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The Dublin Gate Theatre Archive, 1928 - 1979
Charles Deering McCormick Library of Special Collections Northwestern University Libraries Dublin Gate Theatre Archive The Dublin Gate Theatre Archive, 1928 - 1979 History: The Dublin Gate Theatre was founded by Hilton Edwards (1903-1982) and Micheál MacLiammóir (1899-1978), two Englishmen who had met touring in Ireland with Anew McMaster's acting company. Edwards was a singer and established Shakespearian actor, and MacLiammóir, actually born Alfred Michael Willmore, had been a noted child actor, then a graphic artist, student of Gaelic, and enthusiast of Celtic culture. Taking their company’s name from Peter Godfrey’s Gate Theatre Studio in London, the young actors' goal was to produce and re-interpret world drama in Dublin, classic and contemporary, providing a new kind of theatre in addition to the established Abbey and its purely Irish plays. Beginning in 1928 in the Peacock Theatre for two seasons, and then in the theatre of the eighteenth century Rotunda Buildings, the two founders, with Edwards as actor, producer and lighting expert, and MacLiammóir as star, costume and scenery designer, along with their supporting board of directors, gave Dublin, and other cities when touring, a long and eclectic list of plays. The Dublin Gate Theatre produced, with their imaginative and innovative style, over 400 different works from Sophocles, Shakespeare, Congreve, Chekhov, Ibsen, O’Neill, Wilde, Shaw, Yeats and many others. They also introduced plays from younger Irish playwrights such as Denis Johnston, Mary Manning, Maura Laverty, Brian Friel, Fr. Desmond Forristal and Micheál MacLiammóir himself. Until his death early in 1978, the year of the Gate’s 50th Anniversary, MacLiammóir wrote, as well as acted and designed for the Gate, plays, revues and three one-man shows, and translated and adapted those of other authors. -
Aguisíní Appendices Aguisín 1: Comóradh Céad Bliain Ollscoil Na Héireann Appendix 1: Centenary of the National University of Ireland
Aguisíní Appendices Aguisín 1: Comóradh Céad Bliain Ollscoil na hÉireann Appendix 1: Centenary of the National University of Ireland Píosa reachtaíochta stairiúil ab ea Acht Ollscoileanna na hÉireann, 1908, a chuir deireadh go foirmeálta le tréimhse shuaite in oideachas tríú leibhéal na hEireann agus a d’oscail caibidil nua agus nuálaíoch: a bhunaigh dhá ollscoil ar leith – ceann amháin díobh i mBéal Feirste, in ionad sean-Choláiste na Ríona den Ollscoil Ríoga, agus an ceann eile lárnaithe i mBaile Átha Cliath, ollscoil fheidearálach ina raibh coláistí na hOllscoile Ríoga de Bhaile Átha Cliath, Corcaigh agus Gaillimh, athchumtha mar Chomh-Choláistí d’Ollscoil nua na hÉirean,. Sa bhliain 2008, rinne OÉ ceiliúradh ar chéad bliain ar an saol. Is iomaí athrú suntasach a a tharla thar na mblianta, go háiriithe nuair a ritheadh Acht na nOllscoileanna i 1997, a rinneadh na Comh-Choláistí i mBaile Átha Cliath, Corcaigh agus Gaillimh a athbhunú mar Chomh-Ollscoileanna, agus a rinneadh an Coláiste Aitheanta (Coláiste Phádraig, Má Nuad) a athstruchtúrú mar Ollscoil na hÉireann, Má Nuad – Comh-Ollscoil nua. Cuireadh tús le comóradh an chéid ar an 3 Nollaig 2007 agus chríochnaigh an ceiliúradh le mórchomhdháil agus bronnadh céime speisialta ar an 3 Nollaig 2008. Comóradh céad bliain ón gcéad chruinniú de Sheanad OÉ ar an lá céanna a nochtaíodh protráid den Seansailéirm, an Dr. Garret FitzGerald. Tá liosta de na hócáidí ar fad thíos. The Irish Universities Act 1908 was a historic piece of legislation, formally closing a turbulent chapter in Irish third level education and opening a new and innovational chapter: establishing two separate universities, one in Belfast, replacing the old Queen’s College of the Royal University, the other with its seat in Dublin, a federal university comprising the Royal University colleges of Dublin, Cork and Galway, re-structured as Constituent Colleges of the new National University of Ireland. -
The Historical Development of Irish Euroscepticism to 2001
The Historical Development of Irish Euroscepticism to 2001 Troy James Piechnick Thesis submitted as part of the Doctor of Philosophy (PhD) program at Flinders University on the 1st of September 2016 Social and Behavioural Sciences School of History and International Relations Flinders University 2016 Supervisors Professor Peter Monteath (PhD) Dr Evan Smith (PhD) Associate Professor Matt Fitzpatrick (PhD) Contents GLOSSARY III ABSTRACT IV ACKNOWLEDGEMENTS V CHAPTER 1 INTRODUCTION 1 DEFINITIONS 2 PARAMETERS 13 LITERATURE REVIEW 14 MORE RECENT DEVELOPMENTS 20 THESIS AND METHODOLOGY 24 STRUCTURE 28 CHAPTER 2 EARLY ANTECEDENTS OF IRISH EUROSCEPTICISM: 1886–1949 30 IRISH REPUBLICANISM, 1780–1886 34 FIRST HOME RULE BILL (1886) AND SECOND HOME RULE BILL (1893) 36 THE BOER WAR, 1899–1902 39 SINN FÉIN 40 WORLD WAR I AND EASTER RISING 42 IRISH DECLARATION OF INDEPENDENCE 46 IRISH WAR OF INDEPENDENCE 1919 AND CIVIL WAR 1921 47 BALFOUR DECLARATION OF 1926 AND THE STATUTE OF WESTMINSTER IN 1931 52 EAMON DE VALERA AND WORLD WAR II 54 REPUBLIC OF IRELAND ACT 1948 AND OTHER IMPLICATIONS 61 CONCLUSION 62 CHAPTER 3 THE TREATY OF ROME AND FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 64 THE TREATY OF ROME 67 IRELAND IN THE 1950S 67 DEVELOPING IRISH EUROSCEPTICISM IN THE 1950S 68 FAILED APPLICATIONS FOR MEMBERSHIP IN 1961 AND 1967 71 IDEOLOGICAL MAKINGS: FURTHER DEVELOPMENTS OF A EUROSCEPTIC NATURE (1960S) 75 Communist forms of Irish euroscepticism 75 Irish eurosceptics and republicanism 78 Irish euroscepticism accommodating democratic socialism 85 -
2017 Annual Report 2017 NATIONAL GALLERY of IRELAND
National Gallery of Ireland Gallery of National Annual Report 2017 Annual Report 2017 Annual Report nationalgallery.ie Annual Report 2017 Annual Report 2017 NATIONAL GALLERY OF IRELAND 02 ANNUAL REPORT 2017 Our mission is to care for, interpret, develop and showcase art in a way that makes the National Gallery of Ireland an exciting place to encounter art. We aim to provide an outstanding experience that inspires an interest in and an appreciation of art for all. We are dedicated to bringing people and their art together. 03 NATIONAL GALLERY OF IRELAND 04 ANNUAL REPORT 2017 Contents Introducion 06 Chair’s Foreword 06 Director’s Review 10 Year at a Glance 2017 14 Development & Fundraising 20 Friends of the National Gallery of Ireland 26 The Reopening 15 June 2017 34 Collections & Research 51 Acquisition Highlights 52 Exhibitions & Publications 66 Conservation & Photography 84 Library & Archives 90 Public Engagement 97 Education 100 Visitor Experience 108 Digital Engagement 112 Press & Communications 118 Corporate Services 123 IT Department 126 HR Department 128 Retail 130 Events 132 Images & Licensing Department 134 Operations Department 138 Board of Governors & Guardians 140 Financial Statements 143 Appendices 185 Appendix 01 \ Acquisitions 2017 186 Appendix 02 \ Loans 2017 196 Appendix 03 \ Conservation 2017 199 05 NATIONAL GALLERY OF IRELAND Chair’s Foreword The Gallery took a major step forward with the reopening, on 15 June 2017, of the refurbished historic wings. The permanent collection was presented in a new chronological display, following extensive conservation work and logistical efforts to prepare all aspects of the Gallery and its collections for the reopening. -
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000
West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 I The West of Ireland National Gallery of Ireland / Gailearaí Náisiúnta na hÉireann West of Ireland Paintings at the National Gallery of Ireland from 1800 to 2000 Marie Bourke With contributions by Donal Maguire And Sarah Edmondson II Contents 5 Foreword, Sean Rainbird, Director, National Gallery of Ireland 23 The West as a Significant Place for Irish Artists Contributions by Donal Maguire (DM), Administrator, Centre for the Study of Irish Art 6 Depicting the West of Ireland in the Nineteenth and Twentieth Centuries, Dr Marie Bourke, Keeper, Head of Education 24 James Arthur O’Connor (1792–1841), The Mill, Ballinrobe, c.1818 25 George Petrie (1790–1866), Pilgrims at Saint Brigid’s Well, Liscannor, Co. Clare, c.1829–30 6 Introduction: The Lure of the West 26 Frederic William Burton (1816–1900), In Joyce Country (Connemara, Co. Galway), c.1840 6 George Petrie (1790–1866), Dún Aonghasa, Inishmore, Aran Islands, c.1827 27 Frederic William Burton (1816–1900), The Aran Fisherman’s Drowned Child, 1841 8 Timeline: Key Dates in Irish History and Culture, 1800–1999 28 Augustus Burke (c.1838–1891), A Connemara Girl 10 Curiosity about Ireland: Guide books, Travel Memoirs 29 Bartholomew Colles Watkins (1833–1891), A View of the Killaries, from Leenane 10 James Arthur O’Connor (1792–1841), A View of Lough Mask 30 Aloysius O’Kelly (1853–1936), Mass in a Connemara Cabin, c.1883 11 Frederic William Burton (1816–1900), Paddy Conneely (d.1850), a Galway Piper 31 Walter Frederick Osborne (1859–1903), A Galway Cottage, c.1893 32 Jack B. -
Copyright by Colleen Anne Hynes 2007
Copyright by Colleen Anne Hynes 2007 The Dissertation Committee for Colleen Anne Hynes certifies that this is the approved version of the following dissertation: “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity Committee: Elizabeth Butler Cullingford, Supervisor Barbara Harlow, Co-Supervisor Kamran Ali Ann Cvetkovich Ian Hancock “Strangers in the House”: Twentieth Century Revisions of Irish Literary and Cultural Identity by Colleen Anne Hynes, B.S.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin August 2007 Acknowledgements This dissertation project would not have been possible with the support, wisdom and intellectual generosity of my dissertation committee. My two supervisors, Elizabeth Butler Cullingford and Barbara Harlow, introduced me to much of the literature and many of the ideas that make up this project. Their direction throughout the process was invaluable: they have been, and continue to be, inspirational teachers, scholars and individuals. Kamran Ali brought both academic rigor and a sense of humor to the defense as he pushed the manuscript beyond its boundaries. Ann Cvetkovich translated her fresh perspective into comments on new directions for the project and Ian Hancock was constantly generous with his resources and unique knowledge of the Irish Traveller community. Thanks too to my graduate school colleagues, who provided constructive feedback and moral support at every step, and who introduced me to academic areas outside of my own, especially Miriam Murtuza, Miriam Schacht, Veronica House, George Waddington, Neelum Wadhwani, Lynn Makau, Jeanette Herman, Ellen Crowell and Lee Rumbarger. -
TRADE UNIONISM and SECTARIANISM A1'k)NG DERRY SHIRT WORKERS 1920-1968 with Special Reference to the National Union of Tailors and Garment Workers
TRADE UNIONISM AND SECTARIANISM A1'K)NG DERRY SHIRT WORKERS 1920-1968 With Special Reference to the National Union of Tailors and Garment Workers A thesis submitted for the degree of Doctor of Philosophy in the Faculty of Science, University of London. by Andrew Robert Finlay Department of Anthropology University College London 1989 BIRL LONDIN. UNIV. -1•- ABSTRACT The problem at the heart of this study is: to what extent and in what ways was the development of trade unionism in the Derry shirt industry influenced by sectarianism? This problem and my approach to it were elaborated in contradistinction to existing theories of trade unionism in Northern Ireland. According to the main theory, developed most cogently within traditional Irish marxism, trade unionism was thwarted by sectarianism. I suggest that this theory has more to do with the reductionist and evolutionist assumptions of its authors than with social reality and argue that the relationship between trade unionism and sectarianism Is better understood with an approach in which it is recognised that both of these institutions are constituted through the actions of concrete individuals who are themselves consituted by society, and in which priority is given to the meanings which individuals ascribe to their actions and predicaments. My- study is based on interviews with a sample of retired union officials and activists. My respondants were keenly aware of the Catholic-Protestant dichotomy, but, contrary to what traditional Irish marxists would lead one to expect, they did not regard sectarianism as a significant problem until the 1950s, My analysis of union growth and structure 1920-1952 largely confirmed this view: union densities compared favourably with clothing workers in Britain, and the main factors underlying fluctuations in membership were more or less the same as elsewhere in Britain. -
International Conference on the European Economic Community and South Africa
International Conference on the European Economic Community and South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.nuun1979_10 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org International Conference on the European Economic Community and South Africa Alternative title Notes and Documents - United Nations Centre Against ApartheidNo. 9/79 Author/Creator United Nations Centre against Apartheid Publisher United Nations, New York Date 1979-04-00 Resource type Reports Language English Subject Coverage (spatial) South Africa, Western Europe (region), Ireland Coverage (temporal) 1979-00-00 Source Northwestern University Libraries Description This issue, published at the request of the Special Committee against Apartheid, contains the Final Communique, the Resolution and the Declaration adopted by the Conference, as well as the list of participants. -
2001-; Joshua B
The Irish Labour History Society College, Dublin, 1979- ; Francis Devine, SIPTU College, 1998- ; David Fitzpat- rick, Trinity College, Dublin, 2001-; Joshua B. Freeman, Queen’s College, City Honorary Presidents - Mary Clancy, 2004-; Catriona Crowe, 2013-; Fergus A. University of New York, 2001-; John Horne, Trinity College, Dublin, 1982-; D’Arcy, 1994-; Joseph Deasy, 2001-2012; Barry Desmond, 2013-; Francis Joseph Lee, University College, Cork, 1979-; Dónal Nevin, Dublin, 1979- ; Cor- Devine, 2004-; Ken Hannigan, 1994-; Dónal Nevin, 1989-2012; Theresa Mori- mac Ó Gráda, University College, Dublin, 2001-; Bryan Palmer, Queen’s Uni- arty, 2008 -; Emmet O’Connor, 2005-; Gréagóir Ó Dúill, 2001-; Norah O’Neill, versity, Kingston, Canada, 2000-; Henry Patterson, University Of Ulster, 2001-; 1992-2001 Bryan Palmer, Trent University, Canada, 2007- ; Bob Purdie, Ruskin College, Oxford, 1982- ; Dorothy Thompson, Worcester, 1982-; Marcel van der Linden, Presidents - Francis Devine, 1988-1992, 1999-2000; Jack McGinley, 2001-2004; International Institute For Social History, Amsterdam, 2001-; Margaret Ward, Hugh Geraghty, 2005-2007; Brendan Byrne, 2007-2013; Jack McGinley, 2013- Bath Spa University, 1982-2000. Vice Presidents - Joseph Deasy, 1999-2000; Francis Devine, 2001-2004; Hugh Geraghty, 2004-2005; Niamh Puirséil, 2005-2008; Catriona Crowe, 2009-2013; Fionnuala Richardson, 2013- An Index to Saothar, Secretaries - Charles Callan, 1987-2000; Fionnuala Richardson, 2001-2010; Journal of the Irish Labour History Society Kevin Murphy, 2011- & Assistant Secretaries - Hugh Geraghty, 1998-2004; Séamus Moriarty, 2014-; Theresa Moriarty, 2006-2007; Séan Redmond, 2004-2005; Fionnuala Richardson, Other ILHS Publications, 2001-2016 2011-2012; Denise Rogers, 1995-2007; Eddie Soye, 2008- Treasurers - Jack McGinley, 1996-2001; Charles Callan, 2001-2002; Brendan In September, 2000, with the support of MSF (Manufacturing, Science, Finance – Byrne, 2003-2007; Ed. -
Original Song Settings of Irish Texts by Irish Composers, 1900-1930
Technological University Dublin ARROW@TU Dublin Masters Applied Arts 2018 Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930. David Scott Technological University Dublin, [email protected] Follow this and additional works at: https://arrow.tudublin.ie/appamas Part of the Composition Commons Recommended Citation Scott, D. (2018) Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900-1930.. Masters thesis, DIT, 2018. This Theses, Masters is brought to you for free and open access by the Applied Arts at ARROW@TU Dublin. It has been accepted for inclusion in Masters by an authorized administrator of ARROW@TU Dublin. For more information, please contact [email protected], [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-Share Alike 4.0 License Examining the Irish Art Song: Original Song Settings of Irish Texts by Irish Composers, 1900–1930 David Scott, B.Mus. Thesis submitted for the award of M.Phil. to the Dublin Institute of Technology College of Arts and Tourism Supervisor: Dr Mark Fitzgerald Dublin Institute of Technology Conservatory of Music and Drama February 2018 i ABSTRACT Throughout the second half of the nineteenth century, arrangements of Irish airs were popularly performed in Victorian drawing rooms and concert venues in both London and Dublin, the most notable publications being Thomas Moore’s collections of Irish Melodies with harmonisations by John Stephenson. Performances of Irish ballads remained popular with English audiences but the publication of Stanford’s song collection An Irish Idyll in Six Miniatures in 1901 by Boosey and Hawkes in London marks a shift to a different type of Irish song. -
The Capuchin Annual and the Irish Capuchin Publications Office
1 Irish Capuchin Archives Descriptive List Papers of The Capuchin Annual and the Irish Capuchin Publications Office Collection Code: IE/CA/CP A collection of records relating to The Capuchin Annual (1930-77) and The Father Mathew Record later Eirigh (1908-73) published by the Irish Capuchin Publications Office Compiled by Dr. Brian Kirby, MA, PhD. Provincial Archivist July 2019 No portion of this descriptive list may be reproduced without the written consent of the Provincial Archivist, Order of Friars Minor Capuchin, Ireland, Capuchin Friary, Church Street, Dublin 7. 2 Table of Contents Identity Statement.......................................................................................................................................... 5 Context................................................................................................................................................................ 5 History ................................................................................................................................................ 5 Archival History ................................................................................................................................. 8 Content and Structure ................................................................................................................................... 8 Scope and content ............................................................................................................................. 8 System of arrangement .................................................................................................................... -
View the Irish Culture Pack
A GLIMPSE OF IRELAND IRELAND IRELAND IRELAND Getting to Ireland Belfast City Airport (BHD) Belfast International Airport (BFS) Cork Airport (ORK) Derry Airport (LDY) Donegal Airport (CFN) Dublin Airport (DUB) Galway Airport (GWY) Ireland West Airport Knock (NOC) Kerry Airport (KIR) Shannon Airport (SNN) Sligo Airport (SXL) Waterford Airport (WAT) Climate Ireland enjoys a temperate climate, (proximity to Atlantic Ocean & presence of the Gulf Stream). Typical winter weather in Ireland is clouds and rain --occasional sunny spell. The mountains may have snow on them for many weeks in winter, Temperatures --a January average of 5ºC. Overnight temperatures often drop below freezing point, and ice and frosts are common. Each winter there are a few weeks when the temperature does not rise above freezing point all day, and rivers and lakes can partially freeze over. Typically, summers in Ireland have warm, sunny weather and a sky dotted with gentle fluffy clouds. Light rain occasionally occurs on days like these. In July and August, the conditions can become very humid and thunder storms can occur with lightning. Average July temp 15ºC, Across Ireland, the local climate differs from place to place. The wettest weather always occurs in mountains The driest weather occurs east The south that enjoys the warmest weather. Occasionally there is a "blast from the north", bringing very cold weather from the Arctic, characterised by icy winds, snow and frost. Population Approximately 4.35 million In 1841, the population of the was over 6.5 million people. The Irish Potato famine and the emigration it caused had a dramatic effect 1871 the population had almost halved to four million 1926 had reduced further to three million The population held firm around three million until the early 1970s when the population began to rise again.