DOCSLIB.ORG

Verdi Il Trovatore Mp3, Flac, Wma

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Verdi Il Trovatore Mp3, Flac, Wma Verdi Il Trovatore mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Classical Album: Il Trovatore Country: Europe Released: 1986 Style: Opera MP3 version RAR size: 1604 mb FLAC version RAR size: 1693 mb WMA version RAR size: 1468 mb Rating: 4.8 Votes: 779 Other Formats: ADX ASF RA MP2 AA DXD MOD Tracklist A1 Akt Nr. 1- Nr. 3 A2 Akt Nr. 4 B Akt Nr. 5 - Nr. 8 C1 Akt Nr. 9 - Nr. 11 C2 Akt Nr. 12 Anfang D Akt Nr. 12 Schluß - Nr. 13 - Nr. 14 - Schluß Companies, etc. Recorded At – Walthamstow Assembly Hall Phonographic Copyright (p) – EMI Records Ltd. Pressed By – EMI Electrola GmbH Printed By – 4P Nicolaus GMBH Credits Baritone Vocals [Il Count Di Luna] – Piero Cappuccilli Bass Vocals [Ferrando] – Ruggero Raimondi Bass Vocals [Un Vecchio Zingaro] – Martin Egel Chorus – Chor der Deutschen Oper Berlin Chorus Master – Walter Hagen-Groll Composed By – Giuseppe Verdi Conductor – Herbert Von Karajan Engineer [Balance] – Wolfgang Gülich Libretto By – Salvatore Cammarano Liner Notes – Julian Budden, Maurice Tassart Liner Notes [Italian Translation] – Franco Sgrignoli Mezzo-soprano Vocals [Azucena] – Elena Obraztsova Mezzo-soprano Vocals [Inez] – Maria Venuti Orchestra – Berliner Philharmoniker Producer – Michel Glotz Soprano Vocals [Leonora] – Leontyne Price Tenor Vocals [Manrico] – Franco Bonisolli Tenor Vocals [Ruiz] – Horst Nitsche Tenor Vocals [Un Messaggero] – Horst Nitsche Notes Issued with 40-page booklet containing liner notes and libretto in English, German, French and Italian Barcode and Other Identifiers Matrix / Runout (Side 1 Runout): 2909531-A2 AVB1-34088-1 Matrix / Runout (Side 2 Runout): 2909531-B3 AVB2-34088-1 Matrix / Runout (Side 3 Runput): 2909541-A2 AVB3-34088-2 Matrix / Runout (Side 4 Runout): 2909541-B3 AVB4-34088-2 Label Code: LC0233 Barcode: 5099929095339 Other versions Category Artist Title (Format) Label Category Country Year Verdi* - Leontyne Verdi* - Leontyne Price, Jelena Price, Jelena Obraszowa*, Piero Obraszowa*, Piero Cappuccilli, Franco Cappuccilli, Franco Bonisolli, Ruggero 165-02 Bonisolli, Ruggero Raimondi, Chor der 165-02 EMI Germany 1978 981/83 Raimondi, Chor der Deutschen Oper Berlin, 981/83 Deutschen Oper Berliner Berlin, Berliner Philharmoniker, Philharmoniker, Herbert Von Karajan - Herbert Von Karajan Il Trovatore (3xLP, Quad, Club + Box) C10 - Опера "Трубадур" C10 - Дж. Верди* Мелодия USSR 1982 11315-20 (3xLP + Box) 11315-20 Verdi* - Leontyne Verdi* - Leontyne Price, Elena Price, Elena Obraztsova, Piero Obraztsova, Piero Cappuccilli, Franco Cappuccilli, Franco Bonisolli, Ruggero 33 C 10 - 33 C 10 - Bonisolli, Ruggero Raimondi, Chor der 11315-20 Мелодия 11315-20 USSR Unknown Raimondi, Chor der Deutschen Oper Berlin, (a) (a) Deutschen Oper Berliner Berlin, Berliner Philharmoniker, Philharmoniker, Herbert Von Karajan - Herbert Von Karajan Il Trovatore (3xLP + Box) Verdi* - Leontyne Verdi* - Leontyne Price, Elena Price, Elena Obraztsova, Franco Obraztsova, Franco Bonisolli, Piero Bonisolli, Piero Cappuccilli, Ruggero Cappuccilli, Ruggero Raimondi, Chorus Of His SLS 5111 Raimondi, Chorus Of The Deutsche Oper, Master's SLS 5111 UK 1978 The Deutsche Oper, Berlin*, Berlin Voice Berlin*, Berlin Philharmonic Philharmonic Orchestra*, Herbert Orchestra*, Herbert Von Karajan - Il Von Karajan Trovatore (3xLP, Quad + Box) Giuseppe Verdi, Giuseppe Verdi, Herbert von Karajan, Herbert von Karajan, Leontyne Price, Franco Leontyne Price, Bonisolli, Piero Franco Bonisolli, Cappuccilli, Elena Piero Cappuccilli, D 202607 Obraztsova, Ruggero EMI D 202607 UK 1986 Elena Obraztsova, Raimondi, Chor der Ruggero Raimondi, Deutschen Oper Berlin, Chor der Deutschen Berliner Oper Berlin, Berliner Philharmoniker - Il Philharmoniker Trovatore (2xCD) Related Music albums to Il Trovatore by Verdi Franz Lehár, Berliner Philharmoniker, Herbert von Karajan, Zoltan Kélémen, Teresa Stratas, René Kollo, Elizabeth Harwood, Werner Hollweg, Daniel Grobe, Werner Krenn, Karl Renar, Kaja Borris, Mechthild Gessendorf, Catherine Ott, Carol Pritchett, Maria Ther Дж. Верди, Герберт Фон Караян, Леонтин Прайс, Елена Образцова, Франко Бонизолли, Пьеро Каппуччилли, Руджеро Раймонди, Хор Немецкой Oперы, Берлинский Филармонический Оркестр - Трубадур Verdi - Del Monaco, Tebaldi, Protti, Wiener Philharmoniker ; Karajan - Othello Berliner Philharmoniker, Herbert von Karajan, Chor der Deutschen Oper Berlin, Jon Vickers, Mirella Freni, Peter Glossop - Guiseppe Verdi - Otello / Grosser Querschnitt In Italienischer Sprache Verdi - Herbert Von Karajan - Orchestre Philharmonique De Berlin - Verdi - Ouvertüren Georges Bizet, Anna Moffo, Helen Donath, Franco Corelli, Piero Cappuccilli, Orchester Der Deutschen Oper Berlin, Chor der Deutschen Oper Berlin, Lorin Maazel - Carmen Verdi / Karajan - Aida Verdi ' Leontyne Price ' Placido Domingo ' Sherrill Milnes ' Fiorenza Cossotto ' Zubin Mehta - Il Trovatore.
Load more

Recommended publications
  • ARSC Journal
    A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
    [Show full text]
  • YULIA MENNIBAEVA Mezzosoprano
    YULIA MENNIBAEVA mezzosoprano Yulia Mennibaeva has begun her musical studies under the guidance of Victor Minakov; then, from 2005 to 2010, she has studied with the soprano Galina Pisarenko at the Moscow Tchaikovsky Conservatory and as conclusion of her studies' path she has graduated at the Academy of Choral Arts with Dmitry Vdovin. Her career has begun thanks to the debut in the opera Orfeo ed Euridice. Furthermore, since 2010 she has been performing as soloist at the Kolobov Novaya Opera Theatre in Moscow where she has sung such important roles as Fenena in Nabucco, Dido in Dido and Aeneas, Maddalena in Rigoletto, Third Nymph in Rusalka, Olga in Eugeny Onegin, Kontchakovna in Prince Igor, Tisbe in La Cenerentola, Feodor in Boris Godunov, Spring in The Snow Maiden, Myrtale in Thais, the little robber girl in The Story about Kay and Gerda and Laura in Iolanta. Besides the opera repertoire, she has also been involved in lots of concert, among which we remember the Coronation Cantata by Glazunov at the Festival of the World Orchestras in Moscow (2012), the Mass of the world Armed Man by Karl Jenkins in the Great Hall of the Moscow Conservatory (2014), the Gloria by Vivaldi and Mozart's Requiem at the Moscow Philharmonic (2014), the Petite Messe Solennelle by Rossini at the Yaroslavl Philharmonic (2014), the Alexander Nevsky cantata by Sergei Prokofiev at the Novaya Opera (2016) and the final winners concert of Viñas Competition at the Teatro Real de Madrid (2016). During the Season 2016/2017 of the Opernhaus Zurich Yulia has been soloist of the International Opera Studio.
    [Show full text]
  • Verdi Week on Operavore Program Details
    Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr.
    [Show full text]
  • 1718Studyguidetosca.Pdf
    TOSCA An opera in three acts by Giocomo Puccini Text by Giacosa and Illica after the play by Sardou Premiere on January 14, 1900, at the Teatro Constanzi, Rome OCTOBER 5 & 7, 2O17 Andrew Jackson Hall, TPAC The Patricia and Rodes Hart Production Directed by John Hoomes Conducted by Dean Williamson Featuring the Nashville Opera Orchestra CAST & CHARACTERS Floria Tosca, a celebrated singer Jennifer Rowley* Mario Cavaradossi, a painter John Pickle* Baron Scarpia, chief of police Weston Hurt* Cesare Angelotti, a political prisoner Jeffrey Williams† Sacristan/Jailer Rafael Porto* Sciarrone, a gendarme Mark Whatley† Spoletta, a police agent Thomas Leighton* * Nashville Opera debut † Former Mary Ragland Young Artist TICKETS & INFORMATION Contact Nashville Opera at 615.832.5242 or visit nashvilleopera.org. Study Guide Contributors Anna Young, Education Director Cara Schneider, Creative Director THE STORY SETTING: Rome, 1800 ACT I - The church of Sant’Andrea della Valle quickly helps to conceal Angelotti once more. Tosca is immediately suspicious and accuses Cavaradossi of A political prisoner, Cesare Angelotti, has just escaped and being unfaithful, having heard a conversation cease as she seeks refuge in the church, Sant’Andrea della Valle. His sis - entered. After seeing the portrait, she notices the similari - ter, the Marchesa Attavanti, has often prayed for his release ties between the depiction of Mary Magdalene and the in the very same chapel. During these visits, she has been blonde hair and blue eyes of the Marchesa Attavanti. Tosca, observed by Mario Cavaradossi, the painter. Cavaradossi who is often unreasonably jealous, feels her fears are con - has been working on a portrait of Mary Magdalene and the firmed at the sight of the painting.
    [Show full text]
  • KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas
    KING FM SEATTLE OPERA CHANNEL Featured Full-Length Operas GEORGES BIZET EMI 63633 Carmen Maria Stuarda Paris Opera National Theatre Orchestra; René Bologna Community Theater Orchestra and Duclos Chorus; Jean Pesneaud Childrens Chorus Chorus Georges Prêtre, conductor Richard Bonynge, conductor Maria Callas as Carmen (soprano) Joan Sutherland as Maria Stuarda (soprano) Nicolai Gedda as Don José (tenor) Luciano Pavarotti as Roberto the Earl of Andréa Guiot as Micaëla (soprano) Leicester (tenor) Robert Massard as Escamillo (baritone) Roger Soyer as Giorgio Tolbot (bass) James Morris as Guglielmo Cecil (baritone) EMI 54368 Margreta Elkins as Anna Kennedy (mezzo- GAETANO DONIZETTI soprano) Huguette Tourangeau as Queen Elizabeth Anna Bolena (soprano) London Symphony Orchestra; John Alldis Choir Julius Rudel, conductor DECCA 425 410 Beverly Sills as Anne Boleyn (soprano) Roberto Devereux Paul Plishka as Henry VIII (bass) Royal Philharmonic Orchestra and Ambrosian Shirley Verrett as Jane Seymour (mezzo- Opera Chorus soprano) Charles Mackerras, conductor Robert Lloyd as Lord Rochefort (bass) Beverly Sills as Queen Elizabeth (soprano) Stuart Burrows as Lord Percy (tenor) Robert Ilosfalvy as roberto Devereux, the Earl of Patricia Kern as Smeaton (contralto) Essex (tenor) Robert Tear as Harvey (tenor) Peter Glossop as the Duke of Nottingham BRILLIANT 93924 (baritone) Beverly Wolff as Sara, the Duchess of Lucia di Lammermoor Nottingham (mezzo-soprano) RIAS Symphony Orchestra and Chorus of La Scala Theater Milan DEUTSCHE GRAMMOPHON 465 964 Herbert von
    [Show full text]
  • Verdi's Rigoletto
    Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered.
    [Show full text]
  • Montserrat Caballé En El Teatro De La Zarzuela
    MONTSERRAT CABALLÉ EN EL Comedia musical en dos actos TEATRO DE LA ZARZUELA Victor Pagán Estrenada en el Teatro Bretón de los Herreros de Logroño, el 12 de junio de 1947, y en el Teatro Albéniz de Madrid, el 30 de septiembre de 1947 Teatro de la Zarzuela Con la colaboración de ontserrat Caballé M en el Teatro de la Zarzuela1 1964-1992 1964 1967 ANTOLOGÍA DE LA TONADILLA Y LA VIDA BREVE LA TRAVIATA primera temporada oficial de ballet y teatro lírico iv festival de la ópera de madrid 19, 20, 21, 22, 24 de noviembre de 1964 4 de mayo de 1967 Guión de Alfredo Mañas y versión musical de Cristóbal Halffter Música de Giuseppe Verdi Libreto de Francesco Maria Piave, basado en Alexandre Dumas, hijo compañía de género lírico Montserrat Caballé (Violetta Valery) La consulta y La maja limonera (selección) Aldo Bottion (Alfredo Germont), Manuel Ausensi (Giorgio Germont), Textos y música de Fernando Ferrandiere y Pedro Aranaz Ana María Eguizabal (Flora Bervoix), María Santi (Annina), Enrique Suárez (Gastone), Juan Rico (Douphol), Antonio Lagar (Marquese D’Obigny), Silvano Pagliuga (Dottore Grenvil) Mari Carmen Ramírez (soprano), María Trivó (soprano) Ballet de Aurora Pons Coro de la Radiotelevisión Española La vida breve Orquesta Sinfónica Municipal de Valencia Música de Manuel de Falla Dirección musical Carlo Felice Cillario, Alberto Leone Libreto de Carlos Fernández Shaw Dirección de escena José Osuna Alberto Lorca Escenografía Umberto Zimelli, Ercole Sormani Vestuario Cornejo Montserrat Caballé (Salud) Coreografía Aurora Pons Inés Rivadeneira (Abuela),
    [Show full text]
  • Don Carlo Cambió Mi Vida” Por Ingrid Haas
    www.proopera.org.mx • año XXV • número 2 • marzo – abril 2017 • sesenta pesos CONCIERTOS Elīna Garanča en México ENTREVISTAS Dhyana Arom Jorge Cózatl Ricardo López Constantine Orbelian Arturo Rodríguez Torres Carlos Serrano Diego Silva Ramón Vargas ENTREVISTAS EN LÍNEA Markus Hinterhäuser Grigory Soloviev FerruccioFerruccio FurlanettoFurlanetto “Don Carlo “Don Carlo cambiócambió mimi vida”vida”pro opera¾ EN BREVE por Charles H. Oppenheim La Orquesta Filarmónica del Desierto en Bellas Artes Por vez primera desde su formación en 2014, la Orquesta Filarmónica del Desierto, con sede en Saltillo, Coahuila, ofreció un concierto el pasado 28 de enero en la sala principal del Palacio de Bellas Artes, dirigida por su titular, el maestro Natanael Espinoza. La orquesta interpretó la obertura de la ópera Rienzi de Richard Wagner, Tangata de agosto de Máximo Diego Pujol y la Sinfonía número 5 en Mi menor, op. 64 de Piotr Ilich Chaikovski. La tercera generación del Estudio de Ópera de Bellas Artes Foto: Ana Lourdes Herrera Concierto del EOBA en memoria de Rafael Tovar y de Teresa El último recital de la tercera generación del Estudio de Ópera de Bellas Artes (EOBA) se dedicó a la memoria del recién fallecido titular de la Secretaría de Cultura, Rafael Tovar y de Teresa, quien le dio un fuerte impulso a la agrupación creada apenas en 2014. En el recital participaron las sopranos Rosario Aguilar, María Caballero y Lorena Flores, las mezzosopranos Vanessa Jara e Isabel Stüber, los tenores Enrique Guzmán y Ángel Macías, el barítono Carlos López, el bajo-barítono Rodrigo Urrutia y el bajo Carlos Santos, acompañados por los pianistas Edgar Ibarra y Alain del Real.
    [Show full text]
  • Paolo Bosisio, Opera Stage Director
    Paolo Bosisio, opera stage director Text by Roberto Alonge Paolo Bosisio has always been, for me, a colleague in the university. One of the most brilliant: philologist, theatre historian, but also a great organizer of culture. When he suddenly retired - eight years ahead of time - without forewarning anyone, not even me (although I had always been academically close to him) I felt bad about it, I felt a little betrayed. But above all I did not understand why he opted for such a radical and unusual choice. In Italy, in fact, university professors are the only social category that would never want to retire. Once (not many years ago, I would say until all the Eighties, if I remember correctly), also thanks to a late feudal privilege, now eliminated, they were able to stay inside the University even a good bit after seventy years: if Alzheimer does not make me rave, even up to 77, to a lucky few bureaucratic hooking the sumptuous prerogatives of the magistrates, certainly the real caste in Italy, immediately after that of politicians. So - I asked myself - why did Paolo Bosisio have all this desire to leave? It took me some time to understand that the main reason (I am not saying the only one) was the possibility of devoting more time to the opera’s stage direction. In truth I had already been a spectatora of some performances directed by him, years before, in Ivrea, where he - in one of his many parallel lives – ran the artistic direction of Teatro Giacosa: but I did not understand (because I did not know) that it was a true, devastating passion, like everything that is rooted in the tenacious memory of our childhood.
    [Show full text]
  • Staged Treasures
    Italian opera. Staged treasures. Gaetano Donizetti, Giuseppe Verdi, Giacomo Puccini and Gioacchino Rossini © HNH International Ltd CATALOGUE # COMPOSER TITLE FEATURED ARTISTS FORMAT UPC Naxos Itxaro Mentxaka, Sondra Radvanovsky, Silvia Vázquez, Soprano / 2.110270 Arturo Chacon-Cruz, Plácido Domingo, Tenor / Roberto Accurso, DVD ALFANO, Franco Carmelo Corrado Caruso, Rodney Gilfry, Baritone / Juan Jose 7 47313 52705 2 Cyrano de Bergerac (1875–1954) Navarro Bass-baritone / Javier Franco, Nahuel di Pierro, Miguel Sola, Bass / Valencia Regional Government Choir / NBD0005 Valencian Community Orchestra / Patrick Fournillier Blu-ray 7 30099 00056 7 Silvia Dalla Benetta, Soprano / Maxim Mironov, Gheorghe Vlad, Tenor / Luca Dall’Amico, Zong Shi, Bass / Vittorio Prato, Baritone / 8.660417-18 Bianca e Gernando 2 Discs Marina Viotti, Mar Campo, Mezzo-soprano / Poznan Camerata Bach 7 30099 04177 5 Choir / Virtuosi Brunensis / Antonino Fogliani 8.550605 Favourite Soprano Arias Luba Orgonášová, Soprano / Slovak RSO / Will Humburg Disc 0 730099 560528 Maria Callas, Rina Cavallari, Gina Cigna, Rosa Ponselle, Soprano / Irene Minghini-Cattaneo, Ebe Stignani, Mezzo-soprano / Marion Telva, Contralto / Giovanni Breviario, Paolo Caroli, Mario Filippeschi, Francesco Merli, Tenor / Tancredi Pasero, 8.110325-27 Norma [3 Discs] 3 Discs Ezio Pinza, Nicola Rossi-Lemeni, Bass / Italian Broadcasting Authority Chorus and Orchestra, Turin / Milan La Scala Chorus and 0 636943 132524 Orchestra / New York Metropolitan Opera Chorus and Orchestra / BELLINI, Vincenzo Vittorio
    [Show full text]
  • HECORELENT Vvi WHO in the WORLD of '
    SECTION 2 DECEMBER 30,196, PRICE $1 25 iIIbpa HECORELENT Vvi WHO IN THE WORLD OF ' oit . - -r: ;:1-4-.1.4V.ii2g.;:t.r.;7-7,;.'..017,:i-Oi-,`ifEY:'7.`i..ei-S. 1 ffr : N'. .... '4 t o , 7 Zt. 1.Z44:')4 e: : A.': .-, .!,........;, ...,7, ,......-,.:, .,...:.4.,..4,rt,:,..,......;.. tt- . 4.0 .. *.limeNnek. N Xe-e,y_412etnii,,--,,,,-4z4.4,4-ix.:A.:.,4A,-*,,, -..:,:m, 44...1.777M"Y.70E"M. -...,,.- ......." - OW/ O./ RAVI SHAN/fail -RECORD ARTIST OF THE YEAR )- 1 L THE. RUF1I'L. NI.EV BIOS. CO.ii.TOU IS DY:tE THE ELG11..S T-IE VEL1.1ELETTES & THE !S BREIOA HOLLOM CHUCK JACKSON RECORD CORPORATION r-Te, sc..4 -ALS( SMOKEY JR. WALKEI ROBINSON ALL STARS II & THE B LLY ECKSTINE MIRACLES filcNAIR THE CHRIS CLARK 1 THE SPINNERS I THE MONITORS THE MESSENGERS GLADYS KNIGHT & THE PIPS BOBBY TAYLOR VANCOUVEI MARTHf REEVE: & THE V ANDELLAJ Tifrhtowa ,7..ct(touyl MOTOWN RECORD CORP. JOBEIE MUSIC CO., INC. STEIN & VAN STOCK INTERNATIONAL TALENT MANAGEMENT, INC. Management: SAL BONAFEDE ASHER DANN ELEKTRA RECORDS 6721Sunset Bl+d , Los Angeles,California 6 Who's Who in the World of Music Billboard 1968is ED AMES ea& _..."47 - 4:1VmftammilltipMEMP .411E. inem: - "NW.. 4.1"4111111smwomIll ...1111111nt,-.1111," 141"52E110--- LPM 3913 (M) LSP 3913 (S WHO WILL ANSWER? ALBUM TO BE RELEASED SHORTLY PERSONAL MGT. BURKE WEEMS / RISEI 1000HECORIRENERION WHO'S WHO IN THE WORLD OF MUSIC CONTENTS EDITORIAL OFFICE: 165 W. 46thSt., New York, N.Y. 10036. Area Code 212, PL 7-2800 Cable: BILLBOARD NEWYORK ARTIST OF THE YEAR 10 TOP ARTISTS -1967 14 Publisher: HAL B.
    [Show full text]
  • 825646277346.Pdf
    Maria Callas in Il pirata at La Scala, May 1958 Photo: Erio Piccagliani Ꭿ Teatro alla Scala The Callas Rarities 1953–61 THE 1953 TEST Wolfgang Amadeus Mozart 1756–1791 Don Giovanni (Da Ponte) 1 Non mi dir (Act II) (Take 1) ൿ 1997 MONO 5.23 2 Non mi dir (Act II) (Take 2) ൿ 1985 MONO 5.02 Orchestra del Maggio Musicale Fiorentino / Tullio Serafin Recorded: 27.I.1953, Teatro Comunale, Florence Producer: Dino Olivieri · Balance engineer: Osvaldo Varesco THE MONO VERSION OF THE SLEEPWALKING SCENE FROM MACBETH Giuseppe Verdi 1813–1901 Macbeth (Piave) 3 Una macchia è qui tuttora (Act IV) MONO 11.12 Philharmonia Orchestra / Nicola Rescigno Recorded: 19, 21, 24.IX.1958, No.1 Studio, Abbey Road, London Producer: Walter Legge · Balance engineer: Neville Boyling THE 1960 AND 1961 TONINI SESSIONS Gioachino Rossini 1792–1868 Semiramide (Rossi) 4 Bel raggio lusinghier (Act I) ൿ 1987 5.35 Giuseppe Verdi I vespri siciliani (Caimi) 5 Arrigo! ah parli a un core (Act IV) ൿ 1997 4.05 Philharmonia Orchestra / Antonio Tonini Recorded: 13 –15.VII.1960, Watford Town Hall Producer: Walter Legge · Balance engineer: Harold Davidson 3 Gaetano Donizetti 1797–1848 Lucrezia Borgia (Romani) 6 Tranquillo ei posa…Com’è bello (Prologue) ൿ 1997 8.03 Gioachino Rossini Guglielmo Tell (De Jous & Ris) 7 S’allontanano alfine…Selva opaca (Act II) ൿ 1987 8.27 Semiramide (Rossi) 8 Bel raggio lusinghier (Act I) ൿ 1987 5.23 Vincenzo Bellini 1801–1835 Il pirata (Romani) 9 Sorgete…Lo sognai ferito, esangue (Act I)* ൿ 1972 9.25 *Monica Sinclair contralto · Alexander Young tenor Philharmonia Orchestra & Chorus / Antonio Tonini Recorded: 14 –16.XI.1961, Kingsway Hall, London Producer: Walter Legge · Balance engineer: Douglas Larter 4 The Callas Rarities 1962–9 THE 1962 TONINI SESSIONS Giuseppe Verdi 1813–1901 Don Carlo (Méry, Du Locle, De Lauzières & Zanardini) 10 O don fatale (Act IV) ൿ 1992 4.30 Gioachino Rossini 1792–1868 La Cenerentola (Ferretti) 11 Nacqui all’affanno…Non più mesta (Act II) ൿ 1987 6.10 Carl Maria von Weber 1786–1826 Oberon (Planché ed.
    [Show full text]