Sigvard & Marianne Bernadotte
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Nobel Week Stockholm 2018 – Detailed Information for the Media
Nobel Week Stockholm • 2018 Detailed information for the media December 5, 2018 Content The 2018 Nobel Laureates 3 The 2018 Nobel Week 6 Press Conferences 6 Nobel Lectures 8 Nobel Prize Concert 9 Nobel Day at the Nobel Museum 9 Nobel Week Dialogue – Water Matters 10 The Nobel Prize Award Ceremony in Stockholm 12 Presentation Speeches 12 Musical Interludes 13 This Year’s Floral Decorations, Concert Hall 13 The Nobel Banquet in Stockholm 14 Divertissement 16 This Year’s Floral Decorations, City Hall 20 Speeches of Thanks 20 End of the Evening 20 Nobel Diplomas and Medals 21 Previous Nobel Laureates 21 The Nobel Week Concludes 22 Follow the Nobel Prize 24 The Nobel Prize Digital Channels 24 Nobelprize org 24 Broadcasts on SVT 25 International Distribution of the Programmes 25 The Nobel Museum and the Nobel Center 25 Historical Background 27 Preliminary Timetable for the 2018 Nobel Prize Award Ceremony 30 Seating Plan on the Stage, 2018 Nobel Prize Award Ceremony 32 Preliminary Time Schedule for the 2018 Nobel Banquet 34 Seating Plan for the 2018 Nobel Banquet, City Hall 35 Contact Details 36 the nobel prize 2 press MeMo 2018 The 2018 Nobel Laureates The 2018 Laureates are 12 in number, including Denis Mukwege and Nadia Murad, who have been awarded the Nobel Peace Prize Since 1901, the Nobel Prize has been awarded 590 times to 935 Laureates Because some have been awarded the prize twice, a total of 904 individuals and 24 organisations have received a Nobel Prize or the Sveriges Riksbank Prize in Economic Sciences in Memory of Alfred Nobel -
Regarding Dethroned Princely Houses and Their Legal Rights
Regarding dethroned princely Houses and their legal rights Reference is made to the decision of the United Court of Bari of the 1st April 1952 in the case of the prosecutor vs. Umberto Zambrini and to the decision of the Tribunal of Pistoia of the 5th June 1964 in the case of the appeal against the penal judgment given against Francesco Mario Paternò Castello having found Prince Francesco Mario Paternò Castello di Carcaci, in his capacity as the last representative of a sovereign dynasty (the Royal House of Aragon), entitled to confer titles of nobility (the Court of Bari), respectively being the heir to the House of Paternò Castello Guttadauro di Emmanuel and legitimate holder of the same family’s rights, including the power of ius honorum which has been preserved by family tradition and which cannot disappear through dethronement (Pistoia). Further reference is made to the decision of the Ordinary Tribunal of Ragusa of the 9th May 2003, in session as an international court of arbitration, in the case between the Higher Institute of Nobiliary Law vs. Francesco Nicola Roberto Paternò Castello di Carcaci. According to the findings of the court of arbitration the following rights belong to Francesco Nicola Roberto Paternò Castello di Carcaci, in his capacity as consanguineous and descendant in a collateral line of the last sovereign of the Royal House of Aragon as his legitimate successor and as pretender to the throne: a) the quality of Royal Highness and Royal Prince of the Royal House of Aragon, Majorca and Sicily; b) the right to designate -
Föreningen Svensk Form Stiftad 1845 Som Svenska Slöjdföreningen Verksamhetsberättelse 2010
Föreningen Svensk Form Stiftad 1845 som Svenska Slöjdföreningen Verksamhetsberättelse 2010 FORM OCH INTERNATIONALISERING I FOKUS Form och Forums forna utgivare Provisa tillsammans. Allt för att stärka Form, gällande såväl ekonomi, som kvalitet och räckvidd. Form ges även ut i en engelsk upplaga, ett verktyg för att visa vad som händer i Styrelsen antog hösten 2010 en ny strategi för de närmaste åren: att vår del av världen. Svensk Form satsa på Form och internationalisering. Regionalföreningarna utgör fortsatt föreningens ryggrad. Till följd av den nya inriktningen har det Utöver Form, riktas våra aktiviter alltmer mot yrkesverksamma med- internationella utbytet ökat, i samverkan med andra Sverigefrämjare, lemmar, exempelvis utmärkelserna ”Design S” och ”ung”, företags- och resurser omprioriterats över till Form, den fortsatt främsta med- poolen, kunskapsdagar och utlandssatsningar. Event såsom Pecha- lemsförmånen. Rollen som oberoende opinionsbildande medlemsför- Kucha har dessutom ett bredare publikt intresse och drivs av alltfler ening stärks genom regionalföreningarnas imponerande aktivitet. Alltid regionalföreningar runtom i Sverige. Som svar på företagens priorite- Verksamhetsberättelse 2010 Verksamhetsberättelse med samma ledstjärnor om långsiktigt hållbar livskvalitet, nyttan av ringar fanns vi även på plats i Milano med Swedish Love Stories. god design för samhällsutvecklingen, och höjd respekt för designarbe- tets värde. Biblioket är en uppskattad mötesplats för medlemmar och företag. Forskare och journalister söker information i designarkiv.se. Svensk Föreningen har haft två tuffa år. Alltsedan det statliga mötesplatsupp- Form har även initierat arbete med en ny webbplats över samtida draget om 6 miljoner kronor övergick till Arkitekturmuseet 2009, svensk design tillsammans med CfN, på engelska, för att öka kunska- har vi levt på ett sårbart existensminimum. -
The Historian-Filmmaker's Dilemma: Historical Documentaries in Sweden in the Era of Häger and Villius
ACTA UNIVERSITATIS UPSALIENSIS Studia Historica Upsaliensia 210 Utgivna av Historiska institutionen vid Uppsala universitet genom Torkel Jansson, Jan Lindegren och Maria Ågren 1 2 David Ludvigsson The Historian-Filmmaker’s Dilemma Historical Documentaries in Sweden in the Era of Häger and Villius 3 Dissertation in History for the Degree of Doctor of Philosophy presented at Uppsala University in 2003 ABSTRACT Ludvigsson, David, 2003: The Historian-Filmmaker’s Dilemma. Historical Documentaries in Sweden in the Era of Häger and Villius. Written in English. Acta Universitatis Upsalien- sis. Studia Historica Upsaliensia 210. (411 pages). Uppsala 2003. ISSN 0081-6531. ISBN 91-554-5782-7. This dissertation investigates how history is used in historical documentary films, and ar- gues that the maker of such films constantly negotiates between cognitive, moral, and aes- thetic demands. In support of this contention a number of historical documentaries by Swedish historian-filmmakers Olle Häger and Hans Villius are discussed. Other historical documentaries supply additional examples. The analyses take into account both the produc- tion process and the representations themselves. The history culture and the social field of history production together form the conceptual framework for the study, and one of the aims is to analyse the role of professional historians in public life. The analyses show that different considerations compete and work together in the case of all documentaries, and figure at all stages of pre-production, production, and post-produc- tion. But different considerations have particular inuence at different stages in the produc- tion process and thus they are more or less important depending on where in the process the producer puts his emphasis on them. -
Walpole Public Library DVD List A
Walpole Public Library DVD List [Items purchased to present*] Last updated: 9/17/2021 INDEX Note: List does not reflect items lost or removed from collection A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Nonfiction A A A place in the sun AAL Aaltra AAR Aardvark The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.1 vol.1 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.2 vol.2 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.3 vol.3 The best of Bud Abbot and Lou Costello : the Franchise Collection, ABB V.4 vol.4 ABE Aberdeen ABO About a boy ABO About Elly ABO About Schmidt ABO About time ABO Above the rim ABR Abraham Lincoln vampire hunter ABS Absolutely anything ABS Absolutely fabulous : the movie ACC Acceptable risk ACC Accepted ACC Accountant, The ACC SER. Accused : series 1 & 2 1 & 2 ACE Ace in the hole ACE Ace Ventura pet detective ACR Across the universe ACT Act of valor ACT Acts of vengeance ADA Adam's apples ADA Adams chronicles, The ADA Adam ADA Adam’s Rib ADA Adaptation ADA Ad Astra ADJ Adjustment Bureau, The *does not reflect missing materials or those being mended Walpole Public Library DVD List [Items purchased to present*] ADM Admission ADO Adopt a highway ADR Adrift ADU Adult world ADV Adventure of Sherlock Holmes’ smarter brother, The ADV The adventures of Baron Munchausen ADV Adverse AEO Aeon Flux AFF SEAS.1 Affair, The : season 1 AFF SEAS.2 Affair, The : season 2 AFF SEAS.3 Affair, The : season 3 AFF SEAS.4 Affair, The : season 4 AFF SEAS.5 Affair, -
~Lagf8lll COM PAN I E SIN C
June 2001 BAMcinematek 2001 Spring Season ___ 651 AFLlS Andres Serrano, Hooded Warbler II, 2000 BAM Spring Season sponsor: PHILIP MORRIS ~lAGf8lll COM PAN I E SIN C. 200] Spriog Brooklyn Academy of Music Bruce C. Ratner Alan H. Fishman Chairman of the Board Chairman, Campaign for BAM Karen Brooks Hopkins Joseph V. Melillo President Executive Prod ucer presents The Ghost Sonata The Royal Dramatic Theatre of Sweden Approximate BAM Harvey Lichtenstein Theater running time: June 20-23,2001, at 7:30pm 1 hour and June 24, at 3pm 35 minutes with Performed in Swedish with simultaneous English translation no intermission Written by August Strindberg Directed by Ingmar Bergman Set design Giiran Wassberg Costume design Anna Bergman Lighting design Pierre Leveau Wigs and masks Leif Qvistriim, Barbro Forsgardh Choreography Virpi Pahkinen Translation Inga Stina Ewbank BAM Theater sponsors: AOL Time Warner Inc. and Fleet Leadership support: The Peter Jay Sharp Foundation; The Shubert Foundation, Inc.; The Norman & Rosita Winston Foundation, Inc.; and The SHS Foundation Major support: The Barbra Osher Pro Suecia Foundation Additional support: Consulate General of Sweden and Trallback & Company Official airline for the BAM presentation of The Royal Dramatic Theatre of Sweden's The Ghost Sonata: Scandinavian Airlines 17 The Cast The Old Man Jan Malmsjo The Student Jonas Malmsjo The Milkmaid Virpi Pahkinen The Doorman's Wife Gertrud Mariano The Dead Man Nils Eklund The Dark Lady Gerthi Kulle The Young Lady Elin Klinga The Colonel Per Myrberg Mummy Gunnel -
THE SEVENTH SEAL 1958 92 Min
April 15, 2008 (XVI:14) Ingmar Berman THE SEVENTH SEAL 1958 92 min. Directed and written by Ingmar Bergman Produced by Allan Ekelund Original Music by Erik Nordgren Cinematography by Gunnar Fischer Film Editing by Lennart Wallén Production Design by P.A. Lundgren Gunnar Björnstrand...Jöns, squire Bengt Ekerot...Death Nils Poppe...Jof Max von Sydow...Antonius Block Bibi Andersson...Mia, Jof's wife Inga Gill...Lisa, blacksmith's wife Maud Hansson...Witch Inga Landgré...Karin, Block's Wife Gunnel Lindblom...Girl Bertil Anderberg...Raval Anders Ek...The Monk Åke Fridell...Blacksmith Plog Gunnar Olsson...Albertus Pictor, Church Painter Erik Strandmark...Jonas Skat INGMAR BERGMAN (14 July 1918, Uppsala, Uppsala län, Sweden—30 July 2007,Fårö, Gotlands län, Sweden ) directed 61 films and wrote 63 screenplays. (Bio from WorldFilms.com) "Universally regarded as one of the great masters of modern cinema, Bergman has often concerned himself with spiritual and realized in this cinematic signature. Of the early period, WILD psychological conflicts. His work has evolved in distinct stages STRAWBERRIES stands out for its narrative invention in a fluid over four decades, while his visual style—intense, intimate, manipulation of flashbacks, reveries and dream sequences. Its complex—has explored the vicissitudes of passion with a penetrating psychological investigation of the closing of the life mesmerizing cinematic rhetoric. His prolific output tends to return cycle established Bergman's preoccupation with the relationship to and elaborate on recurrent images, subjects and techniques. between desire, loss, guilt, compassion, restitution and Like the Baroque composers, Bergman works on a small scale, celebration. SAWDUST AND TINSEL (1953)/NAKED NIGHT, finding invention in theme and variation. -
Everyday Transcendence: Contemporary Art Film and the Return to Right Now
Wayne State University Wayne State University Dissertations January 2019 Everyday Transcendence: Contemporary Art Film And The Return To Right Now Aaron Pellerin Wayne State University Follow this and additional works at: https://digitalcommons.wayne.edu/oa_dissertations Part of the Film and Media Studies Commons Recommended Citation Pellerin, Aaron, "Everyday Transcendence: Contemporary Art Film And The Return To Right Now" (2019). Wayne State University Dissertations. 2333. https://digitalcommons.wayne.edu/oa_dissertations/2333 This Open Access Dissertation is brought to you for free and open access by DigitalCommons@WayneState. It has been accepted for inclusion in Wayne State University Dissertations by an authorized administrator of DigitalCommons@WayneState. EVERYDAY TRANSCENDENCE: CONTEMPORARY ART FILM AND THE RETURN TO RIGHT NOW by AARON PELLERIN DISSERTATION Submitted to the Graduate School of Wayne State University, Detroit, Michigan in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY 2019 MAJOR: ENGLISH (Film and Media Studies) Approved By: _________________________________________ Advisor Date _________________________________________ _________________________________________ _________________________________________ _________________________________________ © COPYRIGHT BY AARON PELLERIN 2019 All Rights Reserved DEDICATION For Sue, who always sees the magic in the everyday. ii ACKNOWLEDGEMENTS I‘d like to thank my committee, and in particular my advisor, Dr. Steve Shaviro. His encouragement, his insightful critiques, and his early advice to just write were all instrumental in making this work what it is. I likewise wish to thank Dr. Scott Richmond for the time and energy he put in as I struggled through the middle stages of the degree. I am also grateful for a series of challenging and exciting seminars I took with Steve, Scott, and also with Dr. -
Kingdom of Sweden
Johan Maltesson A Visitor´s Factbook on the KINGDOM OF SWEDEN © Johan Maltesson Johan Maltesson A Visitor’s Factbook to the Kingdom of Sweden Helsingborg, Sweden 2017 Preface This little publication is a condensed facts guide to Sweden, foremost intended for visitors to Sweden, as well as for persons who are merely interested in learning more about this fascinating, multifacetted and sadly all too unknown country. This book’s main focus is thus on things that might interest a visitor. Included are: Basic facts about Sweden Society and politics Culture, sports and religion Languages Science and education Media Transportation Nature and geography, including an extensive taxonomic list of Swedish terrestrial vertebrate animals An overview of Sweden’s history Lists of Swedish monarchs, prime ministers and persons of interest The most common Swedish given names and surnames A small dictionary of common words and phrases, including a small pronounciation guide Brief individual overviews of all of the 21 administrative counties of Sweden … and more... Wishing You a pleasant journey! Some notes... National and county population numbers are as of December 31 2016. Political parties and government are as of April 2017. New elections are to be held in September 2018. City population number are as of December 31 2015, and denotes contiguous urban areas – without regard to administra- tive division. Sports teams listed are those participating in the highest league of their respective sport – for soccer as of the 2017 season and for ice hockey and handball as of the 2016-2017 season. The ”most common names” listed are as of December 31 2016. -
Swedish Film Magazine #2 2010
Swedish Film #2 2010 • A magazine from the Swedish Film Institute P UMP UP THE NOISE Johannes Stjärne Nilsson and Ola Simonsson want the Sound of Noise to ring all over Cannes Bill Skarsgård Another shining son BATHING MICKY In Competition in Cannes A SILENT CHILD In Directors’ Fortnight ... BUT FILM IS MY MISTRESS Bergman revisited www.sfi.se “Brighton Rock” © 2010 Optimum Releasing “Centurion” © 2010 Celador Films / Pathe Productions “Antichrist” © 2009 Zentropa “Dear Alice” © 2009 One Tired Brother “Eden Lake” © 2008 Rollercoaster Films “The Descent: Part 2” © 2009 Celador Films / Pathe Productions “Arn - The Kingdom at Road’s End” © 2008 AB Svensk Filmindustri “Mammoth” © 2009 Memfis Film “The Cottage” © 2008 Steel Mill Yorkshire / UKFC “Hush” © 2009 Warp X / Fear Factory (Hush) SWEDEN’S BEST KEPT SECRET In less than four years Filmgate have supplied high end cost effective visual effects and DI solutions for over 30 feature films in 9 countries. Since the introduction of our 2k grading and conform services we have graded three feature films and several short films as well as TV commercials. In 2009, with the aid of regional funding, we have expanded our services into co-production. Looking forward to 2010 not only do we have exciting and challenging visual effects projects ahead, such as the eagerly anticipated UK features “Centurion” and “Brighton Rock”, we are also involved with a slate of US, UK and French projects as co-producers. www.filmivast.se www.filmgate.se CEO’S LETTER Director, International Department Pia Lundberg Phone +46 70 692 79 80 Unforgettable surprises [email protected] SOME THINGS JUST refuse to go away, no autumn, and Andreas Öhman with Simple matter how hard you try to shake them off. -
WAGNER 3 Cds the Royal Swedish Orchestra Traces Its Origins from the Court Chapel of the Sixteenth Century and Is One of the World’S Oldest Orchestras
660152-54 bk Tristan US 24/05/2005 09:59am Page 12 The Royal Swedish Orchestra WAGNER 3 CDs The Royal Swedish Orchestra traces its origins from the Court Chapel of the sixteenth century and is one of the world’s oldest orchestras. In 1773 Gustav III transformed it into an opera band. As the only professional orchestra in nineteenth-century Sweden it also regularly gave concerts with symphonic and vocal works. Its first encounter with Wagner’s music was probably with the Tannhäuser Overture in 1856. During the twentieth century, the orchestra Tristan und Isolde grew from around sixty to almost a hundred members. Today it numbers 114. Millgramm • Forsén • Fassbender The Royal Opera Chorus Lundberg • Kyhle • Dike The Royal Opera Chorus was created from scratch in 1773 for the first Swedish opera. At the transfer to the newly built Gustavian Opera House at Gustav Adolfs Torg in 1782, it is said to have numbered eighty members. The Royal Swedish Opera Male Chorus and Orchestra number dwindled during the nineteenth century. During its co-existence with the Royal Dramatic Theatre until 1887 chorus members also frequently took minor spoken parts in drama and musical plays. Today the chorus numbers sixty members. The chorus masters are Christina Hörnell and Folke Alin. Leif Segerstam The Royal Swedish Opera Gustav III founded the Royal Swedish Opera in 1773. The first opera house on the current site was inaugurated in 1782. From the early nineteenth century until 1887, the Royal Theatre was the national theatre for opera and ballet as well as spoken drama and concerts. -
Media 110401.Indd
1991•2011 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) Certain mobile telephone operators do not allow access to 00 800 numbers or these calls may be billed. Keep up-to-date with latest European developments in education, culture, sport, youth, multilingualism and media – subscribe to the EAC e-newsletter! http://ec.europa.eu/dgs/education_culture/enews/subscribe_en.htm More information on the European Union is available on the Internet (http://europa.eu). Luxembourg: Publications Office of the European Union, 2011 ISBN 978-92-79-17593-0 doi:10.2766/72280 © European Union, 2011 Reproduction is authorised provided the source is acknowledged. Printed in Belgium PRINTED ON WHITE CHLORINE-FREE PAPER 1 1991•2011 3 Contents Foreword 5 MEDIA – A look back over the last 20 years 6 Producers’ Support 8 Distribution 12 Promotion, Festivals, Market Support 16 Training 19 New actions 21 MEDIA Desks & Antennae Network 23 Films supported by the MEDIA programme during the last 20 years 24 5 Foreword has strengthened cultural diversity and In parallel, a new programme, MEDIA cooperation in the European audiovisual Mundus, has been launched to encour- sector, as well as creating many new age international cooperation in the business opportunities. training of professionals, the organisa- tion of co-productions and the world- In fact a ‘MEDIA quality label’ has wide circulation of films. emerg ed over the years, attracting addi- tional sources of financing, including I would also like to underline the strong national and regional support as well as commercial value of films and other I am very proud that in 2011 the European private investment.