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American Love Stories: Narrative Ethics and the Novel from Stowe to James
American Love Stories: Narrative Ethics and the Novel from Stowe to James By Ashley Carson Barnes A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dorothy Hale, Chair Professor Samuel Otter Professor Dorri Beam Professor Robert Alter Fall 2012 1 Abstract American Love Stories: Narrative Ethics and the Novel from Stowe to James by Ashley Carson Barnes Doctor of Philosophy in English University of California, Berkeley Professor Dorothy Hale, Chair “American Love Stories” argues for the continuity between two traditions often taken to be antagonistic: the sentimental novel of the mid-nineteenth century and the high modernism of Henry James. This continuity emerges in the love stories tracked here, from Harriet Beecher Stowe’s Uncle Tom’s Cabin and Elizabeth Stuart Phelps’s The Gates Ajar, through Nathaniel Hawthorne’s The Blithedale Romance and Herman Melville’s Pierre, to Elizabeth Stoddard’s The Morgesons and James’s The Golden Bowl. In these love stories—the other side of the gothic tradition described by Leslie Fiedler—desire is performed rather than repressed, and the self is less a private container than a public exhibit. This literary-historical claim works in tandem with the dissertation’s argument for revising narrative ethics. The recent ethical turn in literary criticism understands literature as practically engaging the emotions, especially varieties of love, that shape our social lives. It figures reading as a love story in its own right: an encounter with a text that might grant us intimacy with an authorial persona or else spurn our desire to grasp its alterity. -
Bard Digital Commons Jul2020
Bard College Bard Digital Commons Robert Kelly Manuscripts Robert Kelly Archive 7-2020 jul2020 Robert Kelly Follow this and additional works at: https://digitalcommons.bard.edu/rk_manuscripts JULY 2020 1 = = = = = 1. In mind alert growl, a lion cub hesitant at cloud. Yes, this is the place or is no other origin for what to do now. Growl, grow up and prowl the rich savannas of. 2. Birth of a pansy, old age of a rose. Remember the feel of when. Bruise in the sky, yes, so many yesses. JULY 2020 2 3. Keep wanting to want. The event enews itself in you. Animals who burrow in the earth often find light too bright to see. They walk right up to you and then. 4. Some day it will roar. Sunday. Till then suspect, uneasy feelingI should be doing something else. 5. Full grown on four thoughts stands clear. Nothing has been and been forgotten. The image speaks louder than the man. JULY 2020 3 The fact of the matter is matter. And here I thought it or I was growling. We’re just perpendiculars hanging from the sky. 1 July 2020 JULY 2020 4 = = = = = Give me just a tissue of belief to wipe the doubt from my eyes, let the day exist on its own terms far away from my jive for I was ocean too, like everyone and came across myself tp be. just be. Linger I said like Faust, linger be you beautiful or not, only what lingers matters. Or do I mean only what is gone? 1 July 2020 JULY 2020 5 = = = = = Something other has to start. -
And They Lived Happily Ever After : the Effects of Cultural Myths and Romantic Idealizations on Committed Relationships
Smith ScholarWorks Theses, Dissertations, and Projects 2007 And they lived happily ever after : the effects of cultural myths and romantic idealizations on committed relationships Jordana Lauren Metz Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Metz, Jordana Lauren, "And they lived happily ever after : the effects of cultural myths and romantic idealizations on committed relationships" (2007). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/1318 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Jordana Lauren Metz And They Lived Happily Ever After: The Effects of Cultural Myths and Romantic Idealizations on Committed Relationships ABSTRACT This study explored the impact of idealized relationships, present in our media and culture, on committed relationships. The purpose of this study was to explore the ways that relationships are impacted by real and idealized relationship discrepancies. In addition, this research provided an initial assessment of the coping mechanisms utilized by partners as problem solving responses to the discrepancies. Twelve participants, self-identified as in a committed relationship with a partner and living together for over one year, participated in this study. Semi-structured interviews were conducted with questions focusing on how the participants’ relationships fit and do not fit into idealized notions of relationships, how their partnership is affected by this relationship discrepancy and the ways that they cope and respond to these effects. Findings indicated that many participants experienced feelings of discomfort, questioning and doubt in their relationship due to the prevalence of idealized relationships. -
Bodies of Desire and Bodies in Distress
Bodies of Desire and Bodies in Distress Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985 By Xavier Mendik Bodies of Desire and Bodies in Distress: The Golden Age of Italian Cult Cinema 1970-1985, By Xavier Mendik This book first published 2015 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2015 by Xavier Mendik All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-5954-0, ISBN (13): 978-1-4438-5954-7 This book is dedicated with much love to Caroline and Zena CONTENTS Acknowledgements .................................................................................... ix Foreword ................................................................................................... xii Enzo G. Castellari Introduction ................................................................................................ 1 Bodies of Desire and Bodies of Distress beyond the ‘Argento Effect’ Chapter One .............................................................................................. 21 “There is Something Wrong with that Scene”: The Return of the Repressed in 1970s Giallo Cinema Chapter Two ............................................................................................ -
Relationship Difficulties and Help-Seeking Behaviour Secondary Analysis of an Existing Data-Set
Research Report DFE-RR018 Relationship difficulties and help-seeking behaviour Secondary analysis of an existing data-set Josephine Ramm, Lester Coleman1 , Fiona Glenn and Penny Mansfield 1 Dr Lester Coleman, Head of Research at One Plus One, is the corresponding author – [email protected] Relationship difficulties and help-seeking behaviour Secondary analysis of an existing data-set FINAL REPORT Josephine Ramm, Lester Coleman1, Fiona Glenn and Penny Mansfield One Plus One June 2010 This research report was written before the new UK Government took office on 11 May 2010. As a result the content may not reflect current Government policy and may make reference to the Department for Children, Schools and Families (DCSF) which has now been replaced by the Department for Education (DFE). The views expressed in this report are the authors’ and do not necessarily reflect those of the Department for Education. 1 Dr Lester Coleman, Head of Research at One Plus One, is the corresponding author – [email protected] 2 Contents Executive Summary Chapter 1. Introduction & methodology 1.1 Introduction 1.2 Research questions 1.3 Sampling and methods 1.4 Research findings 1.5 Research limitations Chapter 2. Relationship difficulties 2.1 Introduction 2.2 Results 2.2.1 Types of difficulties raised by participants 2.2.2 Underlying issues 2.2.3 Consequences of relationship difficulties 2.2.4 Variation by gender 2.3 Conclusion 2.3.1 Summary of findings 2.3.2 Discussion Chapter 3. What factors help a relationship endure? 3.1 Introduction 3.2 Results 3.2.1 What makes a relationship endure? 3.2.2 What makes my relationship endure? 3.2.3 Variation by gender 3.3 Conclusion 3.3.1 Summary of findings 3.3.2 Discussion Chapter 4. -
George Woke Up, Frozen with Fear. He Opened His Eyes and Was Immediately Frightened of What Was Lying Next to Him. He Was Unsure
George woke up, frozen with fear. He opened his eyes and was immediately frightened of what was lying next to him. He was unsure of whether to scream or run from the bedroom: Should I scream or run from the bedroom? A velociraptor was sleeping in his bed, with closed eyes. Its breaths were sedated and stable; it snorted in through its snout and rasped out through its clenched, dagger-filled mouth. When he lifted his head, he noticed a thick, green tail spilling out from beneath the covers. It slumped from the side of the bed onto the floor. The beast shifted and groaned. It rolled its head on the pillow, using its razor-sharp claws to pick at the linen. George shifted onto his back and played dead. What the hell is going on? George thought as he moved his eyes from the ceiling to the wheezing beak beside him. He snapped back into a neutral supine position when the creature stirred again. He squeezed his eyes closed. When he allowed them to open, the sleeping raptor remained. Sleeping. He fought to quell his terror-fueled panting as best he could. Could raptors sense panic? Could they smell it? Like bees and dogs? George was too shocked to move, but didn’t want to remain so vulnerable and such an easy feast for the monster. Very slowly, George mouthed to himself. He began rolling in the opposite direction with care, as to not disturb the snoring raptor. It was working. He had successfully settled one foot on the hardwood floor. -
Reviewing the Philadelphia Story
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 Reviewing The hiP ladelphia Story: social convention in remarriage comedy Carolyn Beth Greenwald Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Greenwald, Carolyn Beth, "Reviewing The hiP ladelphia Story: social convention in remarriage comedy" (1995). Retrospective Theses and Dissertations. 16188. https://lib.dr.iastate.edu/rtd/16188 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. RevievY'ing The Philadelphia Story: Social convention in remaniage comedy by Carolyn Beth Greenwald A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English (Literature) Approved: In Chargo of Major Work For the Major Department For t.he Graduate CoJlege Iowa State University Ames, Iowa 1995 ii TABLE OF CONTENTS Page CHAPTER ONE: INTRODUCTION 1 CHAPTER TWO: THE SHAKESPEAREAN INHERITANCE 9 CHAPTER THREE: THE PHILADELPHIA STORY 21 CHAPTER FOUR: ALLEN AND BERGMAN 42 BIBLIOGRAPHY 60 1 CHAJ>TER ONE: INTRODUCTION 'Love's stories, written in Covers riclUs 6ooK.,' (JII. fMwummer 9{jgfit's fJ}ream, I. ii. 123) The idea for this thesis came from a short paper I wrote on The Philadelphia Story (1940) directed by George Cukor. -
Sex, Politics, and Comedy
SEX, POLITICS, AND COMEDY GERMAN JEWISH CULTURES Editorial Board: Matthew Handelman, Michigan State University Iris Idelson-Shein, Goethe Universitat Frankfurt am Main Samuel Spinner, Johns Hopkins University Joshua Teplitsky, Stony Brook University Kerry Wallach, Gettysburg College Sponsored by the Leo Baeck Institute London SEX, POLITICS, AND COMEDY The Transnational Cinema of Ernst Lubitsch Rick McCormick Indiana University Press This book is a publication of Indiana University Press Office of Scholarly Publishing Herman B Wells Library 350 1320 East 10th Street Bloomington, Indiana 47405 USA iupress.indiana.edu Supported by the Axel Springer Stiftung This book is freely available in an open access edition thanks to TOME (Toward an Open Monograph Ecosystem)—a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries—and the generous support of the University of Minnesota. Learn more at the TOME website, which can be found at the following web address: openmonographs.org. © 2020 by Richard W. McCormick All rights reserved No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying and recording, or by any information storage and retrieval system, without permission in writing from the publisher. The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences— Permanence of Paper for Printed Library Materials, ANSI Z39.48-1992. -
First Comes Love, Then What? Copyright © 2008 by Kimberly Beair All Rights Reserved
First Comes Love pages 1/2/08 4:27 PM Page v First Comes Love pages 1/2/08 4:27 PM Page vi First Comes Love, Then What? Copyright © 2008 by Kimberly Beair All rights reserved. International copyright secured. A Focus on the Family book published by Tyndale House Publishers, Inc., Carol Stream, Illinois 60188 Focus on the Family and the accompanying logo and design are federally registered trade- marks of Focus on the Family, Colorado Springs, CO 80995. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version®. NIV®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Scripture quotations marked (ESV) are taken from The Holy Bible, English Standard Version, copyright © 2001 by Crossway Bibles, a division of Good News Publishers. Used by permission. All rights reserved. The majority of case examples presented in this book are fictional composites based on the author’s clinical experience with hundreds of clients through the years. Any resem- blance between these fictional characters and actual persons is coincidental. When clients’ actual stories have been used, people’s names and certain details of their stories have been changed to protect the privacy of the individuals involved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or otherwise— without prior written permission of Focus on the Family. -
Rhyn's Redemption Rhyn Trilogy, Book Three
Rhyn's Redemption Rhyn Trilogy, Book Three By Lizzy Ford http://www.GuerrillaWordfare.com/ Edited by Christine LePorte http://www.ChristineLePorte.com/ Cover art and design by Dafeenah http://www.indiedesignz.com/ Rhyn’s Redemption copyright 2012 by Lizzy Ford Cover art and design copyright 2012 by Dafeenah All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review. This is a work of fiction. Names, characters, places and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. See other titles by Lizzy Ford http://www.GuerrillaWordfare.com You can follow the GW team on Twitter: @LizzyFord2010 @cleporte @dafeenajameel Twitter hashtags: #guerrillawriter, #fantasy, #romance, #paranormalromance, #rhyntrilogy Author’s Note “Rhyn’s Redemption” – end of the Trilogy, beginning of the Rhyn Eternal Series When I started the Rhyn Trilogy, it was with the intention of ending it after three books. I figured I’d detail Katie and Rhyn’s relationship and how they eventually became a couple. However, this past fall, after seeing the overwhelming reader support and feedback for the series to continue beyond the three books, I developed a different plan. I now consider the Rhyn Trilogy to be a prequel to the Rhyn Eternal series and more of a history of how all the players got to where they are when the Rhyn Eternal series launches this September. -
'The Sickest Television Show Ever'
“The Sickest Television Show Ever” “The Sickest Television Show Ever”: Paedogeddon and the British Press Sharon Lockyer and Feona Attwood Sharon Lockyer School of Social Sciences Brunel University Uxbridge Middlesex, UB8 3PH Tel: +44 (0)1895 267373 Email: [email protected] Feona Attwood Sheffield Hallam University Furnival Building Arundel Street Sheffield, S1 1WB Tel: +44(0)114 2256815 Email: [email protected] 1 “The Sickest Television Show Ever” “The Sickest Television Show Ever”: Paedogeddon and the British Press Abstract This paper explores the controversy caused by Paedogeddon, a one-off special of the Channel 4 series Brass Eye, broadcast on 26 July 2001. Although the program sought to satirize inconsistencies in the way the British media treats and sensationalizes child sex offenders and their crimes (Clark, 2001), it offended many viewers and caused considerable controversy. Over 900 complaints were made to the Independent Television Commission, almost 250 complaints to the Broadcasting Standards Commission, and 2,000 complaints to Channel 4, “officially” making Paedogeddon the most complained-about television program in British television history at that time. This paper examines the nature of the objections to Paedogeddon as played out on the pages of the British national press and contributes to debates about morally acceptable television. Three themes are identified in the press objections to the mock-documentary: aesthetic arguments; moral and ethical implications; and consequences of ministerial intervention. The nature of these press objections served to prevent an engagement with Paedogeddon’s critique of the media. Further, the analysis illustrates how media discourses and scripts can fix and limit debates surrounding controversial television programming. -
PJFF33 Fall Fest
NON-PROFIT ORGANIZATION U.S POSTAGE PAID LANGHORNE, PA PERMIT NO. 118 A Program of 2013 401 S. Broad Street | Philadelphia, PA 19147 DIRECTORY – A.O. Scott, – A.O. NY Times entertainment. best kind of ideas into the The movie turns ARENDT HANNAH OF FILMS RED FLAG AND EVENTS From GIRLS to no budget filmmaking, Alex Karpovsky's NOVEMBER 2 -16 RED FLAG is sparse, brilliant. - Huffington Post – A.H., Economist and its persistence today. past anti-Semitism in Poland nerve among Poles: that of made, for it touches a raw Polish filmcontroversial ever Pokłosie may be the most AFTERMATH Delightful cinematic gem that leaves COMMIE you wanting more . Do not miss out! - TimeOut Tel Aviv ÒCAMP ” It is a wonderful, hopeful film AYA If the ideas underlying the Oscar-nominated documentary raising serious issues that, “The Gatekeepers” were encapsulated into a feature thankfully, doesn’t take itself film, it would look a lot like Yariv HorowitzÕs too seriously. It’s a film that will make you laugh, possibly ROCK THE CASBAH. cry, and certainly have faith - Hannah Brown, J Post in at least one segment of the Ò next generation. - Lainey Feingold, Beyond Chron PHILA DELPHIA JEWISH Laurent Lucas embodies with emotion and spirit the internal turmoil of his character… fascinating, even for the most atheist of viewers. - Télérama CARDINAL THE JEWISH FILM ORCHESTRA OF EXILES FEST aspires to a level of primary research that other historical documentaries could take a page from. - Nicolas Rapold, New York Times What looks at the outset to be a straightforward vigilante movie about a trio of hot-headed religious watchdogs in Israel turns into a worthy study of personal maturation and growth in The Hollywood Reporter McCarthy, - Todd GOD’S NEIGHBORS.