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"My Songs Require You to Listen to and Understand Each Line"
1984 APR With both records, there's afeeling of something intangible, of aband an insect with an odd number of wings, she loves him not. Finally, "Box reachingwhere they ought not to go-they provoke imagination and For Black Paul" begins as aWho Killed Cock Robin-style elegy for the inspire hyperbole. Both are testaments of romantic daring and sick destruction of The Birthday Party, and develops into ahuge and bloated obsessiveness, full of feverish images of guilt, pictures of murder that are dirge that aches with ayearning beauty, the voice dredging the loss to simultaneously horrendous and secretly attractive. produce the loneliest sound you've ever heard. It was at that point that it first became clear that Nick's songwriting was Of course it's not constructed without acertain humour, but even by departing from every mode known to rock music and developing into the standards of The Birthday Party, it's adark variety indeed -there's some new, iridescent form, in turns trenchant and direct, epic and not alot to laugh about. It's awork more contemplative than Marc overblown. Meanwhile, the band's music was hurling itself into astate of Almond's Torment And Toreros, but one that shares its total ambition. wild, epileptic disorder that seemed to be driven by astate of frenzy, even From Her To Eternity is astatement of romantic irrationalism, stretching in its most dangerously restrained moments. to the very limits. With The Birthday Party literallyfalling apart-Rowland SHoward had already gone and Blixa Bargeld from Einstürzende Neubauten 1ALK TO NICK Cave and you're talking to avariety of characters. -
Sonik84full.Pdf
ww Depeche Mode by D.A. Pennebaker Chris Hegedus 101The Movie David Dawkins ΑΘΗΝΑ Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του θεάτρου Badminton ΔΕΥΤΕΡΑ 01.04.13 Ολυμπιακά Ακίνητα Γουδή. Tηλ: 13855 & 210.88.40.600 Photo: Anton Corbijn. Design: Dimitris Panagiotakopoulos Kινηματογράφος ΘΕΣΣΑΛΟΝΙΚΗ Ολύμπιον Προπώληση εισιτηρίων από 01.03.13 στα ταμεία του Kινηματογράφου Ολύμπιον ΣΑΒΒΑΤΟ 06.04.13 Πλατεία Αριστοτέλους 10. Τηλ: 2310 378400 ΧΟΡΗΓΟΣ Μοναδικός. Καθημερινός. Αληθινός sonik_dm_21x27.5.indd 1 27/02/2013 3:32 μ.μ. 4 | LOGΙΝ Μηνιαίο μουσικό περιοδικό Mάρtιος 2013 ISSN: 1790-1960 Περιεχόμενα 6 My Latest Obsession 10 αναγνώστες του SONIK μας γνωστοποιούν το τελευταίο τους κόλλημα 10 SONIK World Τάσεις, εξελίξεις και προτάσεις από την παγκόσμια μουσική σφαίρα EDITORIAL 14 SONIK Greek Τάσεις, εξελίξεις και προτάσεις από την ελληνική μουσική σκηνή Τις μέρες που κλείνουμε το παρόν τεύχος, το YouTube έχει γεμίσει και αγορά σχόλια επιδοκιμασιών (αλλά και –αναμενόμενα– ειρωνειών) για το spoken word single/video “Lightning Bolts” του Nick Cave. Πέρα 18 Nick Cave «Υπάρχουν τραγούδια που πεθαίνουν με το πέρασμα του χρόνου. από τις υπερβολές περί αρχαίας τραγωδίας, μεταφορών περί κε- Οι καλές συνθέσεις σου, όμως, κάνουν μόνες τους φανερή ραυνών του Δία κ.α., ένας στίχος πρέπει να ανησυχήσει τη δική μας, την παρουσία τους.» εγχώρια μουσική ελίτ που απαξιεί να ασχοληθεί σοβαρά με το 22 Warren Ellis θέμα: «Στην Αθήνα οι νέοι κλαίνε από τα δακρυγόνα – εγώ είμαι «Από τη στιγμή που έφυγε ο Mick Harvey, το βάρος για μερικά στην πισίνα του ξενοδοχείου μου μαυρίζοντας». Δεν ξέρω αν χρει- ζητήματα έπεσε ακόμα περισσότερο στους ώμους του Nick.» αζόμαστε συμπόνια, αν οι εικόνες αυτές δεν βοηθούν τον τουρι- 28 The ch-ch-changing face of David Bowie σμό, αν απλώς είναι λαϊκίστικες κορώνες, αν απευθύνονται καν σε μας. -
Theatres of Music’: Recent Composition-Led Works by Andrée Greenwell Andrée Greenwell University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2012 ‘Theatres of Music’: recent composition-led works by Andrée Greenwell Andrée Greenwell University of Wollongong Recommended Citation Greenwell, Andrée, ‘Theatres of Music’: recent composition-led works by Andrée Greenwell, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 2012. http://ro.uow.edu.au/theses/3795 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] ‘Theatres of Music’: recent composition-led works by Andrée Greenwell A thesis submitted in partial fulfillment of the requirements for the award of the degree Doctor of Creative Arts from the University of Wollongong by Andrée Greenwell B.A. Music, P.G. Diploma in Music (VCA) Faculty of Creative Arts May, 2012 Abstract This exegesis provides an exposition of the theoretical basis for my two most recent music-theatre compositions The Hanging of Jean Lee and The Villainelles, both developed from poetic collections of Dr Jordie Albiston. This written documentation primarily concerns the creative adaptation of extant literary works to composition-led interdisciplinary performance. As a companion to the documented folio works that form the greater part of this DCA, this exegesis is intended to illuminate the artistic inception, rationale and creative methodologies of these two major works created in the period of 2003- 2008, and for which I undertook a variety of creative roles including composer, artistic director, image researcher, image director and performer. Together, these works assist the identification of my artistic practice as particular within the broader context of Australian and international music-theatre. -
Mick Geyer in 1996: NC: Mr Mick Geyer, My Chief Researcher and Guru, He Is the Man Behind the Scenes
www.pbsfm.org.au FULL TRANSCRIPT OF DOCUMENTARY #3 First broadcast on PBS-FM Wednesday 12 April 2006, 7-8pm Nick Cave interviewing Mick Geyer in 1996: NC: Mr Mick Geyer, my chief researcher and guru, he is the man behind the scenes. How important is music to you? MG: It seems to be a fundamental spirit of existence in some kind of way. The messages of musicians seem to be as relevant as those of any other form of artistic expression. MUSIC: John Coltrane - Welcome (Kulu Se Mama) LISA PALERMO (presenter): Welcome to 'Mick Geyer: Music Guru'. I'm Lisa Palermo and this is the third of four documentaries paying tribute to Mick, a broadcaster and journalist in the Melbourne music scene in the 1980's and '90's. Mick died in April 2004 of cancer of the spine. He had just turned 51. His interests and activities were centred on his love of music, and as you'll hear from recent interviews and archival material, his influence was widespread, but remained largely outside the public view. In previous programs we heard about the beginnings of his passion for music, and his role at PBS FM, behind the scenes and on the radio. Now we'll explore Mick as a catalyst and friend to many musicians, through conversation and the legendary Geyer tapes, those finely crafted compilations of musical enlightenment and education. In this program we'll hear for the first time from: musicians Dave Graney & Clare Moore, Jex Saarelaht, Hugo Race, Tex Perkins, Warren Ellis, Kim Salmon, Brian Hooper, Charlie Owen, and Penny Ikinger; and from friends Beau Cummin, Mariella del Conte, Stephen Walker and Warwick Brown. -
Relacion De Articulos Ordenados
Artículos ordenados por autor (1985-2009) Grupo / artículo / nº de revista / página / mes / año ??? ALBERT COLLINS - In memoriam - nº 94, pag 19, Abril-1994 ANDY SHERNOFF - Fotomatón - nº 134, pag 11, Diciembre-1997 ÁNGEL ALTOLAGUIRRE - Fotomatón - nº 129, pag 16, Junio-1997 BEN VAUGHN - Fotomatón - nº 140, pag 15, Junio-1998 BOMBARDEROS - Munición pesada - nº 29, pag 14, Mayo-1988 BUDDY HOLLY - Buddy - nº 51, pag 14, Mayo-1990 BYRDS - Pájaros empapelados - nº 47, pag 15, Enero-1990 CALVIN JOHNSON - Fotomatón - nº 127, pag 16, Abril-1997 CARL PERKINS - Rockabilly magnetoscopico - nº 29, pag 13, Mayo-1988 CHUCK BERRY - Brown eyed handsome man - nº 22, pag 5, Octubre-1987 COME - Total Blackout - nº 119, pag 13, Julio/Agosto-1996 DEAN WAREHAM - Fotomatón - nº 133, pag 16, Noviembre-1997 DUANE ALLMAN - Lo que el viento se llevó - nº 173, pag 48, Junio-2001 ELLIOT SHARP - Trigonometría musical - nº 33, pag 14, Octubre-1988 ERNESTO PRIBATA - Fotomatón - nº 141, pag 17, Julio/Agosto-1998 EXTRAÑOS AQUÍ - Esperanza malagueña - nº 38, pag 64, Marzo-1989 FANG - Fotomatón - nº 144, pag 8, Noviembre-1998 FLECHAZOS - Examen de conciencia - nº 34, pag 14, Noviembre-1988 FLECHAZOS - Fotomatón - nº 131, pag 16, Septiembre-1997 FLORES DEL MAL - Disparos botánicos - nº 30, pag 12, Junio-1988 FRANK BLACK - Fotomatón - nº 150, pag 12, Mayo-1999 FUZZTONES - Fuzzin' All Over Spain - nº 28, pag 12, Abril-1988 GEMA SUBTERFUGE - Fotomatón - nº 132, pag 16, Octubre-1997 HANK - Fotomatón - nº 151, pag 16, Junio-1999 HOWARD DEVOTO - Devoción lujuriosa - nº 52, pag 12, Junio-1990 IAN SVENONIOUS - Fotomatón - nº 138, pag 11, Abril-1998 J.P.S. -
Kiff Aarau We Keep You in the Loop
SEP.17 Nick Cave EINSCHLAUFEN Betrifft: Sepia-Tinte, Siff und Samt Impressum Nº 07.17 Manchmal sind es tatsächlich nur Menschen Als Berlin Ende 1989 mit dem Mauerfall den DER MUSIKZEITUNG LOOP 20. JAHRGANG und Orte. Eine flüchtige Kombination aus Bio- Frontstadt-Status verlor, mochte auch unser Ti- grafie und Geografie, die sich mit Bedeutung telheld nicht mehr dort leben. Sein Ruhm, den er P.S./LOOP Verlag auflädt. William S. Burroughs in Tanger. Jörg sich inzwischen erarbeitet hatte, folgte ihm al- Langstrasse 64, 8004 Zürich Fauser in Istanbul. Malcolm Lowry in Mexiko. lerdings auch auf seinem Schlingerkurs um den Tel. 044 240 44 25, Fax. …27 Fixe Bezugspunkte in einem Atlas der Sucht, Globus. Und wurde einer Transformation unter- www.loopzeitung.ch die freilich nicht nur endlosen Exzess, sondern worfen. Der Siff der frühen Jahre verschwand, auch Phasen von geradezu manischer Kreativi- zur inzwischen sorgsam gekämmten und ge- Verlag, Layout: Thierry Frochaux tät markieren. Die zugehörigen Romane: «In- tönten Frisur trug man gut sitzende Anzüge, [email protected] terzone», «Rohstoff», «Under the Volcano». diskrete Hemden und hin und wieder gar eine In diese Reihe der Vertriebenen – oder um einen Krawatte. Unter der samtenen Oberfläche hin- Administration, Inserate: Manfred Müller musikalisch-technischen Begriff zu verwenden: gegen brodelte es weiter. Leidenschaftlich arran- [email protected] aus dem Leben Ausgekoppelten – gehört auch gierte Liebe, biblischer Furor und eine archaisch Nick Cave. Ein paar Jahre früher war auch anmutende Weltsicht kondensierten zu Liedern, Redaktion: Philippe Amrein (amp), David Bowie in der Hauptstadt des Heroins die genau das tun, was man von ihnen erwartet: Benedikt Sartorius (bs), Koni Löpfe unterwegs und hat dort wegweisende Alben Sie zerwühlen das Herzfett der Hörerschaft. -
AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What
... AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What You Don't Know 10 COMMANDMENTS Not True 1989 100 FLOWERS The Long Arm Of The Social Sciences 100 FLOWERS The Long Arm Of The Social Sciences 100 WATT SMILE Miss You 15 MINUTES Last Chance For You 16 HORSEPOWER 16 Horsepower A&M 540 436 2 CD D 1995 16 HORSEPOWER Sackcloth'n'Ashes PREMAX' TAPESLEEVES PTS 0198 MC A 1996 16 HORSEPOWER Low Estate PREMAX' TAPESLEEVES PTS 0198 MC A 1997 16 HORSEPOWER Clogger 16 HORSEPOWER Cinder Alley 4 PROMILLE Alte Schule 45 GRAVE Insurance From God 45 GRAVE School's Out 4-SKINS One Law For Them 64 SPIDERS Bulemic Saturday 198? 64 SPIDERS There Ain't 198? 99 TALES Baby Out Of Jail A GLOBAL THREAT Cut Ups A GUY CALLED GERALD Humanity A GUY CALLED GERALD Humanity (Funkstörung Remix) A SUBTLE PLAGUE First Street Blues 1997 A SUBTLE PLAGUE Might As Well Get Juiced A SUBTLE PLAGUE Hey Cop A-10 Massive At The Blind School AC 001 12" I 1987 A-10 Bad Karma 1988 AARDVARKS You're My Loving Way AARON NEVILLE Tell It Like It Is ABBA Ring Ring/Rock'n Roll Band POLYDOR 2041 422 7" D 1973 ABBA Waterloo (Swedish version)/Watch Out POLYDOR 2040 117 7" A 1974 ABDELLI Adarghal (The Blind In Spirit) A-BONES Music Minus Five NORTON ED-233 12" US 1993 A-BONES You Can't Beat It ABRISS WEST Kapitalismus tötet ABSOLUTE GREY No Man's Land 1986 ABSOLUTE GREY Broken Promise STRANGE WAYS WAY 101 CD D 1995 ABSOLUTE ZEROS Don't Cry ABSTÜRZENDE BRIEFTAUBEN Das Kriegen Wir schon Hin AU-WEIA SYSTEM 001 12" D 1986 ABSTÜRZENDE BRIEFTAUBEN We Break Together BUCKEL 002 12" D 1987 ABSTÜRZENDE -
Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright
Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David). -
Diskografie Downloaden (PDF)
Ingo Krauss / CANDY BOMBER STUDIO Diskografie in Auszügen 1000 GRAMM By All Dreams Necessary 2016 - 2020 AUTOMAT Ost-West Modul AXEL PRAHL Mehr B KOESTER Kolonel Silvertop CASPAR BRÖTZMANN Basstotem D.A.F. Plank-Sessions DIE HEITERKEIT Was passiert ist EIVIND AARSET AND JAN BANG Snow Catches on her Eyelashes GEMMA RAY The Exodus Suite Psychogeology HÖCHSTE EISENBAHN Ich glaub dir alles HUSTEN Zurück zum Husten JAMES ELEGANCE The only one KEIMZEIT Das Schloss LARRY MULLIS AND MIKE WATT 1969 LÜÜL Fremdenzimmer MADRUGADA MICK HARVEY Delirium Tremens NICK CAVE Ghosteen SAMUEL ROHRER Range Of Regularity Dark Star Safari STEPHAN EICHER Songbook Homeless Songs THE SWANS Glowing Man Leaving Meaning Ingo Krauss / CANDY BOMBER STUDIO Diskografie in Auszügen 2011 - 2015 AMBIQ Ambiq AUTOMAT Automat Mono CASPAR BRÖTZMANN Live im Berghain Home DIE HEITERKEIT Monteray Pop und Tod GEMMA RAY Down Baby Down Milk For Your Motors IGGY AND THE STOOGES Ready To Die JULIA MARCELL Sentiments KADAVAR Berlin MARTIN DEAN Dr Blue And Mr Gold MELL Western Spaghetti MERET BECKER Deins Und Done MORITZ VON OSWALD TRIO Sounding Lines STEREO MC Feat TERRANOVA Connected TOCOTRONIC Wie Wir Leben Wollen Das Rote Album TONI KATER Eigentum Sie fiel vom Himmel Ingo Krauss / CANDY BOMBER STUDIO Diskografie in Auszügen 2006 - 2010 ANTON SWORD City Of Oblivion ARI BENJAMIN MEYERS Symphony X AUTONERVOUS Autonervous BEE AND FLOWER Suspension BEN BECKER Die Bibel EFF JOTT KRÜGER Fast Cars - Slow Guitars FUZZTONES Horny As Hell JAMIE LIDELL Jim LANA LOVELAND Order To Love MARTIN GALLOP -
'Infected by the Seed of Post- Industrial Punk Bohemia'
[PMH 3.2 (2008) 103-122] Popular Music History (print) ISSN 1740-7133 doi:10.1558/pomh.v3i2.103 Popular Music History (online) ISSN 1743-1646 Peter Webb ‘Infected by the seed of post- industrial punk bohemia’: Nick Cave and the milieu of the 1980s underground Peter Webb is a lecturer and researcher in Media Department of Sociology and Culture in the Department of Sociology at 32 Pritchatts Road, Edgbaston, the University of Birmingham. He has published Birmingham, B15 2TT work on the Internet and the music and fashion UK industries, music scenes or milieu, notions of [email protected] independence in the music industry, globaliza- tion and music and theories of music cultures. He also is a musician who has released several albums, singles and EPs under the name ‘Statik Sound System’. Abstract This article uses the concepts of cultural milieu and music genre to explore the work of Nick Cave in the 1980s and later. Milieu theory is derived from the work of phenomenologists Alfred Schutz and Jorg Durschmitt. The article analyses the transgressive milieu of Cave and such col- laborators as Blixa Bargeld and Lydia Lunch and considers the way in which the music genres of punk, post-punk, gothic and industrial have been implicated in Nick Cave’s recorded output. Keywords: genre, gothic, industrial, milieu, post-punk, punk, scenes There’s a real need for an intelligent but aggressive group in London. All the treasured groups are just so softcore. At one time there was a real upsurge of new young groups and incredible records like ‘She is beyond Good and Evil’, you know the Pop Group before they sacrificed the music for that soapbox, toilet-roll politics. -
INDEPENDENT AUSTRALIAN LABELS 1955 to 1990
AUSTRALIAN RECORD LABELS INDEPENDENT AUSTRALIAN LABELS 1955 to 1990 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 AUSTRALIAN INDIE LABELS, 1955–1990 ACKNOWLEDGEMENTS GRATEFUL THANKS TO: HANK B. FACER, FOR HIS ‘LOGO’ MUSEUM OF INDIGENOUS RECORDING LABELS, CHRIS SPENCER, FOR HIS AUSTRALIAN MUSIC MUSEUM, THE CONTRIBUTORS TO 45CAT.COM, DISCOGS.COM, RATEYOURMUSIC.COM AND MILESAGO, MARK GREGORY’S AUSTRALIAN FOLK SONGS WEBSITE AT FOLKSTREAM.COM THE NATIONAL FILM AND SOUND ARCHIVE, AND MUSIC AUSTRALIA, FOR THEIR ON-LINE CATALOGUES, ANDREW AINSWORTH, ALISTAIR BANFIELD, HARRY BUTLER, BILL CASEY, HEDLEY CHARLES, MICHAEL DEN HARTOG, DAVID HUGHES, DAVID KENT, ROSS LAIRD, JACK MITCHELL, IAN D. ROSS, GJERMUND SKOGSTAD, BRIAN WAFER, AND CLINTON WALKER LATE, GREAT COLLEAGUES GEORGE CROTTY, DEAN MITTELHAUSER, RON SMITH AND MIKE SUTCLIFFE FOR THEIR LOVE OF AUSTRALIAN MUSIC AND FOR THEIR PIONEERING RESEARCH. SOME PRESSING INFORMATION NUMBERS OR LETTERS PRINTED ON THE RECORD LABEL OR INSCRIBED IN THE RUN-OFF WAX OFTEN GIVES CLUES ABOUT WHICH RECORD COMPANY PRESSED THE RECORD, AND WHEN IT WAS PRESSED. TYPICAL PREFIXES INCLUDE: 7XS EMI CUSTOM RECORDING AW RADIOLA/AWA CUSTOM RECORDING CWG W&G CUSTOM RECORDING DB RCA DOTTED TRIANGLE SHEARD & CO. FH ASTOR MA ASTOR CUSTOM PRESSING MX FESTIVAL, OR AUSTRALIAN RECORD COMPANY / CBS PRS, YPRX EMI CUSTOM RECORDING RRC, RRCS RANGER CUSTOM RECORDING SMX FESTIVAL 2 AUSTRALIAN INDIE LABELS, 1955–1990 CAT. NO. TITLE(S) FORMAT / MX NO. / NOTES ARTIST(S) DATE 3333 RECORDS DISTRIBUTED BY MUSICLAND. MUSLP 3333 LIVE AT SING SING LP THE BACHELORS FROM PRAGUE 1986 3333/1 THE ENERGETIC COOL CD THE BACHELORS FROM PRAGUE 5.88 MUS SP 3333/2 GO / EVEN DISHWASHERS GET THE BLUES BACHELORS FROM PRAGUE 9.88 3333/3 THE ENERGETIC COOL LP THE BACHELORS FROM PRAGUE 1988 SP 3333/3 TIGHTROPE / THE OUTSIDER 7” BACHELORS FROM PRAGUE 3.89 TO MERCURY RECORDS, THROUGH PHONOGRAM AARON RECORDS PB 0001 MAMA / THAT LUCKY OLD SUN DAVID J. -
17 Nov – 4 Dec 2011 CINECITY Is Presented in Partnership with the Duke of York’S Picturehouse and Screen Archive South East at the University of Brighton
SPONSORED BY 9TH 17 Nov – 4 Dec 2011 CINECITY IS PRESENTED IN partnership WITH THE DUKE OF YORK’S PICTUREHOUSE AND SCREEN ARCHIVE SOUTH EAST at THE UNIVERSITY OF BRIGHTON. 12A CINECITY SUPPORTED BY ARTS COUNCIL ENGLAND, BRIGHTON & HOVE CITY COUNCIL, SCREEN SOUTH, BRITISH FILM INSTITUTE AND THE UNIVERSITY OF BRIGHTON. fri CINECITY ARE: TIM BROWN, FRANK GRAY, NICKY BEAUMONT, SARA DUFFY. 18 nov BRIGHTON FILM FESTIVAL BRIGHTON SCREENINGS CO-ordinator: NIKKI HARMAN; DESIGN: STUDIOTONNE; THE DEEP BLUE SEA PROGRAMME COPY CONTRIBUTOR: SOPHIE BROWN. DUKE OF YORK’S | FRI 18 NOV | 6.30PM 17 NOV – 04 DEC 2011 Patrons: NICK Cave, PADDY CONSIDINE, STEVE COOGAN, JOHN Hillcoat, HENRY NORMAL. THANK YOU TO ALL OUR FUNDERS AND SPONSORS, THE FILM-MAKERS AND DISTRIBUTORS, Dir: Terence Davies. With: Rachel Weisz, Tom Hiddleston, VENUES AND VOLUNTEERS WHO have MADE THIS YEAR’S festival POSSIBLE. Simon Russell Beale. UK 2011. 98mins. CINE-CITY.CO.UK A real cause for celebration: Terence Davies’ first drama for over a decade, since 2000’s HOUSE OF MIRTH. Adapted from Terence Rattigan’s seminal play, THE Welcome to the 9th edition of CINECITY which returns to venues across the city Free exhibitions and installations at the University of Brighton are at the heart DEEP BLUE SEA is an evocative and poetic tale of simmering passion, desire and with a packed programme over 18 days featuring the very best in international of the programme: THIS OUR STILL LIFE, a portrait of a Pyrenean farmhouse abandonment performed by a superb cast. cinema and a rich mix of premieres and previews, artists’ cinema and through the eyes and ears of film-maker Andrew Kötting and his daughter Eden, installations, treasures from the archive and special events.