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Convertible Collar Construction
Convertible Collar Construction Directory Click any image to go to that section Yoke/Facing Options: Intro and Gallery By far the most common set-up for a The purpose of this introductory section is to convertible-collar shirt is that it has front facings feature and compare the range of other options and a yoke, and that these two details don’t touch, also, if less commonly, in use beyond this classic as in the example at right. one, before I proceed to work step-by-step through a handful of useful variants . Many other possible That is, the facings don’t extend far enough combinations, and of course, variations on the towards the shoulders at the neckline that they’ll ones here, are conceiveable and may suit your meet with or join to the fronts of the yoke layers. As project better, so feel free to experiment. a result, the yoke construction steps aren’t integrated into the collar steps and are completed, in front at least, before the collar is begun, so the options for using the yoke as a back facing are eliminated. The steps for this classic arrangement are described below in Variation #5, in the Front Facing Only category. Collar Insertion Options Step-By-Step No Yoke or Facings Required Front facings Only Front and Back Facings, or Yoke Used as Facing Variation 1: Collar Applied as Band Variation 3: Collar’s Back Neckline Edge-Stitched Variation 6: Back Facings 1 3 and Facings Secured at Shoulder Seams 6 Options: Options: 1. Edge-stitched neckline 2. -
Design #729374
Design #729374 Design #729374 Dress - Fitted - Maxi length - Regular armholes - Plunging neckline - Jacket style collar with rounded lapel - Closure from neckline to hem with folded placket - Dress without waist seam - No waist seam, straight skirt - Front shoulder and waist darts - Back shoulder and waist dart - Sleeve with bow cuff Note on seam allowances: - If the pattern has double contour the seam allowances are included. - If the pattern has single contour, the seam allowances are NOT included and need to be added when laying out the pattern. Note on length of fabric: Attention! The amount of fabric needed for your pattern is not included. It will depend on the selected pattern size, the width, and design of the fabric you plan to use. You are welcome to use the Online Fabric Estimator to make calculations. Alternatively, print all the paper patterns and lay them out at the width of fabric you plan to use (usually from 90 to 150 cm). Measure how much fabric you will need. Don't forget to account for pieces that need to be cut multiple times and pieces that are cut on the fold. PRINTING: Please use Adobe Reader software to open your PDF pattern. You can get Adobe Reader free of charge at this link - https://get.adobe.com/reader/. Make sure you print your patterns at actual size (100%% scale or None) and on single sides of plain A4 paper. Verify that the print out size is to the correct scale by measuring the test square on the first page. The upper edge of the square features a centimeter scale, and the bottom edge features an inch scale. -
HISTORY and DEVELOPMENT of FASHION Phyllis G
HISTORY AND DEVELOPMENT OF FASHION Phyllis G. Tortora DOI: 10.2752/BEWDF/EDch10020a Abstract Although the nouns dress and fashion are often used interchangeably, scholars usually define them much more precisely. Based on the definition developed by researchers Joanne Eicher and Mary Ellen Roach Higgins, dress should encompass anything individuals do to modify, add to, enclose, or supplement the body. In some respects dress refers to material things or ways of treating material things, whereas fashion is a social phenomenon. This study, until the late twentieth century, has been undertaken in countries identified as “the West.” As early as the sixteenth century, publishers printed books depicting dress in different parts of the world. Books on historic European and folk dress appeared in the late eighteenth and nineteenth centuries. By the twentieth century the disciplines of psychology, sociology, anthropology, and some branches of art history began examining dress from their perspectives. The earliest writings about fashion consumption propose the “ trickle-down” theory, taken to explain why fashions change and how markets are created. Fashions, in this view, begin with an elite class adopting styles that are emulated by the less affluent. Western styles from the early Middle Ages seem to support this. Exceptions include Marie Antoinette’s romanticized shepherdess costumes. But any review of popular late-twentieth-century styles also find examples of the “bubbling up” process, such as inner-city African American youth styles. Today, despite the globalization of fashion, Western and non-Western fashion designers incorporate elements of the dress of other cultures into their work. An essential first step in undertaking to trace the history and development of fashion is the clarification and differentiation of terms. -
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form
Lesson Guide Princess Bodice Draping: Beginner Module 1 – Prepare the Dress Form Step 1 Apply style tape to your dress form to establish the bust level. Tape from the left apex to the side seam on the right side of the dress form. 1 Module 1 – Prepare the Dress Form Step 2 Place style tape along the front princess line from shoulder line to waistline. 2 Module 1 – Prepare the Dress Form Step 3A On the back, measure the neck to the waist and divide that by 4. The top fourth is the shoulder blade level. 3 Module 1 – Prepare the Dress Form Step 3B Style tape the shoulder blade level from center back to the armhole ridge. Be sure that your guidelines lines are parallel to the floor. 4 Module 1 – Prepare the Dress Form Step 4 Place style tape along the back princess line from shoulder to waist. 5 Lesson Guide Princess Bodice Draping: Beginner Module 2 – Extract Measurements Step 1 To find the width of your center front block, measure the widest part of the cross chest, from princess line to centerfront and add 4”. Record that measurement. 6 Module 2 – Extract Measurements Step 2 For your side front block, measure the widest part from apex to side seam and add 4”. 7 Module 2 – Extract Measurements Step 3 For the length of both blocks, measure from the neckband to the middle of the waist tape and add 4”. 8 Module 2 – Extract Measurements Step 4 On the back, measure at the widest part of the center back to princess style line and add 4”. -
Modern Pattern Design by Harriet Pepin
1942—Modern Pattern Design by Harriet Pepin Chapter 1—Pattern Designing Description of Equipment As the doctor, sculptor or artist should understand the purpose of various tools and equipment common to his profession, it is equally important that the patternmaker understands the purpose for which his equipment has been designed. Most of the following articles may be purchased at art supply houses, tailor's supply firms or at the notion departments in retail stores: 1. Triangle: The transparent right triangle is useful in pattern making to "square" a corner. The two smaller points will serve to establish a true bias from a vertical or horizontal line. Diagrams in problems which follow illustrate how this is done. In the study of geometry we learn that a triangle must total 180 degrees. This right triangle has two 45 degree angles and one 90 degree angle. 2. Tracing Wheel: This clever instrument saves hours of needless labor of thread marking. It is used to transfer lines or symbols from one pattern to another or from the final pattern to the muslin or fabric. When the test muslins are being made by the designer, ordinary pencil carbon may be used. When actual garments are being cut, white carbon or chalk boards are used. These markings can be easily removed later. 3. Carbon Boards: A suitable carbon board can be made by purchasing a 24 × 36 sheet of pencil carbon from an art supply house. This should be laid, face upward, upon a similar size piece of heavy cardboard or ply board. Then a length of cheese cloth is laid over and securely fastened to the back of the board with gum tape or thumb tacks. -
D. Interfacing Cut 2 @ 10 X 6 ½”
Material Quantities Fabric 1 (44”)- Upper exterior, exterior and ¼ yard, fat quarter or scraps interior bottom, exterior handles Fabric 2 (44”)– lower exterior, upper interior ¼ yard, fat quarter or scraps lining, interior handles Interfacing (22”) - ¼ yard lightweight Zippers 1 – 9” Bias Tape - ½” double fold 40” (1pkg) or scrap Print instructions using the LANDSCAPE setting on your printer. OR *Fabric 3 (44”) - for ½” fat quarter, 1/4 Notes: double fold bias tape yard or 7” square Use ¼” seam allowance unless otherwise indicated. Fabric panels and interfacing will be treated as one unit. Interfacing will *Purchase Fabric 3 only if making bias tape, otherwise purchase pre-made bias tape in quantity indicated. not be pictured in illustrations. Mark each fabric panel with letter and “top” as indicated on pattern. To Cut Fabric Pieces: “Reverse” pattern piece; flip pattern piece over (wrong side up) and trace. CUTTING CHART Fabric 1 Fabric 2 Cut B pieces using pattern pieces provided. Cut A & C pieces using W x H measurements provided. A. Exterior Background 2 @ 10 x 6 ½” - Interface A pieces following manufacturer’s instructions To make your own bias tape, read “How to Make Bias Tape” on pg. 3. B. Small Petals: - 1. B1 Cut 2 from pattern 2. B2 Cut 2 from pattern C. Interior Lining 2 @ 10 x 6 ½” - D. Interfacing Cut 2 @ 10 x 6 ½” 1 Sample Cutting Layout: Cut on single layer of fabric, WRONG side up. Lay CREATE BAG: pattern on WRONG side of fabric 1. Cut 4 - 10” pieces of bias tape. 2. Read “Applying Bias Tape” on page 8. -
Sample Schedule
Grab a Ramah Darom map and take an audio tour of campus at ramahdarom�org/take-a-tour FRIDAY, MARCH 26 TIME ACTIVITY LOCATION 11:00am-5:00pm Check In and Intake Welcome Center Enjoy DIY projects or check out activity boxes, sports equipment 11:00am-5:00pm Concierge Desk and games Boating Open Agam (Lake) Check the Concierge Desk to see what time slots are available for: 12:30-5:00pm Archery* Archery Range Climbing* Alpine Tower/Climbing Wall Pool* Breicha (Pool) Outside of Omanut 2:00-4:00pm Art: Embossed Jerusalem with Judy Robkin* (Art Building) Stroll Ramah Darom (Easy) Meet at Levine 3:00-4:00pm Enjoy a tour of our campus. Center Portico Mirpesset T'fillah 4:00-4:45pm Gentle Yoga with Jenn Krueger* (Mountainside Pavilion) 5:00-5:15pm Symbolic Burning of the Chametz Medura (Lakeside Fire Pit) Family Program: A Story Concert with Maxine Handelman Families are invited to enjoy Shabbat, Pesach and getting-to-know- Beit Am 5:30-6:15pm you stories as we prepare to welcome the holiday! Recommended for (Covered Basketball Court) children up to the age of 8. Beit Am 6:15-7:15pm Welcome! Mincha, Kabbalat Shabbat and Maariv (Covered Basketball Court) Levine Center Portico/ 6:30-7:30pm Candle Lighting Available Center Dining Hall *See Session Descriptions on pages 40-41. Grey Denotes Preregistration Required! 12 Passover 2021 Kaplan Mitchell Retreat Center at Ramah Darom FRIDAY, MARCH 26 TIME ACTIVITY LOCATION 7:30-9:00pm Shabbat Dinner Chadar Ochel (Dining Hall) The Rabbi, The Witch and The Prevaricator: The Life of Shimon ben Shetach with Maharat Rori Picker Neiss Shimon ben Shetach is well-known for hunting witches. -
5 Clothing Technology Eng Oc
Content Page 5.1 Garment Ease and Fitting 1 5.1.1 Garment Ease 1 5.1.2 Garment Fitting 3 5.2 Pattern construction 7 5.2.1 Measurement and Sizing 7 5.2.2 Methods of Pattern Construction 13 5.2.3 Individual and Commercial Pattern Construction 21 Process 5.3 Garment Construction 23 5.3.1 Construction of Garment Parts 23 5.3.2 Trimmings and Fastenings 58 5.4 Industrial Technologies 69 5.4.1 Industrial Sewing Machine 69 5.4.2 Laser Technology 72 5.4.3 Automatic Data Collection System 75 5.1 Garment Ease and Fitting 5.1.1 Garment Ease Garments require adequate ease to provide and allow room for movement. Ease is the extra allowance added on the body measurement in pattern construction. Ease is different between garment measurement and body measurement. The exact dimensions of the body are without any addition room for comfort or movement. There are two types of ease: Wearing Ease and Design Ease. The measurement of a garment should consider the measurement of the wearer’s body, wearing ease and design ease. Body Wearing Design Fashion Style + + = Measurement Ease Ease or Silhouette Figure 5.1 The sizing design of a fashion garment Wearing ease Design ease Figure 5.2 Wearing ease – to show the basic ease on the dress for allowing the body to move comfortable. Design ease – extra ease to add into the dress by the designer to change the silhouette. 1 (A) Wearing Ease Wearing ease (comfort ease or fitting ease) must be required in all garments for body movement. -
1 2 3A 4A 5A 3B 4B
TOP How to make a Join the American Hospital Association 1.5” 7” Square and tag your social media with .5” FOLD .5” #100MillionMasks 1” .5” DIY Face Mask FOLD .5” FOLD .5” .5” Cut 2 pieces of 7”x7” fabric and put the back sides of cotton fabric together 1.5” NEED: so that the right sides face out. 1 BOTTOM • 2pcs 7”x7” 50/50 Cotton Poly blend Tee Make 3 folded pleats with fabric together and pin on the sides to hold in Shirt or Jersey, or 100% Cotton Tee Shirt OVER FOLD or Jersey or Tight-Weave Quilters Cotton place. FOLD MEETING POINT 2 INSIDE FOLD *Fabric must be new and never used. If Place nose bridge wire (if available) Use 1pc 23” of 1” bias tape and place . washing avoid fragrant soaps. centered across top/front layer and nose bridge wire (if available) PLEASE INCLUDE THIS INFO MASK A place 1pc 7” of 1” bias tape over top centered across top/front layer. Sew SAFETY-PINNED ON EACH MASK • 2pcs 36” Bias Tape ½” wide 3a front layer edge (back layer will stay 3b front layer with Bias tape/wire (back layer will stay loose, this will create (no satin ribbon) loose, this will create the pocket needed MADE BY: (ex/ organization or to insert disposable filter). Use a the pocket needed to insert • 2pcs of 7” Bias Tape 1” wide business name here) • 1pc of 5” Nose-Bridge wire (if available) straight stitch. disposable filter). MASK B Place ¼” elastic edges facing fabrics DATE: • 2pcs of 7” of 1/4 inch elastic Sew bottom 2 pieces together with 1” bias tape and straight stitch. -
Creating and Managing Archestra Graphics User's Guide
Wonderware Creating and Managing ArchestrA Graphics User’s Guide 10/21/15 No part of this documentation shall be reproduced, stored in a retrieval system, or transmitted by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of Schneider Electric Software, LLC. No liability is assumed with respect to the use of the information contained herein. Although precaution has been taken in the preparation of this documentation, Schneider Electric Software, LLC assumes no responsibility for errors or omissions. The information in this documentation is subject to change without notice and does not represent a commitment on the part of Schneider Electric Software, LLC. The software described in this documentation is furnished under a license agreement. This software may be used or copied only in accordance with the terms of such license agreement. © 2015 Schneider Electric Software, LLC. All rights reserved. Schneider Electric Software, LLC 26561 Rancho Parkway South Lake Forest, CA 92630 U.S.A. (949) 727-3200 http://software.schneider-electric.com/ ArchestrA, Avantis, DYNSIM, EYESIM, Foxboro, Foxboro Evo, I/A Series, InBatch, InduSoft, IntelaTrac, InTouch, PIPEPHASE, PRO/II, PROVISION, ROMeo, Schneider Electric, SIM4ME, SimCentral, SimSci, Skelta, SmartGlance, Spiral Software, VISUAL FLARE, WindowMaker, WindowViewer, and Wonderware are trademarks of Schneider Electric SE, its subsidiaries, and affiliated companies. An extensive listing of Schneider Electric Software, LLC trademarks can be found at: http://software.schneider-electric.com/legal/trademarks/. All other brands may be trademarks of their respective owners. 3 Contents Welcome .................................................. 17 Documentation Conventions ......................................................... 17 Technical Support .......................................................................... 18 Chapter 1 About Creating and Managing ArchestrA Symbols................................... -
Hong Kong Finish with Blind Hem Stitch By: Burdastyle
Hong Kong Finish with Blind Hem Stitch By: BurdaStyle http://www.burdastyle.com/techniques/hong-kong-finish-with-blind-hem-stitch This finish uses the same technique as the Hong Kong binding seam finish, but applied to a hem and utilizing a blind handstitch. Enclosing the raw edge inside a strip of bias, this technique is labor intensive and luxurious, and is used in better-quality garments. This method is especially suitable for heavy fabrics and for summer garments that you wouldnât want to line. Step 1 Mark a 2â hemline, turn up, and press. 1HongStep 2 To make the bias strips, fold your fabric so the selvages lie at a right angle; the fold will be at exactly 45 degrees. Check out our Sewpedia definition for help, Bias/diagonal cut (cutting on the cross) and also, Make French Bias Binding. Use a lightweight material that matches the garment. Measure 1â wide bias strips along the fold with a ruler and marking tool. (You can also use single or double fold bias tape and press it open). Step 3 Cut out the strips and square the ends to the length of the seam you are finishing. If you need to make your strips longer you will have to attach the strips, by placing one over the other at a right angle, sewing right sides together. 2Step 4 With right sides together, pin the bias to the hem. Step 5 Now, stitch the bias to the hem with a ¼â seam allowance. 3Step 6 This is what it will look like after stitching. -
Dress with Slanted Closure
Lekala 2063 Dress With Slanted Closure Dress With Slanted Closure - Sewing Pattern #2063 Recommendations on fabric: natural/mixed fabric suitable for dresses. You will also need: fusible interfacing; 5 buttons; 1 inner button. Seam allowances: seam allowance for hem of garment — 2.0 cm, other seams – 1.0 cm. Note on seam allowances: - If the pattern has double contour the seam allowances are included. They are 1 cm unless specified otherwise. - If the pattern has single contour, the seam allowances are NOT included and need to be added when laying out the pattern. Note on length of fabric: Attention! The amount of fabric needed for your pattern is not included. It will depend on the selected pattern size, the width, and design of the fabric you plan to use. First, print all the paper patterns and lay them out at the width of fabric you plan to use (usually from 90 to 150 cm). Measure how much fabric you will need. Don't forget to account for pieces that need to be cut multiple times and pieces that are cut on the fold. CUTTING: Note on cutting: On the pattern pieces, “beam” means straight of grain. Lay out your pieces accordingly. Some pieces will be cut on the fold. This is noted on the pattern piece. Mark all notches and other design features such as pleats etc. from the pattern onto your fabric. When sewing the garment, pay attention to notches, they must match up. Main fabric: 1. Center back – cut 2 2. Side back — cut 2 3. Side front — cut 2 4.