Tussentaallinguïstische Het En Beeld KATARZYNA WIERCIŃSKA

Total Page:16

File Type:pdf, Size:1020Kb

Tussentaallinguïstische Het En Beeld KATARZYNA WIERCIŃSKA OWAD 2 OWAD utstanding issertations KATARZYNA WIERCIŃSKA KATARZYNA 2 Tussentaal en het linguïstische beeld linguïstische het en Tussentaal KATARZYNA WIERCIŃSKA Tussentaal en het linguïstische beeld Wydział Anglistyki van de dagelijkse realiteit in Vlaanderen ISBN 978-83-232-2983-4 Op basis van Vlaamse films (2000-2010) WYDAWNICTWO NAUKOWE UAM Tussentaal en het linguïstische beeld van de dagelijkse realiteit in Vlaanderen Op basis van Vlaamse films (2000-2010) FACULTY OF ENGLISH ADAM MICKIEWICZ UNIVERSITY IN POZNAŃ Outstanding WA Dissertations OWAD 2 Katarzyna Wiercińska Tussentaal en het linguïstische beeld van de dagelijkse realiteit in Vlaanderen Op basis van Vlaamse films (2000-2010) Poznań 2016 ABSTRACT. Wiercińska Katarzyna. Tussentaal en het linguïstische beeld van de dagelijkse realiteit in Vlaanderen. Op basis van Vlaamse films (2000-2010). Adam Mickiewicz University Press. Poznań 2016. Pp. 204. Tabs. 8. Figs. 7. OWAD 2. ISBN 987-83-232-2983-4. Text in Dutch with a Polish and English summary. This book covers the linguistic picture of Flemish everyday life-world that is ap- proached from the point of view of the language structures typical for tussentaal (Flemish interlanguage), a spoken variety of Belgian Dutch. The study’s focus lies in finding those features of tussentaal that provide an image of daily reality and by means of which the speaker can model it in accordance with their needs. For the pur- poses of this research, a corpus of ten Flemish movies (approx. 18 hours of recordings, 83.000 words) has been put together. The movie dialogues are examined within the methodological framework of ethnolinguistics. KEY WORDS: Flanders, Belgium, Belgian Dutch, tussentaal, Flemish interlanguage, linguistic picture of the world, everyday life-world Katarzyna Wiercińska, Faculty of English, Adam Mickiewicz University, al. Niepodległości 4, 61-874 Poznań, Poland; email: [email protected] Publikacja finansowana z środków Wydziału Anglistyki UAM Reviewer/Recenzent prof. dr Joop van der Horst © Katarzyna Wiercińska 2016 This edition © Uniwersytet im. Adama Mickiewicza w Poznaniu, Wydawnictwo Naukowe UAM, Poznań 2016 Cover design/Projekt okładki: Agnieszka Frydrychewicz Typesetting and formatting/Skład i formatowanie: Pracownia Wydawnicza WA UAM ISBN 987-83-232-2983-4 WYDAWNICTWO NAUKOWE UNIWERSYTETU IM. ADAMA MICKIEWICZA 61-701 POZNAŃ, UL. FREDRY 10 www.press.amu.edu.pl Sekretariat: tel. 61 829 46 46, fax 61 829 46 47, e-mail: [email protected] Dział sprzedaży: tel. 61 829 46 40, e-mail: [email protected] Wydanie I. Ark. wyd. 11,00. Ark. druk. 12,75. DRUK I OPRAWA: EXPOL, WŁOCŁAWEK, UL. BRZESKA 4 Inhoudsopgave Lijst van tabellen ............................................................................................. 9 Lijst van figuren ............................................................................................. 11 Lijst van afkortingen ..................................................................................... 13 Dankwoord ..................................................................................................... 15 Inleiding ......................................................................................................... 17 Hoofdstuk 1 Mens – taal – leefwereld. Het sociologische en linguïstische aspect van constructionisme .......................................... 23 1.1. Benadering en opvattingen over de leefwereld .................................. 23 1.2. De sociale constructie van de dagelijkse realiteit .............................. 25 1.3. De linguïstische constructie van de dagelijkse realiteit ..................... 27 1.4. Besluit ................................................................................................ 33 Hoofdstuk 2 De realiteit verwoord. Het linguïstische beeld van de leefwereld etnolinguïstisch benaderd ........................................................................ 35 2.1. Achtergrond: Etnolinguïstiek en haar ontwikkeling in de Slavische landen ....................................................................... 35 2.2. Definitie en beginselen in de benadering van de Poolse etnolinguïsten ............................................................ 40 2.3. Methodologie van het onderzoek ...................................................... 45 2.3.1. Cognitieve elementen .............................................................. 46 2.3.2. Talige elementen ..................................................................... 54 2.3.3. Pragmatisch aspect ................................................................. 61 2.4. Het beeld van de dagelijkse leefwereld in woordenschat .................. 63 2.5. Besluit ................................................................................................ 65 Hoofdstuk 3 Voor de (taal)variatie ..................................................................................... 67 3.1. De classificiatie van de taalvariëteiten ............................................... 67 3.2. De taalvariatie in sociale context ....................................................... 73 3.3. De omgangstaal en haar eigenaardigheden ....................................... 78 3.4. Besluit ................................................................................................ 81 6 Inhoudsopgave Hoofdstuk 4 Vlaamse tussentaal. Status quaestionis ......................................................... 83 4.1. Ter inleiding: Bipolariteit van het Nederlandse taalgebied ............... 83 4.2. Tussentaal in het Vlaamse taallandschap .......................................... 86 4.2.1. Oorsprong van tussentaal: Historisch achtergrond ................ 87 4.2.2. Tussentaal als aparte taalvariëteit en code-switching ............ 90 4.2.3. De structurele kenmerken van tussentaal .............................. 94 4.2.3.1. Fonetische kenmerken .................................................... 94 4.2.3.2. Morfologische kenmerken .............................................. 96 4.2.3.3. Andere grammaticale kenmerken ................................. 100 4.2.3.4. Woordenschat ................................................................ 101 4.3. Tussentaal taalsociologisch benaderd ............................................. 103 4.4. Polemieken rond de huidige taalsituatie in Vlaanderen ................. 105 4.5. Besluit .............................................................................................. 107 Hoofdstuk 5 Het linguïstische beeld van de dagelijkse realiteit op basis van gekozen Vlaamse films ..................................................................... 109 5.1. Film als voorstelling van de dagelijkse realiteit ............................... 109 5.1.1. Achtergrond: De Belgische filmindustrie .............................. 109 5.1.2. Het corpus .............................................................................. 111 5.2. Op naar criteria: Het beeld van de realiteit in de omgangstaal ........ 115 5.2.1. Voorstel onderzoeksmodel ..................................................... 115 5.2.2. Tussentaal: De linguïstische exponenten van het beeld ........ 118 5.3. Op zoek naar het beeld van de Vlaamse dagelijkse realiteit ............. 121 5.3.1. Woordenschat ........................................................................ 122 5.3.2. Aanspreekvormen ................................................................. 133 5.3.2.1. Het beeld van de sociale structuur van de samenleving .................................................. 134 5.3.2.1.1. Familiekring .............................................. 134 5.3.2.1.2. Peer group ................................................. 140 5.3.2.1.3. Werkvloer .................................................. 146 5.3.2.1.4. Eenmalig/oppervlakkig contact ................. 151 5.3.2.2. Het beeld van de veranderingen in het netwerk van de sociale relaties ................................................ 152 5.3.3. Diminutieven ........................................................................ 158 5.3.4. Andere kenmerken van tussentaal ......................................... 167 Conclusies ..................................................................................................... 171 Tussentaal i językowy obraz rzeczywistości dnia codziennego we Flandrii. Na podstawie flamandzkich filmów (2000-2010) (Streszczenie) .................... 177 Inhoudsopgave 7 Tussentaal and the linguistic picture of the everyday life-world in Flanders. Based on Flemish films (2000-2010) (Summary) ............................................ 187 Bibliografie ................................................................................................... 197 Lijst van tabellen Tabel 1. De classificatie van de taalvariëteiten door de Praagse structuralisten ............................................................... 71 Tabel 2. Overzicht van de fonetische kenmerken van tussentaal ................ 95 Tabel 3. Overzicht van de morfologische kenmerken van tussentaal .......... 96 Tabel 4. Tussentaal: de dikwijls voorkomende woorden ............................ 101 Tabel 5. De eigenschappen van tussentaal (l-variety) en het Standaardnederlands (h-variety) ...................................... 104 Tabel 6. Waar wordt tussentaal gebruikt? ................................................. 104 Tabel 7. Taalgebruik in de dagelijkse communicatieve situaties ................ 116 Tabel 8. Voorstel onderzoeksmodel: semantisch en pragmatisch aspect van het taalgebruik ..................................
Recommended publications
  • Beneath the Surface *Animals and Their Digs Conversation Group
    FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you.
    [Show full text]
  • Ali Pirzadeh Exploring the Historical Roots of Culture, Economics, And
    Arts, Research, Innovation and Society Ali Pirzadeh Iran Revisited Exploring the Historical Roots of Culture, Economics, and Society Arts, Research, Innovation and Society Series Editors Gerald Bast, University of Applied Arts, Vienna, Austria Elias G. Carayannis, George Washington University, Washington, DC, USA David F.J. Campbell, University of Applied Arts, Vienna, Austria Editors-in-Chief Gerald Bast and Elias G. Carayannis Chief Associate Editor David F.J. Campbell More information about this series at http://www.springer.com/series/11902 Ali Pirzadeh Iran Revisited Exploring the Historical Roots of Culture, Economics, and Society Ali Pirzadeh Washington , DC , USA Arts, Research, Innovation and Society ISBN 978-3-319-30483-0 ISBN 978-3-319-30485-4 (eBook) DOI 10.1007/978-3-319-30485-4 Library of Congress Control Number: 2016935406 © Springer International Publishing Switzerland 2016 This work is subject to copyright. All rights are reserved by the Publisher, whether the whole or part of the material is concerned, specifi cally the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfi lms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifi c statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication.
    [Show full text]
  • Festival Schedule
    T H E n OR T HWEST FILM CE n TER / p ORTL a n D a R T M US E U M p RESE n TS 3 3 R D p ortl a n D I n ter n a tio n a L film festi v a L S p O n SORED BY: THE OREGO n I a n / R E G a L C I n EM a S F E BR U a R Y 1 1 – 2 7 , 2 0 1 0 WELCOME Welcome to the Northwest Film Center’s 33rd annual showcase of new world cinema. Like our Northwest Film & Video Festival, which celebrates the unique visions of artists in our community, PIFF seeks to engage, educate, entertain and challenge. We invite you to explore and celebrate not only the art of film, but also the world around you. It is said that film is a universal language—able to transcend geographic, political and cultural boundaries in a singular fashion. In the spirit of Robert Louis Stevenson’s famous observation, “There are no foreign lands. It is the traveler who is foreign,” this year’s films allow us to discover what unites rather than what divides. The Festival also unites our community, bringing together culturally diverse audiences, a remarkable cross-section of cinematic voices, public and private funders of the arts, corporate sponsors and global film industry members. This fabulous ecology makes the event possible, and we wish our credits at the back of the program could better convey our deep appreci- ation of all who help make the Festival happen.
    [Show full text]
  • Opening up the Planning Landscape
    PLANNING LANDSCAPE OPENING UP THE BEITSKE BOONSTRA PETER DAVIDS ANNELIES STAESSEN Over the past 15 years, the actor-relational approach of planning grew and evolved from an interactive system between leading actors, factors of importance within evolving institutional OPENING UP settings to a co-evolutionary perspective on spatial planning. The various actor-relational and complexity-sensitive research and applications in the Flemish and Dutch landscape and THE PLANNING beyond collected in this book demonstrate how this actor- relational approach of planning is not a fixed methodology but rather an attitude which (co-)evolves depending on specific the Netherlands and Beyond to Spatial Planning in Flanders, 15 years of Actor-relational Approaches LANDSCAPE themes, insights and surroundings. Therewith, the book forms a showcase of the wide applicability of the actor-relational approach in enduring or deadlocked planning processes. The combination of scientific exposés, column-like retrospective intermezzos and concise boxes is structured according to the main 15 years of Actor-relational Approaches ingredients of the approach: actors, relations and approaches. to Spatial Planning in Flanders, The book offers an exploration of the consistencies in its (theore- tical) insights, addresses future challenges in actor-relational and the Netherlands and Beyond complexity-sensitive planning research and discusses its potential for future planning in the Eurodelta region and beyond. ANNELIES STAESSEN PETER DAVIDS BEITSKE BOONSTRA OPENING UP THE PLANNING
    [Show full text]
  • AFI PREVIEW Check for Updates
    THE AMERICAN FILM INSTITUTE GUIDE Oct. 29-Dec. 30, 2004 ★ TO THEATRE AND MEMBER EVENTS VOLUME 1 • ISSUE 14 AFIPREVIEW European Union Film Showcase Oct 29-Nov 7 Plus: HEARTS AND MINDS EASY RIDER THE BIG RED ONE HEAVEN’S GATE George Stevens Centennial 50th Anniversary! Also: New Films from the Czech Republic, Tribute to Elia Kazan, ON THE WATERFRONT New 35mm Restoration Yuletide Classics, Washington Jewish Film Festival Much More! NOW PLAYING FEATURED FILMS Features 30th Anniversary! “HEARTS AND New Academy-Restored 2 HEARTS AND MINDS, Restored MINDS is not only 35mm Print! the best documentary 2EASY RIDER Academy Award-Winning 3 THE BIG RED ONE, Restored Documentary! I have ever seen, 3 ON THE WATERFRONT, 50th it may be the best Anniversary Restoration HEARTS AND MINDS movie ever... a film Film Festivals Opens Friday, October 22 that remains every bit “The ultimate victory will depend on the hearts and as relevant today. 4 EU SHOWCASE Required viewing for 13 Washington Jewish Film Festival: minds of the people.”—Lyndon Baines Johnson. Four films plus THE DIARY OF ANNE Documentarian Peter Davis (THE SELLING OF THE anyone who says, FRANK (p.11) PENTAGON) combined newsreel clips, TV reports, and ‘I am an American.’” striking color footage shot here and in a still war-torn —MICHAEL MOORE Film Series Vietnam, eschewing narration to let raw footage paint (2004) its own vivid portrait of the South and North 7 George Stevens Centennial Vietnamese, the Americans engineering the war here and abroad—and its critics. The 11 New from the Czech Republic
    [Show full text]
  • Movieguide.Pdf
    Movies Without Nudity A guide to nudity in 8,345 movies From www.movieswithoutnudity.com Red - Contains Nudity Movies I Own 300: Rise of an Empire (2014) A. I. - Artificial Intelligence (2001) A La Mala (aka Falling for Mala) (2014) A-X-L (2018) A.C.O.D. (2013) [Male rear nudity] Abandon (2002) The Abandoned (2007) Abe Lincoln in Illinois (1940) Abel's Field (2012) The Abolitionists (2016) Abominable (2019) Abominable (2020) About a Boy (2002) About Adam (2001) About Last Night (1986) About Last Night (2014) About Schmidt (2002) About Time (2013) Above and Beyond (2014) Above Suspicion (1995) Above the Rim (1994) Abraham (1994) [Full nudity of boys playing in water] The Absent-Minded Professor (1961) Absolute Power (1997) Absolutely Fabulous: The Movie (2016) An Acceptable Loss (2019) Accepted (2006) The Accountant (2016) Ace in the Hole (1951) Ace Ventura: When Nature Calls (1995) [male rear nudity] Achilles' Love (2000) Across the Moon (1995) Across the Universe (2007) Action Jackson (1988) Action Point (2018) Acts of Violence (2018) Ad Astra (2019) Adam (2009) Adam at 6 A.M. (1970) Adam Had Four Sons (1941) Adam Sandler's Eight Crazy Nights (2002) Adam's Apples (2007) Adam's Rib (1949) Adaptation (2002) The Addams Family (2019) Addams Family Values (1993) Addicted (2014) Addicted to Love (1997) [Depends on who you ask, but dark shadows obscure any nudity.] The Adjuster (1991) The Adjustment Bureau (2011) The Admiral: Roaring Currents (aka Myeong-ryang) (2014) Admission (2013) Adrenaline Rush (2002) Adrift (2018) Adult Beginners (2015) Adult Life Skills (2019) [Drawings of penises] Adventures in Dinosaur City (1992) Adventures of Baron Munchausen (1989) Adventures of Buckaroo Banzai Across the 8th Dimension (1984) The Adventures of Elmo In Grouchland (1999) The Adventures of Huck Finn (1993) Adventures of Icabod and Mr.
    [Show full text]
  • Media 110401.Indd
    1991•2011 Europe Direct is a service to help you find answers to your questions about the European Union. Freephone number (*): 00 800 6 7 8 9 10 11 (*) Certain mobile telephone operators do not allow access to 00 800 numbers or these calls may be billed. Keep up-to-date with latest European developments in education, culture, sport, youth, multilingualism and media – subscribe to the EAC e-newsletter! http://ec.europa.eu/dgs/education_culture/enews/subscribe_en.htm More information on the European Union is available on the Internet (http://europa.eu). Luxembourg: Publications Office of the European Union, 2011 ISBN 978-92-79-17593-0 doi:10.2766/72280 © European Union, 2011 Reproduction is authorised provided the source is acknowledged. Printed in Belgium PRINTED ON WHITE CHLORINE-FREE PAPER 1 1991•2011 3 Contents Foreword 5 MEDIA – A look back over the last 20 years 6 Producers’ Support 8 Distribution 12 Promotion, Festivals, Market Support 16 Training 19 New actions 21 MEDIA Desks & Antennae Network 23 Films supported by the MEDIA programme during the last 20 years 24 5 Foreword has strengthened cultural diversity and In parallel, a new programme, MEDIA cooperation in the European audiovisual Mundus, has been launched to encour- sector, as well as creating many new age international cooperation in the business opportunities. training of professionals, the organisa- tion of co-productions and the world- In fact a ‘MEDIA quality label’ has wide circulation of films. emerg ed over the years, attracting addi- tional sources of financing, including I would also like to underline the strong national and regional support as well as commercial value of films and other I am very proud that in 2011 the European private investment.
    [Show full text]
  • British Film Institute Report & Financial Statements 2006
    British Film Institute Report & Financial Statements 2006 BECAUSE FILMS INSPIRE... WONDER There’s more to discover about film and television British Film Institute through the BFI. Our world-renowned archive, cinemas, festivals, films, publications and learning Report & Financial resources are here to inspire you. Statements 2006 Contents The mission about the BFI 3 Great expectations Governors’ report 5 Out of the past Archive strategy 7 Walkabout Cultural programme 9 Modern times Director’s report 17 The commitments key aims for 2005/06 19 Performance Financial report 23 Guys and dolls how the BFI is governed 29 Last orders Auditors’ report 37 The full monty appendices 57 The mission ABOUT THE BFI The BFI (British Film Institute) was established in 1933 to promote greater understanding, appreciation and access to fi lm and television culture in Britain. In 1983 The Institute was incorporated by Royal Charter, a copy of which is available on request. Our mission is ‘to champion moving image culture in all its richness and diversity, across the UK, for the benefi t of as wide an audience as possible, to create and encourage debate.’ SUMMARY OF ROYAL CHARTER OBJECTIVES: > To establish, care for and develop collections refl ecting the moving image history and heritage of the United Kingdom; > To encourage the development of the art of fi lm, television and the moving image throughout the United Kingdom; > To promote the use of fi lm and television culture as a record of contemporary life and manners; > To promote access to and appreciation of the widest possible range of British and world cinema; and > To promote education about fi lm, television and the moving image generally, and their impact on society.
    [Show full text]
  • NETFLIX – CATALOGO USA 20 Dicembre 2015 1. 009-1: the End Of
    NETFLIX – CATALOGO USA 20 dicembre 2015 1. 009-1: The End of the Beginning (2013) , 85 imdb 2. 1,000 Times Good Night (2013) , 117 imdb 3. 1000 to 1: The Cory Weissman Story (2014) , 98 imdbAvailable in HD on your TV 4. 1001 Grams (2014) , 90 imdb 5. 100 Bloody Acres (2012) , 1hr 30m imdbAvailable in HD on your TV 6. 10.0 Earthquake (2014) , 87 imdb 7. 100 Ghost Street: Richard Speck (2012) , 1hr 23m imdbAvailable in HD on your TV 8. 100, The - Season 1 (2014) 4.3, 1 Season imdbClosed Captions: [ Available in HD on your TV 9. 100, The - Season 2 (2014) , 41 imdbAvailable in HD on your TV 10. 101 Dalmatians (1996) 3.6, 1hr 42m imdbClosed Captions: [ 11. 10 Questions for the Dalai Lama (2006) 3.9, 1hr 27m imdbClosed Captions: [ 12. 10 Rules for Sleeping Around (2013) , 1hr 34m imdbAvailable in HD on your TV 13. 11 Blocks (2015) , 78 imdb 14. 12/12/12 (2012) 2.4, 1hr 25m imdbClosed Captions: [ Available in HD on your TV 15. 12 Dates of Christmas (2011) 3.8, 1hr 26m imdbClosed Captions: [ Available in HD on your TV 16. 12 Horas 2 Minutos (2012) , 70 imdb 17. 12 Segundos (2013) , 85 imdb 18. 13 Assassins (2010) , 2hr 5m imdbAvailable in HD on your TV 19. 13 Going on 30 (2004) 3.5, 1hr 37m imdbClosed Captions: [ Available in HD on your TV 20. 13 Sins (2014) 3.6, 1hr 32m imdbClosed Captions: [ Available in HD on your TV 21. 14 Blades (2010) , 113 imdbAvailable in HD on your TV 22.
    [Show full text]
  • From Holland and Flanders
    Postwar Classics from Holland and Flanders Simon Vestdijk 15Hella S. Haasse Herman Teirlinck Louis Paul Boon Marga Minco Willem Frederik Hermans Harry Mulisch Hugo Claus Gerard Reve Ivo Michiels Jef Geeraerts Jan Wolkers Frank Martinus Oek de Jong Frans Kellendonk Foundation for the Production and Translation of Dutch Literature 2 Tragedy of errors Simon Vestdijk Ivory Watchmen n Ivory Watchmen Simon Vestdijk chronicles the down- I2fall of a gifted secondary school student called Philip Corvage. The boy6–6who lives with an uncle who bullies and humiliates him6–6is popular among his teachers and fellow photo Collection Letterkundig Museum students, writes poems which show true promise, and delights in delivering fantastic monologues sprinkled with Simon Vestdijk (1898-1971) is regarded as one of the greatest Latin quotations. Dutch writers of the twentieth century. He attended But this ill-starred prodigy has a defect: the inside of his medical school but in 1932 he gave up medicine in favour of mouth is a disaster area, consisting of stumps of teeth and literature, going on to produce no fewer than 52 novels, as the jagged remains of molars, separated by gaps. In the end, well as poetry, essays on music and literature, and several this leads to the boy’s downfall, which is recounted almost works on philosophy. He is remembered mainly for his casually. It starts with a new teacher’s reference to a ‘mouth psychological, autobiographical and historical novels, a full of tombstones’ and ends with his drowning when the number of which6–6Terug tot Ina Damman (‘Back to Ina jealous husband of his uncle’s housekeeper pushes him into Damman’, 1934), De koperen tuin (The Garden where the a canal.
    [Show full text]
  • Douglas Boswell Written by Pierre De Clercq
    Savage Film & Eyeworks in co-production with Family Affair Films present LABYRINTHUS A family fantasy film by Douglas Boswell written by Pierre De Clercq LABYRINTHUS – Press kit 2 www.labyrinthusdefilm.be/en - www.facebook.com/labyrinthusdefilm Table of content intro ........................................................................................................................................................... 4 synopsis .................................................................................................................................................... 5 cast - characters........................................................................................................................................ 6 Spencer Bogaert - Frikke...................................................................................................................... 6 Emma Verlinden – Nola........................................................................................................................ 6 Felix Maesschalck - Marko ................................................................................................................... 7 Pepijn Caudron - Rudolf ....................................................................................................................... 7 Herwig Ilegems – Mister Arnolds.......................................................................................................... 8 Tine Embrechts - Tilde.........................................................................................................................
    [Show full text]
  • Listeréalisateurs
    A Crossing the bridge : the sound of Istanbul (id.) 7-12 De lʼautre côté (Auf der anderen Seite) 14-14 DANIEL VON AARBURG voir sous VON New York, I love you (id.) 10-14 DOUGLAS AARNIOKOSKI Sibel, mon amour - head-on (Gegen die Wand) 16-16 Highlander : endgame (id.) 14-14 Soul kitchen (id.) 12-14 PAUL AARON MOUSTAPHA AKKAD Maxie 14 Le lion du désert (Lion of the desert) 16 DODO ABASHIDZE FEO ALADAG La légende de la forteresse de Souram Lʼétrangère (Die Fremde) 12-14 (Ambavi Suramis tsikhitsa - Legenda o Suramskoi kreposti) 12 MIGUEL ALBALADEJO SAMIR ABDALLAH Cachorro 16-16 Écrivains des frontières - Un voyage en Palestine(s) 16-16 ALAN ALDA MOSHEN ABDOLVAHAB Les quatre saisons (The four seasons) 16 Mainline (Khoon Bazi) 16-16 Sweet liberty (id.) 10 ERNEST ABDYJAPOROV PHIL ALDEN ROBINSON voir sous ROBINSON Pure coolness - Pure froideur (Boz salkyn) 16-16 ROBERT ALDRICH Saratan (id.) 10-14 Deux filles au tapis (The California Dolls - ... All the marbles) 14 DOMINIQUE ABEL TOMÁS GUTIÉRREZ ALEA voir sous GUTIÉRREZ La fée 7-10 Rumba 7-14 PATRICK ALESSANDRIN 15 août 12-16 TONY ABOYANTZ Banlieue 13 - Ultimatum 14-14 Le gendarme et les gendarmettes 10 Mauvais esprit 12-14 JIM ABRAHAMS DANIEL ALFREDSON Hot shots ! (id.) 10 Millenium 2 - La fille qui rêvait dʼun bidon dʼessence Hot shots ! 2 (Hot shots ! Part deux) 12 et dʼune allumette (Flickan som lekte med elden) 16-16 Le prince de Sicile (Jane Austenʼs mafia ! - Mafia) 12-16 Millenium 3 - La reine dans le palais des courants dʼair (Luftslottet som sprangdes) 16-16 Top secret ! (id.) 12 Y a-t-il quelquʼun pour tuer ma femme ? (Ruthless people) 14 TOMAS ALFREDSON Y a-t-il un pilote dans lʼavion ? (Airplane ! - Flying high) 12 La taupe (Tinker tailor soldier spy) 14-14 FABIENNE ABRAMOVICH JAMES ALGAR Liens de sang 7-14 Fantasia 2000 (id.
    [Show full text]