Iron, Steel and Swords Script - Page 1 Huh? Because They Are So Advanced They Cannot Discover a Simple Technology?
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Llilililj[Illlffilil[Il] Nittn
www.morehongzhou.com fts tfir.|.l vol 7,tssuE 5, MAY201I l-{ A N GZI{OU TH EAEgTil n Great to Springint ummer HIGHFIVE PLEASEDON'T TAKE IT TOTHE EXTREME Gymand FitnessTips for Newbies NTERVIEW By Antoniodel Sexipantalones ELL The Modern CuttingEdge of AncientChinese Arts By RuebenMarley ISSN 1005-9644 HOTSPOT NEPAL- BAGKAGAIN! llilililJ[illlffiLil[il]nittn By TanSiew Yim SC(ITTR(IDELL TheModem Cutting Edge of AncientChinese Arts BY RUEBENMARLEY 've been luckyenough to sharea Thesedays everybodywants to be a teacher. coupleof hours,talking to a world- Nobodywants to be a studentany more.Scott classkung-fu master. He's also a pausesfor the briefestof moments,to convey globallyrecognized expert who specializesin the gravityof the situation,as he expresses the study of traditionalChinese swords. He's his frustrationat the lost art of craftingpracti- the Center Directorof the Great RiverTaoist cal, historicallyaccurate, Center(GRTC), which has been providingall and effective swords in 'He mannerof martialarts training to studentsliving china.when I asked explores other related in the greaterWashington D.C. areafor nearly whythis is thecase, he forms of martial artS, like terriblyuninformed 30 years.There are five other GRTC centers aroundthe world,from San Franciscoto Rus- ff#H:'ii#"il3n[: Man'chuarchery, in his spare ::,"'iffil"."*Xil: sia. He has spenta very impressiveproportion problems in the world time. He's also in search of who is seriousabout it,the sword of hislife traveling to countriesaround the world, today is that sometimes the best manUfaCtUrer Of the learning to teach,and to be taught,by martialartists from peoplejust becomeway all walksof life.He's also got about20 yearsof toosuccessfut in tisht of Chinese jian.' fi", H:t;"#:H:: Taijiquanexperience under legendarymasters their endeavors,robbing lightly,and Scott lays Wang Yen-nien,T.T. -
Types of Chinese Swords There Are Generally Five Types of Swords in Chinese History, They Are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao
Types of Chinese Swords There are generally five types of swords in Chinese history, they are Jian, Zhanmadao, Liuyedao, Wodao and Yanmaodao. The jian is a double-edged straight sword used during the last 2,500 years in China. The first Chinese sources that mention the jian date to the 7th century BC during the Spring and Autumn Period;one of the earliest specimens being the Sword of Goujian. Historical one-handed versions have blades varying from 45 to 80 cm (17.7 to 31.5 inches) in length. The weight of an average sword of 70- centimeter (28-inch) blade-length would be in a range of approximately 700 to 900 grams (1.5 to 2 pounds). There are also larger two-handed versions used for training by many styles of Chinese martial arts. The zhanmadao is a saber with a single long broad blade, and a long handle suitable for two-handed use. Dating to 1072, it was used as an anti-cavalry weapon. This is mentioned in the "Wu Jing Zong Yao Song Military Manual" from 1072. Surviving examples include a sword that might resemble a nagamaki in construction; it had a wrapped handle 37 cm long making it easy to grip with two hands. The blade was 114 centimetres long and very straight with a slight curve in the last half. The liuye dao, or "willow leaf saber", is a type of Dao that was commonly used as a military sidearm for both cavalry and infantry during the Ming and Qing dynasties. This weapon features a moderate curve along the length of the blade. -
Yuan Ming Yuan Nei Gong Ze Li
1 Workshop “Chinese Handicraft Regulations: Theory and Application” ρറᠲઔಘᄎشঞࠏ: ᓵፖኔ܂πխഏٰ 3rd International Symposium on Ancient Chinese Books and Records of Science and Technology ϝሞЁ⾥ᡔ㈡䰙Ӯ䆂ⷨ䅼Ӯ March 31 – April 3, 2003 Eberhard-Karls-Universität Tübingen These abstracts are for your personal use. ᴀӮ䆂䆎᭛ᨬ㽕ҙկখӮ㗙ϾҎՓ⫼DŽ Please do not circulate or quote without permission by the authors. 㒣㗙ܕ䆌ˈϡᕫ݀ᓔᓩ⫼DŽ 2 Managing Mobility: Popular Technology, Social Visibility and the Regulation of Riverine Transportation in Eighteenth Century China Grant Alger Abstract This paper provides a case study of how local officials during the Qing sought to regulate the usage of privately constructed handicrafts by focusing on the administration of river boats in Fujian province during the eighteenth and early nineteenth centuries. Government officials, I argue, possessed a dual view of river boat operators as both marginal and potentially dangerous social figures and as important economic actors. As a result, officials sought to design regulations that decreased criminality on the rivers and also promoted the convenient flow of goods through the region. This study describe first how during the eighteenth century officials sought to police river boat operators by applying the baojia population registration system to the mobile world of the rivers. This policy included ordering that boats be painted, carved or branded with identifying information to lessen the anonymity of boat operators. Due to the state’s inability to execute fully this policy, however, in the early nineteenth century Fujian’s officials ordered instead the implementation of a boat broker system. This system was designed to enmesh all of the participants in the river transport trade, (boatmen, merchants, and brokers) into a relationship of mutual dependency and control as a way to maximize the regulatory impact over the transport trade while minimizing the need for day-to- day government involvement. -
Seminar on Japanese Swords 7 February 2005
Tsurugi-Bashi Kendo Kai University of Cambridge Kendo Society Seminar on Japanese swords 7 February 2005 Revised proceedings Proceedings editor: Nicholas Taylor Copyright c Tsurugi Bashi 2005 http://www.cam.ac.uk/societies/kendo/ Table of Contents Preface FrankStajano....................................... ...............3 A visit to a sword polisher's workshop FrankStajano....................................... ...............4 The parts of the Japanese sword NeilHubbard........................................ ..............7 Katana and Kendo: Background and Reigi HyoWonKim.......................................... ...........9 Functional differences between European medieval and Japa- nese swords SabineBuchholz...................................... ............11 Manufacture of Japanese swords RichardBoothroyd..................................... ...........13 Zen and the Way of the Sword KristiinaJokinen................................... ...............15 Metallurgy and the Japanese Sword NicholasTaylor..................................... ..............17 2 Preface On a sunny morning in December 2004 I happened to pass by the British Museum and my attention was caught by an elegant black poster featuring a beautiful Japanese sword blade. I immediately went in and was delighted at the chance to admire a won- derful exhibition of the Museum’s magnificent collection of about a hundred Japanese blades, all recently restored in Japan. Once back in Cambridge, I set out to organize a visit to the exhibition for members of our kendo dojo, Tsurugi-Bashi. Although, as one might expect, many of our kendoka have an interest in Japanese swords, none of us is really knowledgeable, let alone an expert or collector. We therefore needed some preparation and guidance in order fully to appreciate the visit. In the spirit of encouraging people to find out more about the subject, I there- fore requested that members wishing to join the guided tour carry out a little research about some aspect of the Japanese sword, write it up as a short essay and present it to the others. -
Blast Furnaces in Song–Yuan China
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by East Asian Science, Technology, and Medicine (EASTM - Universität Tübingen) EASTM 18 (2001): 41-74 Blast Furnaces in Song–Yuan China Donald B. Wagner [Donald B. Wagner is an independent scholar, presently based at the Nordic Institute of Asian Studies in Copenhagen, Denmark. His research has in recent years focused on the history of ferrous metallurgy in China, his most recent book being The State and the Iron Industry in Han China (2001). He is also engaged in preparing a series of textbooks in Classical Chinese.1] * * * The Chinese "commercial revolution" of the eleventh century was accompanied by a number of important technical developments. In the iron industry, the last major advances in blast furnace design were made. Water power was widely used for the blast, and coal and coke began to take the place of charcoal for the fuel. New blast furnace structures came into use, in some cases foreshadowing early European designs and those known from the traditional Chinese iron industry of the nineteenth and twentieth centuries. This article reviews the available evidence on the construction and operation of iron blast furnaces in the Song and Yuan periods, with special reference to the use of mineral fuel Blast Furnace Excavations Excavations of ironworks sites of the Song and Yuan periods have been reported in seven Chinese provinces.2 Of these a few are reported in sufficient detail to give us some idea of how blast furnaces in this period were built, and how they differed from what is known from periods before and after.3 1 E-mail address: [email protected]; web-site: http://staff.hum.ku.dk/dbwagner. -
China, Europe, and the Great Divergence: a Study in Historical National Accounting
CHINA, EUROPE AND THE GREAT DIVERGENCE: A STUDY IN HISTORICAL NATIONAL ACCOUNTING, 980-1850 Stephen Broadberry, London School of Economics and CAGE, [email protected] Hanhui Guan, Peking University, [email protected] David Daokui Li, Tsinghua University, [email protected] 28 July 2014 File: China7e.doc Abstract: GDP is estimated for China between the late tenth and mid-nineteenth centuries, and combined with population estimates. Chinese GDP per capita was highest during the Northern Song dynasty and declined during the Ming and Qing dynasties. China led the world in living standards during the Northern Song dynasty, but had fallen behind Italy by 1300. At this stage, it is possible that the Yangzi delta was still on a par with the richest parts of Europe, but by 1700 the gap was too large to be bridged by regional variation within China and the Great Divergence had already begun. JEL classification: E100, N350, O100 Keywords: GDP Per Capita; Economic Growth; Great Divergence; China; Europe Acknowledgements: This paper forms part of the project “Reconstructing the National Income of Britain and Holland, c.1270/1500 to 1850”, funded by the Leverhulme Trust, Reference Number F/00215AR. It is also part of the Collaborative Project HI-POD supported by the European Commission's 7th Framework Programme for Research, Contract Number SSH7-CT-2008-225342. David Daokui Li and Hanhui Guan also acknowledge financial support from Humanity and Social Science Promotion Plan of Tsinghua University (2009WKWT007) and National Natural Science Foundation (70973003) 1. INTRODUCTION As a result of recent advances in historical national accounting, estimates of GDP per capita are now available for a number of European economies back to the medieval period, including Britain, the Netherlands, Italy and Spain (Broadberry, Campbell, Klein, Overton and van Leeuwen, 2014; van Zanden and van Leeuwen, 2012; Malanima, 2011; Álvarez- Nogal and Prados de la Escosura, 2013). -
Folded Steel Nixon, Van Schijndel Waldrip, Saito
Folded Steel Nixon, van Schijndel Waldrip, Saito Folded Steel: The Art of Sword Making and the Enduring Image of the Samurai Authors: Megan Saito Jonathon Waldrip Amelia Nixon Corri van Schijndel 1 Folded Steel Nixon, van Schijndel Waldrip, Saito Table of Contents Introduction ................................................................................................................................................. 3 Historical Origins: The Tokugawa Rise to Power ..................................................................................... 3 Ritual: Honor and Virtue . .......................................................................................................................... 4 Contemporary Icon: The Enduring Image of the Samurai ........................................................................ 5 Conclusion ................................................................................................................................................... 6 Works Cited ................................................................................................................................................. 7 Appendix of Images ................................................................................................................................... 13 2 Folded Steel Nixon, van Schijndel Waldrip, Saito Introduction The samurai culture is one of ancient origin and has developed a deep and intricate society throughout its existence. The samurai seemed to be at the height of their potential near -
An Inquiry Into the History of the Chinese Terms Jiqi (Machine) and Jixie (Machinery)
ZHANG BAICHUN AN INQUIRY INTO THE HISTORY OF THE CHINESE TERMS JIQI (MACHINE) AND JIXIE (MACHINERY) Within the context of modern mechanical engineering, the Chinese technical terms jiqi (‘machine’, ‘machinery’, ‘apparatus’), and jixie (‘machinery’, ‘mechanism’, ‘mechanical’), have long been given specialist definitions. In ancient China, however, the two terms were rarely used. Drawing on a selection of relevant texts and docu- ments this essay will trace their occurrences and changes of meaning. 1. JI , QI , AND XIE 1. Ji Ji has many meanings in ancient Chinese. In the early period, one of its basic meanings referred to the trigger mechanism on a crossbow, i.e., something with a controlling function. The Eastern Han glossary Shiming ʑ (Explanations of names, ca. 200 AD) mentions the term in the chapter “Shibing” (Explanations concerning the military): “Nu , the crossbow, is [pronounced like] nu , anger. … [it] is also used to refer to the skill of setting something in motion (ji zhi qiao ) or the guardian mechanism (shuji ) of doors and windows by means of which opening and closing are controlled.”1 In the Shuo- wen jiezi ʠ (Describing the pictograms and explaining the compound characters), published around the same time, we read: “Ji: what controls the beginning is called ji. It is written with [the radical] mu ‘wood’; and it is pronounced like ji .” 2 In the late Ming, Wang Zheng described and explained the crossbow and its ‘controlling mechanism’ (ji) in detail in his Xinzhi zhuqi tushuo ̅ (Illustrated explanations on new machines of all kinds) (cf. Figure 1).3 1 Liu Xi . -
The Disappearance of Silk Weaves with Weft Effects in Early China
Chinese Science 12 (1995): 41-76 The Disappearance of Silk Weaves with Weft Effects in Early China Angela Sheng [Angela Sheng was formerly Assistant Curator in the Textiles Department, Royal Ontario Museum, Toronto, Canada. She is now living and researching in Japan. Material in Figures 5, Al, A2, and A4 has been reprinted from Dorothy K. Burnham, Warp and Weft: A Textile Tenninology (Toronto: Royal Ontario Museum, 1980), with permission ofthe author.} * * * n 1982 spectacular costumes and textiles were unearthed from the Number I One Chu Tomb (340-278 B.C.) at Mashan in Jiangling (Hubei 1985). Complex patterns woven with weft effect were found on seven silk bands (taodai) trimming the opening of four robes. 1 This discovery all but shatters the misconception that the ancient Chinese learned to weave patterns in the weft from foreigners and obliterates the false debate about the origin of the Chinese drawloom. 2 But it also raises a new question: why did the Chinese not continue 1 The term "weaves with weft effects" follows Dorothy Bumham's classification ( 1980: 195-96). Textile terms are often confusing in both English and Chinese and this confusion is compounded in translation. As much as possible, I will use modem Chinese textile terms that refer to weave structures and provide their English equivalents. Where two different ancient textiles are the same in structure, I will use their historical names. For details on Chinese silk weaves, see Becker 1987: 23-25 and Zhao Feng 1992: 31-73. For an explantion of textile terins, see Appendix. 2 Based on textile finds from Antinoi!, Egypt dating to A.O. -
Seminar on Japanese Swords
Seminar on Japanese swords Cambridge University Kendo Club 7th February 2005 Table of Contents A visit to a sword polisher’s workshop Frank Stajano ................................................... ... 2 The parts of the Japanese sword Neil Hubbard................................................... ....5 Katana and Kendo: Background and Reigi Hyo Won Kim ................................................... ... 7 Functional differences between European medieval and Japanese swords Sabine Buchholz................................................... .9 Manufacture of Japanese swords Richard Boothroyd ................................................ 11 Zen and the Way of the Sword Kristiina Jokinen .................................................. 13 Metallurgy and the Japanese Sword Nicholas Taylor................................................... .15 the previous one. This process is repeated several times References with progressively finer stones, each at its own angle. Metallurgy and the Japanese sword Each pass takes about half an hour for that short section [1] Darrell Max Craig. Iai—The art of drawing the of the sword. At each pass, the surface of the sword sword. Tuttle, 1981. ISBN 0-8048-7023-3. becomes smoother and the scratches of the later stones Nicholas Taylor [2] Leon Kapp, Hiroko Kapp and Yoshindo Yoshihara. are so fine as to be almost invisible. Looking at the The craft of the Japanese sword. Kodansha, 1987. blade between the passes reveals progressively more of February 2004 ISBN 4-7700-1298-5. the patterns in the metal. The wavy curve of the hamon starts to come out quite clearly. [3] Oscar Ratti and Adele Westbrook. Secrets of the 1 Introduction to transform from cementite to carbon is unavail- The polisher then moves to even finer abrasives: first, samurai. Tuttle, 1973. ISBN 0-8048-1684-0. able, so the cementite remains. a particularly smooth grinding stone that has been sliced [4] John M. -
Swords and Daggers
Swords and Daggers Swords are weapons formed by a blade (the part intended for striking) and a hilt (from which the sword is held) [Fig. 1]. While there have been swords made of wood and stone, the more predominant and effective examples have been made of some sort of metal. Bronze was used in ancient times, followed by iron and then steel. Daggers are a more primitive, much smaller weapon which share many features with the sword. As a general rule, knives have a single edge. Blade The sword’s blade can be divided between the forte (third of the blade closer to the hilt) and the foible (third of the blade closer to the tip). This refers to how much strength the wielder can put into each area of the blade when used as a lever. The part of the blade that becomes narrow and goes into the grip is called the tang [Fig. 2]. The point of balance [Fig. 3] is the sword’s center of gravity, often found on the blade very close to the hilt, and influences the handling of the weapon. The center of percussion [Fig. 3] is the area of the blade that produces the least amount of vibration when striking a target, and thus is the ideal place with which to strike. The cross-section of the blade [Fig. 4] is the shape it has when cut at the guard. The fullers, incorrectly called blood grooves in modern times, were used to reduce the weight of the blade and give it structural strength. -
Annual Report of the Board of Regents of the Smithsonian Institution
SECTIOlSr I. REP () K T VrON THK CONDITION AND PROGRESS OF THE U. S. NATIONAL MUSEUM DURING THE YEAR ENDING JUNE 30, 1891. G. BROWN GOODE, ASSISTANT SKCKETARY OF THK SMITHSONIAN INSTITUTION, IN CHARGE OF V. S. NATIONAL MUSEUM. SM 91, PT 2 1 KEPORT UPON S. NATIONAL MUSEUM THF CONDITION AND PROGRESS OF THE U. DURING THE YEAR ENDING JUNE BO, 1891. BY G. Brown Goode, Museum, Institution, in charge of U. S. National Assistant Secretan,, Smmsonian A.—GENERAL CONSIDEEATIONS. statement of the operations of the Before, entering upon a detailed Report, it is perhaps not Musenni during the period covered by tliis organization, and aims, in order undesirable to briefly outline its history, work now to be reported upon, as the that the true relationships of the be comprehended. outoTowth of the activities of other years, may by act of Congress m The Smithsonian Institution was established that '' all objects of art and 184G One of the provisions of the act was and all objects of natural history, of foreign and curious research, mineralogical specimens " belonging to the plants, and geological and of the Institution, to be ar- United States should be placed in the custody students. It was also pro- r-m-ed and classified so as to be available for of objects known as - the National ^dded that a miscellaneous collection accumulated in the Patent Oftice, Cabinet of Curiosities," which had beginning was thus made should be transferred to the Institution.* A which, however, was not recognized othcially for the National Museum, The various steps which under that designation until a later date.