QDF 3 Workshop Grids
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Taylor Guitars Wood & Steel Magazine
BTO Bliss Building guitar dreams Honduran Harmony Sustainable social forestry Coheed and Cambria Breaking down a live acoustic sound Ruthie Foster Soul-stirring blues Wayne Johnson Rethinking scales 2 www.taylorguitars.com In 2009, we saw Leo Kottke per- can’t take my eyes off of it, and it plays 814ce, I’ve also picked up the NS72ce form, and Mark took his own guitar like a dream. If it is true that guitars after watching YouTube videos of Jason with him to the concert. Afterward, Mr. sound better with age, I can only imag- Mraz walking around France playing Letters Kottke came out on stage to meet his ine how this one will sound as we grow one. That guitar is gorgeous, and it’s loyal fans. Mark handed him his beloved older together. Thanks for a wonderful the perfect complement to the 814ce Center. Thank you for thinking outside guitar for an autograph. Leo held it, instrument. at shows when I want an alternative the box and creating the most amazing strummed it, recognized the open E-flat Tom Rusiecki to steel strings. Thank you for building acoustic/electric guitar that doesn’t tuning, and sat down on the edge of Port Richey, FL fantastic guitars and for being an hon- require a world-class concert hall to the stage and played! He and Mark est, ground-up company (I’m currently Tommy Shaw sound world-class! had a conversation about strings, bone halfway through Bob Taylor’s Guitar Gets his bluegrass on Spring Limiteds Bob Fischer nuts, etc., before getting an autograph Cheatin’ & Repeatin’ Lessons). -
Action the Distance from the String to the Fretboard. the Higher the Action, the Harder It Is to Press the Down the Note
action The distance from the string to the fretboard. The higher the action, the harder it is to press the down the note. altered and open tunings If you change the tuning of the guitar from its standard EADGBE, the result is an altered or open tuning. These are used a lot in blues & Celtic music, but can be used in any style. alternate picking Picking in a down up, down up motion. arpeggio The notes of a chord played one at a time. arrangement The form of a song. For instance, start with the intro then go to the verse and then the chorus etc… barre chord When you place the 1st finger of the left hand over 2 or more strings, you are using a barre. (Think of your finger as a capo while doing this) bending pushing or pulling the string across the fretboard to raise and or lower the pitch of the note. capo A device that clamps across the fretboard to simulate the barre. This is very useful to play in different keys but still to use the same chord shapes. chord A chord is 3 or more notes played together at the same time. chorus This refers to the “hook” of the song. Usually the part that sticks in your head that you sing over and over. cutaway The cutaway is the part of a guitar that is “cut out” on the lower part of the body where the neck meets the body. This is for easy access to the upper register of the fretboard. -
Taylor Guitars Wood & Steel Magazine
INSIDE THE WORLD OF TAYLOR GUITARS / VOLUME 74 winter 2013 THE 2013 GUITAR GUIDE The New Grand Orchestra Big & Balanced Koa 200s Find Your Fit All About Shapes, Woods & Sounds Your Player Profile Sustainable Forestry String-Changing Tips Taylor Around the World 2 www.taylorguitars.com 3 Letters Volume 74 Winter 2013 Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars the eye of the hurricane passed over around the block, so to speak. We lor sales managers Michael Lille and the beauty and the fullness of the us and spared us the non-stop winds were overwhelmed by the knowledge, Aaron Dablow, and product specialist sound coming from such a small guitar. and torrential rain that afflicted the sense of humor, and musical abilities of Marc Seal] played three different Taylor I knew I had to have one. areas farther north. We did, however, both people putting on the show [Ed. guitar shapes with different woods My wife and I do a great deal of suffer two high-tide storm surges that Note: Taylor district sales manager together, it was awesome to hear the traveling. I realized that the Mini would reached record heights. We were with- Mike Ausman and product specialist differences. The guys all had fantastic make a truly great travel guitar. The out heat or electricity for four days, and Wayne Johnson]. We are both retired attitudes, great senses of humor, and a Road Show was on a Tuesday, and were banned from returning home for teachers and have hundreds if not wonderful dedication to Taylor Guitars. -
The Story of Bourgeois Guitars
The Story of Bourgeois Guitars Known for tonal excellence, meticulous craftsmanship, and top-notch materials, played by six-string luminaries such as Bryan Sutton, Ricky Skaggs, Sean Watkins, Doc Watson, Ray LaMontagne and countless professional and non- professional enthusiasts, Bourgeois guitars have played a prominent role in the American steel-string guitar renaissance for more than two decades, helping shape acoustic music’s most recent rise in popularity. What makes Bourgeois guitars unique? Why do they sound the way they do? How did Dana Bourgeois evolve from a guitar-crazy teenager in the 1970’s to become a recognized authority on tonewoods and instrument design? Let’s have a look at the instruments’ history, explore the concepts behind their designs, and learn how they’re built. In the Beginning Dana Bourgeois’ involvement with guitars predates by many years the company that carries his name. His work has, in fact, enriched the steel-string guitar world for almost 40 years. Although Bourgeois began playing guitar shortly after seeing the Beatles’ historic performances on The Ed Sullivan Show, his journey with the craft of lutherie began in earnest while attending Maine’s Bowdoin College in the early ’70s. After devouri ng Irving Sloan’s landmark book Classic Guitar Construction, Dana figured he’d give it a shot in his dorm room. “My grandfather was a machinist, and my father was an amateur wood worker, and between the two of them, I received enough help to actually build a guitar,” he remembers. Clearly, Dana had found his passion. By 1977, he had established a one-man shop in Brunswick, Maine, which soon led to his first commission for a hand-built guitar. -
Guitar Videos & Dvds
212 GUITAR VIDEOS & DVDS BEGINNING GUITAR INSTRUCTION BEGINNING GUITAR GUITAR CHORDS BEGINNING CHORDS VOLUME 2 This DVD follows up on the AND STRUMMING Ideal for the beginning to success of Hal Leonard’s best- with Rick Plunkett intermediate guitarist. Includes selling book, Picture Chord This video features Rick Plunkett, information on barre chords, Encyclopedia (#00695224). It one of today’s finest guitar 7th chords, 9th chords, funk features photos, diagrams and instructors, taking you step-by-step rhythms, double stops, scales, audio of more than 2,600 through finger positions for basic sequences, vibrato, hammer- chords. Includes: easy to read chords, bar chords, power chords, ons and pull-offs. Rock, blues, chord grids • easy to see color picking and strumming. You’ll also and funk styles are covered. 30 photos • easy to navigate chord finder • basic chord learn chord choices, chord minutes. theory • and basic fingering principles. voicing, strum patterns, muting, and more. 31 minutes. ______00320050 VHS Video .............................$9.95 ______00320331 DVD ......................................$9.95 ______00320044 VHS Video.............................$9.95 ______00320417 DVD ......................................$9.95 BEGINNING FRETBOARD GUITAR ROADMAPS VOLUME 1 featuring with Tom Kolb Fred Sokolow Starter Series Fred Sokolow teaches the In this info-packed DVD, parts of movable fretboard patterns all the acoustic and electric guitar the pros use. Guitarists will learn are described. Viewers will also how to solo and play back-up in learn: how to tune up, how to get all keys, all over the fretboard • good tone with an amplifier, how play movable chords and chord to hold the pick, left- and right-hand positioning, open progressions • play chord-based licks and arpeggios • chords, power chords, strumming patterns, string jam or play melodies with the blues box and with muting, soloing and more. -
Dewey Bunnell & Gerry Beckley
Florentine Limiteds Blackheart Sassafras Quilted Sapele Flamed Mahogany Cedar Fever Koa/Cedar GS Rosewood/Cedar 314ce Shaded Edgeburst 300s 12-string Dreadnought Baritone + 12-Fret How Picks Affect Tone Dewey Bunnell & Gerry Beckley 45 YEARS OF 2 www.taylorguitars.com | expectations and industry standards by I was curious to see and feel what all guitar about every six weeks as my now VOLUME 83 FALL 2015 a long shot. After receiving it, I added the hoopla was about. I really like the stiffening fingers lose their collective Letters some custom items: an ebony end-pin emphasis on the sustainability of maple “memory.” with abalone dot, fossilized walrus ivory and after meeting Andy Powers wanted Now my focus is solely on tone, not > CONTENTS < Find us on Facebook. Subscribe on YouTube. Follow us on Twitter: @taylorguitars bridge pins, a pre-ban West African to see what he did with the series. I on speed or intricate chords. I do not on the web and went to the store (Sam hard ivory saddle and nut, and an attended my first Taylor Road Show in seek sympathy, but want you to know Ash in Charlotte, North Carolina) and ebony truss rod cover with abalone and March. What a great way to learn about that I encourage students of mine, par- looked at the 416ce and asked if they mother-of-pearl inlay. The tonal depth, body shapes, woods, tones, etc. [Sales ticularly children and disabled vets, to had a 716ce. They did, brand-new, still clarity and sustain are truly impressive. rep] Michael [Venezia] was so funny, buy any version of your guitar they can in the shipping box from Taylor. -
Guitar for Dummies®, 2Nd Edition Published by Wiley Publishing, Inc
01_599046 ffirs.qxd 9/12/05 6:09 PM Page ii 01_599046 ffirs.qxd 9/12/05 6:09 PM Page i Guitar FOR DUMmIES‰ 2ND EDITION 01_599046 ffirs.qxd 9/12/05 6:09 PM Page ii 01_599046 ffirs.qxd 9/12/05 6:09 PM Page iii Guitar FOR DUMmIES‰ 2ND EDITION by Mark Phillips and Jon Chappell 01_599046 ffirs.qxd 9/12/05 6:09 PM Page iv Guitar For Dummies®, 2nd Edition Published by Wiley Publishing, Inc. 111 River St. Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2006 by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400, fax 978-646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, 317-572-3447, fax 317-572-4355, or online at http://www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. -
Introduction
Introduction “The vision is really about empowering workers, giving them all the information about what’s going on so they can do a lot more than they’ve done in the past.” – Bill Gates So why the guitar? Before we go any further ask yourself what you hope to get out of learning your chords and scales and other nonsense? Is there a friend who looks cool while shredding a Hendrix or Van Halen lick? Can you possibly relate to your favorite musical artist so much that you’d like to play their music when the iPod batteries run out? You’re an avid Guitar Hero player? Maybe it’s just to catch a cute girl’s eye. Whatever the reason is I thank you for coming to me to help you out. Maybe you might like to hear why I started? Two of my best friends played guitar and they always thought I had huge potential so after one too many scrapes and falls from my Razor scooter (long story) I decided I had less of a chance of cracking my head open with the guitar. Some of the bands I really liked at the time were AC/DC, Led Zeppelin, Metallica, and Van Halen. Great bands to have when you’re first starting to play! I was lucky in that my school was very relaxed academically for my senior year so any homework I finished was done before I got home so that I could start learning stuff like “TNT” or “You Really Got Me”. My little brother had a sunburst epiphone les paul that he never attempted to play, but I had no amp for the first few months so I played as loud as possible with just that. -
Jake Stargel Julian Lage Zeb Snyder
$6.00 Magazine Volume 16, Number 3 March/April 2012 Jake Stargel Julian Lage Zeb Snyder 1 Flatpicking Guitar Magazine March/April 2012 “I love the longevity that I get out of GHS Strings. They outlast any string I’ve tried. Top that off with the tone and brightness they contain and I have it all. You may have a good sounding instrument, but GHS Strings will make it sound better!” Bull Harman GHS Corporation 2813 Wilber Ave. Battle Creek, MI 49015 www.bullharman.com 800/388-4447. fax 800/860-6913 ghsstrings.com 2 Flatpicking Guitar Magazine March/April 2012 3 Flatpicking Guitar Magazine March/April 2012 4 Flatpicking Guitar Magazine March/April 2012 1 Flatpicking Guitar Magazine March/April 2012 CONTENTS Flatpicking FEATURES Jake Stargel & “Stymie” 6 Guitar Schenk Guitars 25 Flatpick Profile: Julian Lage & “Red Prairie Dawn” 26 CD Highlight: Zeb Snyder: “Goose Down Pillow” 54 Magazine Store Visit: Smoky Mountain Guitars 62 Volume 16, Number 3 COLUMNS March/April 2012 The Girl I Left Behind 14 Published bi-monthly by: Craig Vance High View Publications Bluegrass Rhythm Guitar: The 6th Chord 16 P.O. Box 2160 Joe Carr Pulaski, VA 24301 Beginner’s Page: “I’m On My Way Back to the Old Home” 17 Dan Huckabee Phone: (540) 980-0338 Kaufman’s Corner: “Waiting For a Train” 19 Fax: (540) 980-0557 Steve Kaufman Orders: (800) 413-8296 Taking It To The Next Level: Bluegrass Guitar Ensembles 22 E-mail: [email protected] John Carlini Web Site: http://www.flatpick.com Sharpening the Axe: A Horizontal Approach, Part II 24 ISSN: 1089-9855 Jeff Troxel -
Builder's Edition K14ce 21
BUILDER’S EDITION 614CE V-Class voicing, sleek curves & a Wild Honey Burst V-CLASS 300/400 SERIES Four revoiced models SLIDE GUITAR BASICS Learn to move & groove MARTY SCHWARTZ YouTube’s most popular guitar instructor 2 www.taylorguitars.com Letters social Email us circles [email protected] Join the Taylor community Facebook: @taylorguitars picked up a guitar was to dust it off. morning I was scouring old emails and I everyone’s sincere joy at my purchas- Instagram: @taylorguitars When my 60th birthday rolled around, found the email of the guy who bought ing such a unique instrument. It was a @taylorespanol I suddenly had the desire to play, and my guitar. I sent him a message asking fascinating and educating experience Twitter: @taylorguitars these two men helped teach and sup- if he would consider selling the guitar to hear all the differences that wood, Youtube: taylorguitars back to me. He promptly emailed me port me. My first guitar was a Taylor shape/size, bracing, strings, etc. make Google+: taylorguitars Big Baby, which could easily have been back agreeing to sell it for $300 more when played by someone who is so Music Aficionado: taylorguitars renamed Little Lady, as it fit my petite than he paid me for it. Whatever. I experienced and skilled. It’s crazy to stature and was lightweight and not jumped in my car and met him at the hear Bill (definitely not a musician) overwhelming. Five years later, I have same restaurant where it all began. talking about everything he learned. I advanced to the Grand Auditorium When I opened up the case, it looked never imagined him understanding my and joined the family band, which is a as if it had never even been played. -
Workshop Descriptions June 4 & 5, 2021
4.0 Workshop Descriptions V!"tu#l$D%&ci'er(Fe)t June 4 & 5, 2021 Organized Alphebetically by Instructor Workshop Title Instrument Level Day-Session Workshop Description SKU Someday soon we will all be playing together again, and everyone will want to join in! Jam Hammered sessions can be intimidating if you’re new to the dulcimer (and even if you’re not!), but they don’t Surviving a Jam Session Level 2 F-4 4HD065 Dulcimer need to be. We’ll talk about how jam sessions work, and work on simple melody and chord techniques you can use to join in even if you don’t know the tune. This class will help you move beyond playing single melody lines to building full solo arrangements on your dulcimer. We’ll make sure everyone understands the basics of chords and Using Chords to Add Hammered Level 3 S-8 talk about tricks for finding them on your instrument. Then we’ll add harmony notes step-by-step to 4HD066 Dulcimer Harmony a simple melody. You’ll leave with an approach you can apply to arranging many tunes as your skills and comfort level on your instrument grow. Have you even wondered what it means to play in the “Dorian” or “Mixolydian” mode? Are you confused about how “minor” tunes are different from “modal” tunes? Do you wonder why we An Introduction to Modes Hammered Level 3 F-7 should care about modes at all? In this workshop, we’ll answer all those questions! We’ll use step- 4HD067 Dulcimer and Modal Tunes by-step music theory concepts to unravel the basics of modes. -
The How and the Tao of Old Time Banjo Ebook Edition
The How and the Tao of Old Time Banjo ebook edition by Patrick Costello For Tiny. Pick-Ware Publications PO Box 110 Crisfield, MD 21817 http://www.pick-ware.com © 2003 Joseph Patrick Costello III Contents Introduction Pinky Power The How of Old-Time Banjo Playing In D Getting Started Minor Scales Basic Frailing More Cool Stuff With Note Values Scales & Chords Your First Chord Other Picking Patterns Your First Song Reading Music The C Chord The Tao of old-time banjo The F Chord Going With The Flow Melody & Rhythm Playing well with others Putting It All Together Cool old dudes Taking A “Break” “I’ve always wanted Chord Forms to play the banjo!” Playing In 3/4 Time Plateaus & Ruts Drop Thumb Tying up the cat & Double Thumb Hidden Potential Bends & Vibrato The chicken dancers Chopping & Vamping Don’t quit your day job Other Rhythm Stage Fright & Volume Tricks Brain freeze Licks One of the old timers Harmonics Get lost Scales Getting The Feel Funkyseagull & Pik-Ware Catalog of The Music Playing Up The Neck Chord “Bouncing” Playing In The “Box” 2 Introduction “What have you got, kid?” The old man asked me around his cigar. “A banjo!” I replied. ”I know that you little dipstick.” He said rolling his eyes “You think somebody as old as I am hasn’t seen a banjo before? What have you got? Play something.” I thought about trying to say something to get out of this. As I stood there fidgeting the old man shook his head, picked up his guitar and started to walk away.