Rhyn's Redemption Rhyn Trilogy, Book Three

Total Page:16

File Type:pdf, Size:1020Kb

Rhyn's Redemption Rhyn Trilogy, Book Three Rhyn's Redemption Rhyn Trilogy, Book Three By Lizzy Ford http://www.GuerrillaWordfare.com/ Edited by Christine LePorte http://www.ChristineLePorte.com/ Cover art and design by Dafeenah http://www.indiedesignz.com/ Rhyn’s Redemption copyright 2012 by Lizzy Ford Cover art and design copyright 2012 by Dafeenah All rights reserved. No part of this book may be reproduced in any form or by any electronic or mechanical means including information storage and retrieval systems, without permission in writing from the author. The only exception is by a reviewer, who may quote short excerpts in a review. This is a work of fiction. Names, characters, places and incidents either are products of the author’s imagination or are used fictitiously. Any resemblance to actual events or locales or persons, living or dead, is entirely coincidental. See other titles by Lizzy Ford http://www.GuerrillaWordfare.com You can follow the GW team on Twitter: @LizzyFord2010 @cleporte @dafeenajameel Twitter hashtags: #guerrillawriter, #fantasy, #romance, #paranormalromance, #rhyntrilogy Author’s Note “Rhyn’s Redemption” – end of the Trilogy, beginning of the Rhyn Eternal Series When I started the Rhyn Trilogy, it was with the intention of ending it after three books. I figured I’d detail Katie and Rhyn’s relationship and how they eventually became a couple. However, this past fall, after seeing the overwhelming reader support and feedback for the series to continue beyond the three books, I developed a different plan. I now consider the Rhyn Trilogy to be a prequel to the Rhyn Eternal series and more of a history of how all the players got to where they are when the Rhyn Eternal series launches this September. The Rhyn Eternal series will include more books on Katie and Rhyn as they grow into their roles, and books on other popular characters, such as Gabriel, Rhyn’s brothers, Hannah, Rhyn’s daughter, etc., and the ongoing struggle with the Dark One. With that in mind, I feel I need to warn my readers: “Rhyn’s Redemption” doesn’t end with all the loose ends tied up. It doesn’t resolve all the issues, win the war with demons and it doesn’t end happily for every character. What it does is bring Katie and Rhyn together – and set the stage for the Rhyn Eternal series, because Rhyn and Katie will need each other for the upcoming books. Thank you all for your overwhelming support for Rhyn and Katie! This series is very dear to me, because it’s brought so many wonderful people into Lizzyland, and I will be forever grateful for the friends I’ve made and the readers who keep me going! Please feel free to provide feedback in the form of a review where you purchased this copy, or contact me via one of the methods below! My website: http://www.guerrillawordfare.com/ FB page: http://www.facebook.com/LizzyFordBooks/ Twitter: http://twitter.com/LizzyFord2010/ Google+: https://plus.google.com/112799803228451607781/posts?hl=en/ Chapter One Death was waiting for Gabriel when he dozed off. He’d planned on staying awake and moving so she wouldn’t catch up to them, but even he needed a short nap after three straight days of grueling travel in the underworld. He found himself on the Caribbean Sanctuary, in the small chamber with the Oracle book. Sea breeze swept through the small windows of the room, and he took a step towards the lectern on which the open book rested. The pages displayed had a few words written on them rather than the constantly shifting writing that normally scrawled itself across the pages. He felt himself compelled towards the book even as his fight-or- flight instinct reared up. You know what they say about the inner ring of Hell, Gabe. Death’s words were written on both pages of the Oracle’s book. “Why did you bring me here?” he asked the air around him. I can’t talk to you directly, or I am obligated to take you with me, Death’s words appeared in the book. “This isn’t the time for your games,” Gabriel said. “I know what happens if you catch us. What I don’t know is why you’d try to talk to me. You know where we are?” I’d know if I wanted to. The underworld is mine. “As I thought,” he said with a frown. “No matter. I’m taking her out of the underworld.” You know I can’t let you. “But you’re not here to stop me.” If she escapes, it won’t be with your help. The words chilled him from the inside out. There was one way he’d leave Katie, and that was if he was dead-dead. Gabriel looked around the small room, irritated with Death. “Come out,” he ordered her. “I’ve known you longer than any creature still in existence. This is a dream. You can talk to me here.” “There was a time when you feared me then a time when I thought you almost loved me,” Death said, materializing from the shadows. “Is this what happens when your weak human emotions fade? You betray me?” “I have to do this. If you have to stop me … it won’t change how I felt about you.” “You could’ve ruled the underworld at my side, Gabriel.” “What we are – were – is of no concern now,” he said slowly. The words were harder to say than he expected. He’d gone from Death’s favorite – and the only death- dealer serving voluntarily – to just another of her assassins obligated to serve her, after he traded his soul for his best friend’s life. Death had done her best over the years to force his human emotions out of him. But she was right. He had loved her for so long, until he realized even he was a pawn in her games. “Very well, Gabriel,” she said. “Then I must warn you. If I find either of you, I am obligated by rules much older than the Immortal Code to do what I must.” “I understand. Is that all you came to tell me?” “No. I came to tell you that you saw something I didn’t.” He said nothing, aware the creature before him wasn’t capable of communicating a truth in a way most others could understand. Death was from a time before time. He would never understand what she saw when she looked out over humanity and saw its Past, Present, Future, and the soul of each human that ever lived. The size of her vision rendered her unique interpretations puzzling, even to him. “You saw something I almost missed,” she added. “Maybe I was more interested in detailing your human weakness than in understanding what your instincts told you. Deities don’t need instincts. We simply know. But even I cannot know all.” “You’re not pursuing us, because I was right about something,” he said. “What was I right about? We’ve spent millennia arguing. Not once have you uttered those words.” “I didn’t utter them now,” she pointed out. “Let’s just say, I may have misjudged more than your affection for me.” “Rhyn.” “Perhaps. Though I will say, I haven’t yet made my final determination. He has a test he must pass. I didn’t expect him to get so far, and he may not pass at all. In any case, I have a much larger problem. I interfered when I shouldn’t have,” she said. “And now, it might be too late to make things right.” “You did take an unusual interest in Rhyn,” Gabe said. “His soul should’ve been just one more jewel for your collection, considering how many souls you deal with and relationships you break a part.” Including ours. These words he kept to himself. “It was not Rhyn that drew my attention, Gabriel. It was your interest in him.” “You’re blaming me.” He looked away, at the blue sky visible through the window. “I interfered. You have until he passes or fails the final trial.” Gabriel cursed under his breath. He had no way of knowing what kind of test a deity like Death could create, but it wasn’t likely to be good. While he had full faith in Rhyn, he also knew better than to trust the petite woman in white standing in his dream. “If he fails, we’re dead-dead,” he guessed. “If he passes …” “We’ll see.” “You can’t check the Oracle?” He motioned to the book. “I cannot. My Sight has been stunted, no doubt as punishment for my tampering in Fate’s court.” “I know I’m doomed. What about Katie?” Death shrugged with a knowing smile that told him more than if she spoke. Gabriel gazed out the window of the small room, thinking. “How long do I have?” he asked at last. “Until the seventh day after she drowned herself, assuming Darkyn doesn’t catch you first.” “Four days left. I take it you won’t come to my rescue if he does.” Another smile. “Why seven days?” he asked. “There are some rules older than time. I’ve broken several already, but this one is entirely out of my ability to influence.” From their years together, he knew the cryptic response was the best he’d get. Gabriel’s gaze swept around the room again, and he looked out at the blue sky. He’d never again visit this room or see the mortal world. This much he knew the moment he chose to help Rhyn and Katie over his promise to Death.
Recommended publications
  • American Love Stories: Narrative Ethics and the Novel from Stowe to James
    American Love Stories: Narrative Ethics and the Novel from Stowe to James By Ashley Carson Barnes A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Dorothy Hale, Chair Professor Samuel Otter Professor Dorri Beam Professor Robert Alter Fall 2012 1 Abstract American Love Stories: Narrative Ethics and the Novel from Stowe to James by Ashley Carson Barnes Doctor of Philosophy in English University of California, Berkeley Professor Dorothy Hale, Chair “American Love Stories” argues for the continuity between two traditions often taken to be antagonistic: the sentimental novel of the mid-nineteenth century and the high modernism of Henry James. This continuity emerges in the love stories tracked here, from Harriet Beecher Stowe’s Uncle Tom’s Cabin and Elizabeth Stuart Phelps’s The Gates Ajar, through Nathaniel Hawthorne’s The Blithedale Romance and Herman Melville’s Pierre, to Elizabeth Stoddard’s The Morgesons and James’s The Golden Bowl. In these love stories—the other side of the gothic tradition described by Leslie Fiedler—desire is performed rather than repressed, and the self is less a private container than a public exhibit. This literary-historical claim works in tandem with the dissertation’s argument for revising narrative ethics. The recent ethical turn in literary criticism understands literature as practically engaging the emotions, especially varieties of love, that shape our social lives. It figures reading as a love story in its own right: an encounter with a text that might grant us intimacy with an authorial persona or else spurn our desire to grasp its alterity.
    [Show full text]
  • Bard Digital Commons Jul2020
    Bard College Bard Digital Commons Robert Kelly Manuscripts Robert Kelly Archive 7-2020 jul2020 Robert Kelly Follow this and additional works at: https://digitalcommons.bard.edu/rk_manuscripts JULY 2020 1 = = = = = 1. In mind alert growl, a lion cub hesitant at cloud. Yes, this is the place or is no other origin for what to do now. Growl, grow up and prowl the rich savannas of. 2. Birth of a pansy, old age of a rose. Remember the feel of when. Bruise in the sky, yes, so many yesses. JULY 2020 2 3. Keep wanting to want. The event enews itself in you. Animals who burrow in the earth often find light too bright to see. They walk right up to you and then. 4. Some day it will roar. Sunday. Till then suspect, uneasy feelingI should be doing something else. 5. Full grown on four thoughts stands clear. Nothing has been and been forgotten. The image speaks louder than the man. JULY 2020 3 The fact of the matter is matter. And here I thought it or I was growling. We’re just perpendiculars hanging from the sky. 1 July 2020 JULY 2020 4 = = = = = Give me just a tissue of belief to wipe the doubt from my eyes, let the day exist on its own terms far away from my jive for I was ocean too, like everyone and came across myself tp be. just be. Linger I said like Faust, linger be you beautiful or not, only what lingers matters. Or do I mean only what is gone? 1 July 2020 JULY 2020 5 = = = = = Something other has to start.
    [Show full text]
  • And They Lived Happily Ever After : the Effects of Cultural Myths and Romantic Idealizations on Committed Relationships
    Smith ScholarWorks Theses, Dissertations, and Projects 2007 And they lived happily ever after : the effects of cultural myths and romantic idealizations on committed relationships Jordana Lauren Metz Smith College Follow this and additional works at: https://scholarworks.smith.edu/theses Part of the Social and Behavioral Sciences Commons Recommended Citation Metz, Jordana Lauren, "And they lived happily ever after : the effects of cultural myths and romantic idealizations on committed relationships" (2007). Masters Thesis, Smith College, Northampton, MA. https://scholarworks.smith.edu/theses/1318 This Masters Thesis has been accepted for inclusion in Theses, Dissertations, and Projects by an authorized administrator of Smith ScholarWorks. For more information, please contact [email protected]. Jordana Lauren Metz And They Lived Happily Ever After: The Effects of Cultural Myths and Romantic Idealizations on Committed Relationships ABSTRACT This study explored the impact of idealized relationships, present in our media and culture, on committed relationships. The purpose of this study was to explore the ways that relationships are impacted by real and idealized relationship discrepancies. In addition, this research provided an initial assessment of the coping mechanisms utilized by partners as problem solving responses to the discrepancies. Twelve participants, self-identified as in a committed relationship with a partner and living together for over one year, participated in this study. Semi-structured interviews were conducted with questions focusing on how the participants’ relationships fit and do not fit into idealized notions of relationships, how their partnership is affected by this relationship discrepancy and the ways that they cope and respond to these effects. Findings indicated that many participants experienced feelings of discomfort, questioning and doubt in their relationship due to the prevalence of idealized relationships.
    [Show full text]
  • Mark Devotional Thoughts/Commentary
    Mark Devotional Thoughts/Commentary Mk 1:1 “The beginning of the gospel about Jesus Christ, the Son of God.” Jesus, gospel is all about “GOOD NEWS.” This verse causes me to ask myself how do people experience me. To what extent am I “good news” in their lives and to what extent do I come off as “bad news”? What do non-Christians typically experience from Christians, from me—good news or bad news? You are “good news” incarnate, in the flesh. As a “Christian,” a “little Christ,” I ought to incarnate, enflesh for people “good news.” Adjust my attitude, my demeanor and my behavior accordingly. Use me as a tool of Your good news and blessing in people’s lives in order that they might experience YOUR love through me. Ro 10:14-17; 2 Cor 5:17-20; Eph 4:29; Col 4:5-6 Mk 1:2-3 “It’s written in Isaiah the prophet: ‘I’ll send my messenger ahead of you, he’ll prepare your way’ — ‘a voice of one ​ calling in the desert, 'Prepare the way for the Lord, make straight paths for him.'" Jesus, I must ask myself where and to what extent do my words and actions prepare Your way and to what extend do they become obstacles for You. In the words of the spiritual song “Break me, mold me, fill me, use me.” Make me an instrument of Your love. Jn 15:1-8; Ro 6:13; Ro 10:14-17; 2 Cor 5:17-20; Eph 4:32; Col 4:5-6; 1 Pe 3:15 Mk 1:4 “And so John came, baptizing in the desert region and preaching a baptism of repentance for the forgiveness of sins.” ​ Jesus, people typically see repentance as being sorrowful and as turning from sinful behaviors.
    [Show full text]
  • Relationship Difficulties and Help-Seeking Behaviour Secondary Analysis of an Existing Data-Set
    Research Report DFE-RR018 Relationship difficulties and help-seeking behaviour Secondary analysis of an existing data-set Josephine Ramm, Lester Coleman1 , Fiona Glenn and Penny Mansfield 1 Dr Lester Coleman, Head of Research at One Plus One, is the corresponding author – [email protected] Relationship difficulties and help-seeking behaviour Secondary analysis of an existing data-set FINAL REPORT Josephine Ramm, Lester Coleman1, Fiona Glenn and Penny Mansfield One Plus One June 2010 This research report was written before the new UK Government took office on 11 May 2010. As a result the content may not reflect current Government policy and may make reference to the Department for Children, Schools and Families (DCSF) which has now been replaced by the Department for Education (DFE). The views expressed in this report are the authors’ and do not necessarily reflect those of the Department for Education. 1 Dr Lester Coleman, Head of Research at One Plus One, is the corresponding author – [email protected] 2 Contents Executive Summary Chapter 1. Introduction & methodology 1.1 Introduction 1.2 Research questions 1.3 Sampling and methods 1.4 Research findings 1.5 Research limitations Chapter 2. Relationship difficulties 2.1 Introduction 2.2 Results 2.2.1 Types of difficulties raised by participants 2.2.2 Underlying issues 2.2.3 Consequences of relationship difficulties 2.2.4 Variation by gender 2.3 Conclusion 2.3.1 Summary of findings 2.3.2 Discussion Chapter 3. What factors help a relationship endure? 3.1 Introduction 3.2 Results 3.2.1 What makes a relationship endure? 3.2.2 What makes my relationship endure? 3.2.3 Variation by gender 3.3 Conclusion 3.3.1 Summary of findings 3.3.2 Discussion Chapter 4.
    [Show full text]
  • George Woke Up, Frozen with Fear. He Opened His Eyes and Was Immediately Frightened of What Was Lying Next to Him. He Was Unsure
    George woke up, frozen with fear. He opened his eyes and was immediately frightened of what was lying next to him. He was unsure of whether to scream or run from the bedroom: Should I scream or run from the bedroom? A velociraptor was sleeping in his bed, with closed eyes. Its breaths were sedated and stable; it snorted in through its snout and rasped out through its clenched, dagger-filled mouth. When he lifted his head, he noticed a thick, green tail spilling out from beneath the covers. It slumped from the side of the bed onto the floor. The beast shifted and groaned. It rolled its head on the pillow, using its razor-sharp claws to pick at the linen. George shifted onto his back and played dead. What the hell is going on? George thought as he moved his eyes from the ceiling to the wheezing beak beside him. He snapped back into a neutral supine position when the creature stirred again. He squeezed his eyes closed. When he allowed them to open, the sleeping raptor remained. Sleeping. He fought to quell his terror-fueled panting as best he could. Could raptors sense panic? Could they smell it? Like bees and dogs? George was too shocked to move, but didn’t want to remain so vulnerable and such an easy feast for the monster. Very slowly, George mouthed to himself. He began rolling in the opposite direction with care, as to not disturb the snoring raptor. It was working. He had successfully settled one foot on the hardwood floor.
    [Show full text]
  • The Mix Song List
    THE MIX SONG LIST CONTEMPORARY 2010’s CENTURIES/ fall out boy 24K MAGIC/ bruno mars CHAINED TO THE RHYTHM/ katy perry ADDICTED TO A MEMORY/ zedd CHANDELIER/ sia ADVENTURE OF A LIFETIME/ coldplay CHEAP THRILLS/ sia & sean paul AFTERGLOW/ ed sheeran CHEERLEADER/ omi AIN’T IT FUN/ paramore CIRCLES/ post malone AIRPLANES/ b.o.b w/haley williams CLASSIC/ mkto ALIVE/ krewella CLOSER/ chainsmokers ALL ABOUT THAT BASS/ meghan trainor CLUB CAN’T HANDLE ME/ flo rida ALL ABOUT THAT BASS/ postmodern jukebox COME GET IT BAE/ pharrell williams ALL I NEED/ awol nation COOLER THAN ME/ mike posner ALL I ASK/ adele COOL KIDS/ echosmith ALL OF ME/ john legend COUNTING STARS/ one republic ALL THE WAY/ timeflies CRAZY/ kat dahlia ALWAYS REMEMBER US THIS WAY/ lady gaga CRUISE REMIX/ florida georgia line & nelly A MILLION DREAMS/ greatest showman DANGEROUS/ guetta & martin AM I WRONG/ nico & vinz DAYLIGHT/ maroon 5 ANIMALS/ maroon 5 DEAR FUTURE HUSBAND/ meghan trainor ANYONE/ justin bieber DELICATE/ taylor swift APPLAUSE/ lady gaga DIAMONDS/ sam smith A THOUSAND YEARS/ christina perri DIE WITH YOU/ beyonce BABY/ justin bieber DIE YOUNG/ kesha BAD BLOOD/ taylor swift DOMINO/ jessie j BAD GUY/ billie eilish DON’T LET ME DOWN/ chainsmokers BANG BANG/ jessie j and ariana grande DON’T START NOW/ dua lipa BEFORE I LET GO/ beyonce DON’T STOP THE PARTY/ pitbull BENEATH YOUR BEAUTIFUL/ labrinth DRINK YOU AWAY/ justin timberlake BEAUTIFUL PEOPLE/ chris brown DRIVE BY/ train BEST DAY OF MY LIFE/ american authors DRIVERS LICENSE/ olivia rodrigo BEST SONG EVER/ one direction
    [Show full text]
  • First Comes Love, Then What? Copyright © 2008 by Kimberly Beair All Rights Reserved
    First Comes Love pages 1/2/08 4:27 PM Page v First Comes Love pages 1/2/08 4:27 PM Page vi First Comes Love, Then What? Copyright © 2008 by Kimberly Beair All rights reserved. International copyright secured. A Focus on the Family book published by Tyndale House Publishers, Inc., Carol Stream, Illinois 60188 Focus on the Family and the accompanying logo and design are federally registered trade- marks of Focus on the Family, Colorado Springs, CO 80995. TYNDALE and Tyndale’s quill logo are registered trademarks of Tyndale House Publishers, Inc. All Scripture quotations, unless otherwise indicated, are taken from the Holy Bible, New International Version®. NIV®. Copyright © 1973, 1978, 1984 by International Bible Society. Used by permission of Zondervan Publishing House. All rights reserved. Scripture quotations marked (ESV) are taken from The Holy Bible, English Standard Version, copyright © 2001 by Crossway Bibles, a division of Good News Publishers. Used by permission. All rights reserved. The majority of case examples presented in this book are fictional composites based on the author’s clinical experience with hundreds of clients through the years. Any resem- blance between these fictional characters and actual persons is coincidental. When clients’ actual stories have been used, people’s names and certain details of their stories have been changed to protect the privacy of the individuals involved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopy, recording, or otherwise— without prior written permission of Focus on the Family.
    [Show full text]
  • March 28, 2021 508 West Davis Street
    MARCH 28, 2021 PALM/PASSION SUNDAY FIRST PRESBYTERIAN CHURCH 508 WEST DAVIS STREET BURLINGTON, NORTH CAROLINA 27215 www.fpcburlington.org 336-228-1703 GATHERING AROUND THE WORD Please join in reading aloud those parts of WELCOME AND ANNOUNCEMENTS the service printed in The grace of our Lord Jesus Christ be with you all. bold. And also with you. Let us now prepare our hearts to worship God. The congregation is MUSIC FOR PREPARATION invited to reflect silently during the Pièce héroïque César Franck (1822-1890) Music for Preparation CALL TO WORSHIP as a time of prayer Rejoice greatly, O daughter of Zion! and meditation. Shout aloud, O daughter of Jerusalem! Lo, your king comes to you; triumphant and victorious is he, humble and riding on a donkey, on a colt, the foal of a donkey. PRAYER The Lord be with you. And also with you. Let us give thanks to the Lord our God. It is right to give our thanks and praise. We praise and bless you, ever-living God, for the acts of love by which you redeem the world through Jesus Christ our Lord. This day he entered the holy city of Jerusalem and was proclaimed king by those who spread their garments and palm braches along his way. Let these branches be for us signs of his victory; and grant that we who carry them may follow him in the way of the cross, that, dying and rising with him, we may enter into your kingdom. Through Jesus Christ, who lives and reigns with you and the Holy Spirit, now and forever.
    [Show full text]
  • 2015 Programmers Picks
    41ST SEATTLE INTERNATIONAL FILM FESTIVAL PROGRAMMERS’ PICKS PRESENTED BY DARK HORSE WINES GHADI – Not what you would expect from a Lebanese film – Ghadi is a sparkling, imaginative and joyous fable about a young boy with Down Syndrome that is mistaken for being an angel. Carl GOODNIGHT MOMMY – Unsettling and sophisticated auteur horror film surrounding twin brothers that are convinced their Spence post-facial surgery mother is an imposter. GRAZIELLA – Two outcasts try to make a new life for themselves ARTISTIC but can’t escape their past. Starring Denis Lavant (Leo Carax, Holy Motors) and Rossy De Palma (Pedro Alomodovar’s Tie Me DIRECTOR Up, Tie Me Down). I KISSED A GIRL – A smash hit in France! This sparkling Hollywood style romantic comedy revolves around the politically incorrect storyline of a man whose wedding plans to marry another man are derailed when he mistakenly falls in love with a Here’s a baker’s dozen of films – with the exception of a few woman. favorite filmmakers, I’ve focused mainly on new discoveries from around the world. The films that we have feted as KILLING FIELDS OF DR. HAING S. NGOR – Rare Archival galas and special presentations are not listed here but are footage, original animation, and new interviews not only capture also some of my top picks! Ngor’s tragic life story as a Cambodian genocide survivor and Oscar winning actor (The Killing Fields) but also engagingly EISEINSTEIN IN GUANAJUATO – Peter Greenaway, one of the provides a historical account of the circumstances that brought world’s most audacious filmmakers sheds light on Russia’s the Khmer Rouge to power and the Vietnamese occupation that greatest (and notorious) filmmaker and his flamboyant exploits in followed.
    [Show full text]
  • David Lessard - Poems
    Poetry Series david lessard - poems - Publication Date: 2014 Publisher: Poemhunter.com - The World's Poetry Archive david lessard(september fourteenth, nineteen forty- one) I grew up in vermont. have also lived in new york state, virginia, nevada, new hampshire and currently live in central arizona. I was a respiratory care practitioner most of my life. I am now retired. I have an associate's degree in the health sciences. Working on a life-journal that totals over a 1,000 pages. (A shorter version that is 250 pages) A 'novel' of 165 pages and about 400 poems, make up the balance of my writings.(poemhunter and poetfreak) www.PoemHunter.com - The World's Poetry Archive 1 A Capital Idea Money honey...that's what I want... In this age of buying and selling, Is there something, they're not telling? What does it cost them to sell? Much less than what we pay, (so why should they tell?) There would surely be a riot then, If we knew just what they spend. We'd all be up in arms and yelling, What they are keeping secret and not telling. The only trouble with profit is greed, as it satisfies no normal need; It's a road paved with bad intentions, No more health plans, no more pensions. We've nothing further more to gain, We've known all along where troubles lain; We're on a non-stop, hell-bound train, We're in a whirlpool, going down that drain. For what? Big bucks and corporation, All for the profit of one small nation; A nation of the powerful and few, Someday they crash...just like me and you.
    [Show full text]
  • Computer Design in the Handweaving Process Susan Aileen Poague Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1987 Computer design in the handweaving process Susan Aileen Poague Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Art and Design Commons, and the Fine Arts Commons Recommended Citation Poague, Susan Aileen, "Computer design in the handweaving process " (1987). Retrospective Theses and Dissertations. 7965. https://lib.dr.iastate.edu/rtd/7965 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Computer design in the handweaving process by Susan Aileen Poague / A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS ^Department: Art and Design Major; Craft Design Signatures have been redacted for privacy Iowa State University Ames/ Iowa 1987 CopyrIght © Susan Alleen Poague, 1987. AH rights reserved II TABLE OF CONTENTS INTRODUCTION 1 CHAPTER I THE JACQUARD EVOLUTION—FROM LOOM-TO 4 COMPUTER AND BACK J, M, Jacquard and His Loom 4 Description of Jacquard's Invention 8 Charles Babbage and Herman Hollerith: 16 The First "Computers" What Is a Computer? 18 Bringing the Jacquard Loom to Computer Control 23 CHAPTER 2
    [Show full text]