The Vinyl Dialogues Volume II
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John Lennon from ‘Imagine’ to Martyrdom Paul Mccartney Wings – Band on the Run George Harrison All Things Must Pass Ringo Starr the Boogaloo Beatle
THE YEARS 1970 -19 8 0 John Lennon From ‘Imagine’ to martyrdom Paul McCartney Wings – band on the run George Harrison All things must pass Ringo Starr The boogaloo Beatle The genuine article VOLUME 2 ISSUE 3 UK £5.99 Packed with classic interviews, reviews and photos from the archives of NME and Melody Maker www.jackdaniels.com ©2005 Jack Daniel’s. All Rights Reserved. JACK DANIEL’S and OLD NO. 7 are registered trademarks. A fine sippin’ whiskey is best enjoyed responsibly. by Billy Preston t’s hard to believe it’s been over sent word for me to come by, we got to – all I remember was we had a groove going and 40 years since I fi rst met The jamming and one thing led to another and someone said “take a solo”, then when the album Beatles in Hamburg in 1962. I ended up recording in the studio with came out my name was there on the song. Plenty I arrived to do a two-week them. The press called me the Fifth Beatle of other musicians worked with them at that time, residency at the Star Club with but I was just really happy to be there. people like Eric Clapton, but they chose to give me Little Richard. He was a hero of theirs Things were hard for them then, Brian a credit for which I’m very grateful. so they were in awe and I think they had died and there was a lot of politics I ended up signing to Apple and making were impressed with me too because and money hassles with Apple, but we a couple of albums with them and in turn had I was only 16 and holding down a job got on personality-wise and they grew to the opportunity to work on their solo albums. -
Brian Wilson's Spacious Estate in West Suburban St
May 24, 1998---- The backyard of Brian Wilson's spacious estate in west suburban St. Charles overlooks a calm pond. A playground set stands near the water. Wilson slowly walks out of the basement studio in the home he shares with wife Melinda and daughters Daria, 2, and Delanie, 6 months old. Wilson squints into the midday sun. He looks at a playground slide. Then he looks at a swing set. Wilson elects to sit down on the saddle swing. In a life of storied ups and downs, Wilson's career is on the upswing. The June release of ``Imagination'' (Giant Records) is a return to 1966's ``Pet Sounds'' in terms of orchestration and instrumentation, with its the ambitious patterns of tympanies and snare drums. But equally important are Wilson's vocals, which are the smoothest and most soulful since 1970's ``Sunflower.'' Wilson, 55, has suddenly defied age. Mick Jagger and Pete Townshend are brittle rock 'n' roll barnacles. Ray Davies and Paul McCartney have matured gracefully. Yet here's Wilson singing with effervescent hope on ``Dream Angel,'' which he co-wrote with his co-producer Joe Thomas and Jim Peterik of Survivor and Ides of March fame. The song was inspired by Wilson's new daughters. They make him happy. He says that is why he is writing happy music. On ``Dream Angel,'' Wilson even returned to the tight, late '50s harmonies of the Dell Vikings (``Come Go With Me'') and the Four Freshmen - happy-go-lucky voices that influenced the Beach Boys when they were young. -
IPG Spring 2020 Rock Pop and Jazz Titles
Rock, Pop, and Jazz Titles Spring 2020 {IPG} That Thin, Wild Mercury Sound Dylan, Nashville, and the Making of Blonde on Blonde Daryl Sanders Summary That Thin, Wild Mercury Sound is the definitive treatment of Bob Dylan’s magnum opus, Blonde on Blonde , not only providing the most extensive account of the sessions that produced the trailblazing album, but also setting the record straight on much of the misinformation that has surrounded the story of how the masterpiece came to be made. Including many new details and eyewitness accounts never before published, as well as keen insight into the Nashville cats who helped Dylan reach rare artistic heights, it explores the lasting impact of rock’s first double album. Based on exhaustive research and in-depth interviews with the producer, the session musicians, studio personnel, management personnel, and others, Daryl Sanders Chicago Review Press chronicles the road that took Dylan from New York to Nashville in search of “that thin, wild mercury sound.” 9781641602730 As Dylan told Playboy in 1978, the closest he ever came to capturing that sound was during the Blonde on Pub Date: 5/5/20 On Sale Date: 5/5/20 Blonde sessions, where the voice of a generation was backed by musicians of the highest order. $18.99 USD Discount Code: LON Contributor Bio Trade Paperback Daryl Sanders is a music journalist who has worked for music publications covering Nashville since 1976, 256 Pages including Hank , the Metro, Bone and the Nashville Musician . He has written about music for the Tennessean , 15 B&W Photos Insert Nashville Scene , City Paper (Nashville), and the East Nashvillian . -
Us Presse-Schau
Media Information im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] US PRESSE-SCHAU http://www.rollingstone.com/music/news/beach-boys-to-officially-release-long-incomplete-album-smile-this- year-20110311 Beach Boys to Officially Release Long-Incomplete Album 'Smile' This Year Recordings will be sold as double CD and box set Kent Gavin/Hulton Archive/Getty Capitol Records have announced that they will be releasing the Beach Boys' lost, incomplete album Smile later this year. Smile was originally planned as the follow-up to the band's 1966 classic Pet Sounds, but the material was mostly abandoned due to creative mastermind Brian Wilson's fragile mental health at the time. Though no release date has been set, the official release of Smile will be sold as a two-CD set and as a deluxe box set including four CDs, two vinyl LPs, two vinyl singles and a 60-page hardbound book penned by Beach Boys historian Dominic Priore. The final track listing has not been announced, but disc one of the CD set and the first three sides of the vinyl edition will contain a close approximation of the Smile album, with the remainder collecting outtakes and alternate versions from the sessions. The Smile sessions have been widely bootlegged among fans for decades, but the proper track listing for the album has never been established, largely due to the fact that the record was never completed as intended. According to engineer Mark Linett, Brian Wilson's 2004 version of Smile has been used as the template for this project, though it could turn out a bit different depending on input from Wilson and the surviving members of the group. -
The Roots Report: America at Twin River
The Roots Report: America at Twin River Okee dokee folks… “Fifty years was not in the plan, but as long as you keep coming we’ll keep playing,” exclaimed Dewey Bunnell of the band America last Friday night at Twin River Casino’s Event Center. America was started as a trio in England by the sons of American Air Force servicemen stationed in England — Bunnell, Gerry Beckley and Dan Peek — in the late ’60s while they were still teenagers in high school. They quickly gained notoriety and soon were one of the bands that defined the sound of the early 1970s. Peek left the band in 1977 and passed away in 2011. America has been Bunnell and Beckley for most of their 50-year history. A few songs into their 90-minute set, Gerry Beckly said, “We’re glad to be back in Rhode Island…we’re sorry it’s been a while since we’ve been here!” The show kicked off with one of their more popular hits, “Tin Man.” That was quickly followed by their 1982 hit, “You Can Do Magic.” The vocals were handed over to drummer Ryland Steen for “Don’t Cross The River.” Multi instrumentalist Steve Fekete added six-string banjo to the mix as well. He also showcased his talents on piano and acoustic guitar, but really demonstrated his playing prowess on electric guitar. Most of the concert consisted of the entire contents of History: America’s Greatest Hits with the exception of “Muskrat Love.” They played other selections from their early albums such as “Riverside” and “Here,” in addition to later album cuts like “The Border” and their #1 hit in Italy, “Survival” about which they commented, “Not so big here!” They mentioned that “Every year we like to dredge up a song from an obscure album to play at a show” and that song this time around was “Greenhouse” from the Hourglass album. -
Finney, John D
The Association for Diplomatic Studies and Training Foreign Affairs Oral History Project JOHN D. FINNEY, JR. Interviewed by: Charles Stuart Kennedy Initial Interview date: December 21, 2004 Copyright 2018 ADST TABLE OF CONTENTS Background Born in Indianapolis, Indiana July 31, 1939 BA in American History, St. Louis University 1957-1961 MA in American History, St. Louis University 1961-1962 PhD in American History, Georgetown University 1962-1967 U.S. Army Combat Engineer 1962-1962 Entered the Foreign Service 1966 Arequipa, Peru—Vice Consul 1967-1968 Monitoring Communism and the capture of Che Guevara Lima, Peru—Political Officer 1968-1970 University and youth radicalization The Alliance for Progress and liberation theology Peruvian military coup and Standard Oil controversy Life in Peru Rosslyn, VA—Student 1970-1971 Vietnam training center experience Phan Thiet, Vietnam—Province Senior Development Officer 1971-1972 CORDS security situation in Binh Thuan province Land reform implementation, irrigation, and banking Corruption and elections Tuy Hoa, Vietnam—Deputy Province Advisor 1972-1973 CORDS security situation in Phu Yen province Close encounters with death Personal opinion on Paris Peace Accords and Vietnam War Washington, DC—North Vietnam Desk Officer, East Asia Bureau 1973-1975 Upholding Paris Peace Accord and defeat of South Vietnam 1 Udorn, Thailand—Consul General 1976-1978 Upholding American relations and monitoring Vietnamese refugees Visiting Thai countryside and military government President Carter’s influence and CIA intelligence -
The Beatles on Film
Roland Reiter The Beatles on Film 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 1 ) T00_01 schmutztitel - 885.p 170758668456 Roland Reiter (Dr. phil.) works at the Center for the Study of the Americas at the University of Graz, Austria. His research interests include various social and aesthetic aspects of popular culture. 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 2 ) T00_02 seite 2 - 885.p 170758668496 Roland Reiter The Beatles on Film. Analysis of Movies, Documentaries, Spoofs and Cartoons 2008-02-12 07-53-56 --- Projekt: transcript.titeleien / Dokument: FAX ID 02e7170758668448|(S. 3 ) T00_03 titel - 885.p 170758668560 Gedruckt mit Unterstützung der Universität Graz, des Landes Steiermark und des Zentrums für Amerikastudien. Bibliographic information published by Die Deutsche Bibliothek Die Deutsche Bibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available on the Internet at http://dnb.ddb.de © 2008 transcript Verlag, Bielefeld This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 3.0 License. Layout by: Kordula Röckenhaus, Bielefeld Edited by: Roland Reiter Typeset by: Roland Reiter Printed by: Majuskel Medienproduktion GmbH, Wetzlar ISBN 978-3-89942-885-8 2008-12-11 13-18-49 --- Projekt: transcript.titeleien / Dokument: FAX ID 02a2196899938240|(S. 4 ) T00_04 impressum - 885.p 196899938248 CONTENTS Introduction 7 Beatles History – Part One: 1956-1964 -
The Beach Boys Club21 Mp3, Flac, Wma
The Beach Boys Club21 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: Club21 Country: Belgium Released: 1972 MP3 version RAR size: 1398 mb FLAC version RAR size: 1719 mb WMA version RAR size: 1544 mb Rating: 4.4 Votes: 630 Other Formats: AIFF MP2 VOC MP3 APE RA MOD Tracklist Hide Credits Cotton Fields A1 Written-By – H. Ledbetter* I Can Hear Music A2 Written-By – Jeff Barry Bluebirds Over The Mountain A3 Written-By – E. Hickey* Do It Again A4 Written-By – B. Wilson*, M. Love* Friends A5 Written-By – A. Jardine*, Brian*, Carl Wilson, Dennis* Darlin' A6 Written-By – B. Wilson*, M. Love* Wild Honey B1 Written-By – B. Wilson*, M. Love* Heroes And Villains B2 Written-By – B. Wilson*, Van Dyke Parks Then I Kissed Her B3 Written-By – Spector - Greenwich - Barry* Good Vibrations B4 Written-By – B. Wilson*, M. Love* God Only Knows B5 Written-By – B. Wilson*, T. Asher* Sloop John B B6 Arranged By – B. Wilson* Barbara Ann C1 Written-By – Fred Fassert California Girls C2 Written-By – B. Wilson* Help Me Rhonda C3 Written-By – Wilson* Farmer's Daughter C4 Written-By – B. Wilson* All Summer Long C5 Written-By – Brian Wilson Dance, Dance, Dance C6 Written-By – Wilson* I Get Around D1 Written-By – Brian Wilson Break Away D2 Written-By – Wilson*, Dunber* Wendy D3 Written-By – Wilson* Pet Sounds D4 Written-By – Wilson* Papa Com Mow Mow D5 Written-By – Frazier*, White*, Harris*, Wilson Jr.* Fun, Fun, Fun D6 Written-By – Brian Wilson, Mike Love Companies, etc. Made By – EMI Italiana Barcode and Other Identifiers Rights Society: Sabam Matrix / Runout -
Access the Best in Music. a Digital Version of Every Issue, Featuring: Cover Stories
Bulletin YOUR DAILY ENTERTAINMENT NEWS UPDATE MARCH 23, 2020 Page 1 of 27 INSIDE Lil Uzi Vert’s ‘Eternal Atake’ Spends • Roddy Ricch’s Second Week at No. 1 on ‘The Box’ Leads Hot 100 for 11th Week, Billboard 200 Albums Chart Harry Styles’ ‘Adore You’ Hits Top 10 BY KEITH CAULFIELD • What More Can (Or Should) Congress Do Lil Uzi Vert’s Eternal Atake secures a second week No. 1 for its first two frames on the charts dated Dec. to Support the Music at No. 1 on the Billboard 200 albums chart, as the set 28, 2019 and Jan. 4, 2020. Community Amid earned 247,000 equivalent album units in the U.S. in Eternal Atake would have most likely held at No. Coronavirus? the week ending March 19, according to Nielsen Mu- 1 for a second week without the help of its deluxe • Paradigm sic/MRC Data. That’s down just 14% compared to its reissue. Even if the album had declined by 70% in its Implements debut atop the list a week ago with 288,000 units. second week, it still would have ranked ahead of the Layoffs, Paycuts The small second-week decline is owed to the chart’s No. 2 album, Lil Baby’s former No. 1 My Turn Amid Coronavirus album’s surprise reissue on March 13, when a new (77,000 units). The latter set climbs two rungs, despite Shutdown deluxe edition arrived with 14 additional songs, a 27% decline in units for the week.Bad Bunny’s • Cost of expanding upon the original 18-song set. -
Presidential Documents
Weekly Compilation of Presidential Documents Monday, July 30, 2001 Volume 37—Number 30 Pages 1077–1113 VerDate 11-MAY-2000 00:44 Aug 01, 2001 Jkt 005300 PO 00000 Frm 00001 Fmt 1249 Sfmt 1249 W:\DISC\PD30JY01.PRE ATX004 PsN: ATX004 Contents Addresses and Remarks Interviews With the News Media—Continued See also Bill Signings; Meetings With Foreign Genoa, Italy—1078, 1079 Leaders Oval Office—1103 Congressional Gold Medal, presentation to News conferences Navajo Code Talkers—1105 July 22 (No. 13) with President Putin of Congressional leaders, meeting—1099 Russia—1081 Kosovo, U.S. troops at Camp Bondsteel— July 23 (No. 14) with Prime Minister 1095 Berlusconi of Italy—1088 National Future Farmers of America Organization—1108 Joint Statements Radio address—1077 President George W. Bush and President of Virginia gubernatorial candidate Mark the Russian Federation Vladimir V. Putin— Earley—1103 1086, 1087 Bill Signings Meetings With Foreign Leaders Senator Paul Coverdell, legislation honoring, France, President Chirac—1078 remarks—1102 Germany, Chancellor Schroeder—1079 Supplemental Appropriations Act, FY 2001, Italy, Prime Minister Berlusconi—1088 statement—1096 Russia, President Putin—1081, 1086, 1087 Communications to Congress Vatican, Pope John Paul II—1087 Middle East peace process, message Proclamations transmitting report on national emergency with respect to terrorists who threaten to National Korean War Veterans Armistice disrupt—1094 Day—1100 Plan Colombia, message transmitting report— Parents’ Day—1079 1108 Statements by the President Yugoslavia, former, letter reporting on See also Bill Signings deployment of military forces for Americans with Disabilities Act of 1990, stabilization—1098 anniversary—1106 Communications to Federal Agencies Balkans—1097 Charter for Coordinator of U.S. -
The Beach Boys 100.Xlsx
THE BEACH BOYS 100 Rank Songs 1 Good Vibrations 2 California Girls 3 God Only Knows 4 Caroline No 5 Don't Worry Baby 6 Fun Fun Fun 7 I Get Around 8 Surfin' USA 9 Til I Die 10 Wouldn't It Be Nice 11 I Just Wasn't Made for These Times 12 Warmth of the Sun 13 409 14 Do You Remember 15 A Young Man is Gone 16 When I Grow Up 17 Come Go With Me 18 Girl from New York City 19 I Know There's an Answer 20 In My Room 21 Little Saint Nick 22 Forever 23 Surfin' 24 Dance Dance Dance 25 Let Him Run Wild 26 Darlin' 27 Rock & Roll to the Rescue 28 Don't Back Down 29 Hang on to your Ego 30 Sloop John B 31 Wipeout (w/ The Fat Boys) 32 Wild Honey 33 Friends 34 I'm Waiting for the Day 35 Shut Down 36 Little Deuce Coupe 37 Vegetables 38 Sail On Sailor 39 I Can Hear Music 40 Heroes & Villains 41 Pet Sounds 42 That's Not Me 43 Custom Machine 44 Wendy 45 Breakaway 46 Be True to Your School 47 Devoted to You 48 Don't Talk 49 Good to My Baby 50 Spirit of America 51 Let the Wind Blow THE BEACH BOYS 100 52 Kokomo 53 With Me Tonight 54 Cotton Fields 55 In the Back of My Mind 56 We'll Run Away 57 Girl Don't Tell Me 58 Surfin' Safari 59 Do You Wanna Dance 60 Here Today 61 A Time to Live in Dreams 62 Hawaii 63 Surfer Girl 64 Rock & Roll Music 65 Salt Lake City 66 Time to Get Alone 67 Marcella 68 Drive-In 69 Graduation Day 70 Wonderful 71 Surf's Up 72 Help Me Rhonda 73 Please Let Me Wonder 74 You Still Believe in Me 75 You're So Good to Me 76 Lonely Days 77 Little Honda 78 Catch a Wave 79 Let's Go Away for Awhile 80 Hushabye 81 Girls on the Beach 82 This Car of Mine 83 Little Girl I Once Knew 84 And Your Dreams Come True 85 This Whole World 86 Then I Kissed Her 87 She Knows Me Too Well 88 Do It Again 89 Wind Chimes 90 Their Hearts Were Full of Spring 91 Add Some Music to Your Day 92 We're Together Again 93 That's Why God Made Me 94 Kiss Me Baby 95 I Went to Sleep 96 Disney Girls 97 Busy Doin' Nothin' 98 Good Timin' 99 Getcha Back 100 Barbara Ann. -
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice.