The Sudarium of Oviedo and Its Relationship with the Shroud of Turin
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Finding Jesus: the Shroud of Turin Episode There Is No Record of What Jesus Looked Like in the New Testament. There Are No Conte
Finding Jesus: The Shroud of Turin Episode There is no record of what Jesus looked like in the New Testament. There are no contemporary descriptions at all. However, the Bible does record how Joseph of Arimathea, a member of the Jewish council and a sympathizer with Jesus, wrapped his dead body in expensive linen, and buried it in his own family tomb. In the 14th Century a shroud, bearing the image of a crucified man, surfaces in France, before eventually finding a home in Turin. Is this the very shroud that Joseph wrapped Jesus in? Is the image of the man Jesus Christ? The shroud appears to tell the whole story of Jesus’ Passion in one image – the scourging; the Crown of Thorns; carrying the cross; the Crucifixion; the spear in his side. For centuries, the shroud is a source of great controversy – many Christians believe it is genuine, but others have their doubts. In 1978 a team of scientists lead by former US Navy physicist Dr. John Jackson spend five days intensively studying the shroud, before ultimately concluding it is genuine. It isn’t a forgery or the work of an artist. But a decade later, in 1988, the shroud is subject to Radiocarbon 14 dating – scientists at three separate laboratories date the samples of the Shroud to some point between AD1260–1390. This strongly suggests the shroud is a medieval fake after all. In a final twist, the film visits the Cathedral of San Salvador, in Oviedo, Spain, where there is another burial cloth venerated as having covered the face of Jesus. -
Why Is the Turin Shroud Not Fake?
Short Communication Glob J Arch & Anthropol Volume 7 Issue 3 - December 2018 Copyright © All rights are reserved by Giulio Fanti DOI: 10.19080/GJAA.2018.07.555715 Why is the Turin Shroud Not Fake? Giulio Fanti* Department of Industrial Engineering, University of Padua, Italy Submission: November 23, 2018; Published: December 04, 2018 *Corresponding author: Giulio Fanti, Department of Industrial Engineering, University of Padua, Via Venezia 1 - 35131Padova, Italy Summary The Turin Shroud [1-11], the Holy Shroud or simply the Shroud (Figure 1) is the archaeological object, as well as religious, more studied in it is also religiously important because, according to the Christian tradition, it shows some traces of the Resurrection of Jesus Christ. A recent paperthe world. [12] From showed a scientific why and point in which of view, sense it is the important Shroud becauseis authentic, it shows but manya double persons image still of a keep man onup statingto now thenot contrary,reproducible probably nor explainable; pushed by important Relic of Christianity based on their personal religious aspects thus publishing goal-oriented documents. their religion beliefs that arouses many logical-deductive problems. Consequently, some researchers influence the scientific aspects of the most Figure 1: The Turin Shroud (left) and its negative image (right) with zoom of the face in negative (center) with the bloodstains in positive. This work considers some debatable facts frequently offered during the discussions about the Shroud authenticity, by commenting a recent The assertions under discussion are reported here in bold for clearness. paper [13]. Many claims, apparently contrary to the Shroud authenticity, appear blind to scientific evidence and therefore require clarifications. -
Preliminary Investigation of the Iconography of the Woman with the Skull from the Puerta De Las Platerías of Santiago De Compostela
PRELIMINARY INVESTIGATION OF THE ICONOGRAPHY OF THE WOMAN WITH THE SKULL FROM THE PUERTA DE LAS PLATERÍAS OF SANTIAGO DE COMPOSTELA By KAREN FAYE WEBB A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2004 Copyright 2004 by Karen Faye Webb To Dan and Judy Webb ACKNOWLEDGMENTS I am indebted to many individuals for their support and guidance in my physical and conceptual pilgrimage to Santiago de Compostela. I would most like to thank Dr. David Stanley who has been my constant supporter as my toughest critic and my most caring mentor. Dr. Carolyn Watson’s medieval art class at Furman University introduced me to the complex beauty of the south transept portal. My parents indulged my awe of this portal and physically and metaphorically climbed the steps leading to the Puerta de las Platerías with me to pay homage to the Woman with the Skull. Without them, this study would not have been possible. I would like to thank my reader, Dr. John Scott, for his insightful comments, and Jeremy Culler, Sarah Webb and Sandra Goodrich for their support, friendship, and unwavering faith in me. Finally, I would like to thank the Woman with the Skull, who brought me on this pilgrimage and has given me a new awareness about art and myself. iv TABLE OF CONTENTS page ACKNOWLEDGMENTS ................................................................................................. iv LIST OF FIGURES .......................................................................................................... -
Oviedo Point 1000 W MITCHELL HAMMOCK ROAD, OVIEDO, FL 32765
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Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo
Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo by Flora Thomas Ward A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of Art University of Toronto © Copyright by Flora Thomas Ward 2014 Constructing the Cámara Santa: Architecture, History, and Authority in Medieval Oviedo Flora Thomas Ward Doctor of Philosophy Department of Art University of Toronto 2014 Abstract My dissertation examines the Cámara Santa of the Cathedral of Oviedo as both a medieval and modern monument, shaped by twelfth-century bishops and twentieth-century restorers. I consider the space as a multi-media ensemble, containing manuscripts, metalwork, and sculpture, arguing that we must view it as a composite—if fragmented—whole. My analysis focuses on the twelfth century, a crucial period during which the structure, decoration, and contents of the Cámara Santa were reworked. A key figure in this story is Bishop Pelayo of Oviedo (d. 1153), who sought to enhance the antiquity and authority of the see of Oviedo by means of the cult of its most important reliquary: the Arca Santa. I argue that this reliquary shapes the form and function of the twelfth-century Cámara Santa, considering the use of the space in the context of liturgy and pilgrimage. Finally, I consider the sculpture that lines the walls of the space, arguing that it animates and embodies the relics contained within the Arca Santa, interacting with the pilgrims and canons who used the space. Thus, this sculpture represents the culmination of the long twelfth-century transformation of the Cámara Santa into a space of pilgrimage focused around the Arca Santa and the memory of the early medieval patrons of the Cathedral of Oviedo, a memory which abides to this day. -
CENTRO INTERNAZIONALE DI STUDI SULLA SINDONE the Magazine of the International Center of Shroud Studies
N: 0 - gennaio 2020 SINDON LA RIVISTA DEL CISS: CENTRO INTERNAZIONALE DI STUDI SULLA SINDONE The magazine of the International Center of Shroud Studies indice 4 EDITORIALE - di Gian Maria Zaccone 6 6 IN EVIDENZA I : CISS, la storia 12 IN EVIDENZA II: L’ostensione della Sindone a Montevergine 18 NON SOLO SCIENZA: le tracce lasciate dall’imbalsamazione sulla sindone 27 IL SANGUE 34 WORKSHOP al Politecnico di Torino 18 40 La Cappella del Guarini REDAZIONE Gian Maria Zaccone Nello Balossino Enrico Simonato Paola Cappa Francesco Violi Rivista storico-scientifica e informativa SINDON 40 periodico promosso dal Centro Internazionale di Studi sulla Sindone Indirizzo: Via San Domenico, 28 – Torino Numero telefonico: +39 011 4365832 E-mail: [email protected] Sito Web: www.sindone.it 2 SINDON 3 SINDON EDITORIALE A 60 anni dalla spesso destituite di ogni fondamento non solo scientifi- co, ma anche logico. L’affastellarsi di informazioni che fondazione, Sindon provengono da svariate fonti, in particolare attraverso la rete, spesso contraddittorie ed inesatte, confondono e of- rinasce frono un panorama talora sconcertante. Inoltre le ricer- che e considerazioni che vengono pubblicate su riviste scientifiche accreditate – non moltissime per la verità – per lo più risultano di difficile fruizione e comprensione per il lettore non specializzato, e rendono necessaria una corretta divulgazione. Sindon vorrebbe portare un con- tributo alla conoscenza della Sindone, e ambisce a porsi quale punto di riferimento in questo agitato oceano di informazione. Non pubblicherà quindi articoli scientifici nuovi o inediti – che dovranno seguire i consueti canali di edizione su riviste accreditate – ma si occuperà di ren- dere comprensibili tali testi, e farà il punto sullo sviluppo della ricerca e del dibattito sulle tante questioni aperte nella multidisciplinare ricerca sindonica. -
Comparitive Study of the Sudarium of Oviedo and the Shroud of Turin
III CONGRESSO INTERNAZIONALE DI STUDI SULLA SINDONE TURIN, 5TH TO 7TH JUNE 1998 COMPARATIVE STUDY OF THE SUDARIUM OF OVIEDO AND THE SHROUD OF TURIN By; Guillermo Heras Moreno, Civil Engineer, Head of the Investigation Team of the Spanish Centre for Sindonology (EDICES). José-Delfín Villalaín Blanco, DM, PhD. Professor of Forensic Medicine at the University of Valencia, Spain. Vice-President of the Investigation. Spanish Centre for Sindonology (CES). Member of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Jorge-Manuel Rodríguez Almenar, Professor at the University of Valencia, Spain. Vice-President of the Spanish Centre for Sindonology (CES). Vicecoordinator of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Drawings by: Margarita Ordeig Corsini, Catedrático de Dibujo, and Enrique Rubio Cobos. Spanish Centre for Sindonology (CES). Translated from the Spanish by; Mark Guscin, BA M Phil in Medieval Latin. Member of the Investigation Team of the Spanish Centre for Sindonology (EDICES). Revised by; Guillermo Heras Moreno CENTRO ESPAÑOL DE SINDONOLOGÌA. AVDA. REINO DE VALENCIA, 53. 9-16™ • E-46005-VALENCIA. Telèfono-Fax: 96- 33 459 47 • E-Mail: [email protected] ©1998 All Rights Reserved Reprinted by Permission 1 1 - INTRODUCTION. Since Monsignor Giulio Ricci first strongly suggested in 1985 that the cloth venerated in Oviedo (Asturias, Northern Spain), known as the Sudarium of Oviedo, and the Shroud of Turin had really been used on the same corpse, the separate study of each cloth has advanced greatly, according to the terminology with which scientific method can approach this hypothesis in this day and age. The paper called "The Sudarium of Oviedo and the Shroud of Turin, two complementary Relics?" was read at the Cagliari Congress on Dating the Shroud in 1990. -
The North Way
PORTADAS en INGLES.qxp:30X21 26/08/09 12:51 Página 6 The North Way The Pilgrims’ Ways to Santiago in Galicia NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:19 Página 2 NORTE EN INGLES 2009•.qxd:Maquetación 1 25/08/09 16:20 Página 3 The North Way The origins of the pilgrimage way to Santiago which runs along the northern coasts of Galicia and Asturias date back to the period immediately following the discovery of the tomb of the Apostle Saint James the Greater around 820. The routes from the old Kingdom of Asturias were the first to take the pilgrims to Santiago. The coastal route was as busy as the other, older pilgrims’ ways long before the Spanish monarchs proclaimed the French Way to be the ideal route, and provided a link for the Christian kingdoms in the North of the Iberian Peninsula. This endorsement of the French Way did not, however, bring about the decline of the Asturian and Galician pilgrimage routes, as the stretch of the route from León to Oviedo enjoyed even greater popularity from the late 11th century onwards. The Northern Route is not a local coastal road for the sole use of the Asturians living along the Alfonso II the Chaste. shoreline. This medieval route gave rise to an Liber Testamenctorum (s. XII). internationally renowned current, directing Oviedo Cathedral archives pilgrims towards the sanctuaries of Oviedo and Santiago de Compostela, perhaps not as well- travelled as the the French Way, but certainly bustling with activity until the 18th century. -
The Mystical Shroud - the Images and the Resurrection an Ecumenical Perspective by James E
The Mystical Shroud - The Images and the Resurrection An Ecumenical Perspective by James E. Damon Collegamento pro Sindone Internet – March 2002 © All rights reserved* ABSTRACT Many believe the Holy Shroud of Turin is the linen burial shroud of Christ cited in the Gospels. The images of a crucified man appear on the Shroud. The identity of the man on the Shroud is unproven and the process that formed the images is unknown to modern science. For the most part, twentieth century research on the Shroud has been western in perspective and limited to the death and burial of Jesus Christ. This paper complements this perspective by adding the light mysticism and iconography of the Byzantine East to extant Shroud research. This leads to the positive identification of the Shroud man and a mystical understanding of the Resurrection that explains the image formation. This effort also demonstrates that the ancient icons of the church indicate that the Church Fathers knew of the Shroud and understood its mysteries. It also theorizes that the Shroud is the basis of the Pantocrator icon tradition in the East. The Holy Mandylion’s relationship to the Shroud is discussed. The Shroud as the “icon of icons” is discussed as a summary of the Gospel and proof of the glorious body promised to the faithful on the last day. The mystical, eschatological relationship of the Sun of Justice miracle, which occurred in Turin in 1453, to the Shroud, is also discussed. Furthermore, the mystical meaning of the 1898 positive Shroud images is briefly addressed. Finally, the paper explains the mystical means to authenticate the Shroud both spiritually and scientifically. -
Tesis Doctoral-OVIEDO Guillermo Ruben
TESIS DOCTORAL Valoración funcional y niveles de actividad física en personas con discapacidad intelectual ; efectos de un programa de actividad física aeróbico, de fuerza y equilibrio Guillermo Ruben Oviedo 2014 Directora: Dra. Miriam Guerra Balic TESIS DOCTORAL 472 (28-02-90) 472 Título: Valoración funcional y niveles de actividad física en personas con discapacidad intelectual; efectos de un programa de actividad física aeróbico, de fuerza y equilibrio Privada. Rgtre. Fund. Generalitat de Catalunya núm. Catalunya de Fund. Generalitat Privada. Rgtre. Realizada por Guillermo Ruben Oviedo En el Centro Facultad de Psicología, Ciencias de la Educación y del Deporte Blanquerna. Universidad Ramon Llull y en el Departamento de Ciencias de la Actividad Física y del C.I.F. G: 59069740 Universitat Ramon Lull Fundació Lull Fundació Ramon Universitat C.I.F.59069740 G: Deporte Dirigida por Dra. Miriam Guerra Balic C. Claravall, 1-3 08022 Barcelona Tel. 936 022 200 Fax 936 022 249 E-mail: [email protected] www.url.es DEPARTMENT OF PHYSICAL ACTIVITY AND SPORT SCIENCES FPCEE BLANQUERNA UNIVERSITAT RAMON LLULL FUNCTIONAL EVALUATION AND PHYSICAL ACTIVITY LEVELS IN PEOPLE WITH INTELLECTUAL DISABILIT Y; EFFECT OF AN AEROBIC, STRE NGTH AND BALANCE PHYSICAL ACTIVITY PROGRAM INTERNATIONAL PhD Thesis presented by: Guillermo Ruben Oviedo To obtain the degree of PhD by the FPCEE Blanquerna, Universitat Ramon Llull Supervised by: Dr. Miriam Guerra Balic Barcelona 2014 Este trabajo ha estado posible gracias a la ayuda recibida para la contratación y formación de Personal Investigador Joven (FI) concedida por la Agencia de Gestión de Ayudas Universitarias y de Investigación (AGAUR) de la secretaría de Universidades e Investigación (SUR) del Departamento de Economía y Conocimiento (ECO) de la Generalitat de Catalunya (2013FI_B2 00091) y por el Ministerio de Economía y Competitividad de España (I+D+i Ref: DEP2012-35335). -
Proposal for C14 Dating of Charred Material Removed from the Shroud
Proposal for C14 Dating of Charred Material Removed from the Shroud by Robert A. Rucker, MS (nuclear) Rev. 1, October 15, 2018 Reviewed by Mark Antonacci, JD, Author of two books on the Shroud Thurman Cooper, MS (radiochemistry) Jonathan Prather, PhD (biomedical) Kevin N. Schwinkendorf, PhD (nuclear) Abstract In 1988 the Shroud was carbon-14 (C14) dated to 1260 to 1390 AD (Ref. 1), but other evidence (Ref. 2) is consistent with a first century date for the Shroud. To resolve this discrepancy, this proposal recommends that C14 dating be done on samples of the charred material removed from the Shroud in 2002. Nuclear analysis computer calculations based on the neutron absorption hypothesis were used to predict the measured dates for this charred material, as shown in Figure 1. If there is reasonable agreement between the measured dates and the predictions in Figure 1, i.e. about AD 3100 to AD 4800 for samples near the elbows, it would indicate that neutrons were absorbed by the linen, producing additional C14 in the Shroud. This new C14 would explain why the Shroud was C14 dated to 1260 to 1390 AD instead of the first century. Figure 1. C14 Dates Objective Predicted by MCNP To determine whether the 1988 dating of the Shroud to the Middle Ages can be explained by the neutron absorption hypothesis. Hypothesis The neutron absorption hypothesis (Ref. 2 to 4) is: 1. Neutrons were included in the burst of radiation emitted from within the body that formed the image. 2. Some of these neutrons would have been absorbed in the linen to form new C14 atoms on the Shroud. -
Commonalities Between the Shroud of Turin and the Sudarium of Oviedo
SHS Web of Conferences 15, 00007 (2015) DOI: 10.1051/shsconf/20151500007 C Owned by the authors, published by EDP Sciences, 2015 Commonalities between the Shroud of Turin and the Sudarium of Oviedo Alfonso Sánchez Hermosilla Medical Examiner, EDICES Director (Spanish Sindonology Researh Centre Team), Spain Abstract. In 1989 EDICES (Spanish Sindonology Research Centre Team) started researching about the Sudarium of Oviedo, developing the pioneer research started in the sixties by Monsignor Giulio Ricci, who was a member of the Papal Curia and President of the “Roman Centre of Sindonology”a, and furthermore, he was a scholar of the Gospel of Saint John, the reading of chapter 20, Bible verses 4-8: “4 They were running together, but the other disciple ran faster than Peter and was the first to arrive at the tomb.5 Bending down to take a look, he saw the linen cloths lying there, but he didn’t go in.6 Following him, Simon Peter entered the tomb and saw the linen cloths lying there.7 He also saw the face cloth that had been on Jesus’ head. It wasn’t with the other clothes but was folded up in its own place.8 Then the other disciple, the one who arrived at the tomb first, also went inside. He saw and believed.” This made him look for a second funerary linen used to wrap the corpse of Jesus of Nazareth. This seek led him to the Sudarium of Oviedo. The similarity of the shape of the stains and its size with the Shroud of Turin made him think that he had really found the relic which Saint Joan mentions.