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Animagazin 2. Sz. (2014. Március 20.)
Tavaszi anime pre- mierek (a kimaradt Újra itt vannak a királyok DRRR!! 2 TV sorozatok a későbbi oldalakon kerülnek bemuta- Hírek // AniMagazin tásra): március: Rendezvények SAO 2 nyáron 1-jén: - Harmonie (Film) Miyavi koncert: 2014. március 24. Júliusban jön a korábban - Kuro no Sumika -Chro- (hétfő) - Barba Negra Music Club. bejelentett Sword Art Online 2. nus- (Film) Jegyár: 6900 Ft Az anime az eredeti regény 5. és - Ookii 1 Nensei to Chii- 6. kötetét, a Phantom Bulletet sana 2 Nensei (Film) Teen Top koncert: 2014. április 12. (szombat)- Petőfi Csarnok. Jegyár: dolgozza fel. - Parol no Mirai Shima Sankaku Complex A 2012-es sorozat után idén július 12-én (Film) 45 euro (Első k-pop koncert Ma- egy film érkezik a K című animéhez K-Miss- A Dengeki Game Fesztiválon gyarországon.) ing Kings címmel. A film folytatás lesz, mely- bejelentették, hogy új tv-sorozat 8-án: készül a Durararához. A rendezői - Hakuouki Movie 2: Shi- OSzAKE: 2014. április 12. (szom- ben Yatogami Kuroh és Neko a mesterüket, bat) - Medgyessy Ferenc Gimná- Shirót keresik. Azonban semmi nyomot nem székben ismét Omori Takahiro kon Soukyuu (Film) Hayate OVA ül majd és a többi stábtag is visz- - Pretty Rhythm All zium és Művészeti Szakközépiskola, találnak addig a napig, míg az útjukba nem Debrecen. Jegyár: 1500 Ft kerül két Homra tag: Kamamoto Rikio és szatér. A 2. évad a Studio Shuka Stars Selection Prism berkeiben készül. Egyelőre nem Show?Best Ten Movie PlayIT: 2014. április 26. (szombat) - Kushina Anna, akiket épp üldöznek. ANN tudni, hogy az előző évadot (Film) Syma Csarnok. Jegyár: 1800 Ft-tól. -
Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation
Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Tuomas Sibakov Master’s Thesis East Asian Studies Faculty of Humanities University of Helsinki November 2020 Tiedekunta – Fakultet – Faculty Koulutusohjelma – Utbildningsprogram – Degree Programme Faculty of Humanities East Asian Studies Opintosuunta – Studieinriktning – Study Track East Asian Studies Tekijä – Författare – Author Tuomas Valtteri Sibakov Työn nimi – Arbetets titel – Title Imōto-Moe: Sexualized Relationships Between Brothers and Sisters in Japanese Animation Työn laji – Arbetets art – Level Aika – Datum – Month and Sivumäärä– Sidoantal – Number of pages Master’s Thesis year 83 November 2020 Tiivistelmä – Referat – Abstract In this work I examine how imōto-moe, a recent trend in Japanese animation and manga in which incestual connotations and relationships between brothers and sisters is shown, contributes to the sexualization of girls in the Japanese society. This is done by analysing four different series from 2010s, in which incest is a major theme. The analysis is done using visual analysis. The study concludes that although the series can show sexualization of drawn underage girls, reading the works as if they would posit either real or fictional little sisters as sexual targets. Instead, the analysis suggests that following the narrative, the works should be read as fictional underage girls expressing a pure feelings and sexuality, unspoiled by adult corruption. To understand moe, it is necessary to understand the history of Japanese animation. Much of the genres, themes and styles in manga and anime are due to Tezuka Osamu, the “god of manga” and “god of animation”. From the 1950s, Tezuka was influenced by Disney and other western animators at the time. -
Inside and Outside Powerbrokers
Inside and Outside Powerbrokers By Jochen Legewie Published by CNC Japan K.K. First edition June 2007 All rights reserved Printed in Japan Contents Japanese media: Superlatives and criticism........................... 1 Media in figures .............................................................. 1 Criticism ........................................................................ 3 The press club system ........................................................ 4 The inside media: Significance of national dailies and NHK...... 7 Relationship between inside media and news sources .......... 8 Group self-censorship within the inside media .................. 10 Specialization and sectionalism within the inside media...... 12 Business factors stabilizing the inside media system.......... 13 The outside media: Complementarities and role as watchdog 14 Recent trends and issues .................................................. 19 Political influence on media ............................................ 19 Media ownership and news diversity................................ 21 The internationalization of media .................................... 25 The rise of internet and new media ................................. 26 The future of media in Japan ............................................. 28 About the author About CNC Japanese media: Superlatives and criticism Media in figures Figures show that Japan is one of the most media-saturated societies in the world (FPCJ 2004, World Association of Newspapers 2005, NSK 2006): In 2005 the number of daily newspapers printed exceeded 70 million, the equivalent of 644 newspapers per 1000 adults. This diffusion rate easily dwarfs any other G-7 country, including Germany (313), the United Kingdom (352) and the U.S. (233). 45 out of the 120 different newspapers available carry a morning and evening edition. The five largest newspapers each sell more than four million copies daily, more than any of their largest Western counterparts such as Bild in Germany (3.9 mil.), The Sun in the U.K. (2.4 mil.) or USA Today in the U.S. -
The Significance of Anime As a Novel Animation Form, Referencing Selected Works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii
The significance of anime as a novel animation form, referencing selected works by Hayao Miyazaki, Satoshi Kon and Mamoru Oshii Ywain Tomos submitted for the degree of Doctor of Philosophy Aberystwyth University Department of Theatre, Film and Television Studies, September 2013 DECLARATION This work has not previously been accepted in substance for any degree and is not being concurrently submitted in candidature for any degree. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 1 This dissertation is the result of my own independent work/investigation, except where otherwise stated. Other sources are acknowledged explicit references. A bibliography is appended. Signed………………………………………………………(candidate) Date …………………………………………………. STATEMENT 2 I hereby give consent for my dissertation, if accepted, to be available for photocopying and for inter-library loan, and for the title and summary to be made available to outside organisations. Signed………………………………………………………(candidate) Date …………………………………………………. 2 Acknowledgements I would to take this opportunity to sincerely thank my supervisors, Elin Haf Gruffydd Jones and Dr Dafydd Sills-Jones for all their help and support during this research study. Thanks are also due to my colleagues in the Department of Theatre, Film and Television Studies, Aberystwyth University for their friendship during my time at Aberystwyth. I would also like to thank Prof Josephine Berndt and Dr Sheuo Gan, Kyoto Seiko University, Kyoto for their valuable insights during my visit in 2011. In addition, I would like to express my thanks to the Coleg Cenedlaethol for the scholarship and the opportunity to develop research skills in the Welsh language. Finally I would like to thank my wife Tomoko for her support, patience and tolerance over the last four years – diolch o’r galon Tomoko, ありがとう 智子. -
Yomiuri, Shimbun Mike Mansfield 1903-2001
University of Montana ScholarWorks at University of Montana Mike Mansfield Speeches Mike Mansfield Papers 4-1981 Yomiuri, Shimbun Mike Mansfield 1903-2001 Let us know how access to this document benefits ouy . Follow this and additional works at: https://scholarworks.umt.edu/mansfield_speeches Recommended Citation Mansfield, Mike 1903-2001, "Yomiuri, Shimbun" (1981). Mike Mansfield Speeches. 1522. https://scholarworks.umt.edu/mansfield_speeches/1522 This Speech is brought to you for free and open access by the Mike Mansfield Papers at ScholarWorks at University of Montana. It has been accepted for inclusion in Mike Mansfield Speeches by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. \ ( YOMIURI (Page 2) (Full) April 19, 1981 fiiJ Foreign Minister Easily Succumbs to Ambassador MANSFIELD's Fervent Speech; Becomes Weak-Kneed, with Efforts to Seek Early Reply Taken Advantage Of ITO's style of "naniwa-bushi" was completely defeated (?), with its being taken advantage of. It seems that the Foreign Minister ITO-US Ambassador MANSFIELD talks, which were held on the 18th, in connection with the US nuclear-powered submarine's ''hit-and-run" accident, started with and ended in the Ambassador's remarkably fervent speech, covering a range of problems from his view on life and political philosophy to an argument concerning the US as a law-governed country. The Ambassador's stand may be briefly summed up as follows: "Investigations into the accident will be conducted -
(WHEN MARNIE WAS THERE) Is a Fourth Quarter 2017 LVCA Dvd
OMOIDE NO MÂNÎ (WHEN MARNIE WAS THERE) is a Fourth Quarter 2017 LVCA dvd donation to the Hugh Stouppe Memorial Library of the Heritage United Methodist Church of Ligonier, Pennsylvania. Here’s Kino Ken’s review of that mystical animation from Japan. 16 of a possible 20 points **** of a possible ***** Japan 2014 color 103 minutes feature animation fantasy dubbed in English Studio Ghibli / Toho Company /Dentsu / Hakuhodo DY Media Partners Producers: Yoshiaki Nishimura, Koji Hoshino, Geoffrey Wexler (English version), Toshio Suzuki Key: *indicates outstanding technical achievement or performance (j) designates a juvenile performer Points: Direction: Hiromasa Yonebayashi 0 Editing: Rie Matsubara 2 Photography: Atsushi Okui 2 Lighting 2 Animation: Masashi Ando (Animation Director) 1 Screenplay: Keiko Niwa, Masashi Ando, and Hiromasa Yonebayashi based on the novel by Joan Robinson 2 Music: Takatsugu Muramatsu, Priscilla Ahn (theme music) Francisco Tarriega (“Valse in La Mayor” from Recuerdos de la Alhambra) 2 Production Design: Yohei Taneda Character Design: Masashi Ando 2 Sound: Eriko Kimura, Jamie Simone (English Version) Sound Direction: Koji Kasamatsu 1 Voices Acting 2 Creativity 16 total points English Voices Cast: Ava Acres (Sayaka), Kathy Bates (Mrs. Kadoya), Taylor Autumn Bertman (j) (Young Marnie), Mila Brener (j) (Young Hisako), Ellen Burstyn (Nan), Geena Davis (Yoriko Sasaki), Grey Griffin (Setsu Oiwa), Catherine O’Hara (Elderly Lady), Takuma Oroo (Neighborhood Association Officer), John Reilly (Kiyomasa Oiwa), Raini Rodriguez (Nobuko -
How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power
View metadata, citation and similarbrought COREpapers to youat core.ac.ukby provided by University of Tasmania Open Access Repository 1 Wings and Freedom, Spirit and Self: How the Filmography of Hayao Miyazaki Subverts Nation Branding and Soft Power Shadow (BA Hons) 195408 Submitted in fulfilment of the requirements for the Degree of Masters of Journalism, Media and Communications University of Tasmania June, 2015 2 Declaration of Originality: This thesis contains no material which has been accepted for a degree or diploma by the University or any other institution, except by way of background information and duly acknowledged in the thesis, and to the best of the my knowledge and belief no material previously published or written by another person except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. X Shadow Date: 6/10/2015 Authority of Access: This thesis may be made available for loan and limited copying and communication in accordance with the Copyright Act 1968. X Shadow Date: 6/10/2015 3 Declaration of Copy Editing: Professional copy was provided by Walter Leggett to amend issues with consistency, spelling and grammar. No other content was altered by Mr Leggett and editing was undertaken under the consent and recommendation of candidate’s supervisors. X Shadow Date: 6/10/2015 4 Contents Abstract ...................................................................................................................................... 7 CHAPTER 1 ............................................................................................................................. -
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 27 | Autumn 2018
University of Edinburgh Postgraduate Journal of Culture and the Arts Issue 27 | Autumn 2018 Title Chihiro Boards a Train: Perceptual Modulation in the Films of Studio Ghibli Author Kate Weedy Publication FORUM: University of Edinburgh Postgraduate Journal of Culture & the Arts Issue Number 27 Issue Date Autumn 2018 Publication Date 21/12/2018 Editors Valentina P. Aparicio and Rachel Chung FORUM claims non-exclusive rights to reproduce this article electronically (in full or in part) and to publish this work in any such media current or later developed. The author retains all rights, including the right to be identified as the author wherever and whenever this article is published, and the right to use all or part of the article and abstracts, with or without revision or modification in compilations or other publications. Any latter publication shall recognise FORUM as the original publisher. FORUM | ISSUE 27 1 Chihiro Boards a Train: Perceptual Modulation in the Films of Studio Ghibli Kate Weedy University of Edinburgh This paper examines the ability of Studio Ghibli animated films to perceptually modulate their audiences. Working from Hayao Miyazaki’s suggestion that if a filmmaker wants to stay true to empathy they need only quieten things down, this paper seeks a technical explanation for this process. It will examine how the interplay of simple character designs and the sliding sensation of the animation stand induce a certain cognitive state. Through this process, the onlooker is more likely to imbue a two-dimensional character with a multidimensional, metaphysical presence. About halfway through Spirited Away the protagonist, Chihiro, boards a train. -
Download the Program (PDF)
ヴ ィ ボー ・ ア ニ メー シ カ ョ ワ ン イ フ イ ェ と ス エ ピ テ ッ ィ Viborg クー バ AnimAtion FestivAl ル Kawaii & epikku 25.09.2017 - 01.10.2017 summAry 目次 5 welcome to VAF 2017 6 DenmArk meets JApAn! 34 progrAmme 8 eVents Films For chilDren 40 kAwAii & epikku 8 AnD families Viborg mAngA AnD Anime museum 40 JApAnese Films 12 open workshop: origAmi 42 internAtionAl Films lecture by hAns DybkJær About 12 important ticket information origAmi 43 speciAl progrAmmes Fotorama: 13 origAmi - creAte your own VAF Dog! 44 short Films • It is only possible to order tickets for the VAF screenings via the website 15 eVents At Viborg librAry www.fotorama.dk. 46 • In order to pick up a ticket at the Fotorama ticket booth, a prior reservation Films For ADults must be made. 16 VimApp - light up Viborg! • It is only possible to pick up a reserved ticket on the actual day the movie is 46 JApAnese Films screened. 18 solAr Walk • A reserved ticket must be picked up 20 minutes before the movie starts at 50 speciAl progrAmmes the latest. If not picked up 20 minutes before the start of the movie, your 20 immersion gAme expo ticket order will be annulled. Therefore, we recommended that you arrive at 51 JApAnese short Films the movie theater in good time. 22 expAnDeD AnimAtion • There is a reservation fee of 5 kr. per order. 52 JApAnese short Film progrAmmes • If you do not wish to pay a reservation fee, report to the ticket booth 1 24 mAngA Artist bAttle hour before your desired movie starts and receive tickets (IF there are any 56 internAtionAl Films text authors available.) VAF sum up: exhibitions in Jane Lyngbye Hvid Jensen • If you wish to see a movie that is fully booked, please contact the Fotorama 25 57 Katrine P. -
A Voice Against War
STOCKHOLMS UNIVERSITET Institutionen för Asien-, Mellanöstern- och Turkietstudier A Voice Against War Pacifism in the animated films of Miyazaki Hayao Kandidatuppsats i japanska VT 2018 Einar Schipperges Tjus Handledare: Ida Kirkegaard Innehållsförteckning Annotation ............................................................................................................................................... 3 1 Introduction .......................................................................................................................................... 4 1.1 Aim of the study ............................................................................................................................ 5 1.2 Material ......................................................................................................................................... 5 1.3 Research question .......................................................................................................................... 5 1.4 Theory ........................................................................................................................................... 5 1.4.1 Textual analysis ...................................................................................................................... 5 1.4.2 Theory of animation, definition of animation ........................................................................ 6 1.5 Methodology ................................................................................................................................ -
THE MIT JAPAN PROGRAM I~~~~~~~~A
THE MIT JAPAN PROGRAM i~~~~~~~~A 0; - -) 'V3 ··it Science, Technology, Management kit 0-~ .Z9 EXPLORING THE INTERSECTION OF GOVERNMENT, POLITICS AND THE NEWS MEDIA IN JAPAN: THE TSUBAKI HA TSUGEN INCIDENT Paul M. Berger MITJP 95-04 Center for International Studies Massachusetts Institute of Technology --IIICI--l,.-..-.- --------- Exploring the Intersection of Government, Politics and the News Media in Japan The Tsubaki Hatsugen Incident Paul M. Berger MITJP 95-04 Distributed Courtesy of the MIT Japan Program Science Technology * Management Center for International Studies Massachusetts Institute of Technology Room E38-7th Floor Cambridge, MA 02139 phone: 617-253-2839 fax: 617-258-7432 © MIT Japan Program 1_ 9___0_1____ YII_ IX____ __ About the MIT Japan Program and its Working Paper Series The MIT Japan Program was founded in 1981 to create a new generation of technologically sophisticated "Japan-aware" scientists, engineers, and managers in the United States. The Program's corporate sponsors, as well as support from the government and from private foundations, have made it the largest, most comprehensive, and most widely emulated center of applied Japanese studies in the world. The intellectual focus of the Program is to integrate the research methodologies of the social sciences, the humanities, and technology to approach issues confronting the United States and Japan in their relations involving science and technology. The Program is uniquely positioned to make use of MIT's extensive network of Japan-related resources, which include faculty, researchers, and library collections, as well as a Tokyo-based office. Through its three core activities, namely, education, research, and public awareness, the Program disseminates both to its sponsors and to the interested public its expertise on Japanese science and technology and on how that science and technology is managed. -
Yoshioka, Shiro. "Princess Mononoke: a Game Changer." Princess Mononoke: Understanding Studio Ghibli’S Monster Princess
Yoshioka, Shiro. "Princess Mononoke: A Game Changer." Princess Mononoke: Understanding Studio Ghibli’s Monster Princess. By Rayna Denison. London: Bloomsbury Academic, 2017. 25–40. Bloomsbury Collections. Web. 25 Sep. 2021. <http:// dx.doi.org/10.5040/9781501329753.ch-001>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 25 September 2021, 01:01 UTC. Copyright © Rayna Denison 2018. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 25 Chapter 1 P RINCESS MONONOKE : A GAME CHANGER Shiro Yoshioka If we were to do an overview of the life and works of Hayao Miyazaki, there would be several decisive moments where his agenda for fi lmmaking changed signifi cantly, along with how his fi lms and himself have been treated by the general public and critics in Japan. Among these, Mononokehime ( Princess Mononoke , 1997) and the period leading up to it from the early 1990s, as I argue in this chapter, had a great impact on the rest of Miyazaki’s career. In the fi rst section of this chapter, I discuss how Miyazaki grew sceptical about the style of his fi lmmaking as a result of cataclysmic changes in the political and social situation both in and outside Japan; in essence, he questioned his production of entertainment fi lms featuring adventures with (pseudo- )European settings, and began to look for something more ‘substantial’. Th e result was a grave and complex story about civilization set in medieval Japan, which was based on aca- demic discourses on Japanese history, culture and identity.