Action the Distance from the String to the Fretboard. the Higher the Action, the Harder It Is to Press the Down the Note
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Magpick: an Augmented Guitar Pick for Nuanced Control
Magpick: an Augmented Guitar Pick for Nuanced Control Fabio Morreale Andrea Guidi Andrew McPherson Creative Arts and Industries Centre For Digital Music Centre For Digital Music University of Auckland, Queen Mary University of Queen Mary University of New Zealand London, UK London, UK [email protected] [email protected] [email protected] ABSTRACT This paper introduces the Magpick, an augmented pick for electric guitar that uses electromagnetic induction to sense the motion of the pick with respect to the permanent mag- nets in the guitar pickup. The Magpick provides the gui- tarist with nuanced control of the sound that coexists with traditional plucking-hand technique. The paper presents three ways that the signal from the pick can modulate the guitar sound, followed by a case study of its use in which 11 guitarists tested the Magpick for five days and composed a piece with it. Reflecting on their comments and experi- Figure 1: The Magpick is composed of two parts: a ences, we outline the innovative features of this technology hollow body (black) and a cap (brass). from the point of view of performance practice. In partic- ular, compared to other augmentations, the high tempo- ral resolution, low latency, and large dynamic range of the The challenge is to find ways to sense the movement of Magpick support a highly nuanced control over the sound. the pick with respect to the guitar with high resolution, Our discussion highlights the utility of having the locus of high dynamic range, and low latency, then use the resulting augmentation coincide with the locus of interaction. -
Picking Mechanics for Blues Guitar
Picking Mechanics For Blues Guitar Antony Reynaert www.BestBluesGuitarLessonsOnline.com Contents Introduction I. Downstrokes Only . 5 A. When To Use B. Example C. Famous Players Using This Technique II. Alternate Picking . 6 A. When To Use B. Example C. Famous Players Using This Technique III. Economy Picking . .7 A. Why Use Economy Picking? B. Example C. Famous Players Using This Technique IV. Legato Technique . 8 A. When To Use B. Example C. Famous Players Using This Technique V. Sweep Picking . 9 A. When To Use B. Example C. Famous Players Using This Technique VI. Important Considerations . .. 10 copyright (c) Guitar Mastery Solutions Introduction: How To Free The Music Inside Of You By Overcoming Your Guitar Technique Limitations As a blues guitarist you want to express your feelings through your guitar. Before you can free the music in yourself, you need to clear the roadblock that is holding you back from expressing the music freely. Many guitar students struggle with their freedom of expression when playing blues solos, mainly because they believe that ‘blues is an easy style’ and because of this they never focus on blues guitar technique. This mistake causes the student to only get partial results when improvising and lays also at the root of why many struggle to play blues guitar solos effortless. How To Take Your Mind Of Guitar Technique Guitar technique should be practiced in order to take your mind of technique. Once you focused on the right exercises then you will find yourself in a place where you don’t have to actively think about technique anymore (even when playing the most challenging passages, licks, riffs or solos). -
An Overview of a Strumming Guitar Robot
StrumBot – An Overview of a Strumming Guitar Robot Richard Vindriis Dale Carnegie Victoria University of Wellington Victoria University of Wellington School of Engineering and Computer Science School of Engineering and Computer Science Wellington, New Zealand Wellington, New Zealand [email protected] [email protected] ABSTRACT • Incorporate features that allow for additional musical StrumBot is a novel standalone six stringed robotic guitar consisting expressivity. of mechanisms designed to enable musical expressivity and minimise acoustic noise. It is desirable for less than 60 dBA of noise at 1 m to be 2. BACKGROUND emitted to allow StrumBot to play in intimate venues such as cafés or Previous musical robots have a problem with the acoustic noise restaurants without loud motor noises detracting from the musical created from mechanical sources, such as a carriage rubbing against a experience. slide. This noise is not musical and interferes with the enjoyment of StrumBot improves upon previous robotic musical instruments by listening to the robots perform. While this does not matter in a concert allowing additional expressive opportunities for a composer to utilise. setting, it is not suitable for playing in a home or café type StrumBot can perform slides, vibrato, muting techniques, pitch bends, environment. A normal speaking volume (measured at 1 m) is pluck power variances, timbre control, complex chords and fast approximately 60 dB and it would be preferred if the robotic noise was strumming patterns. below this level. A MIDI input allows commercial or custom controllers to operate MechBass, BassBot and Swivel have all been designed for StrumBot. -
Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons). -
How to Become a Fingerstyle Guitarist Guitar Giveaway Live Webcast September 29Th, 2018
How To Become a Fingerstyle Guitarist Guitar Giveaway Live Webcast September 29th, 2018 By: Erich Andreas YourGuitarSage.com Click Here to Watch the Free Beginner Series Click Here for $1 Access to UGS & 365 Course Introduction The guitar is a little orchestra.” – Segovia Finger style guitar is a style of guitar that is based on the plucking of strings with fingers instead of using a plectrum/pick. The lovers of this style of guitar will be quick to tell you of the joy and peace that they derive from their instrument while playing this style and talk often of the intimacy that they experience that is not possible with the guitar pick alone. Not only do the above merits ring true for those who take a moment to understand this remarkable style of guitar playing, but playing with the fingers allows the musician to play “controlled” polyphonic/multiple note music, which is not otherwise attainable with standard guitar pick styled playing. Have you ever attempted finger style guitar? When you did attempt it, did you feel like you had a claw instead of a hand? Did your mind and fingers get all tangled up in the strings? Do you know which fingers should pluck which strings? If you feel like I’m, “in your head” in regards to these questions, that’s because everyone feels this way at first when attempting this style, and most people ask the same exact questions. There was a time that I too felt this way, however, with time, helpful instruction and proper practice, finger style guitar became a large and very enjoyable part of my guitar playing. -
Guitar Pro 7 User Guide 1/ Introduction 2/ Getting Started
Guitar Pro 7 User Guide 1/ Introduction 2/ Getting started 2/1/ Installation 2/2/ Overview 2/3/ New features 2/4/ Understanding notation 2/5/ Technical support 3/ Use Guitar Pro 7 3/A/1/ Writing a score 3/A/2/ Tracks in Guitar Pro 7 3/A/3/ Bars in Guitar Pro 7 3/A/4/ Adding notes to your score. 3/A/5/ Insert invents 3/A/6/ Adding symbols 3/A/7/ Add lyrics 3/A/8/ Adding sections 3/A/9/ Cut, copy and paste options 3/A/10/ Using wizards 3/A/11/ Guitar Pro 7 Stylesheet 3/A/12/ Drums and percussions 3/B/ Work with a score 3/B/1/ Finding Guitar Pro files 3/B/2/ Navigating around the score 3/B/3/ Display settings. 3/B/4/ Audio settings 3/B/5/ Playback options 3/B/6/ Printing 3/B/7/ Files and tabs import 4/ Tools 4/1/ Chord diagrams 4/2/ Scales 4/3/ Virtual instruments 4/4/ Polyphonic tuner 4/5/ Metronome 4/6/ MIDI capture 4/7/ Line In 4/8 File protection 5/ mySongBook 1/ Introduction Welcome! You just purchased Guitar Pro 7, congratulations and welcome to the Guitar Pro family! Guitar Pro is back with its best version yet. Faster, stronger and modernised, Guitar Pro 7 offers you many new features. Whether you are a longtime Guitar Pro user or a new user you will find all the necessary information in this user guide to make the best out of Guitar Pro 7. 2/ Getting started 2/1/ Installation 2/1/1 MINIMUM SYSTEM REQUIREMENTS macOS X 10.10 / Windows 7 (32 or 64-Bit) Dual-core CPU with 4 GB RAM 2 GB of free HD space 960x720 display OS-compatible audio hardware DVD-ROM drive or internet connection required to download the software 2/1/2/ Installation on Windows Installation from the Guitar Pro website: You can easily download Guitar Pro 7 from our website via this link: https://www.guitar-pro.com/en/index.php?pg=download Once the trial version downloaded, upgrade it to the full version by entering your licence number into your activation window. -
Acoustic Guitar
794 ACOUSTICACOUSTIC GUITARGUITAR ACOUSTIC THE ACOUSTIC INCLUDES THE NEW TAB NEW GUITAR GUITAR COMPLETE INCLUDES MAGAZINE’S PRIVATE METHOD, ACOUSTIC TAB LESSONS VOLUME 1 BOOK 2 GUITAR METHOD 24 IN-DEPTH LESSONS by David Hamburger LEARN TO PLAY USING String Letter Publishing String Letter Publishing THE TECHNIQUES & With this popular guide and Learn how to alternate the bass SONGS OF AMERICAN two-CD package, players will notes to a country backup ROOTS MUSIC learn everything from basic pattern, how to connect chords by David Hamburger techniques to more advanced with some classic bass runs, and String Letter Publishing moves. Articles include: Learning to Sight-Read (Charles how to play your first fingerpicking patterns. You’ll find out A complete collection of all three Acoustic Guitar Method Chapman); Using the Circle of Fifths (Dale Miller); what makes a major scale work and what blues notes do to books and CDs in one volume! Learn how to play guitar Hammer-ons and Pull-offs (Ken Perlman); Bass Line a melody, all while learning more notes on the fingerboard with the only beginning method based on traditional Basics (David Hamburger); Accompanying Yourself and more great songs from the American roots repertoire American music that teaches you authentic techniques and (Elizabeth Papapetrou); Bach for Flatpickers (Dix – especially from the blues tradition. Songs include: songs. Beginning with a few basic chords and strums, Bruce); Double-Stop Fiddle Licks (Glenn Weiser); Celtic Columbus Stockade Blues • Frankie and Johnny • The Girl you’ll start right in learning real music drawn from blues, Flatpicking (Dylan Schorer); Open-G Slide Fills (David I Left Behind Me • Way Downtown • and more. -
THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 Letters Social Email Us Circles Taylorguitars.Com/Contact Join the Taylor Community
THE 2020 GUITAR GUIDE UPCYCLING URBAN WOOD 2 www.taylorguitars.com Letters social Email us circles taylorguitars.com/contact Join the Taylor community Facebook: @taylorguitars to last, including wooden instruments, A Sweeter Sound nice acoustic guitar, I ran across Bob Instagram: @taylorguitars although they are more fragile. But the I was interested in the “Ask Bob” Taylor’s video about the Ebony Project @taylorespanol real essence of your article was how query about the effect on tone the size on YouTube. After seeing how environ- Twitter: @taylorguitars you reunited ebony with Buck Knives. of the soundhole has. A few months ago, mentally conscientious he is and how YouTube: taylorguitars That is just outstanding. Thank you for I attached an ES-Go pickup to my GS he incorporated that as a major part of great work and products. I’ve only been Mini, and as you are aware, the pickup Taylor Guitars’ philosophy (and prac- playing for six years, on a GS Mini, my covers a small part of the soundhole tice), I decided that the only question first guitar. And I’m fond of ebony! near the neck of the guitar. When play- was which Taylor guitar I liked best and Charlie Francisco, DVM ing the guitar acoustically (i.e., not could afford. The 414ce is outstanding through the pickup or amp), I have independent of all of this, but I did want noticed the tone is “sweeter” — there Bob to know that his environmental Deluxe Treatment is more high end and a slight reduction concerns and the fact that he is doing I’m the proud owner of an 810, 414 in bass. -
2018 Eko Belcat Seasun
2018 Catalog Music Dealer Wholesale Price List - 2018 Harris Musical Products, Inc. PO Box 91, Waltham, MA 02454 USA Phone 781-341-0776 Fax 781-341-0778 Toll Free 800-559-7425 EMAIL: [email protected] 1937 --- 2017 WEB: harrismusical.com US BLUES * Artist Quality Guitar Picks ToneWoods - FlexWoods - Exotics - Sculpted - Vegetable Ivory PT-72 GR-72 Wood Grip Collection Collection Trays of 72 Picks MODEL # MODEL DESCRIPTION Picks RETAIL COST Guitar Pick Display Trays (72 Picks Per Tray) JAZZ III TONEWOOD PICK PACKS (3 Picks) PT-72 ToneWood Collection 72 $ 360 $162.00 P3-JZEB JazzWood Ebony 3 $15.00 $6.75 GR-72 Grip Collection 72 $ 384 $173.00 P3-JZSN JazzWood Sonokeling 3 $15.00 $6.75 JZ-72 Jazz Collection 72 $ 384 $173.00 P3-JZTD JazzWood Tamarind 3 $15.00 $6.75 P3-JZRS JazzWood Rosewood 3 $15.00 $6.75 EX-72 Exotic Collection 72 $ 432 $195.00 P3-JZPD JazzWood Padauk 3 $15.00 $6.75 Sculpted/Ivory Collection 72 $ 576 SI-72 $259.00 P3-JZMP JazzWood Maple 3 $15.00 $6.75 TR-72 Trillogy Collection 72 $ 384 $173.00 P3-JZTK JazzWood Teak 3 $15.00 $6.75 P3-JZAC JazzWood Acacia 3 $15.00 $6.75 351 TONEWOOD PICK PACKS (3 Picks) P3-JZHM JazzWood Mango 3 $15.00 $6.75 P3-TWEB ToneWood Ebony 3 $15.00 $6.75 P3-JZBM JazzWood Bamboo 3 $15.00 $6.75 P3-TWSN ToneWood Sonokeling 3 $15.00 $6.75 P3-TWTD ToneWood Tamarind 3 $15.00 $6.75 P3-TWRS ToneWood Rosewood 3 $15.00 $6.75 P3-TWPD ToneWood Padauk 3 $15.00 $6.75 P3-TWMP ToneWood Maple 3 $15.00 $6.75 P3-TWTK ToneWood Teak 3 $15.00 $6.75 P3-TWAC ToneWood Acacia 3 $15.00 $6.75 P3-TWHM ToneWood Hawaiian Mango -
Taylor Guitars Wood & Steel Magazine
INSIDE THE WORLD OF TAYLOR GUITARS / VOLUME 74 winter 2013 THE 2013 GUITAR GUIDE The New Grand Orchestra Big & Balanced Koa 200s Find Your Fit All About Shapes, Woods & Sounds Your Player Profile Sustainable Forestry String-Changing Tips Taylor Around the World 2 www.taylorguitars.com 3 Letters Volume 74 Winter 2013 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars the eye of the hurricane passed over around the block, so to speak. We lor sales managers Michael Lille and the beauty and the fullness of the us and spared us the non-stop winds were overwhelmed by the knowledge, Aaron Dablow, and product specialist sound coming from such a small guitar. and torrential rain that afflicted the sense of humor, and musical abilities of Marc Seal] played three different Taylor I knew I had to have one. areas farther north. We did, however, both people putting on the show [Ed. guitar shapes with different woods My wife and I do a great deal of suffer two high-tide storm surges that Note: Taylor district sales manager together, it was awesome to hear the traveling. I realized that the Mini would reached record heights. We were with- Mike Ausman and product specialist differences. The guys all had fantastic make a truly great travel guitar. The out heat or electricity for four days, and Wayne Johnson]. We are both retired attitudes, great senses of humor, and a Road Show was on a Tuesday, and were banned from returning home for teachers and have hundreds if not wonderful dedication to Taylor Guitars. -
Fingerpicking
Back to Directory Page Fingerpicking FINGERPICKING is the use of one’s fingers to strike or pluck the strings instead of using a pick (plectrum). This technique is widely used in classical, flamenco, Spanish and folk music; however it has also been used in nearly every genre of music - including pop and rock. Fingerpicking allows the player to be more selective regarding what strings should sound when playing the guitar polyphonically (multiple simultaneous notes). For example, if I want to play an E minor chord, but don’t want the fourth and fifth strings to sound, I would either need to mute them or just not play them at all. If I were strumming the guitar you can see how playing the same chord without the fourth and fifth strings might be awkward. However, with the use of fingerpicking I can pick strings one, two, three and six easily. That’s a very simple explanation of the myriad of possibilities that only fingerpicking will allow. Fingerpicking also has its own distinctive sound. When reading music that uses fingerpicking, you may see the term “PIMA” or the initials P, I, M or A used. PIMA is an acrostic for the thumb and the first three fingers of the right hand. Because of its length, the pinky is often times not used. PIMA is often used to indicate which fingers to use in picking. The traditional Spanish words that we derive those letters from are: Pulgar = Thumb Indice = Fore Finger Medio = Middle Finger Anular = Ring Finger I know! I don’t speak Spanish either. -
The Story of Bourgeois Guitars
The Story of Bourgeois Guitars Known for tonal excellence, meticulous craftsmanship, and top-notch materials, played by six-string luminaries such as Bryan Sutton, Ricky Skaggs, Sean Watkins, Doc Watson, Ray LaMontagne and countless professional and non- professional enthusiasts, Bourgeois guitars have played a prominent role in the American steel-string guitar renaissance for more than two decades, helping shape acoustic music’s most recent rise in popularity. What makes Bourgeois guitars unique? Why do they sound the way they do? How did Dana Bourgeois evolve from a guitar-crazy teenager in the 1970’s to become a recognized authority on tonewoods and instrument design? Let’s have a look at the instruments’ history, explore the concepts behind their designs, and learn how they’re built. In the Beginning Dana Bourgeois’ involvement with guitars predates by many years the company that carries his name. His work has, in fact, enriched the steel-string guitar world for almost 40 years. Although Bourgeois began playing guitar shortly after seeing the Beatles’ historic performances on The Ed Sullivan Show, his journey with the craft of lutherie began in earnest while attending Maine’s Bowdoin College in the early ’70s. After devouri ng Irving Sloan’s landmark book Classic Guitar Construction, Dana figured he’d give it a shot in his dorm room. “My grandfather was a machinist, and my father was an amateur wood worker, and between the two of them, I received enough help to actually build a guitar,” he remembers. Clearly, Dana had found his passion. By 1977, he had established a one-man shop in Brunswick, Maine, which soon led to his first commission for a hand-built guitar.