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A Crossing the bridge : the sound of Istanbul (id.) 7-12 De lʼautre côté (Auf der anderen Seite) 14-14 DANIEL VON AARBURG voir sous VON New York, I love you (id.) 10-14 DOUGLAS AARNIOKOSKI Sibel, mon amour - head-on (Gegen die Wand) 16-16 Highlander : endgame (id.) 14-14 Soul kitchen (id.) 12-14 PAUL AARON MOUSTAPHA AKKAD Maxie 14 Le lion du désert (Lion of the desert) 16 DODO ABASHIDZE FEO ALADAG La légende de la forteresse de Souram Lʼétrangère (Die Fremde) 12-14 (Ambavi Suramis tsikhitsa - Legenda o Suramskoi kreposti) 12 MIGUEL ALBALADEJO SAMIR ABDALLAH Cachorro 16-16 Écrivains des frontières - Un voyage en Palestine(s) 16-16 ALAN ALDA MOSHEN ABDOLVAHAB Les quatre saisons (The four seasons) 16 Mainline (Khoon Bazi) 16-16 Sweet liberty (id.) 10 ERNEST ABDYJAPOROV PHIL ALDEN ROBINSON voir sous ROBINSON Pure coolness - Pure froideur (Boz salkyn) 16-16 ROBERT ALDRICH Saratan (id.) 10-14 Deux filles au tapis (The California Dolls - ... All the marbles) 14 DOMINIQUE ABEL TOMÁS GUTIÉRREZ ALEA voir sous GUTIÉRREZ La fée 7-10 Rumba 7-14 PATRICK ALESSANDRIN 15 août 12-16 TONY ABOYANTZ Banlieue 13 - Ultimatum 14-14 Le gendarme et les gendarmettes 10 Mauvais esprit 12-14 JIM ABRAHAMS DANIEL ALFREDSON Hot shots ! (id.) 10 Millenium 2 - La fille qui rêvait dʼun bidon dʼessence Hot shots ! 2 (Hot shots ! Part deux) 12 et dʼune allumette (Flickan som lekte med elden) 16-16 Le prince de Sicile (Jane Austenʼs mafia ! - Mafia) 12-16 Millenium 3 - La reine dans le palais des courants dʼair (Luftslottet som sprangdes) 16-16 Top secret ! (id.) 12 Y a-t-il quelquʼun pour tuer ma femme ? (Ruthless people) 14 TOMAS ALFREDSON Y a-t-il un pilote dans lʼavion ? (Airplane ! - Flying high) 12 La taupe (Tinker tailor soldier spy) 14-14 FABIENNE ABRAMOVICH JAMES ALGAR Liens de sang 7-14 Fantasia 2000 (id. - « The sorcererʼs apprentice ») 0-7 J.J. ABRAMS DANIEL ALGRANT Mission : impossible III - M:I:III (id.) 12-14 Naked in New York (id.) 12-14 Star trek (id.) 10-12 Super 8 (id.) 12-14 KEVIN ALLEN Twin town (id.) 16-16 HANY ABU-ASSAD Paradise now (id.) 12-14 WOODY ALLEN Accords et désaccords (Sweet and lowdown) 12-14 TENGIZ ABULADZE Alice (id.) 12 Repentir (Monanieba - Pokayanie) 14 Broadway Danny Rose (id.) 12 Celebrity (id.) 16-16 MONA ACHACHE Comédie érotique dʼune nuit dʼété (A midsummer nightʼs sex comedy) 14 Le hérisson 10-14 Coups de feu sur Broadway (Bullets over Broadway) 12 ROBERT VAN ACKEREN voir sous VAN ACKEREN Crimes et délits (Crimes and misdemeanors) 14 Escrocs mais pas trop (Small time crooks) 7-14 ROBERT ALLAN ACKERMANN Hannah et ses soeurs (Hannah and her sisters) 14 Safe passage (id.) 7-12 Harry dans tous ses états (Deconstructing Harry) 16-16 Hollywood ending (id.) 7-14 ANDREW ADAMSON Match point (id.) 14-14 Le monde de Narnia : livre 1 - le lion, la sorciere blanche et lʼarmoire magique Maris et femmes (Husbands and wives) 12 (The chronicles of Narnia : the lion, the witch and the wardrobe) 10-10 Maudite Aphrodite (Mighty Aphrodite) 12-14 Le monde de Narnia : chapitre 2 - Le prince Caspian Melinda et Melinda (Melinda and Melinda) 10-16 (The chronicles of Narnia : Prince Caspian) 10-10 Minuit à Paris (Midnight in Paris) 7-12 Shrek (id.) 7-7 New York Stories (id. - « Oedipius wrecks ») 12 Shrek 2 (id.) 7-7 Ombres et brouillard (Shadows and fog) 14 MAREN ADE Radio days (id.) 12 Alle anderen (id.) 12-14 Le rêve de Cassandre (Cassandraʼs dream) 12-16 La rose pourpre du Caire (The purple rose of Cairo) 10 CARINE ADLER September (id.) 14 Sous la peau (Under the skin) 16-16 Scoop (id.) 7-12 Le sortilège du scorpion de jade (The curse of the jade scorpion) 7-12 PERCY ADLON To Rome with love (id.) 10-14 Bagdad Café (Out of Rosenheim) 12 Tout le monde dit I love you (Everyone says I love you) 7-12 Même les saumons remontent aux sources (Salmonberries) 12 Une autre femme (Another Woman) 14 Rosalie fait ses courses (Rosalie goes shopping) 14 Vicky Cristina Barcelona (id.) 12-16 NIKHIL ADVANI La vie et tout le reste (Anything else) 10-16 New York masala (Kal ho naa ho) 10-14 Vous allez rencontrer un bel et sombre étranger (You will meet a tall dark stranger) 10-16 Whatever works (id.) 10-16 MATTHEW AEBERHARD Zelig (id.) 12 Les ailes pourpres : le mystère des flamants (The crimson wing : mystery of the flamingos) 7-7 ROGER ALLERS Les rebelles de la forêt (Open season) 7-7 JEAN-THÉO AEBY Le roi lion (The lion king) 7-7 Chemin du paradis 7-10 Ruelle des Bolzes 16-16 MERZAK ALLOUACHE Sentier des vaches 16-16 Lʼautre monde 14-14 Bab El-Oued City 12 SIMON AEBY Bab El Web 10-14 The headsman (The headsman - Henker) 14-16 Chouchou 12-16 Salut cousin ! 12-12 RAPHAËLLE AELLIG RÉGNIER Les villageois 7-7 PEDRO ALMODÓVAR Attache-moi (Atame) 18 BEN AFFLECK Dans les ténèbres (Entre tinieblas) 18 Argo (id.) 14-14 En chair et en os (Carne trémula) 16-16 Gone baby gone (id.) 14-16 Étreintes brisées (Los abrazos rotos) 12-16 The town (id.) 14-16 Femmes au bord de la crise de nerfs (Mujeres al borde de un ataque de nervios) 14-16 GABRIEL AGHION La fleur de mon secret (La flor de mi secreto) 12-15 Absolument fabuleux 12-15 Kika (id.) 16 Belle maman 12-16 La loi du désir (La ley del deseo) 16 Le libertin 16-16 Matador (id.) 18 Pédale douce 16-16 La mauvaise éducation (La mala educacion) 16-16 Pédale dure 10-14 Parle avec elle (Hable con ella) 12-14 La piel que habito (id.) 16-16 MARILYN AGRELO Qu'est-ce que j'ai fait pour mériter ça ! (Que he hecho yo para merecer esto !) 18 Un... deux... trois dansez (Mad hot ballroom) 7-12 Talons aiguilles (Tacones lejanos) 16 Tout sur ma mère (Todo sobre mi madre) 16-18 ALEJANDRO AGRESTI Volver (id.) 12-14 Entre deux rives (The lake house) 7-14 LISANDRO ALONSO ARANTXA AGUIRRE La libertad (id.) 16-16 Béjart - The show must go on (El esfuerzo y el animo) 7-12 Los muertos (id.) 16-16 ALEXANDRE AJA ALEKSANDR ALOV Mirrors (id.) 16-16 La riv (Bereg) 16 Piranha 3D 16-16 Téhéran 43 - Nid dʼespions (Tegeran-43) 14 SERDAR AKAR ROBERT ALTMAN Vallée des loups (Kurtlar vadisi - Irak) 16-16 Les Américains (Short cuts) 16 CHANTAL AKERMAN Aria (id. - « Les Boréades ») 16 La captive 16-16 Beyond therapy (id.) 16 Demain on déménage 10-16 The company (id.) 7-12 Un divan à New York 7-12 Cookieʼs fortune (id.) 12-14 Docteur T et les femmes (Dr. T and the women) 12-12 MATTHEW AKERS Fool for love (id.) 14 Marina Abramovic - The artist is present (id.) 16-16 The gingerbread man (id.) 12-14 Gosford park (id.) 12-16 ZOYA AKHTAR Kansas City (id.) 12-16 Lucky by chance (id.) 10-14 The last show (A prairie home companion) 7-14 FATIH AKIN M.A.S.H. (id.) 14 The player (id.) 14 Lust, caution (Se, jie) 16-16 Popeye (id.) 10 Lʼodyssée de Pi (The life of Pi) 10-12 Prêt-à-porter (id.) 12-16 Raison et sentiments (Sense and sensibility) 7-14 Reviens Jimmy Dean, reviens (Come back to the five and dime Jimmy Dean, Jimmy Dean) 16 Salé sucré (Yin shi nan nu - Eat drink man woman) 10 Streamers (id.) 18 Le secret de Brokeback Mountain (Brokeback Mountain) 14-14 Vincent et Théo (id.) 14 Tigre et dragon (Wu hu zang long) 10-12 CHRISTIAN ALVART HÉLÈNE ANGEL Le cas 39 (Case 39) 16-16 Peau dʼhomme cœur de bête 16-16 Propriété interdite 16-16 JOE ALVES Les dents de la mer 3 (Jaws 3-D) 14 YVES ANGELO Les âmes grises 14-14 MATHIEU AMALRIC Le colonel Chabert 12 Tournée 16-16 Pas dʼhistoires - « Poitiers, voiture 11 » 12-14 DENIS AMAR Voleur de vie 12-16 Lʼaddition 16 THEO ANGELOPOULOS RAJA AMARI Lʼapiculteur (O melissokomos) 16 Satin rouge 14-14 The dust of time (I skoni tou hronou) 16-16 Les secrets (Dowaha) 14-14 Eleni, la terre qui pleure (Trilogia I : to livadi pou dakryzei) 10-14 Lʼéternité et un jour (Mia aioniotita kai mia mera) 12-16 PATRICE AMBARD Le pas suspendu de la cigogne (To meteoro vima tou pelargou) 14 Suivez cet avion 7 Paysage dans le brouillard (Topio stin omichli) 14 Le regard d'Ulysse (To vlemma tou Odyssea) 12-16 GIANNI AMELIO Les clés de la maison (Le chiavi de casa) 10-14 CÉDRIC ANGER Les enfants volés (Il ladro di bambini) 12 Lʼavocat 16-16 Il manque une étoile - Lʼétoile imaginaire - Lʼétoile manquante (La stella che non cʼe) 10-14 Lamerica (id.) 12 PILAR ANGUITA-MAC KAY La mémoire des autres 10-14 ALEJANDRO AMENÁBAR Agora (id.) 12-14 TRAN ANH HUNG voir sous TRAN Les autres (The others) 14-14 KEN ANNAKIN Mar adentro (id.) 14-16 Pirate movie (The pirate movie) 12 Ouvre les yeux (Abre los ojos) 16-16 JEAN-JACQUES ANNAUD JEAN-PIERRE AMÉRIS Lʼamant 16 Cʼest la vie 14-16 Deux frères (Two brothers) 7-10 Les émotifs anonymes 7-12 La guerre du feu 14 Lʼhomme qui rit 10-14 Le nom de la rose (Der Name der Rose) 14 Je mʼappelle Elisabeth 12-14 Or noir (Black gold) 12-12 Mauvaises fréquentations 16-16 Lʼours 10 Poids léger 14-16 Sa majesté Minor 14-14 JON AMIEL Sept ans au Tibet (Seven years in Tibet) 7-14 Copycat (id.) 16-18 Stalingrad (Enemy at the gates) 16-16 Fusion (The core) 12-12 HIDEAKI ANNO Haute voltige (Entrapment) 12-12 Evangelion 1.0 you are (not) alone (Evangerion shin gekijoban : Jo) 16-16 Lʼhomme qui en savait trop..
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    compensi "copia privata" per l'anno 2018 (*) Per i film esteri usciti in Italia l’anno corrisponde all’anno di importazione titolo anno paese #SCRIVIMI ANCORA (LOVE, ROSIE) 2014 GERMANIA '71 2015 GRAN BRETAGNA (S) EX LIST ((S) LISTA PRECEDENTE) (WHAT'S YOUR NUMBER?) 2011 USA 002 OPERAZIONE LUNA 1965 ITALIA/SPAGNA 007 - IL MONDO NON BASTA (THE WORLD IS NOT ENOUGH) 2000 GRAN BRETAGNA 007 BERSAGLIO MOBILE (A VIEW TO A KILL) 1985 GRAN BRETAGNA 007 DOMANI NON MUORE MAI (IL) (TOMORROW NEVER DIES) 1997 GRAN BRETAGNA 007 SOLO PER I TUOI OCCHI (FOR YOUR EYES ONLY) 1981 GRAN BRETAGNA 007 VENDETTA PRIVATA (LICENCE TO KILL) 1989 USA 007 ZONA PERICOLO (THE LIVING DAYLIGHTS) 1987 GRAN BRETAGNA 10 CLOVERFIELD LANE 2016 USA 10 REGOLE PER FARE INNAMORARE 2012 ITALIA 10 YEARS - (DI JAMIE LINDEN) 2011 USA 10.000 A.C. (10.000 B.C.) 2008 USA 10.000 DAYS - 10,000 DAYS (DI ERIC SMALL) 2014 USA 100 DEGREES BELOW ZERO - 100 GRADI SOTTO ZERO 2013 USA 100 METRI DAL PARADISO 2012 ITALIA 100 MILLION BC 2012 USA 100 STREETS (DI JIM O'HANLON) 2016 GRAN BRETAGNA 1000 DOLLARI SUL NERO 1966 ITALIA/GERMANIA OCC. 11 DONNE A PARIGI (SOUS LES JUPES DES FILLES) 2015 FRANCIA 11 SETTEMBRE: SENZA SCAMPO - 9/11 (DI MARTIN GUIGUI) 2017 CANADA 11.6 - THE FRENCH JOB (DI PHILIPPE GODEAU) 2013 FRANCIA 110 E FRODE (STEALING HARVARD) 2003 USA 12 ANNI SCHIAVO (12 YEARS A SLAVE) 2014 USA 12 ROUND (12 ROUNDS) 2009 USA 12 ROUND: LOCKDOWN - (DI STEPHEN REYNOLDS) 2015 USA 120 BATTITI AL MINUTO (120 BETTEMENTS PAR MINUTE) 2017 FRANCIA 127 ORE (127 HOURS) 2011 USA 13 2012 USA 13 HOURS (13 HOURS:
  • Tussentaallinguïstische Het En Beeld KATARZYNA WIERCIŃSKA

    Tussentaallinguïstische Het En Beeld KATARZYNA WIERCIŃSKA

    OWAD 2 OWAD utstanding issertations KATARZYNA WIERCIŃSKA KATARZYNA 2 Tussentaal en het linguïstische beeld linguïstische het en Tussentaal KATARZYNA WIERCIŃSKA Tussentaal en het linguïstische beeld Wydział Anglistyki van de dagelijkse realiteit in Vlaanderen ISBN 978-83-232-2983-4 Op basis van Vlaamse films (2000-2010) WYDAWNICTWO NAUKOWE UAM Tussentaal en het linguïstische beeld van de dagelijkse realiteit in Vlaanderen Op basis van Vlaamse films (2000-2010) FACULTY OF ENGLISH ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ Outstanding WA Dissertations OWAD 2 Katarzyna Wiercińska Tussentaal en het linguïstische beeld van de dagelijkse realiteit in Vlaanderen Op basis van Vlaamse films (2000-2010) Poznań 2016 ABSTRACT. Wiercińska Katarzyna. Tussentaal en het linguïstische beeld van de dagelijkse realiteit in Vlaanderen. Op basis van Vlaamse films (2000-2010). Adam Mickiewicz University Press. Poznań 2016. Pp. 204. Tabs. 8. Figs. 7. OWAD 2. ISBN 987-83-232-2983-4. Text in Dutch with a Polish and English summary. This book covers the linguistic picture of Flemish everyday life-world that is ap- proached from the point of view of the language structures typical for tussentaal (Flemish interlanguage), a spoken variety of Belgian Dutch. The study’s focus lies in finding those features of tussentaal that provide an image of daily reality and by means of which the speaker can model it in accordance with their needs. For the pur- poses of this research, a corpus of ten Flemish movies (approx. 18 hours of recordings, 83.000 words) has been put together. The movie dialogues are examined within the methodological framework of ethnolinguistics. KEY WORDS: Flanders, Belgium, Belgian Dutch, tussentaal, Flemish interlanguage, linguistic picture of the world, everyday life-world Katarzyna Wiercińska, Faculty of English, Adam Mickiewicz University, al.
  • Sound in the Films of Rolf De Heer

    Sound in the Films of Rolf De Heer

    AURAL AUTEUR: SOUND IN THE FILMS OF ROLF DE HEER. A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy by Published Papers in the Creative Industries Faculty at the Queensland University of Technology (QUT), Brisbane, Australia. Supervisors: Ms. Helen Yeates Lecturer, Film and TV, Creative Industries Faculty, QUT. Dr. Vivienne Muller Lecturer, Creative Writing and Literary Studies, Creative Industries Faculty, QUT. Associate Professor Geoff Portmann Discipline Leader, Film and TV, Creative Industries Faculty, QUT. Written and submitted by David Bruno Starrs BSc (ANU), PGDipHlthSc (Curtin), BTh (Hons) (JCU), MFTV (Bond), MCA (Melb). Self-archived publications available at: http://eprints.qut.edu.au/view/person/Starrs,_D._Bruno.html January 2009. Aural Auteur: Sound in the Films of Rolf de Heer. 2 Aural Auteur: Sound in the Films of Rolf de Heer. ABSTRACT. Aural Auteur: Sound in the Films of Rolf de Heer. An interpretative methodology for understanding meaning in cinema since the 1950s, auteur analysis is an approach to film studies in which an individual, usually the director, is studied as the author of her or his films. The principal argument of this thesis is that proponents of auteurism have privileged examination of the visual components in a film-maker’s body of work, neglecting the potentially significant role played by sound. The thesis seeks to address this problematic imbalance by interrogating the creative use of sound in the films written and directed by Rolf de Heer, asking the question, “Does his use of sound make Rolf de Heer an aural auteur?” In so far as the term ‘aural’ encompasses everything in the film that is heard by the audience, the analysis seeks to discover if de Heer has, as Peter Wollen suggests of the auteur and her or his directing of the visual components (1968, 1972 and 1998), unconsciously left a detectable aural signature on his films.