Bibliographie Germanistischer Bibliographien
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Yiddish in Joseph Rothâ•Žs Juden Auf Wanderschaft
In 2000, W.W. Norton and Company released a new English -language edition of Joseph Roth’s 1927 compilation of essays entitled, Juden auf Wanderschaft . The edition’s dustcover proclaims in large, bold typeface: “A masterpiece of Jewish identity emerges in English 70 years after it was first written.” While it can’t be denied that Roth’s tale documenting the mass movement of eastern Jews ( Ostjuden )1 westward across the European continent in the early twentieth century has captured both public and scholarly i nterest in German -2 and English -speaking lands, the quotation still begs the question: Why are we reading Roth again now? Even the most tentative answer to this question should include the fact that Roth’s concerns in Juden auf Wanderschaft , including the forcible displacement of a people and their subsequent dispersal throughout the world, and Roth’s suggestion of an inherent tyranny in Western culture, find remarkable resonance in our contemporary reality. Global migrations and Westernization inform curre nt research, not just on identity politics, but also on topics that seek to move beyond or reinvigorate discussions of identity —topics such as mobility, diaspora, and migration.3 Written by one who was both an assimilated Viennese and a Galician Jew born i n the eastern -most reaches of the Hapsburg Empire, Roth’s work offers an extraordinarily complex and informative perspective on issues that remain topical today. Nevertheless, Roth’s Juden auf Wanderschaft is rarely analyzed in a manner reflecting this complexity. Most reviewers, in celebratory response to the work’s themes, see it as a poignant declaration of love for the vanishing eastern Jewish culture with which Roth came of age. -
CHAPTER 2 the Period of the Weimar Republic Is Divided Into Three
CHAPTER 2 BERLIN DURING THE WEIMAR REPUBLIC The period of the Weimar Republic is divided into three periods, 1918 to 1923, 1924 to 1929, and 1930 to 1933, but we usually associate Weimar culture with the middle period when the post WWI revolutionary chaos had settled down and before the Nazis made their aggressive claim for power. This second period of the Weimar Republic after 1924 is considered Berlin’s most prosperous period, and is often referred to as the “Golden Twenties”. They were exciting and extremely vibrant years in the history of Berlin, as a sophisticated and innovative culture developed including architecture and design, literature, film, painting, music, criticism, philosophy, psychology, and fashion. For a short time Berlin seemed to be the center of European creativity where cinema was making huge technical and artistic strides. Like a firework display, Berlin was burning off all its energy in those five short years. A literary walk through Berlin during the Weimar period begins at the Kurfürstendamm, Berlin’s new part that came into its prime during the Weimar period. Large new movie theaters were built across from the Kaiser Wilhelm Memorial church, the Capitol und Ufa-Palast, and many new cafés made the Kurfürstendamm into Berlin’s avant-garde boulevard. Max Reinhardt’s theater became a major attraction along with bars, nightclubs, wine restaurants, Russian tearooms and dance halls, providing a hangout for Weimar’s young writers. But Berlin’s Kurfürstendamm is mostly famous for its revered literary cafés, Kranzler, Schwanecke and the most renowned, the Romanische Café in the impressive looking Romanische Haus across from the Memorial church. -
© 2010 Julia Silvia Feldhaus ALL RIGHTS RESERVED
© 2010 Julia Silvia Feldhaus ALL RIGHTS RESERVED Between Commodification and Emancipation: Image Formation of the New Woman through the Illustrated Magazine of the Weimar Republic By Julia Silvia Feldhaus A dissertation submitted to the Graduate School – New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in German Written under the direction of Martha B. Helfer And Michael G. Levine And approved by ____________________________ _____________________________ _____________________________ _____________________________ New Brunswick, New Jersey October 2010 ABSTRACT OF THE DISSERTATION Between Commodification and Emancipation: Image Formation of the New Woman through the Illustrated Magazine of the Weimar Republic By JULIA SILVIA FELDHAUS Dissertation Directors: Martha B. Helfer Michael G. Levine This dissertation investigates the conflict between the powerful emancipatory image of the New Woman as represented in the illustrated magazines of the Weimar Republic and the translation of this image into a lifestyle acted out by women during this era. I argue that while female journalists promote the image of the New Woman in illustrated magazines as a liberating opening onto self-determination and self- management, this very image is simultaneously and paradoxically oppressive. For women to shake off the inheritance of a patriarchal past, they must learn to adjust to a new identity, one that is still to a large extent influenced by and in the service of men. The ideal beauty image designed by female journalists as a framework for emancipation in actuality turned into an oppressive normalization in professional and social markets in which traditional rules no longer obtained. -
Modernist Permabulations Through Time and Space
Journal of the British Academy, 4, 197–219. DOI 10.5871/jba/004.197 Posted 18 October 2016. © The British Academy 2016 Modernist perambulations through time and space: From Enlightened walking to crawling, stalking, modelling and street-walking Lecture in Modern Languages read 19 May 2016 ANNE FUCHS Fellow of the Academy Abstract: Analysing diverse modes of walking across a wide range of texts from the Enlightenment period and beyond, this article explores how the practice of walking was discovered by philosophers, educators and writers as a rich discursive trope that stood for competing notions of the morally good life. The discussion proceeds to then investigate how psychological, philosophical and moral interpretations of bad prac- tices of walking in particular resurface in texts by Franz Kafka, Thomas Mann and the interwar writer Irmgard Keun. It is argued that literary modernism transformed walking from an Enlightenment trope signifying progress into the embodiment of moral and epistemological ambivalence. In this process, walking becomes an expression of the disconcerting experience of modernity. The paper concludes with a discussion of walking as a gendered performance: while the male walkers in the modernist texts under discussion suffer from a bad gait that leads to ruination, the new figure of the flâneuse manages to engage in pleasurable walking by abandoning the Enlightenment legacy of the good gait. Keywords: modes of walking, discursive trope, Enlightenment discourse, modernism, modernity, moral and epistemological ambivalence, gender, flâneuse. Walking on one’s two legs is an essential but ordinary skill that, unlike cycling, skate-boarding, roller-skating or ballroom dancing, does not require special proficiency, aptitude or thought—unless, of course, we are physically impaired. -
Neue Österreichische Prosa /N HAL T
I Zeitschrift für den Deutschunterricht in Wissenschaft und Schule INFORMATIONEN ZUR DEUTSCHDIDAKTIK 17. Jahrgang, Heft 21L993 (neue Folge) Thema: Neue österreichische Prosa /N HAL T Flitorial 4 Magazin Veranstaltungen.... 7 Offener Brief an Minister Busek 9 ide-fuzar 1,r Neue Bücher L3 Tendenzen & Trcnds Wendetìn Schmìdt-Dengler.' Nach Bernhard. Notizen zur östeneichischen Literatur der Gegenwart 16 Evelyn Polt-Heinzl: Schriftstellerfiguren in östeneichischen Prcnatexten der achEiger Jahre 32 Gerda Elßabeth Moser: Postmoderne und österreichische Literatur . M Denis Ponil: Neue slowenische Ezähler . 51 Gerhard Ruiss.' Ohne Rücksicht auf Erfolg. Zur wirßchaftlichen und sozialen Lage östeneichischer Autoren 57 Porträts & Werke Arno RuPegger.' "Der, der ich sein könnte, winkt traurig dem, der ich bin ...". Ein Porträt des österreichischen Sch¡ifbtellers Werner Kofler 6L Clt¡ístine Pototschnìg: Der Erzähler Erich Hackl 72 Chrßta Gürtler: Unheimliche IIEIMAT. Zu neueren Texten von Elfriede Jelinek .. 79 Heimo Strempfl: "Gibt es nicht immerhin die Möglichkeit von Liebe oder gar Glück?" Die Romane der Waltraud Anna Mitgutsch 83 Johsnn Holner: I¿udatio für Janko Messner. Anläßlich der Verleihung des östeneichischen Eh¡enlaeuzes für Wissenschaft und Kunst . 92 Erich Perschon.' Phantastisch und doch lebensnah. Der Erzähler und Sprachzaube¡er Martin Auer 95 Umgangsformen mit Litemtur Karl Schmutzhard: Drei in Tirol lebende Autoren in einer Maturaklasse: Norbert Gstrein, Alois Hobchnig, Walter Groschup 1.13 Heidi Schrolr; Schule und Kulturbetrieb - Begegnungen zwischen zwei Institutionen. Bericht über einen Ve¡such der Annäherung t29 Johann Holzner: Vorschläge von Studierenden für Literaturunterrichts- Sequemen t31, Bücher äber Bächer 135 a ide2lI993 NIX GEHT OHNE IHN ... meint WgnOBLIN ScHMIDT-DENGLER über Thomas Bernhard. Das gilt für Bernhards Rolle am literarischen Markt - kein anderer behenschte wie er das Ritual der Selbstinszenierung - wie auch für seine Themenwahl und seinen Schreib- stil - Vorgaben, an denen die wenigsten anderen Autorlnnen vorbeikönnen. -
The City Anthology: Definition of a Type
Marven, L 2020 The City Anthology: Definition of a Type. Modern Languages Open, 2020(1): 52 pp. 1–30. DOI: https://doi.org/10.3828/mlo.v0i0.279 ARTICLE The City Anthology: Definition of a Type Lyn Marven University of Liverpool, GB [email protected] This article uses a corpus of over one hundred and fifty Berlin literary anthologies from 1885 to the present to set out the concept of a ‘city anthology’. The city anthology encompasses writing from as well as about the city, and defines itself through a broad sense of connection to the city rather than thematic subject matter as such. This article uses the example of Berlin to set out the unique traits of the city anthology form: the affective connection between authors, editors, readers, texts and the city; diversity of contributors and literary content; and a tendency towards reportage. It further uses the corpus to identify four key types of city anthology – survey, snapshot, retrospective and memory anthology – and to argue for a functional rather than formal definition of the anthology. Finally, Berlin anthologies challenge precepts of that city’s literary history in two key ways: in mapping different historical trajectories across the nineteenth to twenty-first centuries, and in particular countering the focus on the much better known city novel. The often-overlooked city anthology thus constitutes a specific form of city literature as well as anthology. As a literary manifestation – not just a representation – of the city, city anthologies inhabit a border space between literary geographies and urban imaginaries with the potential to open up an affective dimension in urban studies. -
PRISM Syrian Supplemental
PRISM syria A JOURNAL OF THE CENTER FOR COMPLEX OPERATIONS About PRISM PRISM is published by the Center for Complex Operations. PRISM is a security studies journal chartered to inform members of U.S. Federal agencies, allies, and other partners Vol. 4, Syria Supplement on complex and integrated national security operations; reconstruction and state-building; 2014 relevant policy and strategy; lessons learned; and developments in training and education to transform America’s security and development Editor Michael Miklaucic Communications Contributing Editors Constructive comments and contributions are important to us. Direct Alexa Courtney communications to: David Kilcullen Nate Rosenblatt Editor, PRISM 260 Fifth Avenue (Building 64, Room 3605) Copy Editors Fort Lesley J. McNair Dale Erikson Washington, DC 20319 Rebecca Harper Sara Thannhauser Lesley Warner Telephone: Nathan White (202) 685-3442 FAX: (202) 685-3581 Editorial Assistant Email: [email protected] Ava Cacciolfi Production Supervisor Carib Mendez Contributions PRISM welcomes submission of scholarly, independent research from security policymakers Advisory Board and shapers, security analysts, academic specialists, and civilians from the United States Dr. Gordon Adams and abroad. Submit articles for consideration to the address above or by email to prism@ Dr. Pauline H. Baker ndu.edu with “Attention Submissions Editor” in the subject line. Ambassador Rick Barton Professor Alain Bauer This is the authoritative, official U.S. Department of Defense edition of PRISM. Dr. Joseph J. Collins (ex officio) Any copyrighted portions of this journal may not be reproduced or extracted Ambassador James F. Dobbins without permission of the copyright proprietors. PRISM should be acknowledged whenever material is quoted from or based on its content. -
UC Davis E-Research
UC Davis E-Research Title Literaturmagazin (Rowohlt): An Index Permalink https://escholarship.org/uc/item/3c32v2rd Author Siegel, Adam P Publication Date 2018-05-16 eScholarship.org Powered by the California Digital Library University of California Literaturmagazin (Rowohlt): An Index Adam Siegel Copyright © 2017 by Adam Siegel Literaturmagazin (Rowohlt) Index / 1 Introduction Am Anfang das Manifesto, a stance that the most conflicted and complex publishing house in West Germany could take without risk of irony: "Für eine neue Literatur - gegen den spätbürgerlichen Literaturbetrieb." Rowohlt Verlag, pioneer of the German paperback, the Manny Farber termite of West German publishing (Suhrkamp, of course, the white elephant). Literaturbetrieb -- typical German summation. Previously, the German Literaturbetrieb had been dominated by Gruppe 47. After the suspension of Gruppe 47, after 1968, the field lay open. Rowohlt's commitment to "die neue Literatur," both in the Literaturmagazin and the companion series Das neue Buch can be read in retrospect as a cultural history of West Germany during the seventies (which we might demarcate as having taken place between the 1972 Munich Olympics and the fall of Helmut Schmidt's government). The Seventies: “Atmosphäre muss gereinigt werden von allen (rechten und linken) Spielarten des Obskurantismus und Opportunismus, von dem Pfaffentum, das heute die marxistische Lehre verwaltet, ebenso wie von der bürgerlichen Feuilletonmafia.”1 Of course Rowohlt continued to publish Literaturmagazin until 2001. As the eighties progressed, the contents remained engagé, but more international. Which is to say, less German. Verlagsprogramme als Geschichte. Let the index serve as narrative. 1 Rundbrief zum Projekt "Literaturmagazin", mit Randbemerkungen von Peter O. -
Klappe.Film.II Film.Kino.Kultur P
Nr. 65 · März 06 · e 2,91 E DIE BRUCKE k ärnten• k unst• k ultur U R K U L T alle kulturtermine die bruecke zu im märz 06 klappe.film.II film.kino.kultur www.bruecke.ktn.gv.at P. b. b. GZ 02Z032603M · Verlagspostamt 9020 Klagenfurt Erscheinungsort Liebe Leserin, lieber Leser Maria Lassnig Denk’ ich an Deutschland in der Nacht/Dann Körperbilder bin ich um den Schlaf gebracht, hatte Heinrich Heine (heuer 150. Todestag) body awareness painting gedichtet. Nun, wenn wir an den Öster- reichischen (und auch deutschen) Film 16. Februar bis 28. Mai 2006 denken, dann ging es uns lange ähnlich. Doch die Zeiten haben sich geändert und heute wird uns höchstens der Schlaf geraubt, weil die Kultur- oder Film- sendungen so spät ausgestrahlt werden. Um die heimische Kunst der bewegenden und bewegten Bilder ist es derzeit gut bestellt, wie die vielen Auszeichnungen und Nominierungen zeigen (Darwins Night- mare, Grbavica, We feed the World, u.a.) – und zur Hoch.Zeit dieses Mediums (Biennale, Berlinale, Diagonale bzw. Film- preise wie César, Golden Globe, Oscar) ist der Schwerpunkt im März, der ansonsten den Frauen gehört (siehe links), darauf gerichtet. Apropos: Eine Neueinführung wird uns künftig regelmäßig durch die Ausgaben begleiten - passend zum Landes- Schwerpunkt Literatur in diesem Jahr: Kärntner Sagen neu erfunden und gegen- wärtig erzählt - remixed und reloaded sozusagen. Haben wir Jubiläen wie 100 Jahre sloweni- scher Film, 200. Geburtstag H. C. Andersen EDITORIAL und Adalbert Stifter, 100. Elias Canetti, Manès Sperber etc. kürzlich erst in der Brücke gefeiert, so werden wir dem Jahres- regenten gemäß Mozart weiter mit ungewöhn- lichen Beiträgen huldigen ( diesmal z. -
Inhaltsverzeichnis
Inhaltsverzeichnis Im Meer der Stadt 14 ■ Gedichte beschreiben und deuten Städte erleben - Ich in der Stadt 16 Herbert Grönemeyer: Bochum (Lied) 16 Meni & Dave: Stuttgart-Hymne 17 „Ein Blick ins Auge, und vorüber schon“ - Der Einzelne und die Menge 19 Emil Nicolai: Straßenbild (Gedicht) 19 Erhard Rumpf: Industrialisierung und soziale Frage - Lebensverhältnisse und Arbeitsbedingungen ändern sich (Sachtext) 20 Detlev von Liliencron: In einer großen Stadt (Gedicht) 22 Franz Werfel: Der rechte Weg (TraumJ(Gedicht) 23 Alfred Wolfenstein: Städter (Gedicht) 25 Carl Guesmer: Verkehrsunfall (Gedicht) 27 Peter Schneider: Auf der Straße (Gedicht) 28 „Die Zeit fährt Auto“ - Industrie und Technik, Kommerz und Konsum 29 Erich Kästner: Die Zeit fährt Auto (Gedicht) 29 Wolfdietrich Schnurre: Angriff (Gedicht) 31 Uwe Greßmann: Moderne Landschaft (Gedicht) 32 Olaf n. Schwanke: Fußgängerzone (Gedicht) 34 „Die Stadt beginnt ihr Lied“ - Von der Schönheit der großen Städte 35 Stefan Zweig: Sonnenaufgang in Venedig (Gedicht) 35 Wolf Graf von Kalckreuth: Amsterdam (Gedicht) 36 Siggi Weidemann: Entdecken Sie Amsterdam (Sachtext) 36 Heinz Zucker: Abend (Gedicht) 38 Eva Strittmatter: Herbst in Berlin (Gedicht) 39 Cassandra Steen featuring Adel Tawil: Stadt (Song) 40 Lernfortschritte im Blick 42 Kurze Geschichten, tiefer Sinn 44 ■ Erzähltexte beschreiben und deuten Alltägliche und andere Katastrophen 46 Peter Bichsei: Der Milchmann (Kurzgeschichte) 46 Ilse Aichinger: Das Fenstertheater (Kurzgeschichte) 49 Heinrich Böll: Monolog eines Kellners (Kurzgeschichte) 53 -
22116845 Iverz 1.Pdf
Sommaire Préface .................................................................................................. 1 Vues d’ensemble Florence BANCAUD: Entre oubli et provocation: l’enfermement ou l’envers de l’idylle autrichienne ............................ 11 Valérie de DARAN: De l’Autriche – et de sa place dans les histoires littéraires en langue française ................................. 25 Margit EISL: «Grande Nation et Valses éternelles?» L’impact des images dans l’enseignement des langues-cultures ........ 47 Marion GEORGE: Encore une Querelle des Anciens et des Modernes – quelques remarques sur la perception française de l’identité culturelle autrichienne après 1945 .................................. 67 Elisabeth KARGL: La littérature autrichienne contemporaine en France: traductions, édition et réception ........................................ 81 Jacques LE RIDER: Une découverte enthousiaste des années 1980 et 1990: la modernité viennoise, de la fin du XIXe siècle à 1938 ....... 101 Bert REBHANDL: L’éclat de la liberté – le cinéma autrichien entre univers narratifs ouverts et fermés ........................................... 109 Bernadette STEPS: Allers-retours. Un aperçu des relations culturelles entre le Département de la Vienne (France) et le Land de Styrie (Autriche) ......................................................... 119 Klaus ZEYRINGER: Ce qui reste. L’Autriche, historiographie littéraire et canon .............................................................................. 129 VIII Sommaire Etudes monographiques -
Revue D'alsace 140 | 2014
Revue d’Alsace 140 | 2014 Villes au Moyen Age, Bibliothèques d'autrefois, Récits de voyages Édition électronique URL : http://journals.openedition.org/alsace/1984 DOI : 10.4000/alsace.1984 ISSN : 2260-2941 Éditeur Fédération des Sociétés d'Histoire et d'Archéologie d'Alsace Édition imprimée Date de publication : 1 septembre 2014 ISSN : 0181-0448 Référence électronique Revue d’Alsace, 140 | 2014, « Villes au Moyen Age, Bibliothèques d'autrefois, Récits de voyages » [En ligne], mis en ligne le 01 septembre 2017, consulté le 24 septembre 2020. URL : http:// journals.openedition.org/alsace/1984 ; DOI : https://doi.org/10.4000/alsace.1984 Ce document a été généré automatiquement le 24 septembre 2020. Tous droits réservés 1 SOMMAIRE Notre Revue d’Alsace 2014 Élisabeth Clementz Schwörtage sans Schwörbriefe ? Le serment collectif à Colmar (XIIIe siècle - époque moderne) Laurence Buchholzer-Remy Zwischen Baden und Pfalz Die Bedeutung Straßburgs für den Ortenauer Niederadel im späten Mittelalter Michael Bühler Le « Schwörbrief » de 1482 : L’origine et les conséquences de l’exclusion du Grand conseil pour les baigneurs de Strasbourg Kristin Zech L’art d’être propriétaire sans l’être tout en l’étant Pratiques emphytéotiques dans la campagne alsacienne aux XVIIe et XVIIIe siècles Jean-Michel Boehler Le « Cavalierstour » en Suisse, en Savoie, en Italie et en France de François Jacques Wurmser de Vendenheim et Sundhouse (1680-1682) Jean-Paul Haettel La bibliothèque de Lucas Wetzel, érudit du XVIe siècle Monique Debus Kehr Des mots du génie au génie