University of Denver Digital Commons @ DU Electronic Theses and Dissertations Graduate Studies 6-1-2010 Mercy Mercy Me (the Media Ecology): Technology, Agency, and "Cleavage" of the Musical Text Arthur J. Bamford University of Denver Follow this and additional works at: https://digitalcommons.du.edu/etd Part of the Mass Communication Commons, and the Other Music Commons Recommended Citation Bamford, Arthur J., "Mercy Mercy Me (the Media Ecology): Technology, Agency, and "Cleavage" of the Musical Text" (2010). Electronic Theses and Dissertations. 51. https://digitalcommons.du.edu/etd/51 This Thesis is brought to you for free and open access by the Graduate Studies at Digital Commons @ DU. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of Digital Commons @ DU. For more information, please contact
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[email protected]. MERCY MERCY ME (T HE MEDIA ECOLOGY ): TECHNOLOGY , AGENCY , AND “C LEAVAGE ” OF THE MUSICAL TEXT __________ A Thesis Presented to the Faculty of Arts and Humanities University of Denver __________ In Partial Fulfillment of the Requirements for the Degree Master of Arts __________ by Arthur J. Bamford June 2010 Advisor: Lynn Schofield Clark ©Copyright by Arthur J. Bamford 2010 All Rights Reserved Author: Arthur J. Bamford Title: MERCY MERCY ME (T HE MEDIA ECOLOGY ): TECHNOLOGY , AGENCY , AND “C LEAVAGE ” OF THE MUSICAL TEXT Advisor: Lynn Schofield Clark Degree Date: June 2010 ABSTRACT This thesis explores changes that occurred in popular music during the 1960s and early 1970s through case studies involving three significant albums released in 1971 and 1972: Marvin Gaye’s What’s Going On , Sly and the Family Stone’s There’s a Riot Goin’ On , and Stevie Wonder’s Talking Book .