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UNIVERSITÀ DEGLI STUDI DI SASSARI L'uso Dellefonti Orali Nello
View metadata, citation and similar papers at core.ac.uk • UNIVERSITÀ DEGLI STUDI DI SASSARI SCUOLA DI OOITORA TO IN SCIENZE DEl SISTEMI CULTURALI INDIRIZZO: TEORIE E STORIA DELLE LlNGUE E DEI LINGUAGGI CICLOXXlV L'uso delle fonti orali nello studio delle culture popolari: la transizione dal fascismo al Piano di Rimascita in Sardegna Tutors: Dottoranda: Raffaella Lucia Carboni Prof. Raffaele D'Agata Prof. Massimo Dell'Utri A mio padre 2 Indice Introduzione 1. La Sardegna durante la seconda guerra mondiale. Un piano di memoria singolare: specificità dell’Isola rispetto al contesto nazionale e meridionale. 1.1. Autoanalisi di un fallimento. La dicotomia tra partito e regime nella provincia di Sassari e la mancata “rivoluzione degli spiriti”. 1.2. Grande Guerra, combattentismo e nascita del Partito Sardo d’Azione. Il sardo-fascismo e la “rivoluzione isterilita”. 1.3. Le memorie della transizione dal fascismo alla rinascita democratica repubblicana in Sardegna. 1.4. Memorie dei bombardamenti alleati nel Nord-Ovest fra dimensione urbana e contesto rurale. 1.5. Dalle bombe alla pace. La via sarda all’armistizio e il dopoguerra anticipato. 2. La Sardegna nella prima età repubblicana. Persistenze e mutamenti. 2.1. Il secondo dopoguerra e gli “anni della ricostruzione”. 2.2. Dall’élite alla massa, fra partiti e associazionismo, memorie del contributo femminile alla trasformazione della società sarda: il caso dell’Unione Donne Italiane in Sardegna. 2.2.1. Un discorso preliminare: le fonti. 2.2.2. “Studiare e risolvere i problemi della vita femminile nel quadro della ricostruzione nazionale”. 2.2.3. 1951-1952: nasce l’Unione Donne Sarde. -
HISTORICAL PERSPECTIVES on Property and Land Law
HISTORICAL PERSPECTIVES on Property and Land Law EDITED BY Elisabetta Fiocchi Malaspina and Simona Tarozzi Historical Perspectives on Property and Land Law The Figuerola Institute Programme: Legal History The Programme “Legal History” of the Figuerola Institute of Social Science History –a part of the Carlos III University of Madrid– is devoted to improve the overall knowledge on the history of law from different points of view –academically, culturally, socially, and institutionally– covering both ancient and modern eras. A number of experts from several countries have participated in the Programme, bringing in their specialized knowledge and dedication to the subject of their expertise. To give a better visibility of its activities, the Programme has published in its Book Series a number of monographs on the different aspects of its academic discipline. Publisher: Carlos III University of Madrid Book Series: Legal History Editorial Committee: Manuel Ángel Bermejo Castrillo, Universidad Carlos III de Madrid Catherine Fillon, Université Jean Moulin Lyon 3 Manuel Martínez Neira, Universidad Carlos III de Madrid Carlos Petit, Universidad de Huelva Cristina Vano, Università degli studi di Napoli Federico II More information at www.uc3m.es/legal_history Historical Perspectives on Property and Land Law An Interdisciplinary Dialogue on Methods and Research Approaches Edited by Elisabetta Fiocchi Malaspina and Simona Tarozzi Dykinson 2019 Historia del derecho, 78 ISSN: 2255-5137 © Autores Editorial Dykinson c/ Meléndez Valdés, 61 – 28015 Madrid Tlf. (+34) 91 544 28 46 E-mail: [email protected] http://www.dykinson.com Preimpresión: TALLERONCE ISBN: 978-84-1324-499-0 Versión electrónica disponible en e-Archivo http://hdl.handle.net/10016/29290 Licencia Creative Commons Atribución-NoComercial-SinDerivadas 3.0 España TABLE OF CONTENT 9 Introduction Transfer of Immovable Properties, Publicity and 15 Land Law in the Age of Justinian: the Perspective of the Praetorian Prefect. -
Cunvegnu De Sa CSS Subra Zuanne Maria Angioy.Rtf
Sabadu bindighi (15) de donniasantu 2014 a sas 9.30 In sa Sala de sas Cunferentzias in su Poddeu de sos piscadores in Giorginu –Casteddu Cunvegnu organizadu dae s’Ufitziu Istudios ZUANNE MARIA ANGIOY Autonomia e illoadura: Sos printzipios de libertadi e identidadi de Zuanne Maria Angioy Relata de Frantziscu Casula PRO CUMENTZARE Su personargiu e sa faina de Zuanne Maria Angioy pro s’illoadura e sa liberatzione economica e sotziale dae su feudalesimu e in su matessi tempus pro sa liberazione nazionale e duncas pro s’Autonomia, s’Autogovernu e s’Indipendentzia. tocat a bidere bene ite est sutzedidu in su trentenniu rivolutzionariu de s’acabu de su Setighentos 1780 (cun sa prima rebellia antifeudale in Baressa-Marmilla) e 1812 cun s’urtima rebellia connota comente “Congiura de Palabanda”. 1. SAS RESONES DE SAS REBELLIAS ANTIFEUDALES 1. Deghe o doighi familias/S’han partidu sa Sardigna Cantat Frantziscu Nassiu Mannu in Su patriota sardu a sos feudatarios 1:” Deghe o doighi familias/S’han partidu sa Sardigna /De una manera indigna/Si ‘nde sunt fattas pobiddas;/Divididu s’hant sas biddas/In sa zega antichidade”. Su feudalesimu in Sardigna non bi fiat: est istadu unu presente malaittu chi sos Catalanos-Aragonesos nos ant fatu cando sunt bennidos in Sardigna e l’ant occupada. E gasi, comente iscriet Mannu Deghe o doighi familias/S’han partidu sa Sardigna. Un’isageratzione? No, mancari sas familias meres de sos feudos fiant calincuna in prus, ma non medas. Ischimus difatis chi sos feudos in Sardigna fiant a su prus 37,(a sa fine de su seculu XV; 51 a sa fine de su ‘700 e 40 in su 1838. -
Edizione Unica
Marzo 2020 EDIZIONE N. 1 - Anno I Da oggi comodamente UNICA gratis a casa tua! alEenigmistica Puoi annullare le distanze che ci separano SPIEGAZIONI TROVA LE PAROLE: tutto ciò che dovrete fare è trovare nel riquadro le parole nella in lista ad inizio pagina. LABIRINTO: riuscirai a trovare la via d'uscita? NUMERI: Riempi tutte le caselle bianche vuote in modo che tutte le operazioni presenti nel gioco siano corrette. SUDOKU: Lo scopo del gioco è quello di riempire le caselle bianche in ogni riquadro con numeri da 1 a 9 (Logo Fanclub), in modo che ogni riga e ogni colonna abbiano tutte le cifre da 1 a 9 (Logo Fanclub) senza alcuna ripetizione. CRUCIVERBA: una sorta di trivia quiz su Ale, le sapete veramente tutte?! TROVA LE DIFFERENZE: valuteremo anche la vostra vista! EMOJI REBUS: indovina i titoli di alcune delle canzoni di Ale con l'aiuto delle sole emoji. TROVA LE PAROLE ALESSANDRA / AMICI / AMORE PURO / BIG FAMILY / CARO DIARIO COMUNQUE ANDARE / DALLA TUA PARTE / DIECI / EMMA / ENTUSIASMO FORZA E CORAGGIO / GUACAMOLE / IMMOBILE / LA STESSA MARIA DE FILIPPI / NIENTE / SENZA NUVOLE / STUPIDA URLO E NON MI SENTI / VERDE / VIVERE A COLORI Livello: facile TROVA LE PAROLE ACIREALE / BARI / NAPOLI / EBOLI / ROMA / CAGLIARI / POTENZA ISERNIA / FIRENZE / PADOVA / TRENTO / TRIESTE / COURMAYEUR ROSETO DEGLI ABRUZZI / REGGIO CALABRIA / ANCONA / BOLOGNA GENOVA / PERUGIA / TORINO Livello: difficile IL LABIRINTO Livello: facile IL LABIRINTO Livello: medio IL LABIRINTO Livello: difficile numeri Per tutti: numeri Per i laureati in materie umanistiche: -
L'union Européenne Et Les Nationalismes
PUBLICATIONS DU CENTRE DE COMPÉTENCES DUSAN SIDJANSKI EN ÉTUDES EUROPÉENNES Catalogne, Écosse, Flandre – et dans une moindre mesure, Corse ou Sardaigne au- jourd’hui; hier, Pays basque ou nord de l’Italie… Les revendications nationales, aspi- L’UNION EUROPÉENNE ET rant à l’autonomie ou au séparatisme, s’expriment avec vigueur au sein de plusieurs États membres de l’Union européenne, mais dans une relative indiférence de celle-ci. LES NATIONALISMES RÉGIONAUX Sont-ce pour autant des questions dont on devrait laisser aux seuls États concernés la responsabilité? Ne pourrait-on rien faire au plan européen? Fruit d’un Colloque Lat- sis, cet ouvrage rassemble diverses contributions permettant de mieux comprendre THE EUROPEAN UNION AND le phénomène et de rechercher des réponses à tous les échelons. Quelle est la nature de ces revendications d’autonomie ou d’indépendance? Quelle place dans l’Union REGIONAL NATIONALISMS européenne pour les «nations sans État»? Qu’en est-il aujourd’hui de la souveraine- té, de l’État-nation? Peut-on imaginer une Union européenne qui soit une Union des peuples, autant que des États? Peut-on relancer l’idée d’un Sénat européen des ré- gions, et comment le concevoir? Tels sont quelques-uns des points abordés ici. Today, Catalonia, Scotland, Flanders and, to a lesser extent, Corsica or Sardinia; yester- day, the Basque Country or northern Italy… National demands, aspiring to autonomy or separatism, are being passionately expressed within several Member States of the Euro- pean Union, whereas the latter remains relatively indiferent. Are these, however, issues that should be left solely to the States concerned? Can nothing be done at the European level? This collective work, a compilation of the various contributions to the Latsis Col- loquium, enables us to better understand the phenomenon and to seek answers at all levels. -
My Kind of Sound
My Kind of Sound My Kind of Sound: Popular Music and Audiovisual Culture Edited by Enrique Encabo My Kind of Sound: Popular Music and Audiovisual Culture Edited by Enrique Encabo This book first published 2021 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2021 by Enrique Encabo and contributors All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-5275-6164-X ISBN (13): 978-1-5275-6164-9 TABLE OF CONTENTS Preface ....................................................................................................... vii Chapter 1 ..................................................................................................... 1 Sounds Similar! Reflections on Music Identity and Recognition Franco Fabbri PART 1: DECODING MUSIC ICONS Chapter 2 ................................................................................................... 20 Nirvana’s Nevermind: Exploring the Audiovisual Mosaic Christopher Vezza Chapter 3 ................................................................................................... 36 The Legacy of Oskar Schlemmer and the Bauhaus in the Aesthetics of David Bowie Zuleyma Guillén González Chapter 4 .................................................................................................. -
Transnational Female Identity and Literary Narratives Between Italy and Eastern Europe
UNIVERSITY OF CALIFORNIA Los Angeles Cartographies of Estrangement: Transnational Female Identity and Literary Narratives between Italy and Eastern Europe A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Italian by Renata Redford 2016 © Copyright by Renata Redford 2016 ABSTRACT OF DISSERTATION Cartographies of Estrangement: Transnational Female Identity and Literary Narratives between Italy and Eastern Europe by Renata Redford Doctor of Philosophy in Italian University of California, Los Angeles, 2016 Professor Lucia Re, Chair This dissertation investigates a vital body of women’s writing in Italian about the estranging effects of migration in order to emphasize the articulation of a literary discourse that undermines conventional depictions of the Eastern European female migrant. I provide evidence of the emergence in their work of a distinctly transnational approach to literary writing (narrative in particular), founded on a creative way of addressing questions of estrangement, the body, and memory. I consider the work of three authors, who have yet to be fully acknowledged in the Italian literary landscape: the Italophone writers Jarmila Očkayová (1955-present; Italo- Slovakian) and Ingrid Beatrice Coman (1971-present; Italo-Romanian living in Malta), and Marisa Madieri (1938-1996; Italo-Hungarian from Istria), whose native language was Italian. My analysis focuses on the stylistic, thematic, and structural elements that Očkayová, Coman and Madieri employ to engage with and -
REVIEWS INTERVIEWS NEWS Contents
No.3 - february 2016 WWW.MUSICTRAKS.COM NERO MY PERSONAL VISIONS ROBERTA GULISANO AN INSTINTIVE APPROACH LIVIA FERRI STEP BY STEP Marrano capturing the image The Rideouts REVIEWS INTERVIEWS NEWS contents 4 Interview REVIEWS 22 reviews ROBERTA GULISANO AN INSTINTIVE Review 25 APPROACH RESCUE interviews 8 Interview Review 26 LIVIA FERRI THE FALLS STEP BY STEP Interview Review 28 12 NERO MINNIE’S MY PERSONAL 29 VISIONS VIDEOS TO SEE Review ITALIAN BANDS 31 16 MARRANO, CAPTU- IN EUROPE RING THE IMAGE TraKs magazine WWW.MUSICTRAKS.COM 18 Interview is an online THE RIDEOUTS emission supplemental of site: streaming of full albums 20 Interview www.musictraks.com STEFAN CHRISTOFF AND POST MORTEM Editor in Chief: Fabio Alcini videos 21 Interview [email protected] IAN FISHER news 24 review roberta gulisano: an instintive CLICK HERE AND LISTEN TO approach “Piena Di(s)grazia” strong lp, full of Sicilian flavors without Abeing provincial, full of pathos without being pessimistic: Roberta Gulisano, with the help and the production of Cesare Basi- le, publishes Piena di(s)grazia (title repre- senting a joke with words of prayer “Ave Ma- ria”), and we asked some questions about the album to the songwriter. How did you approach the work to your second album, “Piena di(s)grazia”? Did you change something from first album? “Destini Coatti” was a head’s job, “Piena Di(s)grazia” is a work of belly: it contains songs stored in the drawer, waiting their chance to be played and songs written in between recording intervals. The initial project was wider, but in the study it took a more lean and sinewy shape. -
UTOPIA E STUPIDA FOLLIA La C R I T I C a D E L L a S O C I E T À
Percorso scaricato da http://cardux.wordpress.com – mCardux @ WordPress UTOPIA E STUPIDA FOLLIA La C r i t i c a d e l l a S o c i e t à di C.M. III C Classico Utopia e Stupida Follia : la Critica della Società 1 Percorso scaricato da http://cardux.wordpress.com – mCardux @ WordPress Utopia e Stupida Follia : la Critica della Società 2 Percorso scaricato da http://cardux.wordpress.com – mCardux @ WordPress Storia: dall'Utopia dell'”autunno caldo” alla stupida follia degli “anni di piombo”. Mario Calabresi, autore del libro “Spingendo la notte più in là”, è il figlio del commissario Luigi Calabresi, ucciso il 17 maggio del 1972, in quanto diffamato dal quotidiano Lotta Continua, diretto da Adriano Sofri, per l'assassinio dell'anarchico Pinelli, precipitato dalla finestra della questura di Milano nel corso di un interrogatorio sulla strage della Banca dell'Agricoltura a Milano, in piazza Fontana. Questo episodio fu solo l'inizio di una lunga strategia eversiva reazionaria durata per anni, che si espresse in altre azioni drammatiche, come la strage della loggia a Brescia, del treno “Italicus” e della stazione di Bologna. Gli “anni di piombo” nacquero come risposta del conservatorismo di destra, dovuta all'apertura a sinistra del Governo, e portarono poi all'estremismo delle Brigate rosse. Filosofia: Herbert Marcuse, la “Critica del Sistema” e il “Grande Rifiuto”. Per Marcuse la società tecnologica ha portato all'alienazione dell'uomo, essendo la ragione l'identificazione della realtà, egli non nota più il distacco tra ciò che è e ciò che deve essere. Al di fuori del sistema in cui vive non ci sono dunque altri possibili modi di esistere. -
Elena Bonelli Brings Rome to New York Published on Iitaly.Org (
Elena Bonelli Brings Rome to New York Published on iItaly.org (http://www.iitaly.org) Elena Bonelli Brings Rome to New York Marina Melchionda (October 07, 2008) I-Italy interviewed Elena Bonnelli. The singer is back in New York and will perform at the Carnegie Hall in New York. Her show is entitled “Roma in the World” Page 1 of 3 Elena Bonelli Brings Rome to New York Published on iItaly.org (http://www.iitaly.org) Elena Bonelli is back in New York. On the occasion of the Columbus Celebrations she will offer to her affectionate New York public a new longed-for performance. Her ultimate aim is to spread Roman Popular Music Heritage world-wide. Mrs. Bonelli, you are internationally renewned as an actress and singer. What kind of show are you going to offer to your New York public on the 12th of October? My show Roma in the World is meant to homage the culture of Rome, the Eternal City, and its representatives. I will sing the most famous Roman traditional songs, including Roma nun fa la stupida, Tanto pe’ canta’, Vecchia Roma and Le Mantellate. My Band, composed by Giandomenico Anellino, Luca Perroni and Francesco Suraci, will accompany me in a peculiar and original reinterpretation of these masterpieces. Some of them are translated in English, Spanish, Portuguese or French, depending on the country where I perform. I think this is very important when the aim is to invite foreign people to discover such a peculiar culture as the Roman one is. In your long career you have been invited to sing at many institutional events. -
Journal of Italian Translation
Journal of Italian Translation Journal of Italian Translation is an international journal devoted to the translation of literary works Editor from and into Italian-English-Italian dialects. All Luigi Bonaffini translations are published with the original text. It also publishes essays and reviews dealing with Italian Associate Editors translation. It is published twice a year. Gaetano Cipolla Michael Palma Submissions should be in electronic form. Trans- Joseph Perricone lations must be accompanied by the original texts Assistant Editor and brief profiles of the translator and the author. Paul D’Agostino Original texts and translations should be in separate files. All inquiries should be addressed to Journal of Editorial Board Italian Translation, Dept. of Modern Languages and Adria Bernardi Literatures, 2900 Bedford Ave. Brooklyn, NY 11210 Geoffrey Brock or [email protected] Franco Buffoni Barbara Carle Book reviews should be sent to Joseph Perricone, Peter Carravetta John Du Val Dept. of Modern Language and Literature, Fordham Anna Maria Farabbi University, Columbus Ave & 60th Street, New York, Rina Ferrarelli NY 10023 or [email protected] Luigi Fontanella Irene Marchegiani Website: www.jitonline.org Francesco Marroni Subscription rates: U.S. and Canada. Sebastiano Martelli Individuals $30.00 a year, $50 for 2 years. Adeodato Piazza Institutions $35.00 a year. Nicolai Single copies $18.00. Stephen Sartarelli Achille Serrao Cosma Siani For all mailing abroad please add $10 per issue. Marco Sonzogni Payments in U.S. dollars. Joseph Tusiani Make checks payable to Journal of Italian Trans- Lawrence Venuti lation Pasquale Verdicchio Journal of Italian Translation is grateful to the Paolo Valesio Sonia Raiziss Giop Charitable Foundation for its Justin Vitiello generous support. -
Grazia Deledda: the Politics of Non-Involvernent
Grazia Deledda: The Politics of Non-Involvernent Vilma Ricci A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Graduate Department of Italian Studies University of Toronto O Copyright by Vilma Ricci 2001 National Library Bibliothèque nationale I*I of Canada du Canada Acquisitions and Acquisitions et Bibliograptiic Semices services bibliographiques 395 Wellington Street 395. rue Wellington Ottawa ON KiA ON4 Ottawa ON KIA ON4 Canada Canada Vour file Votre dlermCe Our fije Notre reldnmce The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Library of Canada to Bibliothèque nationale du Canada de reproduce, loan, distribute or seil reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thése ni des extraits substantiels may be printed or othenvise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. Grazia Deledda: The Politics of Non-Involvement ABSTRACT Viima Ricci Doctor of Philosophy Department of Italian Studies University of Toronto 2001 The purpose OF the present dissertation is to reappraise the work of Grazia Deledda (187 1- 1936) in the light of psychological, semiotic and feminist theory introduced in Chapter 1, "Methodologies".