Proposal for C14 Dating of Charred Material Removed from the Shroud
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Finding Jesus: the Shroud of Turin Episode There Is No Record of What Jesus Looked Like in the New Testament. There Are No Conte
Finding Jesus: The Shroud of Turin Episode There is no record of what Jesus looked like in the New Testament. There are no contemporary descriptions at all. However, the Bible does record how Joseph of Arimathea, a member of the Jewish council and a sympathizer with Jesus, wrapped his dead body in expensive linen, and buried it in his own family tomb. In the 14th Century a shroud, bearing the image of a crucified man, surfaces in France, before eventually finding a home in Turin. Is this the very shroud that Joseph wrapped Jesus in? Is the image of the man Jesus Christ? The shroud appears to tell the whole story of Jesus’ Passion in one image – the scourging; the Crown of Thorns; carrying the cross; the Crucifixion; the spear in his side. For centuries, the shroud is a source of great controversy – many Christians believe it is genuine, but others have their doubts. In 1978 a team of scientists lead by former US Navy physicist Dr. John Jackson spend five days intensively studying the shroud, before ultimately concluding it is genuine. It isn’t a forgery or the work of an artist. But a decade later, in 1988, the shroud is subject to Radiocarbon 14 dating – scientists at three separate laboratories date the samples of the Shroud to some point between AD1260–1390. This strongly suggests the shroud is a medieval fake after all. In a final twist, the film visits the Cathedral of San Salvador, in Oviedo, Spain, where there is another burial cloth venerated as having covered the face of Jesus. -
Comparitive Study of the Sudarium of Oviedo and the Shroud of Turin
III CONGRESSO INTERNAZIONALE DI STUDI SULLA SINDONE TURIN, 5TH TO 7TH JUNE 1998 COMPARATIVE STUDY OF THE SUDARIUM OF OVIEDO AND THE SHROUD OF TURIN By; Guillermo Heras Moreno, Civil Engineer, Head of the Investigation Team of the Spanish Centre for Sindonology (EDICES). José-Delfín Villalaín Blanco, DM, PhD. Professor of Forensic Medicine at the University of Valencia, Spain. Vice-President of the Investigation. Spanish Centre for Sindonology (CES). Member of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Jorge-Manuel Rodríguez Almenar, Professor at the University of Valencia, Spain. Vice-President of the Spanish Centre for Sindonology (CES). Vicecoordinator of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Drawings by: Margarita Ordeig Corsini, Catedrático de Dibujo, and Enrique Rubio Cobos. Spanish Centre for Sindonology (CES). Translated from the Spanish by; Mark Guscin, BA M Phil in Medieval Latin. Member of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Revised by; Guillermo Heras Moreno CENTRO ESPAÑOL DE SINDONOLOGÌA. AVDA. REINO DE VALENCIA, 53. 9-16™ • E-46005-VALENCIA. Telèfono-Fax: 96- 33 459 47 • E-Mail: [email protected] ©1998 All Rights Reserved Reprinted by Permission 1 1 - INTRODUCTION. Since Monsignor Giulio Ricci first strongly suggested in 1985 that the cloth venerated in Oviedo (Asturias, Northern Spain), known as the Sudarium of Oviedo, and the Shroud of Turin had really been used on the same corpse, the separate study of each cloth has advanced greatly, according to the terminology with which scientific method can approach this hypothesis in this day and age. The paper called "The Sudarium of Oviedo and the Shroud of Turin, two complementary Relics?" was read at the Cagliari Congress on Dating the Shroud in 1990. -
Who Is the Man of the Holy Shroud Tri
SCIENTIFIC EVIDENCE ON THE SHROUD OF TURIN DISPLAY INCLUDES Full-size Framed Replica of the Shroud of Turin Photographic Negative of the Shroud of Turin Forensic Model of the Man of the Shroud The Shroud of Turin contains many types of scientific evidence that provide information about its history and environmental Replica Instruments of the Passion: journey. The human blood on the Shroud is Type AB. This rare blood type matches the stains on another known relic, Crucifixion Nails the Sudarium of Oviedo, which many believe to be the cloth that covered the face of Jesus as he was taken down from the Roman Lance cross. In addition to sharing the same blood type, forensic Roman Flagrum experts have identified blood stains that perfectly match on both cloths. This is significant because the Sudarium has been in Oviedo, Spain since the year 611, so any point of contact between the Shroud of Turin and the Sudarium of Oviedo would have occurred before the seventh century. EXHIBIT TOURS Image credit American Confraternity of the Holy Shroud Exhibits tours by appointment. There are numerous To schedule a tour: specific species of plant [email protected] pollens on the Shroud that place it in or near 318-221-5296 the city of Jerusalem, Constantinople, and western Europe, all locations that align with the historical journey scholars believe to be CATHEDRAL OF accurate for the cloth. Image credit American Confraternity of the Holy Shroud PARISH AND SCHOOL sjbcathedral.org A specific soil Cathedral of St. John Berchmans sample from limestone has been identified on the Shroud of Podcast Turin – Travertine WHO IS THE MAN Aragonite – found Who is the Man of the Shroud? in only a few places manoftheshroud.wordpress.com in the Middle East, OF THE SHROUD? including the Old Apple iTunes Store City of Jerusalem. -
New Discoveries on the Sudarium of Oviedo
New Discoveries on the Sudarium of Oviedo César Barta (1) , Rodrigo Álvarez (1)(2) , Almudena Ordóñez (1)(2) , Alfonso Sánchez (1) and Jesús García (1)(2) (1) Research Team of Spanish Center of Sindonology (EDICES), Spain (2) University of Oviedo. Spain Abstract — The Sudarium of Oviedo and the Shroud of Turin are two relics attributed to Jesus Christ that show a series of II. amazing coincidences announced in the past. They lead to Previous coincidences confirm the use of both cloths on the same person. In this between Shroud and Sudarium contribution, we describe the X-ray fluorescence analysis carried out on the Sudarium. Among the chemical elements detected, the A series of definitive coincidences between the Sudarium most reliable was calcium. Being associated to soil dust, it shows of Oviedo and the Shroud of Turin have been discovered in a statistically significant higher presence in the areas with bloody various specialties of the scientific research [5][6][7][8]. Both stains. This fact allows correlating its distribution with the cloths have been used for a bearded man with moustache and anatomical features of the corpse. A large excess of calcium is longhair arranged behind in a ponytail. The Shroud shows a observed close to the tip of the nose. It is atypical to find soil dirt crucified man and the corpse of the Sudarium died in an in this zone of the anatomy, but it is just the same zone where a upright position. Moreover, in both cases, the executed man particular presence of dust was found in the Shroud. -
The Pennsylvania State University
The Pennsylvania State University The Graduate School College of Arts and Architecture THE CRISTOS YACENTES OF GREGORIO FERNÁNDEZ: POLYCHROME SCULPTURES OF THE SUPINE CHRIST IN SEVENTEENTH-CENTURY SPAIN A Dissertation in Art History by Ilenia Colón Mendoza © 2008 Ilenia Colón Mendoza Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2008 The dissertation of Ilenia Colón Mendoza was reviewed and approved* by the following: Jeanne Chenault Porter Associate Professor Emeritus of Art History Dissertation Co-Advisor Co-Chair of Committee Brian A. Curran Associate Professor of Art History Dissertation Co-Advisor Co-Chair of Committee Elizabeth J. Walters Associate Professor of Art History Simone Osthoff Associate Professor of Art Craig Zabel Associate Professor of Art History Head of the Department of Art History *Signatures are on file in the Graduate School. ii Abstract The Cristo yacente, or supine Christ, is a sculptural type whose origins date back to the Middle Ages. In seventeenth-century Spain these images became immensely popular as devotional aids and vehicles for spiritual contemplation. As a form of sacred drama these sculptures encouraged the faithful to reflect upon the suffering, death, and Resurrection of Christ as well as His promise of salvation. Perhaps the most well-known example of this type is by the Valladolidian sculptor, Gregorio Fernández (1576-1636). Located in the Capuchin Convent of El Pardo near Madrid, this work was created in accordance with Counter-Reformation mandates that required religious images inspire both piety and empathy. As a “semi-narrative”, the Cristo yacente encompasses different moments in the Passion of Christ, including the Lamentation, Anointment, and Entombment. -
New Coincidence Between Shroud of Turin and Sudarium of Oviedo
SHS Web of Conferences 15, 00008 (2015) DOI: 10.1051/shsconf/20151500008 C Owned by the authors, published by EDP Sciences, 2015 New coincidence between Shroud of Turin and Sudarium of Oviedo C. Barta1,a , R. Álvarez2, A. Ordóñez2, A. Sánchez3, and J. García2 1 Research Team of Spanish Center of Sindonology (EDICES), Madrid, Spain 2 EDICES, University of Oviedo, Oviedo, Spain 3 EDICES, Murcia, Spain Abstract. The Sudarium of Oviedo and the Shroud of Turin are two relics attributed to Jesus Christ that show a series of amazing coincidences announced in the past. In this contribution, we describe the X-ray fluorescence analysis carried out on the Sudarium. Among the chemical elements detected, calcium shows a statistically significant higher presence in the areas with bloody stains. This fact allows correlating its distribution with the anatomical features of the corpse. A large excess of calcium is observed close to the tip of the nose. It is atypical to find soil dirt in this zone of the anatomy, but it is just the same zone where a particular presence of dust was found in the Shroud. The very low concentration of strontium traces in the Sudarium matches also well with the type of limestone characteristic of the rock of Calvary in Jerusalem. This new finding adds to others recently released and it strengthens the tradition that both cloths have wrapped the body of Jesus of Nazareth. 1. Introduction According to tradition, the Sudarium of Oviedo is a relic of Christ. In fact, it has been called “Sudario del Señor” (Cloth of the Lord) for centuries. -
Science and the Shroud of Turin
Science and the Shroud of Turin © May 2015 Robert J. Spitzer, S.J., Ph. D. Magis Center of Reason and Faith Introduction The Shroud of Turin is a burial shroud (a linen cloth woven in a 3-over 1 herringbone pattern) measuring 14 ft. 3 inches in length by 3 ft. 7 inches in width. It apparently covered a man who suffered the wounds of crucifixion in a way very similar to Jesus of Nazareth. (Notice the position of the blood stains—the bold brown color—in relation to the image of the body—the fainter sepia hue—in Figure 1 below). Figure 1 The cloth has a certifiable history from 1349 when it surfaced in Lirey, France in the hands of a French nobleman – Geoffrey de Charny.1 It also has a somewhat sketchy traceable history from Jerusalem to Lirey, France – through Edessa, Turkey and Constantinople.2 This 1 This history is recounted in Appendix I (Section I) of a forthcoming book God So Loved the World: Clues to our Transcendent Destiny from the Revelation of Jesus (Ignatius Press -- coming 2016). The history is well captured in Wilson, Ian. 1978. The Shroud of Turin (New York: Doubleday). 2 This history is recounted in Appendix I of my forthcoming book God So Loved the World: Clues to our Transcendent Destiny from the Revelation of Jesus (Ignatius Press – coming 2016). There are six important sources of this history: De Gail, Paul. 1983. “Paul Vignon” in Shroud Spectrum International 1983 (6) (https://www.shroud.com/pdfs/ssi06part7.pdf). John Long 2007 (A) “The Shroud of Turin's Earlier History: Part One: To Edessa” in Bible and Spade Spring 2007 (http://www.biblearchaeology.org/post/2013/03/14/The-Shroud-of-Turins-Earlier-History-Part-One-To- Edessa.aspx). -
The Relics of Christ
The relics of Christ Everyone passing away leaves behind material traces of their life. The existence of a Jewish man, called Jesus of Nazareth, is supported by strong historical evidence. The question therefore is raised: Are the various artifacts associated with his life truly authentic? Apart from this question, the history of relics — authentic or fake — is an amazing, fascinating chapter of Christian history through the centuries, especially the relics of Jesus Christ, which remain the most venerated and famous. Not everyone has the ability to travel and venerate these relics throughout Europe and the Middle East, the geographic areas where they are concentrated. Instead, Our Sunday Visitor offers you a brief presentation of 10 of these holy artifacts, such as the Shroud of Turin, the Crown of Thorns, the Holy Nails and the Holy Coat, which have survived through the present. Read on to take a journey through history and science, investigating the mysteries of many of Jesus’ relics. 1. The Holy Cross Once, Martin Luther said that “one could build a whole house using all the parts of the True Cross scattered around the world,” mocking the Catholic tradition of venerating relics and pilgrimages to places where they were located. Fragments of the True Cross, one of the nails and part of the titulus are found at the Basilica of the Holy Cross in Jerusalem. This is not true. According to meticulous research carried out in the 19th century, all the known fragments of the Holy Cross amount to less than one-ninth of its original volume. The history of the Holy Cross begins with Constantine the Great, the Roman emperor famous for having granted religious freedom to all Christians in 313. -
La Edad Media Asturiana En El Año 2011: Notas De Bibliografía Histórica
La Edad Media asturiana en el año 2011: notas de bibliografía histórica. Con un aditamento al repertorio bibliográfico de los años 2009 y 2010. Carlos Benjamín Pereira Mira Equipo de Investigación Episteme. Universidad de Oviedo d Territorio, Sociedad y Poder, nº 7, 2012 [pp. 221-250] Resumen: El presente repertorio bibliográfico tiene Media asturiana en el año 2009: notas de bibliografía carácter especializado, regional, retrospectivo, descriptivo y histórica. Con un aditamento al repertorio bibliográfico de acumulativo. Su objetivo es registrar la producción impresa los años 2007 y 2008>>, Territorio, Sociedad y Poder. Revista de temática medieval asturiana aparecida en el año 2011. de Estudios Medievales, núm. 5 (2010), pp. [147]-163 y <<La Con ello, pretendemos facilitar el trabajo intelectual de Edad Media asturiana en el año 2010: notas de bibliografía profesores, investigadores, estudiantes, eruditos locales histórica. Con un aditamento al repertorio bibliográfico de o público interesado en general, mediante una periódica los años 2008 y 2009>>, Territorio, Sociedad y Poder. Revista actualización del acervo de publicaciones sobre el Medioevo de Estudios Medievales, núm. 6 (2011), pp. [173]-191. astur. Completan esta contribución sendos aditamentos a los repertorios correspondientes a los años 2009 y 2010, Palabras clave: bibliografía, Asturias (norte de España), recogidos por el autor ([email protected]) en <<La Edad Edad Media, año 2011, aditamento retrospectivo. Abstract: The nature of this bibliographical repertory 2009 and 2010. See also about it our articles titled: <<La is specialized, regional, retrospective, descriptive and Edad Media asturiana en el año 2009: notas de bibliografía accumulative. The main aim of this work is to register histórica. -
The Shroud of Turin and Related Objects – an Overview
The Shroud of Turin and Related Objects – An Overview It is amazing but true that there are many Personal Effects of Jesus of Nazareth that may still exist in the world, attesting to the existence of Jesus in history. This exhibit presents these Personal Effects, as seen by modern scientists and researchers for the benefit of the general public, inspired by the magnificent plates below from Memoire Sur Les Instruments de la Passion, by Charles Rohault DeFleury, published in 1870, and building upon his research. Personal Effects of the House of David St. Anne – the Mother of the Blessed Virgin Mary, the Mother of Jesus The significance of St. Anne is that conceived the mother of Jesus immaculately. This was confirmed by the private apparitions at Rue de Bac, with the Miraculous Medal, and especially at Lourdes, France, in 1858, four years after Pope Pius IX had formerly declared the doctrine of the Immaculate Conception. The Relics of St. Anne in Apt The Relics of St. Anne at St. Anne De Auray The Relics of St. Anne in Beaupre, Canada The Relics of St. Anne in Cairo, New York Relic of St. Anne in Sturbridge, Massachusetts Relic of St. Anne at Jean Baptiste, Manhattan Relic of St. Anne at St. Adalbart Church, Staten Island, New York Relic of St. Anne in Waterbury, Connecticut Relic of St. Anne in Chicopee, Massachusetts Relic of St. Anne Church in Jerusalem at Fall River, Massachusetts Relics of St. Joachim Relics of Elizabeth, Zechariah and John the Baptist Relics of St. Joseph To our awareness, no one knows where Joseph, the putative father of Jesus is actually buried, and much about him, is legendary in nature. -
The Sudarium of Oviedo and Its Relationship with The
The Sudarium of Oviedo and its Relationship with the Shroud of Turin The Gospel of Saint John The Shroud of Turin: Work of Leonardo Da Vinci? The Spanish Center for Sindonology receives official authorization in 1989 © JANICE BENNETT The Shroud of Turin is an example of a funerary linen in the time of Jesus The Sudarium of Oviedo is a Hebrew sudarium (handkerchief, towel, apron, turban) Msgr. Giulio Ricci and the Sudarium of Oviedo © JANICE BENNETT 5 Obverse Side 6 Reverse Side The Cathedral of Oviedo © JANICE BENNETT The Holy Chamber King Alphonsus II © JANICE BENNETT © JANICE BENNETT Interior of the Holy Chamber The Holy Chest © JANICE BENNETT September 21, 2006 Jubilee of the Holy Cross © JANICE BENNETT Way of Saint James The Balcony of Benediction with the Sudarium The electronic scan microscope makes it possible to identify a large quantity of pollen grains. © C.E.S. The Electronic Scan Microscope Prof. Dr. PIER LUIGI BAIMA-BOLLONE The Pollen Analysis © C.E.S. Forensic Blood Analysis © C.E.S. Defects indicate the Sudarium is an ancient cloth woven on a vertical loom with weights © C.E.S. Human Blood, Group AB © C.E.S. Substances on the Sudario Examples of Pollen © C.E.S. © C.E.S. particles of Resin of Aloe and Myrrh Hole 6 Wrinkles and Perforations © C.E.S. Dr. Villalaín Blanco © C.E.S. FIRST POSITION OF THE LINEN HEAD Right Reverse Left Reverse (4th) (1st) Left Obverse Left Obverse (3rd) (2nd) The linen is fastened to the hair, beginning at the nape of the neck. -
Dear John, What Were You Thinking?
An Open Letter to John Dominic Crossan Dear John, What Were You Thinking? In daily life, we assume as certain many things which, on a closer scrutiny, are found to be so full of apparent contradictions that only a great amount of thought enables us to know what it is that we really may believe. In the search for certainty, it is natural to begin with our present experiences, and in some sense, no doubt, knowledge is to be derived from them. But any statement as to what it is that our immediate experiences make us know is very likely to be wrong. ▬ Bertrand Russell, Problems of Philosophy ear Dom: Not long ago, on an Internet forum, someone asked you about the Shroud D of Turin. When I read your answer, my first reaction was amazement. I might have thought that you answered carelessly were it not for two things: Your answer echoed, almost word for word, something you said in a television documentary. And, your historical analysis and reconstructions – as disturbing as some of them may be, as when you posit that Jesus was not even buried and possibly eaten by dogs and crows – are always meticulously researched, complex and organized. Thus, I really did wonder (in a non-pejorative sense) what were you thinking. You had written in Belief Net: Crossan: My best understanding is that the Shroud of Turin is a medieval relic- forgery. I wonder whether it was done from a crucified dead body or from a crucified living body. That is the rather horrible question once you accept it as a forgery.