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Young Americans to Emotional Rescue: Selected Meetings
YOUNG AMERICANS TO EMOTIONAL RESCUE: SELECTING MEETINGS BETWEEN DISCO AND ROCK, 1975-1980 Daniel Kavka A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 2010 Committee: Jeremy Wallach, Advisor Katherine Meizel © 2010 Daniel Kavka All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Disco-rock, composed of disco-influenced recordings by rock artists, was a sub-genre of both disco and rock in the 1970s. Seminal recordings included: David Bowie’s Young Americans; The Rolling Stones’ “Hot Stuff,” “Miss You,” “Dance Pt.1,” and “Emotional Rescue”; KISS’s “Strutter ’78,” and “I Was Made For Lovin’ You”; Rod Stewart’s “Do Ya Think I’m Sexy“; and Elton John’s Thom Bell Sessions and Victim of Love. Though disco-rock was a great commercial success during the disco era, it has received limited acknowledgement in post-disco scholarship. This thesis addresses the lack of existing scholarship pertaining to disco-rock. It examines both disco and disco-rock as products of cultural shifts during the 1970s. Disco was linked to the emergence of underground dance clubs in New York City, while disco-rock resulted from the increased mainstream visibility of disco culture during the mid seventies, as well as rock musicians’ exposure to disco music. My thesis argues for the study of a genre (disco-rock) that has been dismissed as inauthentic and commercial, a trend common to popular music discourse, and one that is linked to previous debates regarding the social value of pop music. -
Rock & Roll Hall of Fame Celebrates the Sounds of Black History
FOR IMMEDIATE RELEASE: Rock & Roll Hall of Fame Celebrates the Sounds of Black History Throughout February Virtual programs and events include Rock Hall Inductee Verdine White of Earth, Wind and Fire, members of Sly & the Family Stone, Patti LaBelle, Robert Randolph of The Family Band, and Jackie Venson CLEVELAND (February 3, 2021) – The Rock & Roll Hall of Fame is celebrating Black History Month with a series of virtual events and programs honoring the extraordinary contributions that African Americans have made to rock & roll music. Fans can also head to the museum, which is open daily from 11 a.m. to 5 p.m. EST, to amplify their experience with the Rock Hall’s featured exhibit “It’s Been Said All Along: Voices of Rage, Hope & Empowerment.” A cornerstone to the Rock Hall's programs and outreach, the Black History Month celebration highlights stories, provides opportunities for dialogue, and reflects on the contributions and legacies of African American artists. Inspired by the sounds of Black history, the Rock Hall’s virtual events and programs include: Every Friday in February New Rock & Roll Hall of Fame Induction Vault podcast episodes Subscribe on the iHeart Radio App, Apple Podcasts or wherever you get your favorite podcasts Throughout February enjoy new podcast episodes honoring the legacies of African American Inductees with unfiltered access to iconic Induction speeches. Episodes include Gladys Knight and the Pips inducted by Mariah Carey (Feb. 5), Public Enemy inducted by Spike Lee and Harry Belafonte (Feb. 12), The Miracles inducted by Smokey Robinson (Feb. 19), and Buddy Guy inducted by B.B. -
Eugene Blacknell: We Can't Take Life for Granted
Oakland guitar ace Eugene Blacknell released multiple singles that ranged in style EUGENE BLACKNELL: WE CAN’T TAKE LIFE FOR GRANTED from raw r'n'b to power house funk. His musical career stretched from the early Super Cool is the second volume in our California Soul series and features music recorded between 1966 and 1982. Spanning FOR INFORMATION AND SOUNDCLIPS OF OUR TITLES, GO TO WWW.UBIQUITYRECORDS.COM/PRESS STREET DATE: 9/11/2007 1960s to the end of the 1980s and during that time he established himself as an eclectic genres from Soul Jazz, Blues, Heavy Funk, Modern Soul, East Bay original, an entrepreneur, an activist, and in addition he was a true family Northern Soul, and Disco, there’s even a ballad (previously man. With so many accomplishments it’s an irony of fate that he died before unavailable on CD) from Luv N'Haight favorite Darondo. releasing an album despite having recorded enough material for several. Super Cool was not compiled because of the rare-factor or value of As a kid he dressed sharply and drove a pink and black finned-car to school. His the original releases alone. More importantly this is a treasure tunes were already getting radio play and he would become the youngest musician trove of music that connects the dots between artists and scenes, from the Bay Area to play the Appollo in New York. He opened doors for other eras and genres, and none of the acts or tracks should not be lost African American musicians with his efforts to make sure his band was paid a fair to obscurity. -
Diggin' You Like Those Ol' Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America
Diggin’ You Like Those Ol’ Soul Records 181 Diggin’ You Like Those Ol’ Soul Records: Meshell Ndegeocello and the Expanding Definition of Funk in Postsoul America Tammy L. Kernodle Today’s absolutist varieties of Black Nationalism have run into trouble when faced with the need to make sense of the increasingly distinct forms of black culture produced from various diaspora populations. The unashamedly hybrid character of these black cultures continually confounds any simplistic (essentialist or antiessentialist) understanding of the relationship between racial identity and racial nonidentity, between folk cultural authenticity and pop cultural betrayal. Paul Gilroy1 Funk, from its beginnings as terminology used to describe a specific genre of black music, has been equated with the following things: blackness, mascu- linity, personal and collective freedom, and the groove. Even as the genre and terminology gave way to new forms of expression, the performance aesthetic developed by myriad bands throughout the 1960s and 1970s remained an im- portant part of post-1970s black popular culture. In the early 1990s, rhythm and blues (R&B) splintered into a new substyle that reached back to the live instru- mentation and infectious grooves of funk but also reflected a new racial and social consciousness that was rooted in the experiences of the postsoul genera- tion. One of the pivotal albums advancing this style was Meshell Ndegeocello’s Plantation Lullabies (1993). Ndegeocello’s sound was an amalgamation of 0026-3079/2013/5204-181$2.50/0 American Studies, 52:4 (2013): 181-204 181 182 Tammy L. Kernodle several things. She was one part Bootsy Collins, inspiring listeners to dance to her infectious bass lines; one part Nina Simone, schooling one about life, love, hardship, and struggle in post–Civil Rights Movement America; and one part Sarah Vaughn, experimenting with the numerous timbral colors of her voice. -
Buddah Aims to Make Its Mark on Album Scene ... Sly's Stone Flower
Buddah Aims To Make Its Mark On Album Scene . Sly's Stone Flower To Atlantic For Distribution. .NARIV1 Convention Message See Editorial 'An End September 6, 1969 To Fear' ... R IAA Gold Hits High For Half Year ash 75(t CRI Confab Credits Promo For Sales Jump $34 Cash Box . Peirce Heads UIC's Record Co . Polydor Stages First Sales Convention In Canada LAWRENCE WELK: PLAYING IN THE 70 s Int' Section Begins on Pg. 59 The Cats It's a beautiful day. The Buckinghams are up with a new single on the horizon. "It's a Beautiful Day (For Lovin V4-44923 The lyrics focus on part of today's young life style — Peace and Love. "It's a beautiful day ... for lovin', dreamin'. The shadows are gone, I've reached the dawn." Definitely a listen-to single. And a watch single —for another great day for The Buckingham!. THE BUCKIN GHA MS "IT'S A BEAUTIFUL DAY (FOR LOV1N1" ON COLUMBIA RECORDS.- tOlu MA MSIARCA% 14..(1) k S. 4 THE INTERNATIONAL MUSIC-RECORD WEEKLY VOL. XXXI — Number 6/September 6, 1969 Publication Office / 1780 Broadway, New York, New York 10019, Telephone JUdson b 2640: Cable Address Cash Box, N Y GEORGE ALBERT President and Publisher MARTY OSTRO W Vice President IRV LICHTMAN Editor in Chief EDITORIAL MARV GOODMAN Assoc. Editor JOHN KLEIN BOB COHEN BRUCE HARRIS EDITORIAL ASSISTANTS MIKE MARTUCCI ANTHONY LANZETTA ADVERTISING BERNIE BLAKE Director of Advertising An End To Fear ACCOUNT EXECUTIVES STAN SOIFER, New York BILL STUPER, New York HARVEY GELLER, Hollywood W OODY HARDING Art Director COIN MACHINE & VENDING ED ADLUM General Manager CAMILLE COMPASIO, Chicago The upcoming gathering of NARM should point to the start of clear-head- LISSA MORRO W, Hollywood members for their 1969 Tape Con- ed, honest business in an above-board thrust toward industry cohesiveness. -
October 2011
SEPTEMBE R - OCTOBER 2011 Featuring: Wynton Marsalis | Family Stone | Remembering Oscar Peterson | Incognito | John Williams/Etheridge | Pee Wee Ellis | JTQ | Colin Towns Mask Orch | Azymuth | Todd Rundgren | Cedar Walton | Carleen Anderson | Louis Hayes and The Cannonball Legacy Band | Julian Joseph All Star Big Band | Mike Stern feat. Dave Weckl | Ramsey Lewis | James Langton Cover artist: Ramsey Lewis Quintet (Thur 27 - Sat 29 Oct) PAGE 28 PAGE 01 Membership to Ronnie Scotts GIGS AT A GLANCE SEPTEMBER THU 1 - SAT 3: JAMES HUNTER SUN 4: THE RONNIE SCOTT’S JAZZ ORCHESTRA PRESENTS THE GENTLEMEN OF SWING MON 5 - TUE 6: THE FAMILY STONE WED 7 - THU 8: REMEMBERING OSCAR PETERSON FEAT. JAMES PEARSON & DAVE NEWTON FRI 9 - SAT 10: INCOGNITO SUN 11: NATALIE WILLIAMS SOUL FAMILY MON 12 - TUE 13: JOHN WILLIAMS & JOHN ETHERIDGE WED 14: JACQUI DANKWORTH BAND THU 15 - SAT 17: PEE WEE ELLIS - FROM JAZZ TO FUNK AND BACK SUN 18: THE RONNIE SCOTT’S BLUES EXPLOSION MON 19: OSCAR BROWN JR. TRIBUTE FEATURING CAROL GRIMES | 2 free tickets to a standard price show per year* TUE 20 - SAT 24: JAMES TAYLOR QUARTET SUN 25: A SALUTE TO THE BIG BANDS | 20% off all tickets (including your guests!)** WITH THE RAF SQUADRONAIRES | Dedicated members only priority booking line. MON 26 - TUE 27: ROBERTA GAMBARINI | Jump the queue! Be given entrance to the club before Non CELEBRATING MILES DAVIS 20 YEARS ON Members (on production of your membership card) WED 28 - THU 29: ALL STARS PLAY ‘KIND OF BLUE’ FRI 30 - SAT 1 : COLIN TOWNS’ MASK ORCHESTRA PERFORMING ‘VISIONS OF MILES’ | Regular invites to drinks tastings and other special events in the jazz calendar OCTOBER | Priority information, advanced notice on acts appearing SUN 2: RSJO PRESENTS.. -
Proposal for City Hall Gallery Exhibit on the Early Days of Creedence Clearwater Revival
Proposal for City Hall Gallery exhibit on the early days of Creedence Clearwater Revival Submitted April 23, 2019 by the El Cerrito Historical Society, Dave Weinstein, president, and by Alec Palao, curator This will not be an art exhibit, strictly speaking, but more a historical one, yet tied to arts month through its subject: Creedence Clearwater Revival, the El Cerrito-born rock’n’roll band that 50 years ago became the most popular band in the world, at one point even rivaling the Beatles as a singles act. An even more poignant anniversary is the fact that 2019 marks a full 60 years since the embryonic line-up of the group was formed at Portola Junior High in 1959. Our preferred date would be October 2019. Much of the material on display will also qualify as art as it will include much in the way of graphics, such as artistically-designed album covers, posters, and other promotional material and photographs. Alec Palao is well positioned to do this exhibit. He is a noted producer of back catalog rock and R&B reissues, with five Grammy nominations in the Best Historical Album and Best Album Notes categories. A serious music scholar, with a special interest in Bay Area, and especially East Bay music, he is also a professional musician. A native of Great Britain, Alec moved to the United States over three decades ago largely because of his interest in American music of the era, and has lived in El Cerrito for 22 years. He produced, compiled and annotatedcritically appraised reissues of Creedence music including rare recordings by their predecessor bands, the Blue Velvets and Golliwogs, and knows the history of the band very well. -
In Serving the a 3AY Kunino Needs of the ONZN CZ Music & Record 11111 NY1NZOM Industry CI Cuvh3ra World Ho-S
1111110!!:3H record !!!!- Dedicated To dOHSzoos-3 NNIn Serving The A 3AY kunino Needs Of The ONZN CZ Music & Record 11111 NY1NZOM Industry CI cuvH3ra world ho-s eptemter6, 1969 60c In the opinion of the editors, this week the following records are the SINGLE PICKS OF THE WEEK WHO IWAINTIMRWMA IN THE IOVI 01INI COON PEON MAW MD 0 00V Elvis Presley sings one of TheWinstonswillfollow- JamesBrown,whokeeps The Monkees bestrecord the songs fromhis Vegas up "Color Him Father" with combiningthebeatwith is now on the market. It's WORLD act, "Suspicion Minds" a smash. It's "Love of the thesocialmessage suc- called "Mommy andDad- (Press,BMI), whichisas Common People" (Tree, cessfully, has "World" dy" (Screen Gems -Columbia, good as anything's he's BMI) and has a won't -quit (Brown. BMI)intwo parts BMI)andMonkeeDolenz done (RCA 47-9764). beat (Metromedia 142). andit'llgo (King 6258). wrote it (Co!gems 5005). SLEEPER PICKS OF THE WEEK CatMotherand theAll The Baskerville Hounds are EdwardsHandis a new CaptainMilk(EdwinHub- NightNewsboysask the thefirst group from Avco duoproducedby George bard) plays the flute with vitalquestion,"Can You Embassy andtheirrocky Martin. Their first single is great facility,and crowds Dance to It?" (Cat Mother- initial release is oldie "If I Thought You'dEver willlovethisrepriseof Emm - Jay - Sea - Lark, EMI) "HoldMe"(Robbins, AS - Change Your Mind" (Al Gal- "Hey, Jude" (Maclen, BMI) (Polydor14007). CAP). Hot (4504). lico,BMI) (GRT13). (Tetragrammaton 1542). At Atlantic Signing To ALBUM PICKS OF THE WEEK Distribute Stone Flower Label, from Left: Atlantic VP Nesuhi Ertegun, Dave Kapralik, Stone Flower's Legal Counsellor Marty Machattlan-tic Exec VP JudyCollinsispresented The Vogues' "Memories" John Mayall, alongwith RobertaFlackwhoplays on "Recollections" in a extend back into the '50s Jon Mark, Steve Thompson piano and sings somewhere Jerry Wexler and, Seated, number of folk songs she when "Moments to Remem- and Johnny Thompson, bow between Washington, D. -
Rock & Roll's War Against
Rock & Roll’s War Against God Copyright 2015 by David W. Cloud ISBN 978-1-58318-183-6 Tis book is published for free distribution in eBook format. It is available in PDF, Mobi (for Kindle, etc.) and ePub formats from the Way of Life web site. See the Free eBook tab at www.wayofife.org. We do not allow distribution of our free books from other web sites. Published by Way of Life Literature PO Box 610368, Port Huron, MI 48061 866-295-4143 (toll free) - [email protected] www.wayofife.org Canada: Bethel Baptist Church 4212 Campbell St. N., London Ont. N6P 1A6 519-652-2619 Printed in Canada by Bethel Baptist Print Ministry ii Table of Contents Introduction ...........................................................................1 What Christians Should Know about Rock Music ...........5 What Rock Did For Me ......................................................38 Te History of Rock Music ................................................49 How Rock & Roll Took over Western Society ...............123 1950s Rock .........................................................................140 1960s Rock: Continuing the Revolution ........................193 Te Character of Rock & Roll .........................................347 Te Rhythm of Rock Music .............................................381 Rock Musicians as Mediums ...........................................387 Rock Music and Voodoo ..................................................394 Rock Music and Insanity ..................................................407 Rock Music and Suicide ...................................................429 -
April-June 2017 PRRAC.P65
April-June 2017 Volume 26: Number 2 Book Review The Color of Law: A Forgotten History of How Our Government Segregated America, by Richard Rothstein Brian Knudsen When Frank Stevenson came to other stories to portray the immense holds that this governmental promo- work in Richmond, California during costs and profound consequences of de tion of housing segregation—occurring World War II, he found that little ap- jure segregation on African Ameri- at federal, state and local levels—rep- petite existed for residential racial in- cans. De jure segregation, defined as resents a continuing violation of the tegration. The white residents of rural segregation by racially explicit law and U.S. Constitution’s Fifth, Thirteenth Milpitas,California got wind in 1953 policy, is a complex system con- and Fourteenth Amendments. Finally, that the Ford Motor Company plant structed over decades to perpetuate— Rothstein agrees with past Supreme employing Stevenson and 250 other and in some instances to initiate—the Court precedent (e.g. Milliken v. Brad- African Americans would be relocat- spatial separation of whites and Blacks. ley, Parents Involved in Community ing to their town, and they quickly The Color of Law argues that this type Schools v. Seattle School District, etc.) snapped into action. In a scene that of residential segregation over the that the enactment of legal constitu- played out in many locales across the course of the twentieth century defined tional remedies requires showing that U.S. during the last century, the citi- where whites and Blacks could live and segregation had governmental origins. zens of Milpitas incorporated their city denied African Americans access to However, whereas Court decisions and passed an emergency exclusionary middle-class neighborhoods, with ef- found no evidence of such state in- zoning ordinance banning apartment fects continuing to the present. -
The Heart of Rock and Soul by Dave Marsh
The Heart of Rock and Soul by Dave Marsh 57 DANCE TO THE MUSIC, Sly and the Family Stone Written and produced by Sly Stone Epic 10256 1968 Billboard: #8 I first heard "Dance to the Music" in a high school lunch line when a friend thrust a pocket-size transistor at my ear. "You won't believe this," he said. Who could've? Except for "Papa's Got a Brand New Bag," no great single has broken so many rules and reestablished them in its own image. Sly found a funky equivalent of the white rock artiness of the Who and the Yardbirds -- without losing a shred of R&B's danceability. The lyric simply describes what's happening in the song, starting from scratch and adding one instrument at a time to build up a powerhouse of psychedelic R&B, replete with call-and-response vocals, briefly interjected solos, interspersed cries of surprised glee, and a beat.that bulldozes everything in its path. It's all so joyous that it's easy to miss the "message" declared by horn players Cynthia Robinson and Jerry Martini: " All the squares go home!" "Dance to the Music" arrived at the instant when black and white pop achieved their greatest closeness and began to move apart again, after more than a decade of frequently harmonious intersection. Since then, from Kool and the Gang to Prince, Sly and "Dance to the Music" have never been far away, and as the nineties open, their influence on pop dance music is as strong as anyone's -- even James Brown's. -
LEARNING PIANO Written by Pete Sears
LEARNING PIANO Written By Pete Sears Notation by Bill Wentz Illustrations by Pete Sears & Tony Williams ISBN 978-0-9796928-4-0 UPC 854746001162 Copyright 2007 Music Star Productions International Copyright Secured All Rights Reserved For all works contained herein: unauthorized copying, arranging, adapting, recording or public performance is an infringement of copyright. Infringers are liable under the law. Learning Piano With Pete Sears “Pete Sears brings an incredible knowledge of roots music to the table. Whether he is channeling Otis Span or creating his own genre, there is no finer keyboard player. The news is even better. Pete, unlike some artists, knows what he is doing and is a fine teacher. You can dance through the last fifty some years of roots keyboard sounds and Mr. Sears will show you every step!” - Jorma Kaukonen (Jefferson Airplane, Hot Tuna, JKT, Fur Peace Ranch Guitar Camp) “I like the way Pete keeps a bluesy mood going on the DVD while sharing his musical and professional insights.” - Mark Naftalin (Musician & Radio Host, Paul Butterfield Blues Band, Michael Bloomfield, Percy Mayfield, John Lee Hooker, www.bluespower.com ) “I just got my first piano, at long last. This DVD is the perfect, fun, intuitive way to dive in. I’m having fun with it.” - Bobby Weir (Grateful Dead, Ratdog) “Pete Sears is one of the most creative and innovative players in Rock ‘n Roll of my generation. He has wonderful intuition, finding just the right part for a song both melodically and rhythmically. Pete is always in the groove.” - Chuck Leavell (The Rolling Stones, The Allman Brothers, Eric Clapton) Pete Sears at Hyde Street Studios, San Francisco, CA 2005 Photo by Patrick McCormick Learning Piano With Pete Sears Learning Piano Wth Pete Sears Biography.............................................................................