Introduction
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
American Love Stories: Narrative Ethics and the Novel from Stowe to James
American Love Stories: Narrative Ethics and the Novel from Stowe to James By Ashley Carson Barnes A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dorothy Hale, Chair Professor Samuel Otter Professor Dorri Beam Professor Robert Alter Fall 2012 1 Abstract American Love Stories: Narrative Ethics and the Novel from Stowe to James by Ashley Carson Barnes Doctor of Philosophy in English University of California, Berkeley Professor Dorothy Hale, Chair “American Love Stories” argues for the continuity between two traditions often taken to be antagonistic: the sentimental novel of the mid-nineteenth century and the high modernism of Henry James. This continuity emerges in the love stories tracked here, from Harriet Beecher Stowe’s Uncle Tom’s Cabin and Elizabeth Stuart Phelps’s The Gates Ajar, through Nathaniel Hawthorne’s The Blithedale Romance and Herman Melville’s Pierre, to Elizabeth Stoddard’s The Morgesons and James’s The Golden Bowl. In these love stories—the other side of the gothic tradition described by Leslie Fiedler—desire is performed rather than repressed, and the self is less a private container than a public exhibit. This literary-historical claim works in tandem with the dissertation’s argument for revising narrative ethics. The recent ethical turn in literary criticism understands literature as practically engaging the emotions, especially varieties of love, that shape our social lives. It figures reading as a love story in its own right: an encounter with a text that might grant us intimacy with an authorial persona or else spurn our desire to grasp its alterity. -
Realguitar 5 User's Manual
REALGUITAR 5 USER'S MANUAL COPYRIGHT © 2004-2021 BY MUSICLAB, INC. TABLE OF CONTENTS ABOUT THE PROGRAM .................................................................................................................................................. 3 WHAT’S NEW IN REALGUITAR 5 ............................................................................................................................. 5 INSTALLING REALGUITAR ............................................................................................................................................. 6 Installing RealGuitar PC version ..................................................................................................................... 6 Installing RealGuitar Mac version .................................................................................................................. 6 Launching RealGuitar .............................................................................................................................................. 6 Managing Sound Bank ........................................................................................................................................... 7 REALGUITAR STEEL STRING ....................................................................................................................................... 8 Virtual Fretboard .......................................................................................................................................................... 8 Virtual Keyboard .......................................................................................................................................................... -
Bard Digital Commons Jul2020
Bard College Bard Digital Commons Robert Kelly Manuscripts Robert Kelly Archive 7-2020 jul2020 Robert Kelly Follow this and additional works at: https://digitalcommons.bard.edu/rk_manuscripts JULY 2020 1 = = = = = 1. In mind alert growl, a lion cub hesitant at cloud. Yes, this is the place or is no other origin for what to do now. Growl, grow up and prowl the rich savannas of. 2. Birth of a pansy, old age of a rose. Remember the feel of when. Bruise in the sky, yes, so many yesses. JULY 2020 2 3. Keep wanting to want. The event enews itself in you. Animals who burrow in the earth often find light too bright to see. They walk right up to you and then. 4. Some day it will roar. Sunday. Till then suspect, uneasy feelingI should be doing something else. 5. Full grown on four thoughts stands clear. Nothing has been and been forgotten. The image speaks louder than the man. JULY 2020 3 The fact of the matter is matter. And here I thought it or I was growling. We’re just perpendiculars hanging from the sky. 1 July 2020 JULY 2020 4 = = = = = Give me just a tissue of belief to wipe the doubt from my eyes, let the day exist on its own terms far away from my jive for I was ocean too, like everyone and came across myself tp be. just be. Linger I said like Faust, linger be you beautiful or not, only what lingers matters. Or do I mean only what is gone? 1 July 2020 JULY 2020 5 = = = = = Something other has to start. -
And They Lived Happily Ever After : the Effects of Cultural Myths and Romantic Idealizations on Committed Relationships
Smith ScholarWorks Theses, Dissertations, and Projects 2007 And they lived happily ever after : the effects of cultural myths and romantic idealizations on committed relationships Jordana Lauren Metz Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Metz, Jordana Lauren, "And they lived happily ever after : the effects of cultural myths and romantic idealizations on committed relationships" (2007). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/1318 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Jordana Lauren Metz And They Lived Happily Ever After: The Effects of Cultural Myths and Romantic Idealizations on Committed Relationships ABSTRACT This study explored the impact of idealized relationships, present in our media and culture, on committed relationships. The purpose of this study was to explore the ways that relationships are impacted by real and idealized relationship discrepancies. In addition, this research provided an initial assessment of the coping mechanisms utilized by partners as problem solving responses to the discrepancies. Twelve participants, self-identified as in a committed relationship with a partner and living together for over one year, participated in this study. Semi-structured interviews were conducted with questions focusing on how the participants’ relationships fit and do not fit into idealized notions of relationships, how their partnership is affected by this relationship discrepancy and the ways that they cope and respond to these effects. Findings indicated that many participants experienced feelings of discomfort, questioning and doubt in their relationship due to the prevalence of idealized relationships. -
Power Tab Editor ❍ Appendix B - FAQ - a Collection of Frequently Asked Questions About the Power Tab Editor
Help Topics ● Introduction - Program overview and requirements ● What's New? - Program Version history; what was fixed and/or added in each version of the program ● Quick Steps To Creating A New Score - A simple guide to creating a Power Tab Score ● Getting Started ❍ Toolbars - Information on showing/hiding toolbars ❍ Creating A New Power Tab File - Information on how to create a new file ❍ The Score Layout - Describes how each Power Tab Score is laid out ❍ Navigating In Power Tab - Lists the different ways that you can traverse through a Power Tab score. ❍ The Status Bar - Description of what each pane signifies in the status bar. ● Sections and Staves ❍ What Is A Section? - Information on the core component used to construct Power Tab songs ❍ Adding A New Section - Information on how to add a new section to the score ❍ Attaching A Staff To A Section - Describes how attach a staff to a section so multiple guitar parts can be transcribed at the same time ❍ Changing The Number Of Tablature Lines On A Staff - Describes how to change the number of tablature staff lines on an existing staff ❍ Inserting A New Section - Describes how to insert a section within the score (as opposed to adding a section to the end of a score) ❍ Removing A Section Or Staff - Describes how to remove a section or staff from the score ❍ Position Width and Line Height - Describes how to change the width between positions and the distance between lines on the tablature staves ❍ Fills - Not implemented yet ● Song Properties ❍ File Information - How to edit the score -
Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons). -
Ten to a Lot of My Old Material
NEWS + NOTES about my infl uence on them. It Revocation shredder Dave David- And while the guitar in years. “I fi gured that if I was was really quite touching.” son and acoustic fl amenco-metal collaborations are certainly a going to come back to America, I As a result, when it came hybridists Rodrigo y Gabriela. highlight of Inferno (there is was going to come back big and time to compose the music for Says Friedman, “Each of the also one between Friedman and give people something they want Inferno, Friedman looked to guests on this record took a song his pre-Megadeth Cacophony out of me,” he explains. “And I some of these musicians to take from scratch—they would write bandmate, Jason Becker), the know that what they want is not part in collaborations. Among it and then I would arrange it and guitarist insists that the majority some avant-garde thing. What the artists that appear on Inferno add my parts to it. That way we of the record is 100 percent pure they want is just the most intense are avowed Friedman fans like were both invested in it and it’s a Friedman. In fact, he calls it the writing and playing I can do.” Children of Bodom’s Alexi Laiho, little bit of a deeper experience.” most “Marty” record he’s done That said, Friedman also warns that longtime fans should not expect a rehash of his Cacophony and Megadeth days. “It defi nitely “That idea of just going doesn’t sound like that stuff, if only because my playing has a completely balls-out with thousand times more richness and my playing is there again .” deepness and intensity than what I was able to do with the chops I had back then. -
Guitar Pro 7 User Guide 1/ Introduction 2/ Getting Started
Guitar Pro 7 User Guide 1/ Introduction 2/ Getting started 2/1/ Installation 2/2/ Overview 2/3/ New features 2/4/ Understanding notation 2/5/ Technical support 3/ Use Guitar Pro 7 3/A/1/ Writing a score 3/A/2/ Tracks in Guitar Pro 7 3/A/3/ Bars in Guitar Pro 7 3/A/4/ Adding notes to your score. 3/A/5/ Insert invents 3/A/6/ Adding symbols 3/A/7/ Add lyrics 3/A/8/ Adding sections 3/A/9/ Cut, copy and paste options 3/A/10/ Using wizards 3/A/11/ Guitar Pro 7 Stylesheet 3/A/12/ Drums and percussions 3/B/ Work with a score 3/B/1/ Finding Guitar Pro files 3/B/2/ Navigating around the score 3/B/3/ Display settings. 3/B/4/ Audio settings 3/B/5/ Playback options 3/B/6/ Printing 3/B/7/ Files and tabs import 4/ Tools 4/1/ Chord diagrams 4/2/ Scales 4/3/ Virtual instruments 4/4/ Polyphonic tuner 4/5/ Metronome 4/6/ MIDI capture 4/7/ Line In 4/8 File protection 5/ mySongBook 1/ Introduction Welcome! You just purchased Guitar Pro 7, congratulations and welcome to the Guitar Pro family! Guitar Pro is back with its best version yet. Faster, stronger and modernised, Guitar Pro 7 offers you many new features. Whether you are a longtime Guitar Pro user or a new user you will find all the necessary information in this user guide to make the best out of Guitar Pro 7. 2/ Getting started 2/1/ Installation 2/1/1 MINIMUM SYSTEM REQUIREMENTS macOS X 10.10 / Windows 7 (32 or 64-Bit) Dual-core CPU with 4 GB RAM 2 GB of free HD space 960x720 display OS-compatible audio hardware DVD-ROM drive or internet connection required to download the software 2/1/2/ Installation on Windows Installation from the Guitar Pro website: You can easily download Guitar Pro 7 from our website via this link: https://www.guitar-pro.com/en/index.php?pg=download Once the trial version downloaded, upgrade it to the full version by entering your licence number into your activation window. -
Robert Walser Published Titles My Music by Susan D
Running With the Devil : Power, Gender, title: and Madness in Heavy Metal Music Music/culture author: Walser, Robert. publisher: Wesleyan University Press isbn10 | asin: 0819562602 print isbn13: 9780819562609 ebook isbn13: 9780585372914 language: English Heavy metal (Music)--History and subject criticism. publication date: 1993 lcc: ML3534.W29 1993eb ddc: 781.66 Heavy metal (Music)--History and subject: criticism. Page i Running with the Devil Page ii MUSIC / CULTURE A series from Wesleyan University Press Edited by George Lipsitz, Susan McClary, and Robert Walser Published titles My Music by Susan D. Crafts, Daniel Cavicchi, Charles Keil, and the Music in Daily Life Project Running with the Devil: Power, Gender, and Madness in Heavy Metal Music by Robert Walser Subcultural Sounds: Micromusics of the West by Mark Slobin Page iii Running with the Devil Power, Gender, and Madness in Heavy Metal Music Robert Walser Page iv WESLEYAN UNIVERSITY PRESS Published by University Press of New England, Hanover, NH 03755 © 1993 by Robert Walser All rights reserved Printed in the United States of America 5 4 3 2 1 CIP data appear at the end of the book Acknowledgments for song lyrics quoted: "Electric Eye": Words and music by Glenn Tipton, Rob Halford, and K. K. Downing, © 1982 EMI APRIL MUSIC, INC. / CREWGLEN LTD. / EBONYTREE LTD. / GEARGATE LTD. All rights controlled and administered by EMI APRIL MUSIC, INC. International copyright secured. All rights reserved. Used by permission. "Suicide Solution": Words and music by John Osbourne, Robert Daisley, and Randy Rhoads, TRO© Copyright 1981 Essex Music International, Inc. and Kord Music Publishers, New York, N.Y. -
Guitar Magazine Master Spreadsheet
Master 10 Years Through the Iris G1 09/06 10 years Wasteland GW 4/06 311 Love Song GW 7/04 AC/DC Back in Black + lesson GW 12/05 AC/DC Dirty Deeds Done Dirt Cheap G1 1/04 AC/DC For Those About to Rock GW 5/07 AC/DC Girls Got Rhythm G1 3/07 AC/DC Have a Drink On Me GW 12/05 ac/dc hell's bells G1 9/2004 AC/DC hell's Bells G 3/91 AC/DC Hells Bells GW 1/09 AC/DC Let There Be Rock GW 11/06 AC/DC money talks GW 5/91 ac/DC shoot to thrill GW 4/10 AC/DC T.N.T GW 12/07 AC/DC Thunderstruck 1/91 GS AC/DC Thunderstruck GW 7/09 AC/DC Who Made Who GW 1/09 AC/DC Whole Lotta Rosie G1 10/06 AC/DC You Shook Me All Night Long GW 9/07 Accept Balls to the Wall GW 11/07 Aerosmith Back in the Saddle GW 12/98 Aerosmith Dream On GW 3/92 Aerosmith Dream On G1 1/07 Aerosmith Love in an Elevator G 2/91 Aerosmith Train Kept a Rollin’ GW 11/08 AFI Miss Murder GW 9/06 AFI Silver and Cold GW 6/04 Al DiMeola Egyptian Danza G 6/96 Alice Cooper No More Mr. Nice Guy G 9/96 Alice Cooper School's Out G 2/90 alice cooper school’s out for summer GW hol 08 alice in chains Dam That River GW 11/06 Alice in Chains dam that river G1 4/03 Alice In Chains Man in the Box GW 12/09 alice in chains them bones GW 10/04 All That Remains Two Weeks GW 1/09 All-American Rejects Dirty Little Secret GW 6/06 Allman Bros Midnight Rider GW 12/06 Allman Bros Statesboro Blues GW 6/04 Allman Bros Trouble no More (live) GW 4/07 Allman Bros. -
Action the Distance from the String to the Fretboard. the Higher the Action, the Harder It Is to Press the Down the Note
action The distance from the string to the fretboard. The higher the action, the harder it is to press the down the note. altered and open tunings If you change the tuning of the guitar from its standard EADGBE, the result is an altered or open tuning. These are used a lot in blues & Celtic music, but can be used in any style. alternate picking Picking in a down up, down up motion. arpeggio The notes of a chord played one at a time. arrangement The form of a song. For instance, start with the intro then go to the verse and then the chorus etc… barre chord When you place the 1st finger of the left hand over 2 or more strings, you are using a barre. (Think of your finger as a capo while doing this) bending pushing or pulling the string across the fretboard to raise and or lower the pitch of the note. capo A device that clamps across the fretboard to simulate the barre. This is very useful to play in different keys but still to use the same chord shapes. chord A chord is 3 or more notes played together at the same time. chorus This refers to the “hook” of the song. Usually the part that sticks in your head that you sing over and over. cutaway The cutaway is the part of a guitar that is “cut out” on the lower part of the body where the neck meets the body. This is for easy access to the upper register of the fretboard. -
The Guitar Institute Teacher and Soundtrack Doer Lindsey Boullt Has Come True a Life's Dream with This Album
Progressive Newsletter Review 092907 Lindsey Boullt – Composition (40:12, Privatpressung, 2007) Der Guitar Institute-Lehrer und Filmmusikmacher Lindsey Boullt hat sich mit diesem Album einen Lebenstraum erfüllt. Allein schon die einzigartige Gästeliste vermag allerdings auch höchste Erwartungen von Proghörern einzulösen: Hier geben sich Jerry Goodman (vln, u. a. The Flock, Mahavishnu Orchestra), Derek Sherinian (keyb., Ex-Dream Theater, Chroma Key, Planet X), Stu Hamm (bss, u. a. Joe Satriani, Steve Vai, Frank Gambale) und Atma Anur (drms, u. a. Tony MacAlpine, Richie Kotzen, Jason Becker, Cacophony, Doppler Inc., Greg Howe) ein Stelldichein. Doch „Composition“ ist mehr, als nur ein Projekt mit ganz großen Namen, es handelt sich hier Omen-mäßig eben auch um zwingende, geradezu in den Bann schlagende Kompositionen aus dem Umfeld Jazzrock, Progmetal und Weltmusik eindeutig orientalisch/indischer Prägung. Beispielsweise die Gitarren- (Tapping)/Keyboard-Duelle, die sich Boullt und Sherinian auf dem einleitenden „Page Revisited“ liefern, brauchen sich vor nichts auf dem legendären Shrapnel-Label Erschienenen zu verstecken. „Chasing the Whirling Dervish“ jagt überwiegend akustisch einen deutlich erkennbar aus der Mclaughlin-Zauberlampe entwichenen Dämon. Und bringt diesen mit Hilfe von Jerrys magischer Geige schließlich auch wunderbar zu einer Art von musikalischer Räson. Auf „Moving Panvishnu“ lässt derselbe Musikerhurricane das Barometer in die gleiche Richtung sacken, während Boullts Solo dann auf's Angenehmste Allan Holdsworth herbeizitiert. Stimmliche Beiträge vom in der Qawwali-/Sham Chorasi-Tradition singenden pakistanischen Künstler Sukhawat Ali Khan sind u. a. auf dem eindringlichen „Call for Peace“ vernehmlich. Stark anbefohlen für Fans von Mahavishnu, Shakti, Sherinian, The Flock, Curved Air. Erhältlich via iTunes, DigStation und www.lindseybullt.com/music.htm.