Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright

Total Page:16

File Type:pdf, Size:1020Kb

Life in a Padded Cell: a Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©Copyright Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright ~ One ~ Satan has possessed your Soul! ‘Tony is very devout in “God’s Lesson”. I cannot speak highly enough of Tony’s manners and behaviour. They are beyond reproach’. It was the sort of report card every parent liked to see. It was 1964. The Beatles were big and Tony Cohen was a Grade One student at St. Francis de Sales primary school, East Ringwood. The following year he took his first communion. The Beatles were still big and there seemed little to fear for the parents of this conscientious and attentive eight-year-old boy. The sisters who taught him at that early age would doubtless have been shocked at the life he would come to lead – a life that could hardly be described as devout. Tony Cohen was born on 4 June 1957 in the maternity ward of the Jessie MacPherson hospital in Melbourne. Now a place specializing in the treatment of cancer patients it was a general hospital then. He was christened Anthony Lawrence Cohen. His parents Philip and Margaret Cohen had been living in James Street, Windsor, but had moved to the outer eastern suburb of East Ringwood prior to the birth of their son. Philip Cohen was the son of Jewish immigrants who had left Manchester, England, and settled in Prahran, one of Melbourne’s inner eastern suburbs. Philip’s father had served in the First World War, survived and then migrated to Australia with his wife and infant son (Tony’s Uncle David). He was a plumber by trade and found work at the Williamstown dockyards. 1 Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright Tony’s mother’s family was of resolute Australian-Irish catholic stock, at least on her maternal side – her grandfather having arrived in 1857 as an eighteen-year-old from County Limerick. Margaret had met Philip at the Australian Film League which Philip used to attend with his best friend Lawrence Costen after whom Tony was partly named. The league was an acting school that also held social functions. The friendship between Philip and Lawrence would prove instrumental to Tony’s career. Tony was raised as a Catholic – his father had changed faith so that he could assuage the staunchly catholic leanings of his future mother-in-law’s family. In 1965 the Cohen’s moved to 14 Wakool Avenue, Mentone, a middle-class southern beach side suburb of Melbourne. By that time Tony had a younger brother, Martin. Martin’s earliest memory of his older brother was of playing with a large Frankenstein toy and model Thunderbirds in the sandpit in their backyard. When the opening strains of the cult American science fiction television show Lost in Space drifted from the lounge-room the boys would race excitedly inside. Doctor Who was another favourite of Tony’s and the influence of that show permeated through the doodles and sketches that decorated his work diaries of later years. The brothers would embark on widely different career paths with little shared interest beyond a love of animals. The older would spend much of his working life cosseted in a small room with dimmed lights that was the recording studio while the younger became a biologist with a love of the outdoors. The twin loves of football and cricket that were an addiction for many Australian boys of the 1950s and 60s passed Tony by. He could not avoid some exposure to them as his father was an avid sports fan being a passionate supporter of both the St. Kilda and 2 Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright Prahran football clubs – it being common in those days to support two sides, one from the Victorian Football League and the other from the Victorian Football Association, the two competitions being quite separate. Philip Cohen regularly attended St. Kilda matches at Moorabbin, the home ground of the Saints, taking along both his sons. As Tony got older he began to attend matches at the Melbourne Cricket Ground to watch the Richmond Football Club which a number of his mates supported. His attendance, he said, was less about the football and more about the mischief he and his friends could get up to. Although Tony inherited an interest in the St. Kilda Football Club and Australian Test cricket team from his father, he had no interest in playing sport whatsoever, in fact, he loathed the idea. His father recollected watching him play football at high school and remembered Tony being notable for being where the ball wasn’t. It is with wounded resignation that brother Martin remembers a childhood spent playing football by himself in the backyard shunned by his older sibling who preferred to lock himself away in his black curtained bedroom smoking marijuana with his mates. ‘I was not allowed into the inner sanctum of Tony’s black bedroom.’ says Martin with a laugh, adding ‘He probably did me a favour by not letting me in and smoking joints at eight to ten [years old]’. Dope had insinuated itself into Tony’s life at a young age and it was that plus his dabbling in the hallucinogenic drug lysergic acid diethylamide, better know as LSD, that contributed largely to the neglect of his school studies as a teenager. Taking LSD did not help Tony’s academic endeavours but he claimed it opened his eyes to other things. ‘I’d drop it before school and the teachers would turn into monkeys and I’d bolt. By 11 o’clock I’d be out the door, I couldn’t stand it. I’d just run out. I remember hiding behind 3 Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright trees that were probably three inches wide and thinking I was getting away with it and my friends told me later the teacher would be at the window saying “What’s wrong with Cohen? What’s he doing?” The funny thing was I always felt the smoking and tripping made me see the whole school thing at St. Bede’s and all that sort of thing in a different light and I didn’t like what I was seeing. Whether I was right or wrong that’s beside the point but at the time I just thought “No.” Because I don’t think if you talk to anyone who dropped real LSD, not this stuff what they have these days but actual lysergic acid, they would say that it awakened them to things. And that’s how I felt. I’m not saying this is right or wrong, I’m just saying that’s the impression it gave. It’s just that I saw the hypocrisy in the brothers. I saw one guy who was a disciplinarian and he seemed to enjoy what he did. And stories I heard from the boarders and things like that basically made me think “Nah, this isn’t what they’re preaching at all.” At the same time there was good and bad. You can’t judge everyone.’ Tony’s memory was of having been expelled from school although his mother remembers him just flatly refusing to go back after either the May or August school holidays in 1973. His expulsion was probably a temporary one and due to a measure of bad luck, according to Tony, when some hashish was found in his locker. ‘They were searching for stolen books so it was not my lucky day! A few days later, my friend and I (Mick Butler) get called to the head Brother’s office for what I can only describe as an exorcism! He, Brother Peter (better known by the students as Poofta Pete, as he was keen on perving at the boys in the shower rooms, enough said) sat silent staring at us, bug-eyed with throbbing veins for what felt like an hour. All of a sudden, he yelled, “Satan, has 4 Life in a Padded Cell: A Biography of Tony Cohen, Australian Sound Engineer by Dale Blair ©copyright possessed your souls!” Fuck man, it was only hash! (and a few amytal, some kind of heart pill that spun you out if you took enough). Anyhow he went quite red and freaked us out. Next thing it was pack up all your books and bugger off. Mum and Dad thought something wasn’t right. I got home around seven o’clock with a very full school bag. Bugger!’ Looking back on his schooldays Tony declared, ‘I just hated it.’ His mother says he was bored by it. His dabbling in drugs undoubtedly lay at the heart of his waning interest in his formal education. Progress reports for 1971 and 1972 indicate that he had been a co-operative, enthusiastic and capable student to that time. A letter to his parents, brother and pets sent from a school trip to Mildura in August 1971 reveals a boy enjoying his friends and the adventure of being away from home. His only concerns were for his father’s health and his record collection which he hoped his brother hadn’t touched. It was written in neat connected writing as opposed to the printed script that characterised his letters and postcards in later years: 10/8/71 Dear Mum and Dad and Martin and Katy and Biff and Mike and Fred and Freddy! I wrote this on a piece of paper because the postcard was too tiny.
Recommended publications
  • 11Th Australian Space Forum Wednesday 31 March 2021 Adelaide, South Australia
    11th Australian Space Forum Wednesday 31 March 2021 Adelaide, South Australia 11th Australian Space Forum a 11th Australian Space Forum Wednesday 31 March 2021 Adelaide, South Australia Major Sponsor Supported by b 11th Australian Space Forum c Contents Welcome from the Chair of The Andy Thomas Space Foundation The Andy Thomas Space Foundation is delighted to welcome you to the 11th Australian Space Forum. Contents 11th Australian Space Forum The Foundation will be working with partners Wednesday 31 March 2021 1 Welcome and sponsors, including the Australian Space Adelaide, South Australia — Chair of The Andy Thomas Agency, on an ambitious agenda of projects Space Foundation to advance space education and outreach. Adelaide Convention Centre, — Premier of South Australia We are reaching out to friends and supporters North Terrace, Adelaide, South Australia — Head of the Australian who have a shared belief in the power of Forum sessions: Hall C Space Agency education, the pursuit of excellence and a Exhibition: Hall H commitment to diversity and inclusion. We 6 Message from the CEO The Foundation was established in 2020 for look forward to conversations during the 8 Forum Schedule the purpose of advancing space education, Forum – as well as ongoing interaction - about raising space awareness and contributing our shared interests and topics of importance 11 Speaker Profiles to the national space community. We to the national space community. are delighted that the South Australian 28 Company Profiles We hope you enjoy the 11th Australian Government has entrusted us with the future Space Forum. 75 Foundation Corporate Sponsors conduct of the Australian Space Forum – and Professional Partners Australia’s most significant space industry Michael Davis AO meeting – and we intend to ensure that the Chair, Andy Thomas Space Foundation 76 Venue Map Forum continues to be the leading national 77 Exhibition Floorplan platform for the highest quality information and discussion about space industry topics.
    [Show full text]
  • Concert and Music Performances Ps48
    J S Battye Library of West Australian History Collection CONCERT AND MUSIC PERFORMANCES PS48 This collection of posters is available to view at the State Library of Western Australia. To view items in this list, contact the State Library of Western Australia Search the State Library of Western Australia’s catalogue Date PS number Venue Title Performers Series or notes Size D 1975 April - September 1975 PS48/1975/1 Perth Concert Hall ABC 1975 Youth Concerts Various Reverse: artists 91 x 30 cm appearing and programme 1979 7 - 8 September 1979 PS48/1979/1 Perth Concert Hall NHK Symphony Orchestra The Symphony Orchestra of Presented by The 78 x 56 cm the Japan Broadcasting Japan Foundation and Corporation the Western Australia150th Anniversary Board in association with the Consulate-General of Japan, NHK and Hoso- Bunka Foundation. 1981 16 October 1981 PS48/1981/1 Octagon Theatre Best of Polish variety (in Paulos Raptis, Irena Santor, Three hours of 79 x 59 cm Polish) Karol Nicze, Tadeusz Ross. beautiful songs, music and humour 1989 31 December 1989 PS48/1989/1 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Elisa Wilson Embleton (soprano), John Kessey (tenor) Date PS number Venue Title Performers Series or notes Size D 1990 7, 20 April 1990 PS48/1990/1 Art Gallery and Fly Artists in Sound “from the Ros Bandt & Sasha EVOS New Music By Night greenhouse” Bodganowitsch series 31 December 1990 PS48/1990/2 Perth Concert Hall Vienna Pops Concert Perth Pops Orchestra, Musical director John Vienna Singers. Emma Embleton Lyons & Lisa Brown (soprano), Anson Austin (tenor), Earl Reeve (compere) 2 November 1990 PS48/1990/3 Aquinas College Sounds of peace Nawang Khechog (Tibetan Tour of the 14th Dalai 42 x 30 cm Chapel bamboo flute & didjeridoo Lama player).
    [Show full text]
  • Popular Music, Stars and Stardom
    POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona .
    [Show full text]
  • Melbourne Suburb of Northcote
    ON STAGE The Autumn 2012 journal of Vol.13 No.2 ‘By Gosh, it’s pleasant entertainment’ Frank Van Straten, Ian Smith and the CATHS Research Group relive good times at the Plaza Theatre, Northcote. ‘ y Gosh, it’s pleasant entertainment’, equipment. It’s a building that does not give along the way, its management was probably wrote Frank Doherty in The Argus up its secrets easily. more often living a nightmare on Elm Street. Bin January 1952. It was an apt Nevertheless it stands as a reminder The Plaza was the dream of Mr Ludbrook summation of the variety fare offered for 10 of one man’s determination to run an Owen Menck, who owned it to the end. One years at the Plaza Theatre in the northern independent cinema in the face of powerful of his partners in the variety venture later Melbourne suburb of Northcote. opposition, and then boldly break with the described him as ‘a little elderly gentleman The shell of the old theatre still stands on past and turn to live variety shows. It was about to expand his horse breeding interests the west side of bustling High Street, on the a unique and quixotic venture for 1950s and invest in show business’. Mr Menck was corner of Elm Street. It’s a time-worn façade, Melbourne, but it survived for as long as consistent about his twin interests. Twenty but distinctive; the Art Deco tower now a many theatres with better pedigrees and years earlier, when he opened the Plaza as a convenient perch for telecommunication richer backers.
    [Show full text]
  • 1978-05-22 P MACHO MAN Village People RCA 7" Vinyl Single 103106 1978-05-22 P MORE LIKE in the MOVIES Dr
    1978-05-22 P MACHO MAN Village People RCA 7" vinyl single 103106 1978-05-22 P MORE LIKE IN THE MOVIES Dr. Hook EMI 7" vinyl single CP 11706 1978-05-22 P COUNT ON ME Jefferson Starship RCA 7" vinyl single 103070 1978-05-22 P THE STRANGER Billy Joel CBS 7" vinyl single BA 222406 1978-05-22 P YANKEE DOODLE DANDY Paul Jabara AST 7" vinyl single NB 005 1978-05-22 P BABY HOLD ON Eddie Money CBS 7" vinyl single BA 222383 1978-05-22 P RIVERS OF BABYLON Boney M WEA 7" vinyl single 45-1872 1978-05-22 P WEREWOLVES OF LONDON Warren Zevon WEA 7" vinyl single E 45472 1978-05-22 P BAT OUT OF HELL Meat Loaf CBS 7" vinyl single ES 280 1978-05-22 P THIS TIME I'M IN IT FOR LOVE Player POL 7" vinyl single 6078 902 1978-05-22 P TWO DOORS DOWN Dolly Parton RCA 7" vinyl single 103100 1978-05-22 P MR. BLUE SKY Electric Light Orchestra (ELO) FES 7" vinyl single K 7039 1978-05-22 P HEY LORD, DON'T ASK ME QUESTIONS Graham Parker & the Rumour POL 7" vinyl single 6059 199 1978-05-22 P DUST IN THE WIND Kansas CBS 7" vinyl single ES 278 1978-05-22 P SORRY, I'M A LADY Baccara RCA 7" vinyl single 102991 1978-05-22 P WORDS ARE NOT ENOUGH Jon English POL 7" vinyl single 2079 121 1978-05-22 P I WAS ONLY JOKING Rod Stewart WEA 7" vinyl single WB 6865 1978-05-22 P MATCHSTALK MEN AND MATCHTALK CATS AND DOGS Brian and Michael AST 7" vinyl single AP 1961 1978-05-22 P IT'S SO EASY Linda Ronstadt WEA 7" vinyl single EF 90042 1978-05-22 P HERE AM I Bonnie Tyler RCA 7" vinyl single 1031126 1978-05-22 P IMAGINATION Marcia Hines POL 7" vinyl single MS 513 1978-05-29 P BBBBBBBBBBBBBOOGIE
    [Show full text]
  • Laura Harker & Paul Sullivan on Nick Cave and the 80S East
    Behaviour 11 Extr me LaurA HArKer & PAul SullIvAn On Nick CAve AnD THe 80S East KreuzBerg SCene Photography by Peter gruchot 10 ecords), 24 April 1986 Studio session for the single ‘The Singer’ (Mute r Cutting a discreet diagonal between Kottbusser Tor and Oranienplatz, Dresdener Straße is one of the streets that provides blissful respite from east Kreuzberg’s constant hustle and bustle. Here, the noise of the traffic recedes and the street’s charms surge subtly into focus: fashion boutiques and indie cafés tucked into the ground floors of 19th Century Altbauten, the elegantly run-down Kino Babylon and the dark and seductive cocktail bar Würgeengel, the “exterminating angel”, a name borrowed from a surrealist film by luis Buñuel. It all looked very different in the 80s of course, when the Berlin Wall stood just under a kilometre away and the façades of these houses – now expensively renovated and worth a pretty penny – were still pockmarked by World War Two bulletholes. Mostly devoid of baths, the interiors heated by coal, their inhabitants – mostly Turkish immigrants – shivered and shuffled their way through the Berlin winter. 12 13 It was during this pre-Wende milieu that a tall, skinny and largely unknown Australian musician named Nicholas Edward Cave moved into no. 11. Aside from brief spells in apartments on naumannstraße (Schöneberg), yorckstraße, and nearby Oranienstraße, Cave spent the bulk of his seven on-and-off years in Berlin living in a tiny apartment alongside filmmaker and musician Christoph Dreher, founder of local outfit Die Haut. It was in this house that Cave wrote the lyrics and music for several Birthday Party and Bad Seeds albums, penned his debut novel (And The Ass Saw The Angel) and wielded a sizeable influence over Kreuzberg’s burgeoning post-punk scene.
    [Show full text]
  • Phonographic Performance Company of Australia Limited Control of Music on Hold and Public Performance Rights Schedule 2
    PHONOGRAPHIC PERFORMANCE COMPANY OF AUSTRALIA LIMITED CONTROL OF MUSIC ON HOLD AND PUBLIC PERFORMANCE RIGHTS SCHEDULE 2 001 (SoundExchange) (SME US Latin) Make Money Records (The 10049735 Canada Inc. (The Orchard) 100% (BMG Rights Management (Australia) Orchard) 10049735 Canada Inc. (The Orchard) (SME US Latin) Music VIP Entertainment Inc. Pty Ltd) 10065544 Canada Inc. (The Orchard) 441 (SoundExchange) 2. (The Orchard) (SME US Latin) NRE Inc. (The Orchard) 100m Records (PPL) 777 (PPL) (SME US Latin) Ozner Entertainment Inc (The 100M Records (PPL) 786 (PPL) Orchard) 100mg Music (PPL) 1991 (Defensive Music Ltd) (SME US Latin) Regio Mex Music LLC (The 101 Production Music (101 Music Pty Ltd) 1991 (Lime Blue Music Limited) Orchard) 101 Records (PPL) !Handzup! Network (The Orchard) (SME US Latin) RVMK Records LLC (The Orchard) 104 Records (PPL) !K7 Records (!K7 Music GmbH) (SME US Latin) Up To Date Entertainment (The 10410Records (PPL) !K7 Records (PPL) Orchard) 106 Records (PPL) "12"" Monkeys" (Rights' Up SPRL) (SME US Latin) Vicktory Music Group (The 107 Records (PPL) $Profit Dolla$ Records,LLC. (PPL) Orchard) (SME US Latin) VP Records - New Masters 107 Records (SoundExchange) $treet Monopoly (SoundExchange) (The Orchard) 108 Pics llc. (SoundExchange) (Angel) 2 Publishing Company LCC (SME US Latin) VP Records Corp. (The 1080 Collective (1080 Collective) (SoundExchange) Orchard) (APC) (Apparel Music Classics) (PPL) (SZR) Music (The Orchard) 10am Records (PPL) (APD) (Apparel Music Digital) (PPL) (SZR) Music (PPL) 10Birds (SoundExchange) (APF) (Apparel Music Flash) (PPL) (The) Vinyl Stone (SoundExchange) 10E Records (PPL) (APL) (Apparel Music Ltd) (PPL) **** artistes (PPL) 10Man Productions (PPL) (ASCI) (SoundExchange) *Cutz (SoundExchange) 10T Records (SoundExchange) (Essential) Blay Vision (The Orchard) .DotBleep (SoundExchange) 10th Legion Records (The Orchard) (EV3) Evolution 3 Ent.
    [Show full text]
  • Murder Ballads.Pdf
    This is an Open Access document downloaded from ORCA, Cardiff University's institutional repository: http://orca.cf.ac.uk/104313/ This is the author’s version of a work that was submitted to / accepted for publication. Citation for final published version: Newman, Daniel 2017. Murder ballads: Nick Cave and his approach to killing in song. Musicology Australia 39 (2) , pp. 96-115. 10.1080/08145857.2017.1393149 file Publishers page: https://doi.org/10.1080/08145857.2017.1393149 <https://doi.org/10.1080/08145857.2017.1393149> Please note: Changes made as a result of publishing processes such as copy-editing, formatting and page numbers may not be reflected in this version. For the definitive version of this publication, please refer to the published source. You are advised to consult the publisher’s version if you wish to cite this paper. This version is being made available in accordance with publisher policies. See http://orca.cf.ac.uk/policies.html for usage policies. Copyright and moral rights for publications made available in ORCA are retained by the copyright holders. Daniel Newman, Cardiff Law School To be published in Musicology Australia Murder Ballads: Nick Cave and his approach to killing in song Abstract Violence and murder have a strong cultural currency the implications of which should be pursued by those with an interest in law and society, crime, and justice. Murder ballads are songs about death and killing with a history stretching back to the nineteenth century. Drawing out the major themes of this genre can help scholars gain a handle on how murder has been treated in popular culture, thereon providing an enhanced understanding of the human condition.
    [Show full text]
  • Nick Cave Anthology Free
    FREE NICK CAVE ANTHOLOGY PDF Nick Cave | 128 pages | 24 Aug 2001 | Music Sales Ltd | 9780711986817 | English | London, United Kingdom Read Download Nick Cave Anthology PDF – PDF Download Goodreads helps you keep track of books you want Nick Cave Anthology read. Want to Read saving…. Want to Read Currently Reading Read. Nick Cave Anthology editions. Enlarge cover. Error rating book. Refresh and try Nick Cave Anthology. Open Preview See a Problem? Details Nick Cave Anthology other :. Thanks for telling us about the problem. Return Nick Cave Anthology Book Page. Preview — Anthology by Nick Cave. Anthology by Nick Cave. Since the late seventies, Nick Cave has continually reaffirmed his position as one of the greatest Australian songwriters, rock musicians and Nick Cave Anthology of all time. This terrific anthology represents some of his his best moments including his time with the Bad Seeds as well as solo collaborations. This volume contains Piano, Vocal and Guitar arrangements of eighteen classic Since the late seventies, Nick Cave Anthology Cave has continually reaffirmed his position as one of the greatest Australian songwriters, rock musicians and authors of all time. This volume contains Piano, Vocal and Guitar arrangements of eighteen classic songs by Nick Cave, with full lyrics. Get A Copy. Paperbackpages. More Details Original Title. Friend Reviews. To see what your friends thought of this book, please sign up. To ask other readers questions about Anthologyplease sign up. Lists with This Book. This book is not Nick Cave Anthology featured on Listopia. Community Reviews. Showing Average rating 4. Rating details. All Languages. More filters.
    [Show full text]
  • The Good Guys Tweed Heads South
    THE TWEED SHIRE Volume 2 #01 Thursday, September 3, 2009 CIRCULATION Advertising and news enquiries: INCREASED! Phone: (02) 6672 2280 From this issue an Fax: (02) 6672 4933 extra 5,000 Echos will [email protected] go house-to-house in [email protected] the Tweed Shire www.tweedecho.com.au LOCAL & INDEPENDENT Our year in front covers Here’s a smallmall selection from thethe 5500 ffrontront pages TheThe EEchocho has broughtbrought youyou sincesince wewe started publishing a year ago. THE GOOD GUYS TWEED HEADS SOUTH WATCH ALL THE NEW DIGITAL TOTAL PRICE INCLUDES DELIVERY, INSTALLATION & † CHANNELS FROM $150 INSTALLED A FREE SIGNAL STRENGTH TEST! TGGL12535 HOMEMART ON THE TWEED PH: 5524 4444 On sale Wednesday 2nd September to Sunday 6th September 2009 or until stock lasts. Personal purchases only and not available in conjunction with any other offer. See in store for further conditions. Pictures for illustrative purposes only. Was pricing calculated against everyday ticketed prices in store. *Our 120% 30 day price guarantee applies on all newly boxed, currently available stock of the identical model, advertised by a local competitor. †$150 installation offer subject to your suburb. Phone store for full details. Standing up for the community THANK YOU! We have done this to meet In fact, readers in south- thanked us for our gutsy From the bottom of our heart The Echo would like an increasing demand by east Queensland and further approach to the controver- to thank everyone who has helped to make residents for The Echo’s south along the coast have sial issues and for not being The Tweed Shire Echo possible – unique style of dealing with asked us to start an Echo in afraid to deal with the big important local issues and their communities.
    [Show full text]
  • Dogs in Space Music Credits
    THE BANDS 'Dogs in Space' 'Whirlywirld' Edward Clayton-Jones Arnie Hanna Michael Hutchence David Hoy Chuck Meo Johnn Murphy Nique Needles Ollie Olsen Glenys Osborne 'Too Fat To Fit Through the Door' 'Thrush and the C...S' Marcus Bergner Denise Grant Marie Hoy Marie Hoy John Murphy Danila Stirpe James Rogers Jules Taylor Ollie Olsen 'Primitive Calculators' 'Marie Hoy & Friends' Terry Dooley Marie Hoy Denise Grant Loki Stuart Grant Tim Millikan David Light John Murphy Ollie Olsen Musical Director Ollie Olsen Strange Noises John Murphy Music Research Bruce Milne Music Recorded at Richmond Recorders by Tony Cohen Music mixed at A.A.V. by Ross Cockle "Rooms for the Memory" Remixed by Nick Launay 'Shivers Video Clip' directed by Paul Goldman and Evan English 3RRR I.D. Written & Produced by Martin Armiger Sung by Jane Clifton THE MUSIC 'Dog Food' Performed by Iggy Pop, James Osterman Music (BMI), Administered by Bug Music Group, (P) 1980, Arista Records Inc., Courtesy of Arista Records 'Frankie Teardrop' Courtesy of Stamphyl Revega 'Dogs in Space' Written by Sam Sejavka and Mike Lewis 'Win/Lose' Written by Ollie Olsen, Performed by Whirlywirld, Courtesy of Missing Link Records 'True Love' Performed by The Marching Girls, Courtesy of Missing Link Records 'Sky Saw' Written by Brian Eno, Courtesy of E.G. Records Ltd. and E.G. Music Ltd. 'Skullbrains' Written by Marcus Bergner and Marie Hoy 'Shivers' Written by Roland S. Howard, Performed by Boys Next Door Courtesy of Mushroom Records 'Diseases' Composed by Thrush and The C...s 'Pumping Ugly Muscle' Composed by The Primitive Calculators 'Window to the World' Written by Ollie Olsen, Performed by Whirlywirld 'Happy Birthday' and 'Mr.
    [Show full text]
  • Melbourne׳S Rockin׳ Venues
    Melbourne’s Rockin’ Venues The Palais Theatre Most punters in Melbourne have had a Palais experience at least once. Maybe you saw The Rolling Stones in ’66, or went to Jesus Christ Superstar or The Andrew Durant Memorial Concert in the 70’s? Today it remains a grand old dame, still hosting iconic shows. Here is a cool link to its history: https://palaistheatre.com.au/venue/venue-history Armstrong Studios Basically, it was our Abbey Road. Whispering Jack was recorded here, and many other acts came to avail themselves of its world class facilities. (U2, Paul McCartney, Madonna, Bob Dylan, Split Enz, Crowded House and many more) Bill Armstrong started out in a terraced house in South Melbourne before moving operations to an old butter factory in Bank street. The work recorded here is a staggering list of Australian Rock & Entertainment. Wikipedia has the story: https://en.wikipedia.org/wiki/Armstrong_Studios Festival Hall The “House of Stoush” in West Melbourne has hosted Wrestling, The Beatles, Boxing, Jethro Tull, Roller Derbies, Black Sabbath, Chuck Berry, The Bee Gees, Roy Orbison & hundreds more eclectic shows over its six-decade history. Recently, it was saved from high rise ‘re-development’ by concerned councils & ratepayers. https://blogs.unimelb.edu.au/archives/boxing-ballroom-dancing-and-the-bishop-of-coventry- festival-hall-and-stadiums-pty-ltd/ http://www.jpgr.co.uk/ven_melbourne.html Melbourne Town Hall A strange rock venue you might think, but The Beatles & Abba have both waved at the crowds from its balcony. If you take the MTH tour, you can wave from there too! https://whatson.melbourne.vic.gov.au/Whatson/tours/ground/Pages/b974dd12-59a5-4de8- a7b0-d8c2f82385ec.aspx?_ga=2.257283979.127260475.1547370975- 471500608.1542539087 Swanston St/ACDC Lane It takes a flatbed truck, a great song, a film crew from Countdown, and a rock band with bagpipes to create one of the greatest Aussie anthems of all time, It’s a Long Way to the Top (If you wanna Rock n’ Roll) This is where ACDC made one of their most remembered film clips in the 70’s.
    [Show full text]