Fact Book 2017
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
O(S) Fã(S) Da Cultura Pop Japonesa E a Prática De Scanlation No Brasil
UNIVERSIDADE TUIUTI DO PARANÁ Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL CURITIBA 2011 GIOVANA SANTANA CARLOS O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Dissertação apresentada no Programa de Mestrado em Comunicação e Linguagens na Universidade Tuiuti do Paraná, na Linha Estratégias Midiáticas e Práticas Comunicacionais, como requisito parcial para obtenção do título de Mestre, sob orientação do Prof. Dr. Francisco Menezes Martins. CURITIBA 2011 2 TERMO DE APROVAÇÃO Giovana Santana Carlos O(S) FÃ(S) DA CULTURA POP JAPONESA E A PRÁTICA DE SCANLATION NO BRASIL Esta dissertação foi julgada e aprovada para a obtenção do título de Mestre em Comunicação e Linguagens no Programa de Pós-graduação em Comunicação e Linguagens da Universidade Tuiuti do Paraná. Curitiba, 27 de maio de 2011. Programa de pós-graduação em Comunicação e Linguagens Universidade Tuiuti do Paraná Orientador: Prof. Dr. Francisco Menezes Martins Universidade Tuiuti do Paraná Prof. Dr. Carlos Alberto Machado Universidade Estadual do Paraná Prof. Dr. Álvaro Larangeira Universidade Tuiuti do Paraná 3 AGRADECIMENTOS Aos meus pais, Carmen Dolores Santana Carlos e Vilson Antonio Carlos, e à Leda dos Santos, por me apoiarem durante esta pesquisa; À minha irmã, Vivian Santana Carlos, por ter me apresentado a cultura pop japonesa por primeiro e por dar conselhos e ajuda quando necessário; Aos professores Dr. Álvaro Larangeira e Dr. Carlos Machado por terem acompanhado desde o início o desenvolvimento deste trabalho, melhorando-o através de sugestões e correções. À professora Dr.ª Adriana Amaral, a qual inicialmente foi orientadora deste projeto, por acreditar em seu objetivo e auxiliar em sua estruturação. -
Korad 14, Correspondiente Al Trimestre Julio-Agosto-Septiembre Del 2013
1 EDITORIAL Les presentamos Korad 14, correspondiente al trimestre julio-agosto-septiembre del 2013. Korad es la revista que persigue aglutinar la narrativa fantástica cubana en su sentido más amplio, incluyendo la ciencia ficción, la fantasía heroica, el terror fantástico y la poesía especulativa, entre otros. Pero Korad también divulga ensayos, crónicas, críticas y reseñas. Nuestra sección Plástika Fantástika cuenta con artista plástica e ilustradora cubana Hanna Chomenko, que accedió gentilmente a colaborar con nuestra revista. También aparecen en este número, de la mano de Sheila Padrón, la crónica de lo que aconteció en el Evento Behíque 2013, celebrado en La Habana los días 2 y 3 de agosto. En la parte teórica les ofrecemos el ensayo sobre la manga como producto cultural global del francés Jean-Marie Bouissou, traducido por Reinaldo Acosta especialmente para Korad. En la parte narrativa contamos con los premios del concurso Mabuya 2013 y el resto de las menciones de nuestro concurso Oscar Hurtado 2013. La sección de humor ofrece el cuento Kassaye, de uno de los más importantes humoristas cubanos: Eduardo del Llano. Incluimos también un relato del autor español José Luis Carrasco. Por último, encontrarán las acostumbradas reseñas de libros y concursos. Esperamos que la disfruten. Si bien uno de los principales propósitos de Korad es divulgar la obra de los autores cubanos del género, nuestra revista está abierta a recibir colaboraciones de creadores de otros países. Las mismas nos las pueden hacer llegar a través de nuestra dirección de email donde serán atendidas por nuestro comité editorial. Consejo editorial Editor: Raúl Aguiar Co-Editores: Elaine Vilar Madruga, Jeffrey López y Carlos A. -
Naoki Urasawas 20Th Century Boys Free Download
NAOKI URASAWAS 20TH CENTURY BOYS FREE DOWNLOAD Naoki Urasawa | 208 pages | 10 Nov 2011 | Viz Media, Subs. of Shogakukan Inc | 9781421535357 | English | San Francisco, United States Naoki Urasawa's 20th Century Boys, Vol. 22 Walmart After she tries to defuse some interaction between various mafia groups, she discovers that a patron's friend had witnessed a Chinese mafia member get killed Naoki Urasawas 20th Century Boys a corrupted policeman. Have doubts regarding this product? Naoki Urasawa. Explore Plus. See more details at Online Naoki Urasawas 20th Century Boys Match. Sankei Shimbun. How was your experience with this page? February 15, February 19, Honolulu Star-Bulletin. As boys, Kenji and his friends came up with a bunch of stories about an evil organization bent on world destruction. Retrieved July 3, Website: bigcomicbros. Both 20th Century Boys and 21st Century Boys were licensed for English- language release in North America by Viz Media inhowever their release was delayed until after their translation of Naoki Urasawas 20th Century Boys had finished. Who are those people? Manga critic Jason Thompson called 20th Century Boys "an epic saga of nostalgia, middle age, rock n' roll, and a struggle against an evil conspiracy. August 20, March 8, I agree to the Terms and Conditions. Retrieved Naoki Urasawas 20th Century Boys 17, The series makes three distinct timeline cuts during the story; one from toone from toand one from to 3FE. Book Format. İngilizce Sayfa 14,6x20,6x2,39 cm. October 16, The time has come. March 18, Humanity, having faced extinction at the end of the 20th century, would not have entered the new millennium if it weren't for them. -
October 3-22, 2020
THE BEST OF CONTEMPORARY JAPANESE CINEMA VIRTUAL EDITION and present OCTOBER 3-22, 2020 HATANAKA FAMILY FOUNDATION JAPANESE CANADIAN CULTURAL CENTRE • 6 GARAMOND COURT • TORONTO • 416.441.2345 ABOUT THE TORONTO JAPANESE FILM FESTIVAL “I think what makes the Toronto Japanese Film Festival so special is the wonderful job it does in capturing the current state of the Japanese film industry. The programming conveys a sense of what is really happening in the world of Japanese cinema. By including popular films we can get a better understanding of the country. These choices ensure Toronto audiences can experience a true sense of contemporary Japan.” Takashi Yamazaki (Director, Always: Sunset on 3rd Street, The Eternal Zero, The Man Called Pirate) “The Toronto Japanese Film Festival is quickly becoming the most important window of Japanese cinema toward the world. The selection is impeccable with the dynamic of a true international film festival. My salute to all Canadians and congratulations! This is some place we, the Japanese film-makers, can look for the future of Japanese cinema.” Masato Harada (Director: Sekigahara, Kakekomi, The Emperor in August, Chronicle of My Mother) Now in its ninth year, the Toronto Japanese Film Festival has grown into one of the largest cinema events of its kind in the world, showcasing the finest Japanese films that have been recognized for excellence by Japanese audiences and critics, international film festival audiences and the Japanese Film Academy. Programming addresses popular genres such as historical (samurai) jidaigeki, contemporary dramas, comedies and action, literary adaptations, children’s, art-house and anime films. All films shown are North American, Canadian, or Toronto premieres. -
Toronto Japanese Film Festival 2016
1 5% discount for JCCC members For Experienced and Professional Real Estate Service... Call Anytime... Absolutely No Obligation DAVID IKEDA Sales Representative bonni maikawa 416-234-2424 www.ikedasells.com Sales Representative 416-538-6428 Sutton Group Old Mill Realty Inc., Brokerage [email protected]/www.bonnimaikawa.com Sutton Group Associates Realty Inc.,Brokerage 416-966-9300 Advertise with us! Contact [email protected] or 416-441-2345 ext. 227 2 2015 -16 JCCC Board of Directors In This Issue... President Gary Kawaguchi Past President/Advisor Marty Kobayashi VP, Heritage Jan Nobuto 4 Upcoming JCCC Events VP, Management Ann Ashley Secretary Sharon Marubashi Finance Chair Chris Hope 6-9 Torono Japanese Film Festival VP, NJCC Miki Rushton VP, Marketing/Strategic Planning Karen Kuwahara 日 Directors Jonathan Carter 10-11 Heritage News Mark Hashimoto Kristin Kobayashi 系 15-17 Donations Christine Nakamura Dereck Oikawa Chris Reid 18-22 日本語紙面 Cary Rothbart 文 Ross Saito Nao Seko Peter Wakayama 化 Bob Yamashita Tak Yoshida Calendar of Events Advisors Mackenzie Clugston 会 (Ambassador of Canada to Japan William Hatanaka Sid Ikeda 館 May Sat 7 JCCC Bazaar Miki Kobayashi (in memory) Mon 9 Movie Screening – I am a Monk Steve Oikawa Sat 14 JCCC Karaoke Club Connie Sugiyama 役 JCCC Foundation Chair Shari Hosaki Mon 16 Manju Workshop Wed 18 Tattoo Exhibit Opens JCCC Staff 員 Thurs 19 Tattoo Exhibit Opening Ceremony James Heron Executive Director Sat 21 JCCC Karaoke Club [email protected] 416-441-2345 ext.224 Mon 23 JCCC closed –Victoria Day 及 Kathy -
Lost Pasts and Unseen Enemies: the Pacific War in Recent Japanese Films
This is a repository copy of Lost Pasts and Unseen Enemies: The Pacific War in Recent Japanese Films. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/135621/ Version: Accepted Version Book Section: Rayner, J.R. orcid.org/0000-0002-9422-3453 (2018) Lost Pasts and Unseen Enemies: The Pacific War in Recent Japanese Films. In: Loschnigg, M. and Sokolowska-Paryz, M., (eds.) The Enemy in Contemporary Film. Culture and Conflict, 12 . De Gruyter , Berlin , pp. 377-394. ISBN 978-3-11-058992-4 https://doi.org/10.1515/9783110591217-022 Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Lost Pasts and Unseen Enemies: The Pacific War in Recent Japanese Films Jonathan Rayner, University of Sheffield Introduction Since 1945 the history of J aggression against its Asian neighbours, the United States and its allies have themselves become battle grounds disputed by A J has been marked by obfuscation and ambiguity, with historical fact as much as national perspective being contested by the creators of fiction, films, comics and animation. -
CONTEMPORARY COMMUNICATION, the CULTURE of MANGA Christiana Constantopoulou Manga and Anime
French Journal For Media Research – n° 6/2016 – ISSN 2264-4733 ------------------------------------------------------------------------------------ CONTEMPORARY COMMUNICATION, THE CULTURE OF MANGA Christiana Constantopoulou Professeure de Sociologie de la Communication Université Panteion, Athènes - Grèce Manga and Anime The popularity of anime and manga has helped westerners gain a broader understanding of Japanese culture. Manga is a generic term for all graphic novels and comic books originally published in Japan. Manga is read either in serialized comic books, monthly magazines, or graphic novels. All formats are available in English translation, graphic novels, however, are the most common and can be found in both major bookstore chains and local comic shops. The graphic novels are usually presented in "manga-style," meaning a right-to-left format. The word Manga, when translated directly, means “whimsical drawings”. Manga are typically 'comic books' as the West understands them; rather, they represent pieces of Japanese culture and history. The 'manga' style has an extensive history, beginning sometime in the 10th century; scrolls from that period depict animals as part of the 'upper class', behaving as a typical human would in similar situations. Such scrolls would go on to be known as the Chōjū giga or “The Animal Scrolls”. Scrolls found later on in the 12th century would depict images of religion such as the Gaki Zoshi (Hungry Ghost Scrolls) and the Jigoku zoshi (Hell Scrolls). While both dealt with various aspects of religion, unlike “The Animal Scrolls”, these provided a more instructive viewpoint, rather than a comedic style. Manga are more significant, culturally, than Western comic books (though many fill the same role). -
The Book of Abstracts
BOOK OF ABSTRACTS Correct as of 6th September 2019 1 PANELS A Panel 53 Sourcing Korea in Korean History: Historical Sources and the Production of Knowledge of Korea’s Pasts This panel investigates one of the fundamental challenges facing historians: that of the limits and possibilities of historical sources. Korean history has flourished as an academic field in recent decades, alongside a dramatic growth in archives and databases of primary sources. This expansion of both primary and secondary sources on Korean history provides an opportune moment to reflect on how historical knowledge of Korea has developed in tandem with the availability of a wider variety of primary sources. While appreciating the general trends in the production of Korean history, this panel poses questions over how newly available primary sources are changing historical narratives of Korea. In particular, we complicate pre-conceived notions of Korean history, as developments in both local and transnational history challenge existing understandings of “Korean” history. John S. Lee discusses differences between bureaucratic and local sources, to argue for a pluralist perspective on Chosŏn environmental knowledge that reflects the production of sources by different interest groups. Holly Stephens discusses conflicting accounts of the colonial period and the challenge posed by hanmun diaries to standard histories of Korea’s colonization. In particular, she questions the politicization of everyday life that emerges from distinct sets of sources. Finally, Luis Botella examines alternative presentations of archaeological knowledge in postwar South Korea that highlight the influence of American, Soviet, colonial, and post-colonial frames of knowledge in defining formative narratives of Korean history. -
Table of Contents
Table of Contents #00. Prologue #01. Will manga exist 10 years from now? #02. Just what are manuscript fees, anyway? #03. What kind of a life is a life lived off royalties? #04. A million-seller hit with 220 million yen of profit in a single year...what does that turn my yearly salary into? #05. Printing 1 million copies myself would make me a quicker 100 million. #06. You know, I'm starting to think I should just die along with paper media. #07. I'll make my own homepage, release my own manga on it, and let all my readers purchase it there. #08. I haven't had a single meeting with an editor for several years now. #09. A relationship between mangaka and readers without a publisher in between. #10. Honestly, doing online comics is hard. #11. Those books are the publisher's products, not yours. #12. OK, so how much will it actually cost? #13. Sato Shuho on Web is open. But is it making money? #14. You may laugh, but I'm really trying to change the world here. #15. Marching toward 'Manga on Web' #16. Epilogue #17. Credits 1 Prologue In February, 2009, I started an e-book site called Sato Shuho on Web. Currently, we're in the middle of a slump in the publishing world. Manga magazines keep taking breaks and ceasing publications, and bookstores are disappearing from our streets. Every year, big publishers find themselves billions of yen in debt, and the industry itself is continuing a 14-year streak of dropping sales. -
© Degli Aventi Diritto Anteprima » Panini Comics MUSHOKU TENSEI – JOBLESS REINCARNATION 1 PANINI DIRECT
© degli aventi diritto Anteprima » Panini Comics MUSHOKU TENSEI – JOBLESS REINCARNATION 1 PANINI DIRECT © degli aventi diritto © degli aventi CUT-PRICE! ORDINA IL NUMERO 1 ENTRO IL 30/04/21 AL PREZZO SPECIALE DI EURO 3,99! PANINI DIRECT DALLA SAGA CHE HA ISPIRATO ANCHE UN ANIME, UN FANTASY Autori: Yuka Fujikawa, Rifujin Na Magonote, Shirotaka IRONICO E AVVINCENTE Giugno • 13x18, B., Rudeus è un genietto: a soli tre anni lancia incantesimi meglio di 176 pp., b/n e col. un adulto. Ma qual è la verità? Prima di reincarnarsi in un mondo Euro 7,50/3,99 per ordini dominato dalla spada e dalla magia era un Neet il cui unico merito era entro il 30 aprile stato sacrificarsi per una ragazza! Riuscirà a non sprecare l’opportunità Contiene: Mushoku tensei – di vivere una nuova vita? Isekai ittara honki dasu 1 113 Anteprima » Panini Comics I VIAGGI DELLA STREGA – THE JOURNEY OF ELAINA PANINI DIRECT © degli aventi diritto © degli aventi PANINI DIRECT COM’È IL MONDO VISTO ATTRAVERSO GLI OCCHI DI UNA STREGA? Autore: Shiraishi Jougi, Nanao Itsuki, Azuru Avventurosi, inquietanti e incantevoli, i viaggi di Elaina vi accompagneranno a scoprire i misteri del mondo e gli splendori, le Giugno • 13x18, B., 184 pp., b/n e col., miserie del cuore umano. Arriva il manga ispirato a una celebre serie di con sovraccoperta • Euro 7,50 light novel, trasposto anche in un anime di grande successo. Contiene: Majo no tabitabi – The Journey of Elaina 1 114 Anteprima » Panini Comics MUJIRUSHI – IL SEGNO DEI SOGNI © degli aventi diritto © degli aventi DAL GRANDE NAOKI URASAWA, UN VOLUME UNICO REALIZZATO Autore: Naoki Urasawa IN COLLABORAZIONE COL MUSÉE DU LOUVRE Giugno • 13x18, B., A volte la vita sa metterti al tappeto, ma non disperare: ti basta cogliere 264 pp., b/n • Euro 7,90 i segni giusti per trovare la strada che ti permetterà di realizzare i tuoi Contiene: Mujirushi sogni. -
Naoki Urasawas 20Th Century Boys: Vol. 20 Free Download
NAOKI URASAWAS 20TH CENTURY BOYS: VOL. 20 FREE DOWNLOAD Naoki Urasawa | 200 pages | 10 May 2012 | Viz Media, Subs. of Shogakukan Inc | 9781421535388 | English | San Francisco, United States Verify your identity Abbey's Bookshop. Galaxy Bookshop. Tell us what you like and we'll recommend books you'll love. Is it even possible? Inas the coming disaster slowly starts to unfold, that symbol returns. Details if other :. Track My Order. This man can do no wrong in my opinion. Enter the e-mail address associated with your account and we'll email you a link to reset your password. Close X. But, Kanna giving up Yukiji and Otcho was a very good part. If my friend gave Naoki Urasawas 20th Century Boys: Vol. 20 reading Death Note after L's death, I couldn't even finish this one because at that point volume 20I got in to college and couldn't spare money to borrow comics ;A. Dispatched from the UK in 3 business days When will my order arrive? Coronavirus delivery updates. Friend Reviews. Accept all Manage Cookies Cookie Preferences We use cookies and similar tools, including those used by approved third parties collectively, "cookies" for the purposes described below. Hell if I know, but Urasawa is pulling it off. Induring their youth, they created a symbol. NOTE: If you don't receive a message right away, please be patient. The Emporium Retail Group. Naoki Urasawa. The Friend has become the President of the World and rules with absolute power from behind the giant wall of the city of Tokyo. -
Contemporary Japanese Literature in the Japan Foundation Toronto Library
Contemporary Japanese Literature in The Japan Foundation Toronto Library * In alphabetical order by author and title. Exceptions include same titles in different languages **【 JLJL 】stand for “Japanese Literature for Japanese Learners” Authors A-D Author Title Language Local Call Number 阿部 和重 Deluxe edition [jpn] 895.636 A23 D44 2013 阿部 和重 グランド・フィナーレ = Grand finale [jpn] 895.636 A23 G87 2005 阿部 和重 キャプテンサンダーボルト [jpn] 895.636 A23 K92 2014 阿部 和重 ピストルズ [jpn] 895.636 A23 P57 2010 Abe, Kazushige Projection priveé [fre] 895.636 A23 P75 2000 阿部 和重 IP/NN : 阿部和重傑作集 = Individual Projection Nipponia Nippon [jpn] 895.636 A23 I66 2011 阿部 和重 しかく [jpn] 895.636 A23 S54 2013 Abe, Kazushige Sin semillas : roman [fre] 895.636 A23 S56 2013 阿部 和重 シンセミア : 上・下 = Sin semillas [jpn] 895.636 A23 S54 2013 Abe, Kobo L'arche en toc : roman [fre] 895.635 A23 A72 1987 Abe, Kobo Beyond the curve [eng] 895.635 A23 B49 1991 Abe, Kobo The box man [eng] 895.635 A23 B69 1990 Abe, Kobo Cahier kangourou : roman [fre] 895.635 A23 C33 1995 Abe, Kobo The face of another [eng] 895.635 A23 F32 1992 Abe, Kobo Inter ice age 4 [eng] 895.635 A23 I57 1989 安部 公房 壁 [jpn] 895.635 A23 K32 1969 Abe, Kobo Kangaroo notebook : a novel [eng] 895.635 A23 K36 1996 Abe, Kobo Mort anonyme [fre] 895.635 A23 M67 1994 Abe, Kobo The ruined map [eng] 895.635 A23 R84 1993 Abe, Kobo Secret rendezvous [eng] 895.635 A23 S42 1993 Abe, Kobo The woman in the dunes [eng] 895.635 A23 W65 1991 安部 龍太郎 等伯 : 上・下 [jpn] 895.635 A23 2012 Agawa, Hiroyuki Citadel in spring : a novel of youth spent at war [eng] 895.635