Kottke Cast & Crew
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CPROUD %\ Sive Tour Later in the Year
aient His First Album for Private Will Be Voiceless Kottke's Acoustic Music Is Again in Vogue BY STEVEN DUPLER D NEW YORK The surge of interest in new age and acoustic instrumen- tal music is helping guitarist Leo Kottke get his career back on track. The Minnesota -born virtuoso re- cently signed with Private Music, an unexpected move that will see him release his first album in almost three years and undertake an exten- CPROUD %\ sive tour later in the year. Kottke first came into the nation- TO HAVE SERVED al spotlight in the early '70s, a peri- od when stringed acoustic music THE FOLLOWING was enjoying one of its periodic re- naissances. "It's a cyclical thing," Kottke GRAMMY NOMINEES: says. "The flurry of interest in Eu- rope a few years ago in the acoustic guitar followed by about eight years the same surge that was oc- curring here when I was with Tako- BRiCE SPRINGSTEEN DIRE STRAITS ma and then Capitol." The foggy- voiced Kottke (who says he will not sing on his Private HUEY LEWIS AND THE NEWS debut) is regarded as a master of a singular and very American style of guitar, which draws as much from STING PHIL COLLINS KATRINA Appalachian bluegrass as from bot- tleneck blues and classical music. The "folkier" sound of his early AND THE WAVES SPYRO GYRA product, on the Takoma label, simi- lar to work by John Fahey and Bola Private Music's newest artist, guitarist Leo Kottke, poses with bassist /producer HENDRYX MICK JAGGER Sete, was eventually augmented by NONA Buell Neidlinger in front the mixing during the recording of Kottke's a grander, more fully orchestrated of console first album in almost three years. -
Press Quotes
PRESS QUOTES ASSOCIATED PRESS: Wise words pour forth from Chris Smither – observations and aphorisms, similes and internal rhymes, run-on sentences and concise quips, all in a conversational flow. The careful construction of Smither’s lyrics is a thing of beauty and the bedrock of his bluesy folk music. Smither is an excellent acoustic guitarist and first-rate foot-stomper. NATIONAL PUBLIC RADIO: [Smither] taps his foot to keep the rhythm, much like the late blues legend John Lee Hooker. His finger-picked guitar lines are sleek, unhurried and insistent. And then there's the voice – equal parts gravel and molasses. (I edited a little out) ROLLING STONE: Bathed in the flickering glow of passing headlights and neon bar signs, Smither's roots are as blue as they come. There is plenty of misty Louisiana and Lightnin' Hopkins in Smither's weathered singing and unhurried picking. So fine. MOJO (5 STARS): Hundred Dollar Valentine is a thing of profound beauty; deep, sad, wise songs, allied to perfectly crafted arrangements, from a a man who’s live long enough in darkness to address the big, heavy questions with a lightness of touch. OXFORD AMERICAN It was that rhythmic push-and-pull, that New Orleans sensibility that made Smither stand out NEW YORK TIMES: With a weary, well-traveled voice and a serenely intricate finger-picking style, Mr. Smither turns the blues into songs that accept hard-won lessons and try to make peace with fate. MAVERICK: Cast your mind back to the first time you heard Hank Williams, Big Bill Broonzy or JJ Cale and remember how good it felt. -
Songs by Title
Songs by Title Title Artist Title Artist #1 Goldfrapp (Medley) Can't Help Falling Elvis Presley John Legend In Love Nelly (Medley) It's Now Or Never Elvis Presley Pharrell Ft Kanye West (Medley) One Night Elvis Presley Skye Sweetnam (Medley) Rock & Roll Mike Denver Skye Sweetnam Christmas Tinchy Stryder Ft N Dubz (Medley) Such A Night Elvis Presley #1 Crush Garbage (Medley) Surrender Elvis Presley #1 Enemy Chipmunks Ft Daisy Dares (Medley) Suspicion Elvis Presley You (Medley) Teddy Bear Elvis Presley Daisy Dares You & (Olivia) Lost And Turned Whispers Chipmunk Out #1 Spot (TH) Ludacris (You Gotta) Fight For Your Richard Cheese #9 Dream John Lennon Right (To Party) & All That Jazz Catherine Zeta Jones +1 (Workout Mix) Martin Solveig & Sam White & Get Away Esquires 007 (Shanty Town) Desmond Dekker & I Ciara 03 Bonnie & Clyde Jay Z Ft Beyonce & I Am Telling You Im Not Jennifer Hudson Going 1 3 Dog Night & I Love Her Beatles Backstreet Boys & I Love You So Elvis Presley Chorus Line Hirley Bassey Creed Perry Como Faith Hill & If I Had Teddy Pendergrass HearSay & It Stoned Me Van Morrison Mary J Blige Ft U2 & Our Feelings Babyface Metallica & She Said Lucas Prata Tammy Wynette Ft George Jones & She Was Talking Heads Tyrese & So It Goes Billy Joel U2 & Still Reba McEntire U2 Ft Mary J Blige & The Angels Sing Barry Manilow 1 & 1 Robert Miles & The Beat Goes On Whispers 1 000 Times A Day Patty Loveless & The Cradle Will Rock Van Halen 1 2 I Love You Clay Walker & The Crowd Goes Wild Mark Wills 1 2 Step Ciara Ft Missy Elliott & The Grass Wont Pay -
Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons). -
Songs by Artist
DJU Karaoke Songs by Artist Title Versions Title Versions ! 112 Alan Jackson Life Keeps Bringin' Me Down Cupid Lovin' Her Was Easier (Than Anything I'll Ever Dance With Me Do Its Over Now +44 Peaches & Cream When Your Heart Stops Beating Right Here For You 1 Block Radius U Already Know You Got Me 112 Ft Ludacris 1 Fine Day Hot & Wet For The 1st Time 112 Ft Super Cat 1 Flew South Na Na Na My Kind Of Beautiful 12 Gauge 1 Night Only Dunkie Butt Just For Tonight 12 Stones 1 Republic Crash Mercy We Are One Say (All I Need) 18 Visions Stop & Stare Victim 1 True Voice 1910 Fruitgum Co After Your Gone Simon Says Sacred Trust 1927 1 Way Compulsory Hero Cutie Pie If I Could 1 Way Ride Thats When I Think Of You Painted Perfect 1975 10 000 Maniacs Chocol - Because The Night Chocolate Candy Everybody Wants City Like The Weather Love Me More Than This Sound These Are Days The Sound Trouble Me UGH 10 Cc 1st Class Donna Beach Baby Dreadlock Holiday 2 Chainz Good Morning Judge I'm Different (Clean) Im Mandy 2 Chainz & Pharrell Im Not In Love Feds Watching (Expli Rubber Bullets 2 Chainz And Drake The Things We Do For Love No Lie (Clean) Wall Street Shuffle 2 Chainz Feat. Kanye West 10 Years Birthday Song (Explicit) Beautiful 2 Evisa Through The Iris Oh La La La Wasteland 2 Live Crew 10 Years After Do Wah Diddy Diddy Id Love To Change The World 2 Pac 101 Dalmations California Love Cruella De Vil Changes 110 Dear Mama Rapture How Do You Want It 112 So Many Tears Song List Generator® Printed 2018-03-04 Page 1 of 442 Licensed to Lz0 DJU Karaoke Songs by Artist -
Artist Bio John 10/17
Artist Bio: John Stano The trademark of singer/songwriter John Stano’s sound is a distinctive blend of acoustic and slide guitar, harmonica and expressive vocals developed over many years of performance and study. He sometimes adds a little mandolin, cigar box guitar or banjo to the mix as well. His style can be described as a combination of folk, blues and Americana. Initially self-taught, John went on to study American fingerstyle guitar at the Wisconsin Conservatory of Music and harmonica with national blues legend, Jim Liban. ‘Sing Out’ compared John’s music to early Bob Dylan while ‘Dirty Linen’ was reminded of Country Joe McDonald. John studied English and creative writing at U.W. Madison. A skillful use of language adds an original spark to his lyrics. John also performs his own arrangements of folk and country blues classics by artists such as Robert Johnson and Mississippi John Hurt and Bukka White and contemporary writers such as; John Prine, Bob Dylan, Greg Brown, Leo Kottke, Gillian Welch and Tom Waits. John is a flexible and engaging performer who works regularly at a variety of indoor and outdoor venues. John has received numerous arts grants to present blues history, harmonica, ukulele and song writing classes in the Milwaukee Public Schools and public and private colleges such as Waukesha County Technical College and Mount Mary University. He also teaches guitar, harmonica, banjo and other acoustic instruments privately. Career Highlights • John was nominated for a 2016 WAMI Folk Artist award and the 2015 WAMI Singer Songwriter of the Year award. • John won the Wisconsin Singer Songwriters Series Songwriter of the Year award. -
A Dynamic, Unforgettable Artist Whose Signature Style Has Made Him a Legend Among Blues Musicians. Terry Robb Is One of The
A dynamic, unforgettable artist whose signature style has made him a legend among blues musicians. Terry Robb is one of the top acoustic blues guitarists of our time. His signature fingerpicking style has earned him international acclaim from worldwide audiences, music critics and his distinguished peers. Incorporating elements from the Mississippi Delta music tradition, ragtime, country, swing and free jazz, Robb has built a unique blues sound that has made him a legend in his prolific music career spanning more than four decades. The multitude of awards Terry Robb has received speak to his seminal talent as a blues guitarist. Robb has been inducted into both the Oregon Music Hall of Fame and the Cascade Blues Association Hall of Fame. He single-handedly defined the Muddy Award for Best Acoustic Guitar, winning the honor 19 consecutive years from 1992 until 2011. Upon his retirement from the competition in 2011, the award was renamed the “Terry Robb Best Acoustic Guitar” Muddy Award to honor his landmark contributions to blues music. Robb was born in British Columbia, raised in the United States and currently resides in Portland, Oregon. He achieved greatness at an early age, performing with Ramblin’ Rex of Frank Zappa / Captain Beefheart fame, Canned Heat’s Henry Vestine, and steel string guitar icon John Fahey. At age twenty-four, Robb produced and played accompaniment on Fahey’s 1984 release “Let Go,” which received a four-star review by Rolling Stone and led to numerous subsequent collaborations for which Robb served as Fahey’s producer and session guitarist. As an acclaimed producer and session guitarist, Robb has contributed to many award-winning projects. -
John 1 Page Bio Epk Revised 2017
Artist Biography: John Stano The trademark of singer/songwriter John Stano’s sound is a distinctive blend of acoustic and slide guitar, harmonica and expressive vocals, developed over many years of performance and study. He sometimes adds a little mandolin, banjo or cigar box guitar to the mix as well. His style could be described as acoustic folk-blues or Americana. Initially self-taught, John went on to study American fingerstyle guitar at the Wisconsin Conservatory of Music and harmonica with national blues legend, Jim Liban. ‘Sing Out’ compared John’s music to early Bob Dylan while ‘Dirty Linen’ was reminded of Country Joe McDonald. John studied English and creative writing at U.W. Madison. A skillful use of language adds an original spark to his lyrics. Besides his own songs, John also performs his own arrangements of urban and country blues classics, instrumentals and contemporary songs, covering music by artists such as; John Prine, Bob Dylan, Greg Brown, Robert Johnson, Mississippi John Hurt, John Fahey, Gillian Welch, Leo Kottke and Tom Waits. John is a flexible and engaging performer who works regularly at a variety of indoor and outdoor venues. He also teaches guitar, harmonica, banjo and other acoustic instruments privately and in the schools. • John was nominated for a 2016 WAMI Folk Artist Award and the 2015 WAMI Singer Songwriter of the Year Award. • John won the Wisconsin Singer Songwriters Series Songwriter of the Year award for 2013. • John represented Wisconsin in the International Blues Challenge in Memphis on historic Beale Street in the solo/duo category after winning the regional competition in 2012 • Two songs from John’s CD Caribou Bar & Grill, ‘Soul Is’ and ’Pontiacs No More’ earned John the title of ‘Big Top Chautauqua Songwriter of the Year Finalist for 2010’ and he performed them along with some of his other songs under the Big Top. -
August Troubadour
FREE SAN DIEGO ROUBADOUR Alternative country, Americana, roots, folk, Tblues, gospel, jazz, and bluegrass music news March 2007 www.sandiegotroubadour.com Vol. 6, No. 6 what’s inside Welcome Mat ………3 Contributors San Diego Folk Song Society Full Circle.. …………4 Kenny Newberry Recordially, Lou Curtiss Front Porch... ………6 Harp Guitars Steph Johnson Parlor Showcase …8 Sven-Erik Seaholm Ramblin’... …………10 Bluegrass Corner Zen of Recording Hosing Down Radio Daze Highway’s Song. …12 Leo Kottke & David Lindley Of Note. ……………13 Gaskins ‘n’ Gunner Chad Farran Alex Esther Manisha Shahane Kevin Jones ‘Round About ....... …14 March Music Calendar The Local Seen ……15 Photo Page MARCH 2007 SAN DIEGO TROUBADOUR welcome mat Sam Hinton’s Folk Song Society Turns 50 RSAN ODUIEGBO ADOUR Alternative country, Americana, roots, folk, by Allen Singer country blues, and Tblues, gospel, jazz, and bluegrass music news original material. am Hinton Members play many S has worn different instru - many hats ments at all skill MISSION CONTRIBUTORS in his life. He’s an levels and we original — a folk encourage everyone To promote, encourage, and provide an n FOUNDERS a g alternative voice for the great local music that singer, a songwriter, a scientist, an artist, i from amateur to professional to be a part Ellen and Lyle Duplessie F is generally overlooked by the mass media; a father, and a great diatonic harmonica r of the group each time we meet. We e Liz Abbott t namely the genres of alternative country, e player. On March 31, when Hinton cele - P leave nobody behind in the musical dust. -
KBSU91.3FM Funny Or Poignant Portion of the Program
Member Supported Program Guide Radio! Spring-Summer 1988 In this Issue: Fast Forward Not Just "The Only" Engineering for Public Radio Program Highlights & Listings * 1___ 071.3 FM ( , NPR reporter Tom Gjelten in Nicaragua interviewing members of the Contra forces Fast Forward by Jim Paluzzi I was rummaging through my videotapes at "Writer/humorist Garrison Keillor announced that home last night, and came across one with no he would present A Prairie Home Companion: the 2nd markings. aueless as to its contents, I tossed it into Annual Farewell Performance at Radio City Music my VCR to see what I had, Hall •••• The two·hour stage production, which will After an hour's worth of nature programming also be broadcast live nationally over the American about lions. the program changed. There was Public Radio network ••• will reature humorous commercial parodies, musical selections, an eclectic silence, the piebne went black, and then I heard a assortment of guests, and a monologue by Keillor, all or voice that had become so familiar to me over the which made A Prairie Home Companion America's years. He was singing ... most popular public radio show." Look. who's comin.g through that door. 1 think we'}'e met somewhere before. Heilo, love. Hello, As I continued reading, I learned that Garrison's 10ft ••• lineup of guests for this broadcast performance includes such APHC favorites as guitarist Chet I had stumbled across the first television broadcast of Atkim, recording artist and guitarist Leo Kottke; A Prairie Home Companion. The voice was ragtime and traditional jazz pianist Butch Thompson; Garrison Keillor's. -
Salem Leaving Takoma Park
Salem Leaving Takoma Park ~ 43 Years of John Fahey ~ The John Fahey Catalog From The International Fahey Committee Chris Downes, Paul Bryant, Malcolm Kirton, Tom Kremer Thanks to Mitchell Wittenberg and Glenn Jones DISCOGRAPHY...................................................................................................................................................... 4 SUMMARY ............................................................................................................................................................. 4 TRACK LISTING...................................................................................................................................................... 6 THE FONOTONE SESSIONS 1958-1962 ............................................................................................................... 6 BLIND JOE DEATH 1959/1964/1967 ..................................................................................................................... 8 DEATH CHANTS, BREAKDOWNS, AND MILITARY WALTZES 1964/1967........................................................ 8 THE DANCE OF DEATH AND OTHER PLANTATION FAVORITES 1964/67 .................................................... 9 THE TRANSFIGURATION OF BLIND JOE DEATH 1965 ................................................................................... 9 THE EARLY YEARS (FONOTONE) 1965 ............................................................................................................ 10 GUITAR VOLUME 4 THE GREAT SAN BERNARDINO BIRTHDAY -
112 Dance with Me 112 Peaches & Cream 213 Groupie Luv 311
112 DANCE WITH ME 112 PEACHES & CREAM 213 GROUPIE LUV 311 ALL MIXED UP 311 AMBER 311 BEAUTIFUL DISASTER 311 BEYOND THE GRAY SKY 311 CHAMPAGNE 311 CREATURES (FOR A WHILE) 311 DON'T STAY HOME 311 DON'T TREAD ON ME 311 DOWN 311 LOVE SONG 311 PURPOSE ? & THE MYSTERIANS 96 TEARS 1 PLUS 1 CHERRY BOMB 10 M POP MUZIK 10 YEARS WASTELAND 10,000 MANIACS BECAUSE THE NIGHT 10CC I'M NOT IN LOVE 10CC THE THINGS WE DO FOR LOVE 112 FT. SEAN PAUL NA NA NA NA 112 FT. SHYNE IT'S OVER NOW (RADIO EDIT) 12 VOLT SEX HOOK IT UP 1TYM WITHOUT YOU 2 IN A ROOM WIGGLE IT 2 LIVE CREW DAISY DUKES (NO SCHOOL PLAY) 2 LIVE CREW DIRTY NURSERY RHYMES (NO SCHOOL PLAY) 2 LIVE CREW FACE DOWN *** UP (NO SCHOOL PLAY) 2 LIVE CREW ME SO HORNY (NO SCHOOL PLAY) 2 LIVE CREW WE WANT SOME ***** (NO SCHOOL PLAY) 2 PAC 16 ON DEATH ROW 2 PAC 2 OF AMERIKAZ MOST WANTED 2 PAC ALL EYEZ ON ME 2 PAC AND, STILL I LOVE YOU 2 PAC AS THE WORLD TURNS 2 PAC BRENDA'S GOT A BABY 2 PAC CALIFORNIA LOVE (EXTENDED MIX) 2 PAC CALIFORNIA LOVE (NINETY EIGHT) 2 PAC CALIFORNIA LOVE (ORIGINAL VERSION) 2 PAC CAN'T C ME 2 PAC CHANGED MAN 2 PAC CONFESSIONS 2 PAC DEAR MAMA 2 PAC DEATH AROUND THE CORNER 2 PAC DESICATION 2 PAC DO FOR LOVE 2 PAC DON'T GET IT TWISTED 2 PAC GHETTO GOSPEL 2 PAC GHOST 2 PAC GOOD LIFE 2 PAC GOT MY MIND MADE UP 2 PAC HATE THE GAME 2 PAC HEARTZ OF MEN 2 PAC HIT EM UP FT.