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PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 and 1991 Bradley C. Klypchak a Dissertation Submitted to the Graduate
PERFORMED IDENTITIES: HEAVY METAL MUSICIANS BETWEEN 1984 AND 1991 Bradley C. Klypchak A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2007 Committee: Dr. Jeffrey A. Brown, Advisor Dr. John Makay Graduate Faculty Representative Dr. Ron E. Shields Dr. Don McQuarie © 2007 Bradley C. Klypchak All Rights Reserved iii ABSTRACT Dr. Jeffrey A. Brown, Advisor Between 1984 and 1991, heavy metal became one of the most publicly popular and commercially successful rock music subgenres. The focus of this dissertation is to explore the following research questions: How did the subculture of heavy metal music between 1984 and 1991 evolve and what meanings can be derived from this ongoing process? How did the contextual circumstances surrounding heavy metal music during this period impact the performative choices exhibited by artists, and from a position of retrospection, what lasting significance does this particular era of heavy metal merit today? A textual analysis of metal- related materials fostered the development of themes relating to the selective choices made and performances enacted by metal artists. These themes were then considered in terms of gender, sexuality, race, and age constructions as well as the ongoing negotiations of the metal artist within multiple performative realms. Occurring at the juncture of art and commerce, heavy metal music is a purposeful construction. Metal musicians made performative choices for serving particular aims, be it fame, wealth, or art. These same individuals worked within a greater system of influence. Metal bands were the contracted employees of record labels whose own corporate aims needed to be recognized. -
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020)
Record Store Day 2020 (GSA) - 18.04.2020 | (Stand: 05.03.2020) Vertrieb Interpret Titel Info Format Inhalt Label Genre Artikelnummer UPC/EAN AT+CH (ja/nein/über wen?) Exclusive Record Store Day version pressed on 7" picture disc! Top song on Billboard's 375Media Ace Of Base The Sign 7" 1 !K7 Pop SI 174427 730003726071 D 1994 Year End Chart. [ENG]Pink heavyweight 180 gram audiophile double vinyl LP. Not previously released on vinyl. 'Nam Myo Ho Ren Ge Kyo' was first released on CD only in 2007 by Ace Fu SPACE AGE 375MEDIA ACID MOTHERS TEMPLE NAM MYO HO REN GE KYO (RSD PINK VINYL) LP 2 PSYDEL 139791 5023693106519 AT: 375 / CH: Irascible Records and now re-mastered by John Rivers at Woodbine Street Studio especially for RECORDINGS vinyl Out of print on vinyl since 1984, FIRST official vinyl reissue since 1984 -Chet Baker (1929 - 1988) was an American jazz trumpeter, actor and vocalist that needs little introduction. This reissue was remastered by Peter Brussee (Herman Brood) and is featuring the original album cover shot by Hans Harzheim (Pharoah Sanders, Coltrane & TIDAL WAVES 375MEDIA BAKER, CHET MR. B LP 1 JAZZ 139267 0752505992549 AT: 375 / CH: Irascible Sun Ra). Also included are the original liner notes from jazz writer Wim Van Eyle and MUSIC two bonus tracks that were not on the original vinyl release. This reissue comes as a deluxe 180g vinyl edition with obi strip_released exclusively for Record Store Day (UK & Europe) 2020. * Record Store Day 2020 Exclusive Release.* Features new artwork* LP pressed on pink vinyl & housed in a gatefold jacket Limited to 500 copies//Last Tango in Paris" is a 1972 film directed by Bernardo Bertolucci, saxplayer Gato Barbieri' did realize the soundtrack. -
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS from the LEADERSHIP
ANNUAL REPORT 2019/20 Fadi Kheir Fadi LETTERS FROM THE LEADERSHIP The New York Philharmonic’s 2019–20 season certainly saw it all. We recall the remarkable performances ranging from Berlioz to Beethoven, with special pride in the launch of Project 19 — the single largest commissioning program ever created for women composers — honoring the ratification of the 19th Amendment. Together with Lincoln Center we unveiled specific plans for the renovation and re-opening of David Geffen Hall, which will have both great acoustics and also public spaces that can welcome the community. In March came the shock of a worldwide pandemic hurtling down the tracks at us, and on the 10th we played what was to be our final concert of the season. Like all New Yorkers, we tried to come to grips with the life-changing ramifications The Philharmonic responded quickly and in one week created NY Phil Plays On, a portal to hundreds of hours of past performances, to offer joy, pleasure, solace, and comfort in the only way we could. In August we launched NY Phil Bandwagon, bringing live music back to New York. Bandwagon presented 81 concerts from Chris Lee midtown to the far reaches of every one of the five boroughs. In the wake of the Erin Baiano horrific deaths of Black men and women, and the realization that we must all participate to change society, we began the hard work of self-evaluation to create a Philharmonic that is truly equitable, diverse, and inclusive. The severe financial challenge caused by cancelling fully a third of our 2019–20 concerts resulting in the loss of $10 million is obvious. -
The Cord Weekly
/ Laurier musicians Pierre Berton rock out at Wilf's visits Laurier Page Page THE , 2 CORD WEEKLY * Wednesday November 21, 2001 *Laurier's Official Student Newspaper • Volume 42 • Issue 15 2 News 6 Opinion 10 International 12 Feature 14 Entertainment 17 Sports 20 Student Life 22 Business 23 Classifieds More growing concerns "The reputation of Laurier has has also adversely affected WLU's She went on to say that many Students' Union requests an been tainted," said David public image, most notably in last more people accepted the offers of Wellhauser, Executive Vice week's Maclean's magazine univer- admission than in past years, a immediate freeze on current President of University Affairs. sity rankings. development that WLU was unable "Over-enrollment has had a nega- "WLU sent out too many offers to anticipate. The increase in enrollment levels tive effect on all students. It's irre- of admission," said Wellhauser. "It acceptances was most noticeable sponsible, and has to stop." was an irresponsible mistake that from students for whom Laurier MartinKuebler regarding the unexpected growth The Students' Union pointed should have been caught." was not a first choice. of Laurier's student body in recent to a number of reasons that have However, Undergraduate In order to properly address The issue of responsible growth at years. Of particular concern was contributed to over-crowding. Admissions Manager Gail Forsyth the growth situation, WLUSU pro- Laurier has not been given the what the Union called a "miscalcu- Among them are inadequate said the increased enrollment posed that current enrollment lev- "proper attention or recognition," lation in the admissions formula," provincial funding for universities experienced in 2001 was unfore- els be frozen immediately until stu- and the WLU Students' Union resulting in the surplus of 962 stu- and the deviation from the seeable, and was not as a result of dent concerns are addressed. -
Focus 2020 Pioneering Women Composers of the 20Th Century
Focus 2020 Trailblazers Pioneering Women Composers of the 20th Century The Juilliard School presents 36th Annual Focus Festival Focus 2020 Trailblazers: Pioneering Women Composers of the 20th Century Joel Sachs, Director Odaline de la Martinez and Joel Sachs, Co-curators TABLE OF CONTENTS 1 Introduction to Focus 2020 3 For the Benefit of Women Composers 4 The 19th-Century Precursors 6 Acknowledgments 7 Program I Friday, January 24, 7:30pm 18 Program II Monday, January 27, 7:30pm 25 Program III Tuesday, January 28 Preconcert Roundtable, 6:30pm; Concert, 7:30pm 34 Program IV Wednesday, January 29, 7:30pm 44 Program V Thursday, January 30, 7:30pm 56 Program VI Friday, January 31, 7:30pm 67 Focus 2020 Staff These performances are supported in part by the Muriel Gluck Production Fund. Please make certain that all electronic devices are turned off during the performance. The taking of photographs and use of recording equipment are not permitted in the auditorium. Introduction to Focus 2020 by Joel Sachs The seed for this year’s Focus Festival was planted in December 2018 at a Juilliard doctoral recital by the Chilean violist Sergio Muñoz Leiva. I was especially struck by the sonata of Rebecca Clarke, an Anglo-American composer of the early 20th century who has been known largely by that one piece, now a staple of the viola repertory. Thinking about the challenges she faced in establishing her credibility as a professional composer, my mind went to a group of women in that period, roughly 1885 to 1930, who struggled to be accepted as professional composers rather than as professional performers writing as a secondary activity or as amateur composers. -
Jmoriginal 143.Pdf
JANUARY/FEBRUARY 1994 c 0 N T E N T s VOLUME 4 , NUMBER 4 ISSUE 22 F E A T U R E S 52 IN THE DAWG HOUSE A couple of decades after the Grateful Dead's American Beauty and the bluegrass milestone Old and in the Way, David Grisman and Jerry Garcia are teaming up again to celebrate their acoustic roots. Jeffrey Pepper Rodgers catches up with the dynamic duo in Grisman's home studio. 60 HARP OF GLORY Jody Stecher explores the legacy and genius of Bahamian guitarist Joseph Spence. Includes music and lyrics to "Won't That Be a Happy Time," plus reflections on Spence from Taj Mahal, John Renbourn, David Gris man, and Henry Kaiser. 68 DA CAPO The capo may be the most useful accessory a guitar player can buy, and a bewildering variety of brands and styles are now available. Dale Miller checks out 11 contenders to help you choose the right one. 32 74 FREESTYLE FOLK Fingerstyle master Duck Baker plays Irish airs, Appalachian ballads, barrelhouse jazz ... but it's all folk to him. Baker talks with Michael Crane about composing, arranging, and improvising, and introduces his solo "Opening the Eyes of Love." D E P A R T M E N T S A_ CONTRIBUTORS 42 SHOPTALK What's the Buzz: How to diagnose and repair fret wear ...6... LITTERS and buzz. By Harry Fleishman 46 10 MUSIC NOTATION KEY WOOD CHOPS Perpetual Motion: Exercises for developing a killer tremolo. By Muriel Anderson 12 JUMP STREET Jimmie Dale Gilmore, John McLaughlin's Notre 92 Blues biographies and Dame guitar, the Desert-IsleTop REVIEWS guitar rags on record. -
2018–2019 Annual Report
18|19 Annual Report Contents 2 62 From the Chairman of the Board Ensemble Connect 4 66 From the Executive and Artistic Director Digital Initiatives 6 68 Board of Trustees Donors 8 96 2018–2019 Concert Season Treasurer’s Review 36 97 Carnegie Hall Citywide Consolidated Balance Sheet 38 98 Map of Carnegie Hall Programs Administrative Staff Photos: Harding by Fadi Kheir, (front cover) 40 101 Weill Music Institute Music Ambassadors Live from Here 56 Front cover photo: Béla Fleck, Edgar Meyer, by Stephanie Berger. Stephanie by Chris “Critter” Eldridge, and Chris Thile National Youth Ensembles in Live from Here March 9 Daniel Harding and the Royal Concertgebouw Orchestra February 14 From the Chairman of the Board Dear Friends, In the 12 months since the last publication of this annual report, we have mourned the passing, but equally importantly, celebrated the lives of six beloved trustees who served Carnegie Hall over the years with the utmost grace, dedication, and It is my great pleasure to share with you Carnegie Hall’s 2018–2019 Annual Report. distinction. Last spring, we lost Charles M. Rosenthal, Senior Managing Director at First Manhattan and a longtime advocate of These pages detail the historic work that has been made possible by your support, Carnegie Hall. Charles was elected to the board in 2012, sharing his considerable financial expertise and bringing a deep love and further emphasize the extraordinary progress made by this institution to of music and an unstinting commitment to helping the aspiring young musicians of Ensemble Connect realize their potential. extend the reach of our artistic, education, and social impact programs far beyond In August 2019, Kenneth J. -
July Gorffennaf
EventS PROGRAMME RHAGLEN July Monmouth CarNival and 22-30 Gorffennaf Fringe Events Programme 9 days of free festival • Gŵyl Rad am 9 ddiwrnod Included www.monmouthfestival.co.uk STONE & MORE — Since — SUMMER MANDARIN STONE SALE JUNE JULY now on Order online at: mandarinstone.com or visit your local showroom: Unit , Wonastow Industrial Estate East, Monmouth, NP JB Excludes Classic and Discontinued lines. Cannot be used in conjunction with any other o er. 2 STONE & MORE — Since — WELCOME TO MONMOUTH FESTIVAL 2016 What started as a seed of an idea by a group of Monmouth friends is still going strong 35 years later. In 2016 the annual Monmouth Festival, one of the largest free festivals in Europe, is taking place a week earlier than SUMMER normal so that it doesn’t clash with the National Eisteddfod. rganised totally by a committee of volunteers, plans This is a free festival and to ensure that it continues, we rely for this year’s event started in September 2015 on our audience to support local shops, on-site traders and culminating in a full programme of entertainment above all, to give generously to the bucket collections. Oto hopefully cover all tastes. Last year the festival We are always ready to welcome new members to our festival became a glass free zone and your response to our request family. If you would like to help the festival in the future, either was fantastic. Please can we ask for your support again. on the committee or as a volunteer, please contact us via our A requirement of our licence is that only plastic bottles and website www.monmouthfestival.co.uk or email us at cans are welcome. -
St. Augustine Rewarded David Chatterton with General Manager of the Year for All His Hard Work and Dedication to the Company
CASTmembers in St. Augustine rewarded David Chatterton with General Manager of the Year for all his hard work and dedication to the company. It is not a secret how hard Dave works to make the operations in St. Augustine the best they can be. We would like to recognize Dave and give him a nice pat on the back for being such a great role model for our company. Keep up on all the happenings in St. Augustine on Page 26! FROM THE DESK OF THE CHIEF CONDUCTOR IN THE AGE OF DISRUPTION … WHAT NEXT? by Chris Belland, CEO It seems as though we are living in one strategy of using words to describe of the most disruptive moments in political what we do to make sure no one ever and economic history. Trump has made an forgot what business we are in. We are art form of running an outrageous campaign not employees but “CASTmembers”; and shows no signs of slacking off as the new we are not just leaders of people or President. things, we are “Leadagers”. We don’t I wondered, with great incredulity, at have jobs, but we all play a “role” in Trump’s tactics during the campaign, doing delivering a vast array of products and such things as ridiculing John McCain’s war record, going to media “Transportainment” opportunities for war with parents of fallen soldiers and shirking off some egregious our guests. comportment with the opposite sex. Now, as President, with the The result? Historic Tours of Christopher Belland stroke of a pen, he has repudiated Obamacare, attempted to stop America has grown from a single Chief Executive Officer all immigration from a select number of countries and is gutting trolley company, originally with 13 banking regulations put into place after the recent “great recession”. -
Record Collector Magazine
The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool. -
Crimson White
Cheating system ‘Mississippi’ looks at Tide ranked No. 21 hurts all sports ’70s integration in Directors’ Cup OPINIONS, Page 4 ENTERTAINMENT, Page 6 SPORTS, Page 8 Thursday, July 20, 2006 Serving the University of Alabama since 1894 Vol. 113, Issue 6 Gas blamed in Calvary explosion Wednesday morning. Officials don’t know how long Calvary annex explodes Tuscaloosa Police Chief Ken he had been lying on the side- after trespasser pulls gas Swindle said the police depart- walk, Swindle said. ment received calls from two He had severe 2nd degree line, officials say witnesses at 3:30 a.m. about an burns and was transported to explosion at the annex. DCH Regional Medical Center, BY MARLIN CADDELL The police and Tuscaloosa Horst said. His burns were so Editor Fire and Rescue arrived at the bad that he was transported ■ [email protected] scene to find most of the build- from DCH to UAB, Horst said. Shattered wooden boards, ing destroyed by an explosion. Swindle said Steed was tres- dangling wires and pieces of There was still a small fire passing inside the annex when yellow insulation. burning when the fire depart- the explosion happened. He That’s almost all that’s left ment arrived, Fire and Rescue got into the annex through a of the Calvary Baptist Church battalion chief Ken Horst said. mechanical room door that college annex after a gas explo- They quickly put the fire out, was left unlocked, Swindle sion blew up most of the build- he said. said. ing early Wednesday morning. The explosion severely “We think he pulled a gas The location that housed injured one person, Wade line loose [in the mechanical thousands of church-going Steed, 20. -
Horse with No Name” Paul Zollo - the Origins of the Iconic, Enigmatic Anthem, in His Own Words It’S One of the Most Famously Mysterious Songs Ever to Become a Hit
APRIL 3, 2020 Link to article: https://americansongwriter.com/behind-the-song-horse-with-no-name/ Behind The Song: America, “Horse With No Name” Paul Zollo - The Origins of the Iconic, Enigmatic Anthem, In His Own Words It’s one of the most famously mysterious songs ever to become a hit. It’s got enigma baked into it, which may be part of its lasting magic. Like Lennon’s “Norwegian Wood,” and other great though cryptic songs, it doesn’t fill in the entire picture, leaving it instead up to the listener to do that on their own. All of its components enhance this dynamic of hypnotic mystery. There’s the swampy/mystic tone of the track, ethereal yet visceral, just acoustic guitars, bass and conga with no drums. The vocal is delivered as if from a storyteller spinning an ancient mythic tale, not performing as much as testifying, and in language that resounds like coded poetry. We’re in motion the entire time, days are passing, and the heat is relentless. Elemental symbols are everywhere like images from a perplexingly real dream – a dry riverbed, appointed with plants and birds and rocks and things, and incessant sound. And, of course, there’s that mysterious horse, the one with no name, which did forever force the question: Why? Why didn’t anyone name this horse? In search of answers, we turned to the songwriting source himself, Dewey Bunnell, who spoke to us on the phone last week, the final week of March, 2020, at the start of the mandatory stay-at-home orders in California.