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INDEPENDENT AUSTRALIAN LABELS 1955 to 1990

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AUSTRALIAN RECORD LABELS INDEPENDENT AUSTRALIAN LABELS 1955 to 1990 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 AUSTRALIAN INDIE LABELS, 1955–1990 ACKNOWLEDGEMENTS GRATEFUL THANKS TO: HANK B. FACER, FOR HIS ‘LOGO’ MUSEUM OF INDIGENOUS RECORDING LABELS, CHRIS SPENCER, FOR HIS AUSTRALIAN MUSIC MUSEUM, THE CONTRIBUTORS TO 45CAT.COM, DISCOGS.COM, RATEYOURMUSIC.COM AND MILESAGO, MARK GREGORY’S AUSTRALIAN FOLK SONGS WEBSITE AT FOLKSTREAM.COM THE NATIONAL FILM AND SOUND ARCHIVE, AND MUSIC AUSTRALIA, FOR THEIR ON-LINE CATALOGUES, ANDREW AINSWORTH, ALISTAIR BANFIELD, HARRY BUTLER, BILL CASEY, HEDLEY CHARLES, MICHAEL DEN HARTOG, DAVID HUGHES, DAVID KENT, ROSS LAIRD, JACK MITCHELL, IAN D. ROSS, GJERMUND SKOGSTAD, BRIAN WAFER, AND CLINTON WALKER LATE, GREAT COLLEAGUES GEORGE CROTTY, DEAN MITTELHAUSER, RON SMITH AND MIKE SUTCLIFFE FOR THEIR LOVE OF AUSTRALIAN MUSIC AND FOR THEIR PIONEERING RESEARCH. SOME PRESSING INFORMATION NUMBERS OR LETTERS PRINTED ON THE RECORD LABEL OR INSCRIBED IN THE RUN-OFF WAX OFTEN GIVES CLUES ABOUT WHICH RECORD COMPANY PRESSED THE RECORD, AND WHEN IT WAS PRESSED. TYPICAL PREFIXES INCLUDE: 7XS EMI CUSTOM RECORDING AW RADIOLA/AWA CUSTOM RECORDING CWG W&G CUSTOM RECORDING DB RCA DOTTED TRIANGLE SHEARD & CO. FH ASTOR MA ASTOR CUSTOM PRESSING MX FESTIVAL, OR AUSTRALIAN RECORD COMPANY / CBS PRS, YPRX EMI CUSTOM RECORDING RRC, RRCS RANGER CUSTOM RECORDING SMX FESTIVAL 2 AUSTRALIAN INDIE LABELS, 1955–1990 CAT. NO. TITLE(S) FORMAT / MX NO. / NOTES ARTIST(S) DATE 3333 RECORDS DISTRIBUTED BY MUSICLAND. MUSLP 3333 LIVE AT SING SING LP THE BACHELORS FROM PRAGUE 1986 3333/1 THE ENERGETIC COOL CD THE BACHELORS FROM PRAGUE 5.88 MUS SP 3333/2 GO / EVEN DISHWASHERS GET THE BLUES BACHELORS FROM PRAGUE 9.88 3333/3 THE ENERGETIC COOL LP THE BACHELORS FROM PRAGUE 1988 SP 3333/3 TIGHTROPE / THE OUTSIDER 7” BACHELORS FROM PRAGUE 3.89 TO MERCURY RECORDS, THROUGH PHONOGRAM AARON RECORDS PB 0001 MAMA / THAT LUCKY OLD SUN DAVID J. BUTLER PB 002 STRIKE! / THE STAFF SONG CLIFF HANGING POLITICAL HARMONY BAND PB 003 SPACEMAN / WASN’T THAT A TIME MICHAEL MILLS A.B.C., AUSTRALIAN BROADCASTING COMMISSION RELEASED ABC-RELATED MATERIAL, INCLUDING LIVE RECORDINGS AND TRANSCRIPTIONS. NOT LISTED HERE: AC 1000 SERIES - ABC TRANSCRIPTION SERVICE, AO 7000 SERIES – ORCHESTRAL. AA 9001 AUSTRALIAN ARTISTS (SHOSTAKOVICH, CHOPIN) 2YS 3349/50, LP PAINTER, PARSONS, GOODMAN AA 9002 CLASSICS UPDATED – BIG BAND HITS LP ABC MELBOURNE SHOW BAND AA 9003 GOLDEN INSTRUMENTALS – POP EVERGREENS 2XS 4700/01, LP ABC MELBOURNE SHOW BAND 1974 AA 9018 HEY DIDDLE DIDDLE YPRX 1353, LP PLAY SCHOOL 1976 AA 9027 MANCINI GENERATION EP GLEN MARKS, ABC SHOW BAND AA 9028 SINCE I FELL FOR YOU RRCS 2261, EP RENEE GEYER, ABC SYD. SHOW BAND 1976 AA 9035 SAD SAM EP MICK LEYTON, PETER HARRIS GROUP AA 9037 WHAT ARE YOU DOING THE REST OF YOUR LIFE EP RICKY MAY, DALY-WILSON BIG BAND AA 9038 BERIMBAU EP ERROLL BUDDLE ORCHESTRA AA 9039 AT SEVENTEEN EP WILLIAM MOTZING ORCHESTRA AA 9040 CHARLESTON EP TOMMY TYCHO ORCHESTRA AA 9041 LAST BLUE SONG EP MARLENE ATCHESON AA 9042 TALES OF MY UNCLE HARRY YPRX 1495, LP KEITH GARVEY 1978 AA 9042 LONG LIVE THE EVOLUTION DOUBLE JAY ROCK 1540, MX 184357/58, LP VARIOUS ARTISTS 1977 AA 9043 THOU SWELL RRCS 2410, EP JILL PERRYMAN, ABC SYD. SHOWBAND 1978 AA 9044 TEN CENTS A DANCE EP JILL PERRYMAN, ABC SYD. SHOWBAND 1978 AA 9045 IN FLIGHT EP BRIAN MAY & ABC MELB. SHOW BAND 1978 AA 9046 CHARLIE'S ANGELS EP BRIAN MAY & ABC MELB. SHOW BAND 1978 AA 9047 CABARET EP BRIAN MAY & ABC MELB. SHOW BAND 1978 AA 9048 CATSPAW EP BRIAN MAY & ABC MELB. SHOW BAND 1978 AA 9049 THE 6WF ROCK GROUP ALBUM 720 6WF, LP VARIOUS ARTISTS 1978 AA 9052 HICKORY DICKORY YPRX 1483, LP SONGS FROM PLAY SCHOOL 1978 AA 9054 THE SOUND OF SPORT 720 6WF, SMX 46897/98, EP WALLY FOREMAN 1978 AA 9057 GRAND OLE COUNTRY 720 6WF, LP DAVID LANGDON 1978 AA 9059 STARS OF AUSTRALIAN OPERA SING VERDI YPRX 1544, LP VARIOUS ARTISTS 1979 AA 9065 SING & PLAY 2 CASS RAYMOND LONG, JENNY HUDSON 1979 AA 9071 MANTECA 720 6WF, YPRX 1628, LP MANTECA 1979 AA 9074 AUSTRALIAN ROCK COLLECTION – PATCHWORK YPRX 1693, LP VARIOUS ARTISTS 1980 AA 9079 AUSTRALIAN ARTISTS YPRX 1967, LP LESLIE HOWARD 1982 AA 9081 OUR ELEVEN / OUR DON BRADMAN PRS 2896, 45 MAURIE FIELDS, ABC MELB. SHOW BAND 1980 3 AUSTRALIAN INDIE LABELS, 1955–1990 AA 9090 AUSTRALIAN ARTISTS (BRAHMS, MENDELSSOHN) LP GREEN, PARSONS, WAKS AA 9091 AUSTRALIAN ARTISTS (DVORAK, ALFRED HILL) YPRX 2057, LP GEOFFERY PARSON, AUSTRAL STRING 1983 SERIES CONTINUES ABC TRANSCRIPTION SERVICE ABC LPX 0001 BOB BARNARD (CORNET) W/ KENNY POWELL, JULIAN LEE ORCHESTRA LP BOB BARNARD ABC LPX 0002 ABC LPX 0003 THE ABC MELBOURNE SHOWBAND LP ABC MELBOURNE SHOW BAND ABC LPX 0004 THE ABC MELBOURNE SHOWBAND MX 195445/46, LP ABC MELBOURNE SHOW BAND 1980 ABC LPX 0005 DON BURROWS W/ NEIL THURGATE, JUDY BAILEY ORCHESTRA MX 195773/74, LP DON BURROWS ABC LPX 0006 PHILIPPE GABBAY W/ JULIAN LEE, KIRK L’ORANGE ORCHESTRA MX 196733/34, LP PHILIPPE GABBAY ABC LPX 0007 THE PENNY HAY SINGERS YPRX 1845, LP PENNY HAY SINGERS 1981 ABC LPX 0008 TOMMY EMMANUEL, PHILIPPE GABBAY YPRX 1888, LP TOMMY EMMANUEL, PHILIPPE GABBAY 1981 SEE ALSO ABC RECORDS, DISTRIBUTED BY A.R.C. (1980–1983), FESTIVAL (1983–1988), AND POLYGRAM (1988–). ABERRANT RECORDS HARD CORE NOISE LABEL FOUNDED BY BRUCE GRIFFITHS. C/O BOX A566, SYDNEY SOUTH, NSW, 2000. PRESSED BY EMI AND BY C.B.S. NUMBA 1 FLOWERS FROM THE DUSTBIN – A SYDNEY COMPILATION YPRX 2110 VARIOUS ARTISTS 11.83 NUMBA 2 NO SO HUMDRUM – THE 2ND ABERRANT SYDNEY COMPILATION VARIOUS ARTISTS 10.84 ACT 1 THE TROUSERS IN ACTION E.P. EP VARIOUS ARTISTS 6.85 NUMBA 3 WHY MARCH WHEN YOU CAN RIOT?! YPRX 2311 VARIOUS ARTISTS 11.85 POSITIVE 1 POSITIVE HATRED POSITIVE HATRED 11.85 GRUNT 1 GRONG GRONG MLP GRONG GRONG 5.86 ACT 13 TROUSERS IN ACTION EP 2 EP VARIOUS ARTISTS 8.86 CROAK 1 FRACTURED / SAFARI / RUMBLE FEEDTIME 9.86 STRIKE 1 WORLD WAR XXIV WORLD WAR XXIV 10.86 SPLAT 1 GUNS AT MY HEAD / DON’T RUN AWAY TOYS WENT BESERK 10.86 BITE 1 KELPIES OFFICIAL BOOTLEG THE KELPIES 10.86 EXAMINE 1 AHEADOFSTYLE EXAMPLEHEAD 12.86 SHOVEL 1 SHOVEL FEEDTIME 1.87 ZERT 1 EXSERTS EXSERTS 2.87 SLICE 1 PIECES 2X12” TOYS WENT BESERK 5.87 SLITHER 1 FROM BARBARISM TO CHRISTIAN MANHOOD KING SNAKE ROOST 8.87 1DOG DON’T TELL ME / SMALLTALK FEEDTIME 9.87 EAT ONE FEEDTIME REISSUE FEEDTIME 9.87 MORETHAN1BOB BUFFALO BOB / MORE THAN LOVE FEEDTIME / KING SNAKE ROOST 2.88 SNUFFED 1 TOP END KILLER / A STORM BREWIN’ KING SNAKE ROOST 3.88 S1 COOPER-S FEEDTIME 5.88 STAB 1 NO WARNING / INSEPERABLE TOYS WENT BESERK 6.88 STING 1 WALKING ABOUT / 26 MILLIGRAMS VENOM P. STINGER 10.88 HIT 1 FOREVER AND A DAY / SOMETHING BETTER TOYS WENT BESERK 11.88 CANTTHINKOF1 WHITE HORSE / HIGHLY DANGEROUS; HANSEL AND GRETEL EP EXAMPLEHEAD 9.88 1THING THINGS THAT PLAY THEMSELVES KING SNAKE ROOST 1.89 DRILLHOLEIN1 POWERTOOLS EXAMPLEHEAD 3.89 NEVER1AGAIN SUCTION FEEDTIME 10.89 HAVE 1 HAVE NO MORE 12” TOYS WENT BESERK 10.89 1SMILER THE SMILER WITH A KNIFE TOYS WENT BESERK 11.89 SPLICE 1 PIECES REISSUE TOYS WENT BESERK 11.89 BRANDNEW1 BRAND NEW LIFE / STAIRWAY TO HEAVEN TOYS WENT BESERK 3.90 TRUE1 THE TRUTH IS MARCHING IN BLOODLOSS 9.90 WHATS 1 WHAT’S YOURS IS MINE VENOM P. STINGER 10.90 4 AUSTRALIAN INDIE LABELS, 1955–1990 1INMOTION WHEELS IN MOTION / SPOT TOYS WENT BESERK 11.90 SENSUAL 1 SENSORY TOYS WENT BESERK 1.91 1FROMHELL STAIRWAY TO HEAVEN / WE HAD CDSP THE WHIPPER SNAPPERS 8.92 MEMO1 THE BITTER & THE SWEET – BEST & RAREST CD TOYS WENT BESERK 2005 ABLE LABEL A QUEENSLAND LABEL. THE MANAGING DIRECTOR WAS DAMIEN NELSON. THE LABEL WAS DISTRIBUTED BY MISSING LINK. AB 001 KAREN / LEE REMICK THE GO-BETWEENS 9.78 AB 002 STAMP OUT DISCO / TASK FORCE (UNDERCOVER COPS) RAZAR 9.78 AB 003 SUNSET STRIP EP THE NUMBERS 9.78 AB 004 SUNSET STRIP REISSUE EP, PRS 2603 THE RIPTIDES 7.79 AB 005 RETURN OF THE HYPNOTIST EP, PRS 2673 THE APARTMENTS 10.79 AB 006 PEOPLE SAY / DON’T LET HIM COME BACK PRS 2633 THE GO-BETWEENS 1979 ABORIGINAL ARTISTS AGENCY AAA 01 SONGS OF BAMYILI EP BLANATJI / LAIWANGKA / YORKDJANKI 1976 AAA 02 SONGS OF THE TIWI EP VARIOUS ABORIGINAL ARTISTS AAA 03 SONGS OF TORRES STRAIT LP VARIOUS ABORIGINAL ARTISTS 1978 AAA 04 THE FIRST AUSTRALIANS LP VARIOUS ABORIGINAL ARTISTS 1978 (NO #) MY HOMEMADE DIDJERIDOO / ARNHEM LAND LULLABY AAA 05 HARRY WILLIAMS / WILGA WILLIAMS ACE–HI RECORDED BY MELBOURNE’S AUSTRAL RECORDINGS TO COINCIDE WITH THE 1956 OLYMPIC GAMES. AR 004 SONGS OF SUNNY AUSTRALIA 10” LP VARIOUS ARTISTS 1956 ACTION A PERTH LABEL, SUBSIDIARY OF CLARION RECORDS. IT WAS OWNED BY MARTIN CLARKE AND KEITH MCGOWAN. MX 25677/8 I’VE GOT TO GET YOU / LOVE, LOVE, LOVE RAY HOFF & THE OFFBEATS 1965 KE 001 IT ISN'T NICE / EDELWEISS MAGGIE HAMMOND 1966 KE 002 CAN'T YOU SEE / THE WIND BLEW INTO MY EYES MORT AND THE MOBEES 1966 A. E. RECORDED BY ALLAN EATON STUDIOS. AE 001 ONE NIGHT AT THE STAGECOACH STAGECOACH EP THE 4 COACHMEN 1969 AE 002 VIVA! COPPERWOOD CAVE: FEATURING THE OSCAR HERRERA TRIO EP OSCAR HERRERA TRIO AE 003 AE 004 PARTY RECORDS NO. 1 – BANANAS ARE FUN EP THE BANANA BUNCH AE 005 THE DOLPHINS AT SERGIO'S RENDEZVOUS EP SAMMY AND THE DOLPHINS AE 006 VESTRE ROXAS AND HIS GOLDEN TRUMPET EP VESTRE ROXAS 1970 AE 007 THE ALLAN EATON BAND LIVE AT POWER HOUSE EP ALLAN EATON BAND AE 008 AE 009 AE 010 BOTH SIDES OF THE BLUE ECHOS EP THE BLUE ECHOS AE 011 CHANGE OF PACE, VOL.2 EP OSCAR HERRERA NU SOUNDS AE 012 BOBBY’S 4 EP BOBBY’S 4 AE 013 SWAN HILL PIONEER SETTLEMENT: HIGHLIGHTS FROM SOUNDTRACK EP MELBOURNE THEATRE CO.
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    DEDICATED TO THE NEEDS OF THE MUSIC/RECORD INDUSTRY ONE DOLLAR eoo, MAY27, 1972 ciif , WHO IN THE WORLD 04, Southern Gentleman Sonny James, s. - t' 3 0 4 Left, Has Signed A Long -Term 4 34' o Contract With Columbia Records, ti 47,27(. 4 Where, No Doubt, He Will Add 41 To His String Of 28 Consecutive Number One Country Singles. On Right Is Columbia President Clive Davis, Who Flew To Nashville To Announce The Signing. For More Details, Turn To Page 3. HITS T HA FRANKLIN,"ALLTHE KING'S HORSES." cg CANDI STATON, "IN THE GHETTO."(Screen 1.11ARET(i) JACKSON FIVE, "LOOKIN' THROUGH THE WIN- (Pundit,BMI). The latest from the Gems-Columbia/ElvisPresley,BMI). DOWS." The Jacksons,firmlyentrenchedin O undisputedQueenofSoul isas Pa Even though this Mac Davis -penned althe minds of the public, consistently come up different from "Day Dreaming" as w songishardly anoldie,theper- 'elwith winning efforts. Huge sales must be ex- that was from her earlier works. An - formance here is convincing enough pected,sincethisgiftedfamily alwaysde- co other assured smash. Atlantic 2883. tomake ithappenagain.Fame livers."LittleBittyPrettyOne"included. 91000 (UA). Motown M750L. NILSSON, "COCONUT." (Blackwood, BMI). Follow- FLASH, "SMALL BEGINNINGS."(Colgems/Black- THE BEACH BOYS, "PET SOUNDS/CARL AND THE upto "JumpInto The Fire"isa claw, ASCAP). Flash, very much like PASSIONS -SOTOUGH." Applausetoeveryone whimsical story from the outstand- Yes,should makeiton AM just concerned for this specially -priced doubleal- ing"Nilsson Schmilsson."Terrific, as they will on FM. This should be bum. "Pet Sounds," recordedin1966, was a and commercial enoughtogoall thefirsthitfromthebestnew recent purchase from Capitol.
  • Introduction

    Introduction

    Introduction In January 1997, two Sydney Morning Herald journalists produced a brief account of what they perceived to be the most important rock and roll sites in Sydney.1 Their sense of the city's rock histories extended to places of local mythology well beyond popular music's production and consumption: five star hotels as frantic sites of adoration of the Beatles ensconced within; psychiatric hospitals where career paths merged with psychosis; and migrant hostels as sites of cross-cultural ambitions. The article was a rare acknowledgement of the spaces and places of performersand fans' interaction. This thesis constitutes an extended response to the article's implicit desire to recognise alternative accounts of Australian popular music connected to broader city narratives. In analysing the rock music venues of Sydney as sites of interaction between musicians, fans and government, I am principally concerned with three interrelated themes: • The social construction of live performance venues from 1955 amidst the parallel construction of the performer and fan as an 'unruly' subject; • The industrial development of live performance: the live rock venue within commercial/economic structures; and • The dialectical tension of the above in reconciling the state's desire for manageable 'cultural citizens' with broader cultural policy (support for live rock and roll within arts policies). A more detailed explication of these strands is undertaken in Chapter One, in providing a theoretical overview of relations between popular culture and the state, and specific media/cultural/popular music studies approaches to cultural practice and policy. My personal interest in the histories of live rock venues parallels an increased 1 Jon Casimir and Bruce Elder, 'Beat streets - a guide to Sydney's rock and roll history', Sydney Morning Herald, 9th January, 1997, pp.29-30.
  • David Sanborn As We Speak Mp3, Flac, Wma

    David Sanborn As We Speak Mp3, Flac, Wma

    David Sanborn As We Speak mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: As We Speak Country: US Style: Fusion MP3 version RAR size: 1132 mb FLAC version RAR size: 1686 mb WMA version RAR size: 1696 mb Rating: 4.8 Votes: 756 Other Formats: WMA MOD MP1 ASF MIDI ADX WAV Tracklist Hide Credits Port Of Call 1 Clarinet [Bass] – Bob MintzerClavinet – George DukeGuitar – Buzzy FeitenWritten-By – Dan 4:26 Sembello*, Michael Sembello Better Believe It 2 3:31 Synthesizer – Lance OngWritten-By – Marcus Miller Rush Hour 3 4:42 Written-By – Marcus Miller Over And Over 4 Organ [Hammond B-3] – James SkeltonSaxophone – Bill Evans Written-By – Don Freeman, 4:13 Marcus Miller Back Again Backing Vocals – Cruz Baca Sembello*Percussion – Malando GassamaSynthesizer, 5 3:45 Synthesizer [IRT Strings] – Spike Vocals – Michael SembelloWritten-By – Dennis Belfield, Don Freeman As We Speak 6 4:17 Synthesizer [IRT Strings] – Spike Written-By – David Sanborn, Michael Sembello Straight To The Heart 7 3:26 Written-By – Marcus Miller Rain On Christmas 8 4:46 Synthesizer – Lance OngSynthesizer [IRT Strings] – Spike Written-By – David Sanborn Love Will Come Someday 9 Backing Vocals – Cruz Baca Sembello*French Horn – Robert A. Martin*Synthesizer [IRT 6:20 Strings] – Spike Vocals – Michael SembelloWritten-By – David Batteau, Michael Sembello Companies, etc. Recorded At – Warner Bros. Recording Studios Recorded At – George Massenburg Studios Mastered At – Precision Lacquer Recorded At – Mediasound Mixed At – Record Plant, Los Angeles Recorded At
  • 2012 July 31 August 7

    2012 July 31 August 7

    NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE • NEW RELEASES • MUSIC • FILM • MERCHANDISE STREET DATES: JULY 31 AUGUST 7 ISSUE 16 wea.com 2012 7/31/12 AUDIO & VIDEO RECAP ORDERS ARTIST TITLE LBL CNF UPC SEL # SRP QTY DUE Crosby, Stills & Nash Daylight Again FLE CD 081227972455 19360 $4.98 7/11/12 Gloriana A Thousand Miles Left Behind ERP CD 093624959014 527042 $18.98 7/11/12 Then Again: The David Sanborn Sanborn, David RHI CD 081227972882 531614 $19.98 7/11/12 Anthology (2CD) Smiths, The Hatful Of Hollow (180 Gram Vinyl) RRW A 825646658824 45205 $24.98 7/11/12 What We Saw From The Cheap Seats Spektor, Regina SIR A 093624951896 530373 $24.98 7/11/12 (Vinyl) Last Update: 06/11/12 For the latest up to date info on this release visit WEA.com. ARTIST: Crosby, Stills & Nash TITLE: Daylight Again Label: FLE/Flashback - Elektra Config & Selection #: CD 19360 F Street Date: 07/31/12 Order Due Date: 07/11/12 UPC: 081227972455 Box Count: 30 Unit Per Set: 1 SRP: $4.98 Alphabetize Under: C TRACKS Compact Disc 1 01 Turn Your Back On Love [Remastered LP Version] 07 Too Much Love To Hide [Remastered LP Version] 02 Wasted On The Way [Remastered LP Version] 08 Song For Susan [Remastered LP Version] 03 Southern Cross [Remastered LP Version] 09 You Are Alive [Remastered LP Version] 04 Into The Darkness [Remastered LP Version] 10 Might As Well Have A Good Time [Remastered LP Version] 05 Delta [Remastered LP Version] 11 Daylight Again [Remastered LP Version] 06 Since I Met You [Remastered LP Version] ALBUM FACTS Genre: Rock ARTIST & INFO Band Members: Graham Nash As members of one of rock’s first supergroups, David Crosby, Stephen Stills, and Graham Nash helped define the Woodstock generation through their peerless harmonies, resonant songwriting and deep commitment to political and social causes.