Stereo Review Advertisers' Index October 1978
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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers. -
YULIA MENNIBAEVA Mezzosoprano
YULIA MENNIBAEVA mezzosoprano Yulia Mennibaeva has begun her musical studies under the guidance of Victor Minakov; then, from 2005 to 2010, she has studied with the soprano Galina Pisarenko at the Moscow Tchaikovsky Conservatory and as conclusion of her studies' path she has graduated at the Academy of Choral Arts with Dmitry Vdovin. Her career has begun thanks to the debut in the opera Orfeo ed Euridice. Furthermore, since 2010 she has been performing as soloist at the Kolobov Novaya Opera Theatre in Moscow where she has sung such important roles as Fenena in Nabucco, Dido in Dido and Aeneas, Maddalena in Rigoletto, Third Nymph in Rusalka, Olga in Eugeny Onegin, Kontchakovna in Prince Igor, Tisbe in La Cenerentola, Feodor in Boris Godunov, Spring in The Snow Maiden, Myrtale in Thais, the little robber girl in The Story about Kay and Gerda and Laura in Iolanta. Besides the opera repertoire, she has also been involved in lots of concert, among which we remember the Coronation Cantata by Glazunov at the Festival of the World Orchestras in Moscow (2012), the Mass of the world Armed Man by Karl Jenkins in the Great Hall of the Moscow Conservatory (2014), the Gloria by Vivaldi and Mozart's Requiem at the Moscow Philharmonic (2014), the Petite Messe Solennelle by Rossini at the Yaroslavl Philharmonic (2014), the Alexander Nevsky cantata by Sergei Prokofiev at the Novaya Opera (2016) and the final winners concert of Viñas Competition at the Teatro Real de Madrid (2016). During the Season 2016/2017 of the Opernhaus Zurich Yulia has been soloist of the International Opera Studio. -
Verdi Week on Operavore Program Details
Verdi Week on Operavore Program Details Listen at WQXR.ORG/OPERAVORE Monday, October, 7, 2013 Rigoletto Duke - Luciano Pavarotti, tenor Rigoletto - Leo Nucci, baritone Gilda - June Anderson, soprano Sparafucile - Nicolai Ghiaurov, bass Maddalena – Shirley Verrett, mezzo Giovanna – Vitalba Mosca, mezzo Count of Ceprano – Natale de Carolis, baritone Count of Ceprano – Carlo de Bortoli, bass The Contessa – Anna Caterina Antonacci, mezzo Marullo – Roberto Scaltriti, baritone Borsa – Piero de Palma, tenor Usher - Orazio Mori, bass Page of the duchess – Marilena Laurenza, mezzo Bologna Community Theater Orchestra Bologna Community Theater Chorus Riccardo Chailly, conductor London 425846 Nabucco Nabucco – Tito Gobbi, baritone Ismaele – Bruno Prevedi, tenor Zaccaria – Carlo Cava, bass Abigaille – Elena Souliotis, soprano Fenena – Dora Carral, mezzo Gran Sacerdote – Giovanni Foiani, baritone Abdallo – Walter Krautler, tenor Anna – Anna d’Auria, soprano Vienna Philharmonic Orchestra Vienna State Opera Chorus Lamberto Gardelli, conductor London 001615302 Aida Aida – Leontyne Price, soprano Amneris – Grace Bumbry, mezzo Radames – Placido Domingo, tenor Amonasro – Sherrill Milnes, baritone Ramfis – Ruggero Raimondi, bass-baritone The King of Egypt – Hans Sotin, bass Messenger – Bruce Brewer, tenor High Priestess – Joyce Mathis, soprano London Symphony Orchestra The John Alldis Choir Erich Leinsdorf, conductor RCA Victor Red Seal 39498 Simon Boccanegra Simon Boccanegra – Piero Cappuccilli, baritone Jacopo Fiesco - Paul Plishka, bass Paolo Albiani – Carlos Chausson, bass-baritone Pietro – Alfonso Echevarria, bass Amelia – Anna Tomowa-Sintow, soprano Gabriele Adorno – Jaume Aragall, tenor The Maid – Maria Angels Sarroca, soprano Captain of the Crossbowmen – Antonio Comas Symphony Orchestra of the Gran Teatre del Liceu, Barcelona Chorus of the Gran Teatre del Liceu, Barcelona Uwe Mund, conductor Recorded live on May 31, 1990 Falstaff Sir John Falstaff – Bryn Terfel, baritone Pistola – Anatoli Kotscherga, bass Bardolfo – Anthony Mee, tenor Dr. -
TX-NR636 AV RECEIVER Advanced Manual
TX-NR636 AV RECEIVER Advanced Manual CONTENTS AM/FM Radio Receiving Function 2 Using Remote Controller for Playing Music Files 15 TV operation 42 Tuning into a Radio Station 2 About the Remote Controller 15 Blu-ray Disc player/DVD player/DVD recorder Presetting an AM/FM Radio Station 2 Remote Controller Buttons 15 operation 42 Using RDS (European, Australian and Asian models) 3 Icons Displayed during Playback 15 VCR/PVR operation 43 Playing Content from a USB Storage Device 4 Using the Listening Modes 16 Satellite receiver / Cable receiver operation 43 CD player operation 44 Listening to Internet Radio 5 Selecting Listening Mode 16 Cassette tape deck operation 44 About Internet Radio 5 Contents of Listening Modes 17 To operate CEC-compatible components 44 TuneIn 5 Checking the Input Format 19 Pandora®–Getting Started (U.S., Australia and Advanced Settings 20 Advanced Speaker Connection 45 New Zealand only) 6 How to Set 20 Bi-Amping 45 SiriusXM Internet Radio (North American only) 7 1.Input/Output Assign 21 Connecting and Operating Onkyo RI Components 46 Slacker Personal Radio (North American only) 8 2.Speaker Setup 24 About RI Function 46 Registering Other Internet Radios 9 3.Audio Adjust 27 RI Connection and Setting 46 DLNA Music Streaming 11 4.Source Setup 29 iPod/iPhone Operation 47 About DLNA 11 5.Listening Mode Preset 32 Firmware Update 48 Configuring the Windows Media Player 11 6.Miscellaneous 33 About Firmware Update 48 DLNA Playback 11 7.Hardware Setup 33 Updating the Firmware via Network 48 Controlling Remote Playback from a PC 12 8.Remote Controller Setup 39 Updating the Firmware via USB 49 9.Lock Setup 39 Music Streaming from a Shared Folder 13 Troubleshooting 51 Operating Other Components Using Remote About Shared Folder 13 Reference Information 58 Setting PC 13 Controller 40 Playing from a Shared Folder 13 Functions of REMOTE MODE Buttons 40 Programming Remote Control Codes 40 En AM/FM Radio Receiving Function Tuning into stations manually 2. -
Verdi's Rigoletto
Verdi’s Rigoletto - A discographical conspectus by Ralph Moore It is hard if not impossible, to make a representative survey of recordings of Rigoletto, given that there are 200 in the catalogue; I can only compromise by compiling a somewhat arbitrary list comprising of a selection of the best-known and those which appeal to me. For a start, there are thirty or so studio recordings in Italian; I begin with one made in 1927 and 1930, as those made earlier than that are really only for the specialist. I then consider eighteen of the studio versions made since that one. I have not reviewed minor recordings or those which in my estimation do not reach the requisite standard; I freely admit that I cannot countenance those by Sinopoli in 1984, Chailly in 1988, Rahbari in 1991 or Rizzi in 1993 for a combination of reasons, including an aversion to certain singers – for example Gruberova’s shrill squeak of a soprano and what I hear as the bleat in Bruson’s baritone and the forced wobble in Nucci’s – and the existence of a better, earlier version by the same artists (as with the Rudel recording with Milnes, Kraus and Sills caught too late) or lacklustre singing in general from artists of insufficient calibre (Rahbari and Rizzi). Nor can I endorse Dmitri Hvorostovsky’s final recording; whether it was as a result of his sad, terminal illness or the vocal decline which had already set in I cannot say, but it does the memory of him in his prime no favours and he is in any case indifferently partnered. -
TX-NR636 AV RECEIVER Advanced Manual
TX-NR636 AV RECEIVER Advanced Manual CONTENTS AM/FM Radio Receiving Function 2 Using Remote Controller for Playing Music Files 15 TV operation 42 Tuning into a Radio Station 2 About the Remote Controller 15 Blu-ray Disc player/DVD player/DVD recorder Presetting an AM/FM Radio Station 2 Remote Controller Buttons 15 operation 42 Using RDS (European, Australian and Asian models) 3 Icons Displayed during Playback 15 VCR/PVR operation 43 Playing Content from a USB Storage Device 4 Using the Listening Modes 16 Satellite receiver / Cable receiver operation 43 CD player operation 44 Listening to Internet Radio 5 Selecting Listening Mode 16 Cassette tape deck operation 44 About Internet Radio 5 Contents of Listening Modes 17 To operate CEC-compatible components 44 TuneIn 5 Checking the Input Format 19 Pandora®–Getting Started (U.S., Australia and Advanced Settings 20 Advanced Speaker Connection 45 New Zealand only) 6 How to Set 20 Bi-Amping 45 SiriusXM Internet Radio (North American only) 7 1.Input/Output Assign 21 Connecting and Operating Onkyo RI Components 46 Slacker Personal Radio (North American only) 8 2.Speaker Setup 24 About RI Function 46 Registering Other Internet Radios 9 3.Audio Adjust 28 RI Connection and Setting 46 DLNA Music Streaming 11 4.Source Setup 29 iPod/iPhone Operation 47 About DLNA 11 5.Listening Mode Preset 32 Firmware Update 48 Configuring the Windows Media® Player 11 6.Miscellaneous 32 About Firmware Update 48 DLNA Playback 11 7.Hardware Setup 33 Updating the Firmware via Network 48 Controlling Remote Playback from a PC 12 8.Remote Controller Setup 39 Updating the Firmware via USB 49 9.Lock Setup 39 Music Streaming from a Shared Folder 13 Troubleshooting 51 Operating Other Components Using Remote About Shared Folder 13 Reference Information 57 Setting PC 13 Controller 40 Playing from a Shared Folder 13 Functions of REMOTE MODE Buttons 40 Programming Remote Control Codes 40 En AM/FM Radio Receiving Function Tuning into stations manually 2. -
SALZBURG FESTIVAL 20 July – 31 August 2019 Young Singers Project
SALZBURG FESTIVAL 20 July – 31 August 2019 Press Release of the Salzburg Festival Young Singers Project 2019 Supported by the Kühne Foundation photo: SF/Anne Zeuner (SF, 2 July 2019) “The lucky hand – or rather, lucky ear – of Evamaria Wieser, the director of the Young Singers Project, is demonstrated by the fact that the participants in the Young Singers Project achieve excellent results at competitions all over the world and are engaged by the best opera houses,” says Festival President Helga Rabl-Stadler. “This year, a total of 13 participants of the Young Singers Project will appear on the programme of the Salzburg Festival. Furthermore, I am particularly pleased that Joel Prieto, a 2008 YSP participant, will sing the title role in Orphée aux enfers.” With the Young Singers Project, the Salzburg Festival has created a high-carat platform for the support of young vocalists, which looks back upon eleven years of successful history in 2019. Since 2008, 157 young vocalists from 41 countries have participated in the Young Singers Project. This year, 13 young singers from eleven nations will take part. They are from Canada, Spain, the UK, France, Russia, Poland, the USA, Ukraine, Ireland and, for the first time, from Mexico and New Zealand. 1 SALZBURG FESTIVAL 20 July – 31 August 2019 The singers are chosen at international auditions. As part of their fellowship, they have the opportunity to work with Festival artists. Tuition includes not only music lessons and repertoire expansion, but also stage rehearsals, language coaching and lied interpretation. Its master classes and strong practical orientation make YSP an international model for young artist programmes. -
Remote Control Codes
Remote Control Codes DVD VCR/DVR CBL/SAT 1. While holding down the REMOTE MODE button 123 REMOTE MODE GAME/TV AUX1 AUX2 that you want to enter the code, press the DVD VCR STANDBY 456 TAPE TUNER CD [STANDBY] button. CD TV 789 CDR/MD On Integra products, button names are capitalized. For PHONO CABLE +10 0 example, “Remote Mode” button and “Display” button. SAT 2. Use the number buttons to enter the 4-digit remote control code. Note: • Remote control codes cannot be entered for the [RECEIVER] and [DOCK] REMOTE MODE buttons. Codes de télécommande Códigos de control remoto 1. Maintenez enfoncé le bouton REMOTE MODE 1. Mientras mantiuene pulsado el botón REMOTE auquel vous voulez attribuer un code et appuyez sur MODE para el que desea entrar el código, pulse el le bouton [STANDBY]. botón [STANDBY]. 2. Entrez les 4 chiffres du code de télécommande avec 2. Utilice los botones de número para introducir el les boutons numériques. código de 4 dígitos para control remoto. Remarque: Nota: • Il est impossible d’entrer des codes de • Los códigos del control remoto no se pueden entrar télécommande pour les boutons [RECEIVER] et para los botones [RECEIVER] y [DOCK] [DOCK] REMOTE MODE. REMOTE MODE. Codici del telecomando Fernbedienungscodes 1. Mentre tenete premuto il pulsante REMOTE MODE 1. Halten Sie die änderungsbedürftige REMOTE per il quale volete inserire il codice, premete il MODE-Taste gedrückt, während Sie die pulsante [STANDBY]. [STANDBY]-Taste betätigen. 2. Utilizzate i pulsanti numerici per inserire il codice di 2. Geben Sie mit den Zifferntasten den 4-stelligen telecomando a 4 cifre. -
TX-NR616 Table of Contents
Contents AV RECEIVER Safety Information and Introduction ............2 TX-NR616 Table of Contents...........................................6 Connections .................................................12 Turning On & Basic Operations..................20 Instruction Manual Advanced Operations ..................................47 Controlling Other Components...................72 Appendix.......................................................79 Internet Radio Guide Remote Control Codes En Safety Information and Introduction 9. Do not defeat the safety purpose of the polarized or D. If the apparatus does not operate normally by grounding-type plug. A polarized plug has two blades following the operating instructions. Adjust only WARNING: with one wider than the other. A grounding type plug those controls that are covered by the operating TO REDUCE THE RISK OF FIRE OR ELECTRIC SHOCK, has two blades and a third grounding prong. The wide instructions as an improper adjustment of other DO NOT EXPOSE THIS APPARATUS TO RAIN OR blade or the third prong are provided for your safety. If controls may result in damage and will often MOISTURE. the provided plug does not fit into your outlet, consult require extensive work by a qualified technician to CAUTION: an electrician for replacement of the obsolete outlet. restore the apparatus to its normal operation, TO REDUCE THE RISK OF ELECTRIC SHOCK, DO NOT 10. Protect the power cord from being walked on or E. If the apparatus has been dropped or damaged in REMOVE COVER (OR BACK). NO USER-SERVICEABLE pinched particularly at plugs, convenience receptacles, any way, and PARTS INSIDE. REFER SERVICING TO QUALIFIED and the point where they exit from the apparatus. F. When the apparatus exhibits a distinct change in SERVICE PERSONNEL. 11. Only use attachments/accessories specified by the performance this indicates a need for service. -
Architecture As Frozen Music: Italy and Russia in the Context of Cultural Relations in the 18Th -19Th Centuries
Athens Journal of Humanities & Arts - Volume 4, Issue 2 – Pages 123-132 Architecture as Frozen Music: Italy and Russia in the Context of Cultural Relations in the 18th -19th Centuries By Tatiana Samsonova This article deals with the two kinds of art, architecture and music, in their stylistic mutual influence on the historical background of St. Petersburgʼs founding and developing as the new capital of the Russian Empire in the early 18th century. The author highlights the importance of Italian architects and musicians in the formation of modern culture in Russia and shows how the main features of Baroque and Classicism are reflected both in the architecture and music thanks to the influence of the Italian masters. For the first time the issue of the "Russian bel canto" formation resulted from the Italian maestros working in Russia in 18–19 centuries is revealed. Russian-Italian relations originated in the 18th century and covered various cultural phenomena. Their impact is vividly seen in architecture and music in St. Petersburg, which was founded in 1703 by the Russian Emperor Peter the Great whose strong desire was to turn Russia into Europe. As the famous Russian poet Alexander Pushkin wrote in his "The Bronze Horseman" (1834), "the Emperor cut a Europe window." For St. Petersburg construction as a new Russian capital outstanding Italian architects were invited. The first Italian architect, who came to St. Petersburg, was Domenico Trezzini (1670- 1734), a famous European urban designer and engineer. In the period of 1703- 1716 he was the only architect working in St. Petersburg and the Head of City Development Office. -
Attention Buy & Sell Users
A Publication of of Collins Collins Community Community Credit Credit Union Union FINAL ISSUE -December February 20112013 Buy & Sell ATTENTION BUY & SELL USERS Due to declining usage and increasing costs this will be the final issue of the Buy & Sell. CCCU is proud of the fact that the Buy & Sell had been a free benefit to members for many years, and we look forward to discovering new ways to provide additional membership advantages in the future. www.collinscu.org Buy & Sell Requirements for Listing Use Classified Card Format 1. The Buy & Sell is a free service to Collins 6. Due to space limitations, all members are Please use the Buy & Sell card format when Community Credit Union members only. limited to ad copy of 255 total characters, filling out your 3x5 index cards. Supplies You must be a CCCU member to submit including spaces per monthly issue of of the cards are available at each of an ad. We ask that you do not submit the Buy & Sell. Single ads that exceed this our offices. Please classify your item ads into the Buy & Sell for friends and/or number will be edited to comply. A member into one of the following categories: relatives but instead encourage them to join may submit ads for multiple categories but Vehicles, Recreational Vehicles, the credit union. Our field of membership the 255 letters and spaces limitation still Auto Parts, Electronics, Furniture/ is open to anyone who lives or works in applies. The credit union does not retain ads Appliances, Sporting Goods, Clothing/ Linn, Johnson and any of the surrounding that have been omitted due to a member Baby Items, Miscellaneous, counties. -
Soundgas Stock List
THE SOUNDGAS LIST January 2021 We don't have prices for all the incoming items: in many cases it’s impossible to determine price before assessment, servicing and testing has taken place. Preorders are possible on some of our regular pieces (eg Binson Echorecs, Space Echoes, Junos etc). As-is: we need to clear our service backlog so are open to offers on unserviced items. We hope that you like the new list and welcome feedback: this is very much a work in progress. “Your list is one of the best, it really is. I just want everything on it.” - Pete Townshend "I’m on the list, thanks. It’s like crack …” - Michael Price All items are serviced and in full working order (and covered by our guarantee) unless stated otherwise. New arrivals highlighted in yellow Prices (where quoted) are in £GBP and exclude delivery. Debit/Credit Card and Paypal payments may incur a surcharge on high value items. *VAT (Sales Tax): Customers in USA/Canada/Australia the pay the tax-free price shown in the first column where applicable. All prices in the first column show standard VAT-exclusive prices; if the second column has the same price, then there’s no reclaimable VAT on the item. SECTION GUIDE STATUS KEY 1. ECHOES AND EFFECTS 2. RECORDING GEAR: MIXERS - PRES - EQs - COMPRESSORS ETC. Listed now on the Soundgas website, click the link to go to the listing Listed 3. SYNTHS - KEYS - DRUM MACHINES - SAMPLERS Arrived or on its way, yet to be listed. Please enquire. Enquire 4. EFFECT PEDALS Reserved for our studio or further investigation required.