An Inquiry Into the History of the Chinese Terms Jiqi (Machine) and Jixie (Machinery)
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Orthography of Early Chinese Writing: Evidence from Newly Excavated Manuscripts
IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS BUDAPEST MONOGRAPHS IN EAST ASIAN STUDIES SERIES EDITOR: IMRE HAMAR IMRE GALAMBOS ORTHOGRAPHY OF EARLY CHINESE WRITING: EVIDENCE FROM NEWLY EXCAVATED MANUSCRIPTS DEPARTMENT OF EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2006 The present volume was published with the support of the Chiang Ching-kuo Foundation. © Imre Galambos, 2006 ISBN 963 463 811 2 ISSN 1787-7482 Responsible for the edition: Imre Hamar Megjelent a Balassi Kiadó gondozásában (???) A nyomdai munkálatokat (???)a Dabas-Jegyzet Kft. végezte Felelős vezető Marosi Györgyné ügyvezető igazgató CONTENTS Acknowledgements ................................................................................................. vii Introduction ............................................................................................................ 1 CHAPTER ONE FORMER UNDERSTANDINGS ..................................................................................... 11 1.1 Traditional views ........................................................................................... 12 1.1.1 Ganlu Zishu ........................................................................................ 13 1.1.2 Hanjian .............................................................................................. 15 1.2 Modern views ................................................................................................ 20 1.2.1 Noel Barnard ..................................................................................... -
THE STRUCTURE of the NAXI PICTOGRAPHIC SCRIPT’ CHAPTER 3 in a DICTIONARY of NAXI PICTOGRAPHS by FANG GUOYU1 Jacob Cawthorne University of Melbourne
Linguistics of the Tibeto-Burman Area Volume 33.1 — April 2010 TRANSLATION OF ‘THE STRUCTURE OF THE NAXI PICTOGRAPHIC SCRIPT’ CHAPTER 3 IN A DICTIONARY OF NAXI PICTOGRAPHS BY FANG GUOYU1 Jacob Cawthorne University of Melbourne Abstract: The aim of this translation is to make accessible in English one of the most important chapters of the influential work A Dictionary of Naxi Pictographs, by Fang Guoyu, to a wider audience.2 Through his work, Fang became a chief protagonist in bringing the attention and interest of the Chinese government and intelligentsia upon the Naxi people, the Dongba religion and the script during the mid to late 20th century. Although more contemporary research has superseded Fang’s efforts, his work is still widely used by both Chinese and Western academics as the basis for their research on the script. The core purpose of this chapter is to analyse the structure of the Naxi pictographic script. Fang achieves this by classifying the pictographs into ten categories in accordance with theoretical principles adapted from the liu shu (六书), or six categories of Chinese characters. A discussion of the key features of each category is made and accompanied by examples to further illustrate the distinctive features of each category. A summation on the relevance of the script to the study of writing systems in general is completed at the end of the chapter. In addition, Fang also analyses the Naxi phonographic script as a script in its own right, and its relationship with the Naxi pictographic script. Keywords: Naxi, pictographs, Dongba, Geba, Tibeto-Burman language, writing system. -
Science and Technology in Modern China, 1880S-1940S
Science and Technology in Modern China, 1880s-1940s Edited by Jing Tsu and Benjamin A. Elman LEIDEN | BOSTON This is a digital offprint for restricted use only | © 2014 Koninklijke Brill NV Contents List of Figures vii Notes on Contributors ix Introduction 1 Jing Tsu and Benjamin A. Elman Toward a History of Modern Science in Republican China 15 Benjamin A. Elman Historiography of Science and Technology in China The First Phase 39 Iwo Amelung Disciplining the National Essence Liu Shipei and the Reinvention of Ancient China’s Intellectual History 67 Joachim Kurtz Science in Translation Yan Fu’s Role 93 Shen Guowei Chinese Scripts, Codes, and Typewriting Machines 115 Jing Tsu Semiotic Sovereignty The 1871 Chinese Telegraph Code in Historical Perspective 153 Thomas S. Mullaney Proofreading Science Editing and Experimentation in Manuals by a 1930s Industrialist 185 Eugenia Lean The Controversy over Spontaneous Generation in Republican China Science, Authority, and the Public 209 Fa-ti Fan Bridging East and West through Physics William Band at Yenching University 245 Danian Hu Periodical Space Language and the Creation of Scientific Community in Republican China 269 Grace Shen This is a digital offprint for restricted use only | © 2014 Koninklijke Brill NV vi Contents Operatic Escapes Performing Madness in Neuropsychiatric Beijing 297 Hugh Shapiro Index 327 Contents Notes on Contributors ix Introduction 1 Jing Tsu and Benjamin A. Elman Introduction 1 Toward a History of Modern Science in Republican China 15 Benjamin A. Elman 15 Historiography of Science and Technology in China 39 The First Phase 39 Iwo Amelung 39 Disciplining the National Essence 67 Liu Shipei and the Reinvention of Ancient China’s Intellectual History 67 Joachim Kurtz 67 Science in Translation 93 Yan Fu’s Role 93 Shen Guowei 93 Chinese Scripts, Codes, and Typewriting Machines 115 Jing Tsu 115 Semiotic Sovereignty 153 The 1871 Chinese Telegraph Code in Historical Perspective 153 Thomas S. -
Chinese Script Generation Panel Document
Chinese Script Generation Panel Document Proposal for the Generation Panel for the Chinese Script Label Generation Ruleset for the Root Zone 1. General Information Chinese script is the logograms used in the writing of Chinese and some other Asian languages. They are called Hanzi in Chinese, Kanji in Japanese and Hanja in Korean. Since the Hanzi unification in the Qin dynasty (221-207 B.C.), the most important change in the Chinese Hanzi occurred in the middle of the 20th century when more than two thousand Simplified characters were introduced as official forms in Mainland China. As a result, the Chinese language has two writing systems: Simplified Chinese (SC) and Traditional Chinese (TC). Both systems are expressed using different subsets under the Unicode definition of the same Han script. The two writing systems use SC and TC respectively while sharing a large common “unchanged” Hanzi subset that occupies around 60% in contemporary use. The common “unchanged” Hanzi subset enables a simplified Chinese user to understand texts written in traditional Chinese with little difficulty and vice versa. The Hanzi in SC and TC have the same meaning and the same pronunciation and are typical variants. The Japanese kanji were adopted for recording the Japanese language from the 5th century AD. Chinese words borrowed into Japanese could be written with Chinese characters, while Japanese words could be written using the character for a Chinese word of similar meaning. Finally, in Japanese, all three scripts (kanji, and the hiragana and katakana syllabaries) are used as main scripts. The Chinese script spread to Korea together with Buddhism from the 2nd century BC to the 5th century AD. -
Downloaded from Brill.Com10/04/2021 08:34:09AM Via Free Access Bruce Rusk: Old Scripts, New Actors 69
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700* Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay. -
The Chinese Script T � * 'L
Norman, Jerry, Chinese, Cambridge: Cambridge University Press, 1988. 1 3.1 Th e beginnings of Chinese writing 59 3 FISH HORSE ELEPHANT cow (yu) (m ii) (xiimg) (niu) " The Chinese script t � * 'l Figure 3.1. Pictographs in early Chinese writing 3.1 The beginnings of Chinese writing1 The Chinese script appears as a fully developed writing system in the late Shang .dynasty (fourteenth to eleventh centuries BC). From this period we have copious examples of the script inscribed or written on bones and tortoise shells, for the most part in the form of short divinatory texts. From the same period there also Figure 3.2. The graph fo r quiin'dog' exist a number of inscriptions on bronze vessels of various sorts. The former type of graphic record is referred to as the oracle bone script while the latter is com of this sort of graph are shown in Figure 3.1. The more truly representational a monly known· as the bronze script. The script of this period is already a fully graph is, the more difficult and time-consuming it is to depict. There is a natural developed writing system, capable of recording the contemporary Chinese lan tendency for such graphs to become progressively simplified and stylized as a guage in a complete and unambiguous manner. The maturity of this early script writing system matures and becomes more widely used. As a result, pictographs has suggested to many scholars that it must have passed through a fairly long gradually tend to lose their obvious pictorial quality. The graph for qui'in 'dog' period of development before reaching this stage, but the few examples of writing shown in Figure 3.2 can serve as a good illustration of this sort of development. -
Yuan Ming Yuan Nei Gong Ze Li
1 Workshop “Chinese Handicraft Regulations: Theory and Application” ρറᠲઔಘᄎشঞࠏ: ᓵፖኔ܂πխഏٰ 3rd International Symposium on Ancient Chinese Books and Records of Science and Technology ϝሞЁ⾥ᡔ㈡䰙Ӯ䆂ⷨ䅼Ӯ March 31 – April 3, 2003 Eberhard-Karls-Universität Tübingen These abstracts are for your personal use. ᴀӮ䆂䆎᭛ᨬ㽕ҙկখӮ㗙ϾҎՓ⫼DŽ Please do not circulate or quote without permission by the authors. 㒣㗙ܕ䆌ˈϡᕫ݀ᓔᓩ⫼DŽ 2 Managing Mobility: Popular Technology, Social Visibility and the Regulation of Riverine Transportation in Eighteenth Century China Grant Alger Abstract This paper provides a case study of how local officials during the Qing sought to regulate the usage of privately constructed handicrafts by focusing on the administration of river boats in Fujian province during the eighteenth and early nineteenth centuries. Government officials, I argue, possessed a dual view of river boat operators as both marginal and potentially dangerous social figures and as important economic actors. As a result, officials sought to design regulations that decreased criminality on the rivers and also promoted the convenient flow of goods through the region. This study describe first how during the eighteenth century officials sought to police river boat operators by applying the baojia population registration system to the mobile world of the rivers. This policy included ordering that boats be painted, carved or branded with identifying information to lessen the anonymity of boat operators. Due to the state’s inability to execute fully this policy, however, in the early nineteenth century Fujian’s officials ordered instead the implementation of a boat broker system. This system was designed to enmesh all of the participants in the river transport trade, (boatmen, merchants, and brokers) into a relationship of mutual dependency and control as a way to maximize the regulatory impact over the transport trade while minimizing the need for day-to- day government involvement. -
ON MATHEMATICAL TERMINOLOGY: CULTURE CROSSING in NINETEENTH-CENTURY CHINA the History of Mathematical Terminologies in Nineteent
ANDREA BRÉARD ON MATHEMATICAL TERMINOLOGY: CULTURE CROSSING IN NINETEENTH-CENTURY CHINA INTRODUCTORY REMARKS: ON MATHEMATICAL SYMBOLISM The history of mathematical terminologies in nineteenth-century China is a multi-layered issue. Their days of popularity and eventual decline are bound up with the complexities of the disputes between the Qian-Jia School who were concerned with textual criticism and the revival of ancient native Chinese mathematical texts, and those scholars that were interested in mathematical studies per se1 (and which we will discuss in a more detailed study elsewhere). The purpose of the following article is to portray the ‘introduction’ of Western mathematical notations into the Chinese consciousness of the late nineteenth century as a major signifying event, both (i) in its own right within the context of the translation of mathematical writ- ings from the West; and (ii) with respect to the way in which the tradi- tional mathematical symbolic system was interpreted by Qing commentators familiar with Western symbolical algebra. Although one might assume to find parallel movements in the commentatorial and translatory practices of one and the same person, nineteenth-cen- tury mathematical activities will be shown to be clearly compartmen- talized. In fact, for the period under consideration here, it would be more appropriate to speak of the ‘reintroduction’ of Western mathematical notations. Already in 1712 the French Jesuit Jean-François Foucquet S. J. (1665–1741) had tried to introduce algebraic symbols in his Aer- rebala xinfa ̅ (New method of algebra). This treatise, which was written for the Kangxi emperor, introduced symbolical 1 In particular, the ‘three friends discussing astronomy and mathematics’ (Tan tian san you dž ) Wang Lai (1768–1813), Li Rui (1763–1820) and Jiao Xun nj (1765–1814). -
Assessing the Validity of Hainan's 400- Year Gazetteer Record for Establishing Historical Baselines
Assessing the validity of Hainan’s 400- year gazetteer record for establishing historical baselines Connor Walsh August 2016 A thesis submitted for the partial fulfilment of the requirements for the degree of Master of Science at Imperial College London Submitted for the MSc in Conservation Science 2 Declaration of Own Work I declare that this thesis: Assessing the validity of Hainan’s 400-year gazetteer record for establishing historical baselines is entirely my own work, and that where material could be construed as the work of others, it is fully cited and referenced, and/or with appropriate acknowledgement given. Signed. Name of student: Connor Walsh Name of Supervisors: Dr Samuel Turvey; Clare Duncan 3 Table of Contents Declaration of Own Work ..................................................................................................... 2 List of acronyms .................................................................................................................... 4 Acknowledgements ............................................................................................................... 4 Introduction ........................................................................................................................... 6 Methods ................................................................................................................................. 8 Results ................................................................................................................................. 12 Discussion -
Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 *
EASTM 26 (2007): 68-116 Old Scripts, New Actors: European Encounters with Chinese Writing, 1550-1700 * Bruce Rusk [Bruce Rusk is Assistant Professor of Chinese Literature in the Department of Asian Studies at Cornell University. From 2004 to 2006 he was Mellon Humani- ties Fellow in the Asian Languages Department at Stanford University. His dis- sertation was entitled “The Rogue Classicist: Feng Fang and his Forgeries” (UCLA, 2004) and his article “Not Written in Stone: Ming Readers of the Great Learning and the Impact of Forgery” appeared in The Harvard Journal of Asi- atic Studies 66.1 (June 2006).] * * * But if a savage or a moon-man came And found a page, a furrowed runic field, And curiously studied line and frame: How strange would be the world that they revealed. A magic gallery of oddities. He would see A and B as man and beast, As moving tongues or arms or legs or eyes, Now slow, now rushing, all constraint released, Like prints of ravens’ feet upon the snow. — Herman Hesse 1 Visitors to the Far East from early modern Europe reported many marvels, among them a writing system unlike any familiar alphabetic script. That the in- habitants of Cathay “in a single character make several letters that comprise one * My thanks to all those who provided feedback on previous versions of this paper, especially the workshop commentator, Anthony Grafton, and Liam Brockey, Benjamin Elman, and Martin Heijdra as well as to the Humanities Fellows at Stanford. I thank the two anonymous readers, whose thoughtful comments were invaluable in the revision of this essay. -
The Translation of Modern Western Science in Nineteenth-Century China, 1840-1895
The Translation of Modern Western Science in Nineteenth-Century China, 1840-1895 David Wright Isis, Vol. 89, No. 4. (Dec., 1998), pp. 653-673. Stable URL: http://links.jstor.org/sici?sici=0021-1753%28199812%2989%3A4%3C653%3ATTOMWS%3E2.0.CO%3B2-Q Isis is currently published by The University of Chicago Press. Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/about/terms.html. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/journals/ucpress.html. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. The JSTOR Archive is a trusted digital repository providing for long-term preservation and access to leading academic journals and scholarly literature from around the world. The Archive is supported by libraries, scholarly societies, publishers, and foundations. It is an initiative of JSTOR, a not-for-profit organization with a mission to help the scholarly community take advantage of advances in technology. For more information regarding JSTOR, please contact [email protected]. http://www.jstor.org Sun Mar 2 21:45:07 2008 The Translation of Modern Western Science in Nineteenth-Century China, 1840-1 895 By David Wright* ABSTRACT The translation of Western science texts into Chinese began with the Jesuits in the sixteenth century, but by 1800 their impact had waned. -
Blast Furnaces in Song–Yuan China
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by East Asian Science, Technology, and Medicine (EASTM - Universität Tübingen) EASTM 18 (2001): 41-74 Blast Furnaces in Song–Yuan China Donald B. Wagner [Donald B. Wagner is an independent scholar, presently based at the Nordic Institute of Asian Studies in Copenhagen, Denmark. His research has in recent years focused on the history of ferrous metallurgy in China, his most recent book being The State and the Iron Industry in Han China (2001). He is also engaged in preparing a series of textbooks in Classical Chinese.1] * * * The Chinese "commercial revolution" of the eleventh century was accompanied by a number of important technical developments. In the iron industry, the last major advances in blast furnace design were made. Water power was widely used for the blast, and coal and coke began to take the place of charcoal for the fuel. New blast furnace structures came into use, in some cases foreshadowing early European designs and those known from the traditional Chinese iron industry of the nineteenth and twentieth centuries. This article reviews the available evidence on the construction and operation of iron blast furnaces in the Song and Yuan periods, with special reference to the use of mineral fuel Blast Furnace Excavations Excavations of ironworks sites of the Song and Yuan periods have been reported in seven Chinese provinces.2 Of these a few are reported in sufficient detail to give us some idea of how blast furnaces in this period were built, and how they differed from what is known from periods before and after.3 1 E-mail address: [email protected]; web-site: http://staff.hum.ku.dk/dbwagner.