad uscire dalle mura Urban Center of the City of Milan and the Chamber of sesto posto nella graduatoria italiana futuro segnalano gli interventi dell'uomo con nuovi parchi sorti su aree industria- urbane e a ritrovare nei segni del passa- Commerce of Milan. per le presenze turistiche e, anche se sul territorio, con le diversificate forme li dismesse, Urban Center promuove to e nelle realtà della vita odierna il per- gran parte di queste vengono generate di agricoltura e di produzione e nelle questo nuovo Conoscere Milano esteso corso che l'uomo ha condotto occupan- AIM designed and dal flusso di visite per affari, vi è un infrastrutture. -
English Version Here
Knowing Milan's province: History, art, nature and new architecture Today, Milan's province includes 189 cities. This area is so rich and diverse that it deserves several itineraries: hence, the publication "Knowing Milan and its province". Cultura, arte, paesaggi, tradizioni fan- Milano, la grande capitale della laborio- Dopo aver avviato, ormai nel lontano Conoscere Milano e la sua provincia. Un This project aims at promoting and enhancing the Milan no parte del patrimonio turistico, spes- sità italiana, ha una lunga storia da rac- 2002, i primi itinerari alla scoperta di invito che AIM rivolge a tutti i cittadini area; it was conceived by the Department for Tourism so sottovalutato, della provincia di contare e da leggere nei segni che dal una Milano in profonda trasformazio- della città centrale a diventare "viandan- of the Provincial Administration, together with the Milano. Eppure il nostro territorio è al passato ad oggi e nelle prospettive del ne,e in particolare dei nuovi quartieri ti nella loro terra", ad uscire dalle mura Urban Center of the City of Milan and the Chamber of sesto posto nella graduatoria italiana futuro segnalano gli interventi dell'uomo con nuovi parchi sorti su aree industria- urbane e a ritrovare nei segni del passa- Commerce of Milan. per le presenze turistiche e, anche se sul territorio, con le diversificate forme li dismesse, Urban Center promuove to e nelle realtà della vita odierna il per- gran parte di queste vengono generate di agricoltura e di produzione e nelle questo nuovo Conoscere Milano esteso corso che l'uomo ha condotto occupan- AIM designed and dal flusso di visite per affari, vi è un infrastrutture. -
4 Fig. 1) Crown Molded Onto the Forehead. Larger Number of Thorns
4 fig. 1) Crown molded onto the forehead. Larger number of thorns in contact with the bone. THE CORONATION OF THORNS IN THE LIGHT OF THE SHROUD* SEBASTIANO RODANTE, M.D. In this study we will objectively examine the blood clots on the forehead and the nape of the neck, caused by the crown of thorns, as they appear in the black and white photo of the Holy Shroud; dark blood on the white background (figs. 2 & 3). In order to better understand the location of the clots and the direction of the blood flows toward right** or left** in respect to the observer, let us imagine the imprinted sheet unfolded (fig. 4). Putting oneself at A, looking toward the head, the blood from the wound in the R side is at C, i.e. at the R of the observer. Therefore on the frontal imprint, everything which we see on our R corresponds to the R of the Crucified, and the direction of the blood flows toward the R or toward the L of the observer corresponds, in effect, to the R or the L of the Crucified. Putting ourselves at B however, looking toward the feet, the imprint of the R shoulder is at D; i.e. at the L of the observer. Thus the dorsal imprint is laterally reversed. This being granted, we will study the puncture lesions caused on the head by the crown of thorns. For many years I have observed the sindonic Face in the life-size photo made by Giuseppe Enrie in 1931. -
THE SHROUD of TURIN Its Implications for Faith and Theology
I4o THEOLOGICAL TRENDS THE SHROUD OF TURIN Its implications for faith and theology ACK IN I967, a notable Anglican exegete, C; F. D. Moule, registered a B complaint about some of his contemporaries: 'I have met otherwise intelligent men who ask, apparently in all seriousness, whether there may not be truth in what I would call patently ridiculous legends about.., an early portrait of Jesus or the shroud in which he is supposed to have been buried'. 1 Through the 195os into the 196os many roman Catholics, if they had come across it, would have agreed with Moule's verdict. That work of fourteen volumes on theology and church history, which Karl Rahner and other German scholars prepared, Lexikon fiir Theologie un d Kirehe (i957-68), simply ignored the shroud of Turin, except for a brief reference in an article on Ulysse Chevalier (1841-1923). Among his other achievements, the latter had gathered 'weighty arguments' to disprove the authenticity of the shroud. Like his english jesuit contemporary, Herbert Thurston, Chevalier maintained that it was a fourteenth-century forgery. The classic Protestant theological dictionary, Die Religion in Gesehichte und Gegenwart, however, took a different view. The sixth volume of the revised, third edition, which appeared in 1962 , included an article on the shroud by H.-M. Decker-Hauff. ~ The author summarized some of the major reasons in favour of its authenticity. In its material and pattern, the shroud matches products from the Middle East in the first century of the christian era. In the mid-fourteenth century the prevailing conventions of church art would not have allowed a forger or anyone else to portray Jesus in the full nakedness that we see on the shroud. -
2019-1059 Resolution to Stand in Solidarity with the People of Paris
STUDENT SENATE BILL 2019-1059 TITLE: Resolution to Stand in Solidarity with the People of Paris and the Christian Community AUTHORS: Colin Solomon, Senator Sophia Bond SPONSORS: Catholic Gators, Senator Nick Meyer, Senator Solmaz Karimi, Senator Gabi Zlatanoff, Senator Jessica Martinez, Senator Anthony Portugues, Senator Rebecca Ragan, Senator Gabbi Hernandez, Senator Casey Witte, Christina Pugliese, Senator Lindsay Kaighin, Senator Brady Alexander, Allocations Committee Chairwoman Katie Hernandez, Senator Brianna Adan, Senator Noah Wright WHEREAS, the Notre-Dame de Paris Catholic cathedral on the Île de la Cité in Paris has been a recognizable symbol of Paris and the French nation since its completion in 13451; and, WHEREAS, alongside the Sacré-Cœur Basilica, the Notre-Dame de Paris has been a holy pilgrimage site for the world’s Christians in Paris since its construction2; and, WHEREAS, the Western facade, spire, rose windows, and flying buttresses of the Notre-Dame de Paris cathedral are some of the most famed examples of French Gothic architecture in the world3,4; and, WHEREAS, the Notre-Dame de Paris has been home to many of the world’s religious artifacts and works of art including the crown of thorns worn by Jesus of Nazareth during his crucifixion, the tunic of St. Louis, and various paintings5; and, WHEREAS, the Notre-Dame de Paris cathedral has stood witness to over 850 years of French history, including the coronation of Napoléan Bonaparte, the French Revolution, World War I, and World War II, the latter of which included the -
Is the Recent Decrease in Airborne Ambrosia Pollen in the Milan Area Due to the Accidental Introduction of the Ragweed Leaf Beetle Ophraella Communa?
Published in $HURELRORJLD ± which should be cited to refer to this work. Is the recent decrease in airborne Ambrosia pollen in the Milan area due to the accidental introduction of the ragweed leaf beetle Ophraella communa? M. Bonini . B. Sˇikoparija . M. Prentovic´ . G. Cislaghi . P. Colombo . C. Testoni . L. Grewling . S. T. E. Lommen . H. Mu¨ller-Scha¨rer . M. Smith Abstract This study aims to determine whether a pollen data (2000–2013) were examined for trends over significant decrease in airborne concentrations of Am- time and correlated with meteorological data. The brosia pollen witnessed in the north-west of the amount of Ambrosia pollen recorded annually during Province of Milan in Northern Italy could be explained the main flowering period of Ambrosia (August– by environmental factors such as meteorology, or September) was entered into linear regression models whether there is evidence to support the hypothesis that with meteorological data in order to determine whether the decrease was related to the presence of large the amount of airborne Ambrosia pollen recorded in numbers of the oligophagous Ophraella communa leaf 2013 was lower than would normally be expected based beetles that are used as a biological control agent against on the prevailing weather conditions. There were a Ambrosia in other parts of the world. Airborne concen- number of significant correlations between concentra- trations of Ambrosia, Cannabaceae and Urticaceae tions of airborne Ambrosia, Cannabaceae and Urti- caceae pollen, as well as between airborne pollen concentrations and daily and monthly meteorological M. Bonini (&) Á G. Cislaghi Á P. Colombo Á C. Testoni data. -
Proposal for C14 Dating of Charred Material Removed from the Shroud
Proposal for C14 Dating of Charred Material Removed from the Shroud by Robert A. Rucker, MS (nuclear) Rev. 1, October 15, 2018 Reviewed by Mark Antonacci, JD, Author of two books on the Shroud Thurman Cooper, MS (radiochemistry) Jonathan Prather, PhD (biomedical) Kevin N. Schwinkendorf, PhD (nuclear) Abstract In 1988 the Shroud was carbon-14 (C14) dated to 1260 to 1390 AD (Ref. 1), but other evidence (Ref. 2) is consistent with a first century date for the Shroud. To resolve this discrepancy, this proposal recommends that C14 dating be done on samples of the charred material removed from the Shroud in 2002. Nuclear analysis computer calculations based on the neutron absorption hypothesis were used to predict the measured dates for this charred material, as shown in Figure 1. If there is reasonable agreement between the measured dates and the predictions in Figure 1, i.e. about AD 3100 to AD 4800 for samples near the elbows, it would indicate that neutrons were absorbed by the linen, producing additional C14 in the Shroud. This new C14 would explain why the Shroud was C14 dated to 1260 to 1390 AD instead of the first century. Figure 1. C14 Dates Objective Predicted by MCNP To determine whether the 1988 dating of the Shroud to the Middle Ages can be explained by the neutron absorption hypothesis. Hypothesis The neutron absorption hypothesis (Ref. 2 to 4) is: 1. Neutrons were included in the burst of radiation emitted from within the body that formed the image. 2. Some of these neutrons would have been absorbed in the linen to form new C14 atoms on the Shroud.