April-June 2017 PRRAC.P65

Total Page:16

File Type:pdf, Size:1020Kb

April-June 2017 PRRAC.P65 April-June 2017 Volume 26: Number 2 Book Review The Color of Law: A Forgotten History of How Our Government Segregated America, by Richard Rothstein Brian Knudsen When Frank Stevenson came to other stories to portray the immense holds that this governmental promo- work in Richmond, California during costs and profound consequences of de tion of housing segregation—occurring World War II, he found that little ap- jure segregation on African Ameri- at federal, state and local levels—rep- petite existed for residential racial in- cans. De jure segregation, defined as resents a continuing violation of the tegration. The white residents of rural segregation by racially explicit law and U.S. Constitution’s Fifth, Thirteenth Milpitas,California got wind in 1953 policy, is a complex system con- and Fourteenth Amendments. Finally, that the Ford Motor Company plant structed over decades to perpetuate— Rothstein agrees with past Supreme employing Stevenson and 250 other and in some instances to initiate—the Court precedent (e.g. Milliken v. Brad- African Americans would be relocat- spatial separation of whites and Blacks. ley, Parents Involved in Community ing to their town, and they quickly The Color of Law argues that this type Schools v. Seattle School District, etc.) snapped into action. In a scene that of residential segregation over the that the enactment of legal constitu- played out in many locales across the course of the twentieth century defined tional remedies requires showing that U.S. during the last century, the citi- where whites and Blacks could live and segregation had governmental origins. zens of Milpitas incorporated their city denied African Americans access to However, whereas Court decisions and passed an emergency exclusionary middle-class neighborhoods, with ef- found no evidence of such state in- zoning ordinance banning apartment fects continuing to the present. Fur- volvement, Rothstein sets out in the construction and allowing only single- thermore, Rothstein provocatively (Please turn to page 2) family homes. Federal Housing Ad- ministration (FHA) approval, neces- sary to finance construction of low-cost CONTENTS: subdivisions in Milpitas and elsewhere, explicitly prohibited home sales to Richard Rothstein’s The Color of Law ............................ 1 Blacks. With no apartments to rent and Brian Knudsen. A book review. excluded from the single-family mar- Segregation: A Persistent Public Health Challenge ....... 3 ket, for twenty years Stevenson en- Robert Hahn. A major information gap for health dured a daily six-hour round-trip com- agencies needs a response. mute to and from his residence in Rich- This Green and Pleasant Land ...................................... 5 mond California’s Black ghetto. Bryan Greene. Harlem at a crossroads in the summer of ‘69. In his new book, The Color of Law, Essay: The Fight to be Public ........................................ 7 Richard Rothstein recounts this and Tyler Barbarin. Reimagining the Community Benefits Agreement. PRRAC Update ............................................................. 10 Brian Knudsen, bknudsen@prrac. Resources .................................................................... 15 org, is Research Associate at the Pov- erty & Race Research Action Council. Poverty & Race Research Action Council • 1200 18th Street NW • Suite 200 • Washington, DC 20036 202/906-8023 • FAX: 202/842-2885 • E-mail: [email protected] • www.prrac.org Recycled Paper (COLOR OF LAW: Cont. from page 2) housing segregation in the United the book infers that contemporary pat- States. terns of segregation are directly and book to remove any doubt that such Moreover, The Color of Law is pub- singularly caused by governmental acts acts took place. Constitutional rem- lished at an opportune moment. That from decades prior. However, such edies can be placed on the public this book appears in the midst of an links between past and present need to agenda, he contends, only after “we emerging zeitgeist of race-conscious be more methodologically and analyti- arouse in Americans an understanding scholarship and activism is propitious, cally demonstrated than what can be of how we created a system of uncon- and Rothstein clearly intends to con- discerned from Rothstein’s historical stitutional state-sponsored, de jure seg- tribute to and build upon this new descriptive account. Similarly, regation, and a sense of outrage about work. Following authors such as Ta- whereas The Color of Law pins all of it….” Nehisi Coates, Jeff Chang, Keeyanga- its explanatory weight to a single fac- The core chapters of The Color of Yamahtta Taylor, and Michelle tor, complex phenomena—like resi- Law provide a descriptive historical ac- Alexander, Rothstein’s book demands dential segregation—are instead usu- count of de jure segregation. Rothstein that we explicitly and openly grapple ally multi-causal. Future work should separately discusses each element of de with race, with our society’s sordid strive to incorporate other causal ele- jure segregation, including govern- history of past racial injustices, and ments into our understanding of present ment enforcement of racially restric- with the way that race continues to in- patterns and conditions, including tive covenants, the use of zoning or- form and shape our fraught contem- empirically modeling and measuring dinances for exclusionary purposes, porary moment. As Coates writes in the magnitudes of the relative contri- segregation of public housing, The Case for Reparations, an “America butions of different sets of factors. redlining, and explicit racial require- that asks what it owes its most vulner- Furthermore, what explains de jure ments in the Federal Housing able citizens is improved and humane.” segregation? Was it a reflection of the Administration’s mortgage insurance racist sensibilities of the majority of program. While these topics (and the Race continues to Americans at the time? Or, was it elite- others included in the book) have been shape our fraught driven? For instance, on some occa- frequently treated separately in prior contemporary moment. sions Rothstein draws attention to gov- research, perhaps never before now ernmental responsiveness to the racist have they been so accessibly joined views of the citizenry whereas else- together in this way. This is an im- Furthermore, all of these scholars where he suggests that government portant innovation. Amassing all of (as well as activists such as the Move- policies undid integrated communities this material together portrays in vivid ment for Black Lives) call us to put in which Blacks and whites were co- fashion how all-encompassing and aside colorblind approaches to racial existing. Finally, The Color of Law multi-varied were the governmental and social justice and to once again omits any discussion of class and its efforts to spatially separate the races, heed the words of Justice Thurgood relationship to race, racism and segre- and therefore to exclude Blacks from Marshall that “class-based discrimina- gation. Is there any political-economic equal participation in the society, tion against [Blacks]” necessitates basis for racism and/or segregative acts economy and polity. We also learn “class-based remedies.” The Color of or are these expressions of attitudinal from Rothstein’s research—so ably Law does all of this, but also makes a deficiencies? Answers to these kinds presented in colorful examples and sto- novel contribution by focusing race- of questions would merely build upon ries—that this diverse process played conscious scholarship upon housing, Rothstein’s contribution, and help to out over many decades and in innu- whereas much of the contemporary lit- flesh out even more our understand- merable locations, both small and erature has centered on criminal jus- ing of these relationships. large. Overall, the reader leaves the tice reform and mass incarceration. The Poverty & Race Research Ac- book moved and overwhelmed with Several questions remain unan- tion Council has been exploring the the knowledge of the magnitude and swered by the book, hopefully to be historical roots of segregation for some creativity of past efforts to enforce taken up by future researchers. First, time, including in three Ford Founda- tion sponsored studies that trace the de- velopment of federal housing and Poverty & Race (ISSN 1075-3591) is published four times a year by the Poverty and transportation policies in relation to in- Race Research Action Council, 1200 18th Street NW, Suite 200, Washington, DC 20036, creasing housing and school segrega- 202/906-8052, fax: 202/842-2885, E-mail: info@ prrac.org. Megan Haberle, editor; tion in American metropolitan areas. Tyler Barbarin, editorial assistant. Subscriptions are $25/year, $45/two years. Foreign postage extra. Articles, article suggestions, letters and general comments are welcome, (“Housing and School Segregation: as are notices of publications, conferences, job openings, etc. for our Resources Section- Government Culpability, Government —email to [email protected]. Articles generally may be reprinted, providing PRRAC Remedies” PRRAC 2004). The Color gives advance permission. of Law is a powerful addition to an © Copyright 2017 by the Poverty and Race Research Action Council. All rights historical understanding of govern- reserved. mental contributions to segregation. ❏ 2 • Poverty & Race • Vol. 26, No. 2 • April-June 2017 Racial and Ethnic Residential Segregation as a Root Social Determinant of Public Health and Health Inequity:
Recommended publications
  • I Can Hear Music
    5 I CAN HEAR MUSIC 1969–1970 “Aquarius,” “Let the Sunshine In” » The 5th Dimension “Crimson and Clover” » Tommy James and the Shondells “Get Back,” “Come Together” » The Beatles “Honky Tonk Women” » Rolling Stones “Everyday People” » Sly and the Family Stone “Proud Mary,” “Born on the Bayou,” “Bad Moon Rising,” “Green River,” “Traveling Band” » Creedence Clearwater Revival “In-a-Gadda-Da-Vida” » Iron Butterfly “Mama Told Me Not to Come” » Three Dog Night “All Right Now” » Free “Evil Ways” » Santanaproof “Ride Captain Ride” » Blues Image Songs! The entire Gainesville music scene was built around songs: Top Forty songs on the radio, songs on albums, original songs performed on stage by bands and other musical ensembles. The late sixties was a golden age of rock and pop music and the rise of the rock band as a musical entity. As the counterculture marched for equal rights and against the war in Vietnam, a sonic revolution was occurring in the recording studio and on the concert stage. New sounds were being created through multitrack recording techniques, and record producers such as Phil Spector and George Martin became integral parts of the creative process. Musicians expanded their sonic palette by experimenting with the sounds of sitar, and through sound-modifying electronic ef- fects such as the wah-wah pedal, fuzz tone, and the Echoplex tape-de- lay unit, as well as a variety of new electronic keyboard instruments and synthesizers. The sound of every musical instrument contributed toward the overall sound of a performance or recording, and bands were begin- ning to expand beyond the core of drums, bass, and a couple guitars.
    [Show full text]
  • 4/8/69 #778 Miss Harlem Beauty Contest Applications Available #779 19Th Annual Valentines Day Winter Ca
    W PRESSRELEASES 2/7/69 - 4/8/69 #778 Miss Harlem Beauty Contest Applications Available #779 19th Annual Valentines Day Winter Carnival In Queens (Postponed Until Friday, February 21, 1969) #780 Police Public Stable Complex, 86th St., Transverse, Central Park #781 Monday, March 10th, Opening Date For Sale of Season Golf Lockers and Tennis Permits #782 Parks Cited For Excellence of Design #783 New York City's Trees Badly Damaged During Storm #784 Lifeguard Positions Still Available #785 Favored Knick To Be Picked #786 Heckschers Cutbacks In State Aid to the City #787 Young Chess Players to Compete #788 r Birth of Lion and Lamb #789 Jones Gives Citations at Half Time (Basketball) #790 Nanas dismantled on March 27, 1969 #791 Birth of Aoudad in Central Park Zoo #792 Circus Animals to Stroll in Park #793 Richmond Parkway Statement #794 City Golf Courses, Lawn Bowling and Croquet Cacilities Open #795 Eggs-Egg Rolling - Several Parks #796 Fifth Annual Golden Age Art Exhibition #797 Student Sculpture Exhibit In Central Park #798 Charley the Mule Born March 27 in Central Park Zoo #799 Rain date for Easter Egg Rolling contest April 12, original date above #800 Sculpture - Central Park - April 10 2 TOTAL ESTIMATED ^DHSTRUCTION COST: $5.1 Million DESCRIPTION: Most of the facilities will be underground. Ground-level rooftops will be planted as garden slopes. The stables will be covered by a tree orchard. There will be panes of glass in long shelters above ground so visitors can watch the training and stabling of horses in the underground facilities. Corrals, mounting areas and exercise yards, for both public and private use, will be below grade but roofless and open for public observation.
    [Show full text]
  • The Electric Kool-Aid Acid Test Free
    FREE THE ELECTRIC KOOL-AID ACID TEST PDF Tom Wolfe | 416 pages | 10 Aug 2009 | St Martin's Press | 9780312427597 | English | New York, United States Merry Pranksters - Wikipedia In the summer and fall ofAmerica became aware of a growing movement of young people, based mainly out of California, called the "psychedelic movement. Kesey is a young, talented novelist who has just seen his first book, One Flew Over the Cuckoo's Nestpublished, and who is consequently on the receiving end of a great deal of fame and fortune. While living in Palo Alto and attending Stanford's creative writing program, Kesey signs up to participate in a drug study sponsored by the CIA. The drug they give him is a new experimental drug called LSD. Under the influence of LSD, Kesey begins to attract a band of followers. They are drawn to the transcendent states they can achieve while on the drug, but they are also drawn to Kesey, who is a charismatic leader. They call themselves the "Merry Pranksters" and begin to participate in wild experiments at Kesey's house in the woods of La Honda, California. These experiments, with lights and noise, are all engineered to create a wild psychedelic experience while on LSD. They paint everything in neon Day-Glo colors, and though the residents and authorities of La Honda are worried, there is little they can do, since LSD is not an illegal substance. The Pranksters first venture into the wider world by taking a trip east, to New York, for the publication of Kesey's newest novel.
    [Show full text]
  • B2 Woodstock – the Greatest Music Event in History LIU030
    B2 Woodstock – The Greatest Music Event in History LIU030 Choose the best option for each blank. The Woodstock Festival was a three-day pop and rock concert that turned out to be the most popular music (1) _________________ in history. It became a symbol of the hippie (2) _________________ of the 1960s. Four young men organized the festival. The (3) _________________ idea was to stage a concert that would (4) _________________ enough money to build a recording studio for young musicians at Woodstock, New York. Young visitors on their way to Woodstock At first many things went wrong. People didn't want Image: Ric Manning / CC BY (https://creativecommons.org/licenses/by/3.0) any hippies and drug (5) _________________ coming to the original location. About 2 months before the concert a new (6) _________________ had to be found. Luckily, the organizers found a 600-acre large dairy farm in Bethel, New York, where the concert could (7) _________________ place. Because the venue had to be changed not everything was finished in time. The organizers (8) _________________ about 50,000 people, but as the (9) _________________ came nearer it became clear that far more people wanted to be at the event. A few days before the festival began hundreds of thousands of pop and rock fans were on their (10) _________________ to Woodstock. There were not enough gates where tickets were checked and fans made (11) _________________ in the fences, so lots of people just walked in. About 300,000 to 500,000 people were at the concert. The event caused a giant (12) _________________ jam.
    [Show full text]
  • Vindicating Karma: Jazz and the Black Arts Movement
    University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-2007 Vindicating karma: jazz and the Black Arts movement/ W. S. Tkweme University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Tkweme, W. S., "Vindicating karma: jazz and the Black Arts movement/" (2007). Doctoral Dissertations 1896 - February 2014. 924. https://scholarworks.umass.edu/dissertations_1/924 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. University of Massachusetts Amherst Library Digitized by the Internet Archive in 2014 https://archive.org/details/vindicatingkarmaOOtkwe This is an authorized facsimile, made from the microfilm master copy of the original dissertation or master thesis published by UMI. The bibliographic information for this thesis is contained in UMTs Dissertation Abstracts database, the only central source for accessing almost every doctoral dissertation accepted in North America since 1861. Dissertation UMI Services From:Pro£vuest COMPANY 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Michigan 48106-1346 USA 800.521.0600 734.761.4700 web www.il.proquest.com Printed in 2007 by digital xerographic process on acid-free paper V INDICATING KARMA: JAZZ AND THE BLACK ARTS MOVEMENT A Dissertation Presented by W.S. TKWEME Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 W.E.B.
    [Show full text]
  • Rolling Stone Magazine's Top 500 Songs
    Rolling Stone Magazine's Top 500 Songs No. Interpret Title Year of release 1. Bob Dylan Like a Rolling Stone 1961 2. The Rolling Stones Satisfaction 1965 3. John Lennon Imagine 1971 4. Marvin Gaye What’s Going on 1971 5. Aretha Franklin Respect 1967 6. The Beach Boys Good Vibrations 1966 7. Chuck Berry Johnny B. Goode 1958 8. The Beatles Hey Jude 1968 9. Nirvana Smells Like Teen Spirit 1991 10. Ray Charles What'd I Say (part 1&2) 1959 11. The Who My Generation 1965 12. Sam Cooke A Change is Gonna Come 1964 13. The Beatles Yesterday 1965 14. Bob Dylan Blowin' in the Wind 1963 15. The Clash London Calling 1980 16. The Beatles I Want zo Hold Your Hand 1963 17. Jimmy Hendrix Purple Haze 1967 18. Chuck Berry Maybellene 1955 19. Elvis Presley Hound Dog 1956 20. The Beatles Let It Be 1970 21. Bruce Springsteen Born to Run 1975 22. The Ronettes Be My Baby 1963 23. The Beatles In my Life 1965 24. The Impressions People Get Ready 1965 25. The Beach Boys God Only Knows 1966 26. The Beatles A day in a life 1967 27. Derek and the Dominos Layla 1970 28. Otis Redding Sitting on the Dock of the Bay 1968 29. The Beatles Help 1965 30. Johnny Cash I Walk the Line 1956 31. Led Zeppelin Stairway to Heaven 1971 32. The Rolling Stones Sympathy for the Devil 1968 33. Tina Turner River Deep - Mountain High 1966 34. The Righteous Brothers You've Lost that Lovin' Feelin' 1964 35.
    [Show full text]
  • Gerry Mulligan Discography
    GERRY MULLIGAN DISCOGRAPHY GERRY MULLIGAN RECORDINGS, CONCERTS AND WHEREABOUTS by Gérard Dugelay, France and Kenneth Hallqvist, Sweden January 2011 Gerry Mulligan DISCOGRAPHY - Recordings, Concerts and Whereabouts by Gérard Dugelay & Kenneth Hallqvist - page No. 1 PREFACE BY GERARD DUGELAY I fell in love when I was younger I was a young jazz fan, when I discovered the music of Gerry Mulligan through a birthday gift from my father. This album was “Gerry Mulligan & Astor Piazzolla”. But it was through “Song for Strayhorn” (Carnegie Hall concert CTI album) I fell in love with the music of Gerry Mulligan. My impressions were: “How great this man is to be able to compose so nicely!, to improvise so marvellously! and to give us such feelings!” Step by step my interest for the music increased I bought regularly his albums and I became crazy from the Concert Jazz Band LPs. Then I appreciated the pianoless Quartets with Bob Brookmeyer (The Pleyel Concerts, which are easily available in France) and with Chet Baker. Just married with Danielle, I spent some days of our honey moon at Antwerp (Belgium) and I had the chance to see the Gerry Mulligan Orchestra in concert. After the concert my wife said: “During some songs I had lost you, you were with the music of Gerry Mulligan!!!” During these 30 years of travel in the music of Jeru, I bought many bootleg albums. One was very important, because it gave me a new direction in my passion: the discographical part. This was the album “Gerry Mulligan – Vol. 2, Live in Stockholm, May 1957”.
    [Show full text]
  • The Color of Law a Forgotten History of How Our Government Segregated America
    The Color of Law A Forgotten History of How Our Government Segregated America by Richard Rothstein An explosive, alarming history that finally confronts how American governments in the twentieth century deliberately imposed residential racial segregation on metropolitan areas nationwide. “The Color of Law is one of those rare books that will be discussed and debated for many decades. Based on careful analyses of multiple historical documents, Rothstein has presented what I consider to be the most forceful argument ever published on how federal, state and local governments gave rise to and reinforced neighborhood segregation.” —WILLIAM JULIUS WILSON, author of The Truly Disadvantaged “Richard Rothstein’s The Color of Law offers an original and insightful explanation of how government policy in the United States intentionally promoted and enforced residential racial segregation. …[H]is argument, which calls for a fundamental reexamination of American constitutional law, is that the Supreme Court has failed for decades to understand the extent to which residential racial segregation in our nation is not the result of private decisions…, but is the direct product of unconstitutional government action. The implications of his analysis are revolutionary.” —GEOFFREY R. STONE, Professor of Law (and former dean) at the University of Chicago Law School “While the road forward is far from clear, there is no better history of this troubled journey than The Color of Law.” —DAVID OSHINSKY, Professor of History at New York University, in The New York Times Book Review “A masterful explication of the single most vexing problem facing black America: the concentration of the poor and middle class into segregated neighborhoods.
    [Show full text]
  • Report for Greenwood District Tulsa, Tulsa County, Oklahoma
    REPORT FOR GREENWOOD DISTRICT TULSA, TULSA COUNTY, OKLAHOMA The 100-block of North Greenwood Avenue, June 1921, Mary E. Jones Parrish Collection, Oklahoma Historical Society PREPARED FOR THE INDIAN NATIONS COUNCIL OF GOVERNMENTS, ON BEHALF OF THE TULSA PRESERVATION COMMISSION, CITY OF TULSA 2 WEST 2ND STREET, SUITE 800, TULSA, OKLAHOMA 74103 BY PRESERVATION AND DESIGN STUDIO PLLC 616 NW 21ST STREET, OKLAHOMA CITY, OK 73103 MAY 2020 TABLE OF CONTENTS 1 Abstract ...................................................................................................4 2 Introduction ..............................................................................................6 3 Research Design .......................................................................................9 4 Project Objectives ....................................................................................9 5 Methodology ............................................................................................10 6 Expected Results ......................................................................................13 7 Area Surveyed ..........................................................................................14 8 Historic Context .......................................................................................18 9 Survey Results .........................................................................................27 10 Bibliography ............................................................................................36 APPENDICES Appendix
    [Show full text]
  • VIPNEWSPREMIUM > VOLUME 146 > APRIL 2012
    11 12 6 14 4 4 VIPNEWS PREMIUM > VOLUME 146 > APRIL 2012 3 6 10 8 1910 16 25 9 2 VIPNEWS > APRIL 2012 McGowan’s Musings It’s been pouring with rain here for the last below normal levels. As the festival season weather! Still the events themselves do get couple of days, but it seems that it’s not the looms and the situation continues, we may covered in the News you’ll be glad to know. right type of rain, or there’s not enough of see our increasingly ‘green’ events having it because we are still officially in drought. to consider contingency plans to deal with I was very taken by the Neil McCormick River levels across England and Wales are the water shortages and yet more problems report in UK newspaper The Telegraph from lowest they’ve been for 36 years, since our caused by increasingly erratic weather. I’m the Coachella festival in California, as he last severe drought in 1976, with, according sure that many in other countries who still wrote, “The hairs went up on the back of my to the Environmental Agency, two-thirds picture England as a rain swept country neck…” as he watched the live performance ‘exceptionally ’ low, and most reservoirs where everybody carries umbrellas will find of Tupac Shakur…” This is perfectly it strange to see us indulging in rain dances understandable , as unfortunately, and not to over the next couple of months! put too fine a point on it, Tupac is actually dead. His apparently very realistic appearance Since the last issue of VIP News I have was made possible by the application of new journeyed to Canada, Estonia and Paris, and holographic projection technology.
    [Show full text]
  • American Foreign Policy, the Recording Industry, and Punk Rock in the Cold War
    Georgia State University ScholarWorks @ Georgia State University History Dissertations Department of History Spring 5-10-2017 Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War Mindy Clegg Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/history_diss Recommended Citation Clegg, Mindy, "Music for the International Masses: American Foreign Policy, The Recording Industry, and Punk Rock in the Cold War." Dissertation, Georgia State University, 2017. https://scholarworks.gsu.edu/history_diss/58 This Dissertation is brought to you for free and open access by the Department of History at ScholarWorks @ Georgia State University. It has been accepted for inclusion in History Dissertations by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. MUSIC FOR THE INTERNATIONAL MASSES: AMERICAN FOREIGN POLICY, THE RECORDING INDUSTRY, AND PUNK ROCK IN THE COLD WAR by MINDY CLEGG Under the Direction of ALEX SAYF CUMMINGS, PhD ABSTRACT This dissertation explores the connections between US foreign policy initiatives, the global expansion of the American recording industry, and the rise of punk in the 1970s and 1980s. The material support of the US government contributed to the globalization of the recording industry and functioned as a facet American-style consumerism. As American culture spread, so did questions about the Cold War and consumerism. As young people began to question the Cold War order they still consumed American mass culture as a way of rebelling against the establishment. But corporations complicit in the Cold War produced this mass culture. Punks embraced cultural rebellion like hippies.
    [Show full text]
  • The Construction of Hip Hop Identities in Finnish Rap Lyrics Through English and Language Mixing
    UNIVERSITY OF JYVÄSKYLÄ ”BUUZZIA, BUDIA JA HYVÄÄ GHETTOBOOTYA” - THE CONSTRUCTION OF HIP HOP IDENTITIES IN FINNISH RAP LYRICS THROUGH ENGLISH AND LANGUAGE MIXING A Pro Gradu Thesis in English by Elina Westinen Department of Languages 2007 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Elina Westinen ”BUUZZIA, BUDIA JA HYVÄÄ GHETTOBOOTYA” - THE CONSTRUCTION OF HIP HOP IDENTITIES IN FINNISH RAP LYRICS THROUGH ENGLISH AND LANGUAGE MIXING Pro gradu –tutkielma Englannin kieli Joulukuu 2007 141 sivua Englannin kielen rooli ja asema maailmankielenä on kiistaton, ja Suomessakin englannin kieltä käytetään monilla eri aloilla. Juuriltaan amerikkalaisesta hip hop – kulttuuristakin on viime vuosina kasvanut globaali nuorisokulttuuri, joka on saavuttanut pysyvän aseman Suomessa. Tämän tutkimuksen tarkoituksena on selvittää, miten hip hop –identiteetti rakentuu suomalaisissa rap–lyriikoissa. Päätavoitteena on tutkia, millainen hip hop –identiteetti muodostuu lyriikoiden englannin kielen ja kielten sekoittumisen (suomi ja englanti) kautta. Tutkimuksen aineistona käytetään kolmen eri hip hop –artistin ja – ryhmän (Cheek, Sere & SP ja Kemmuru) lyriikoita 2000-luvulta. Niiden pääkieli on suomi, mutta kaikissa kappaleissa on myös englanninkielisiä elementtejä. Sanojen tarkkojen alkuperien sekä muun tiedon selvittämiseksi olen tarvittaessa konsultoinut itse artisteja. Analyysissä identiteetin käsitetään rakentuvan osaltaan kielen avulla. Identiteetti rakentuu diskursseissa, ja se on muuttuva ja monitahoinen. Aineiston analyysissä kielenvaihtelu ymmärretään joko a) kielten sekoittumisena, josta syntyy kokonaan uusi kieli/kielellinen tyyli tai b) koodinvaihtona, joka on merkityksellistä diskurssin paikallisella tasolla. Tulokset osoittavat, että rap–lyriikoissa pikemminkin sekoitetaan suomen ja englannin kieltä (language mixing) kuin vaihdetaan koodia. Näin ollen muodostuu uusi, suomalaisille rap–lyriikoille ominainen kieli ja tyyli. Usein hip hop -englannin sanoja ja fraaseja taivutetaan suomen ortografian, morfologian tai molempien mukaan. Joskus lyriikoissa esiintyy myös ns.
    [Show full text]