Medienwissenschaft / Hamburg: Berichte Und Papiere
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Download the List of History Films and Videos (PDF)
Video List in Alphabetical Order Department of History # Title of Video Description Producer/Dir Year 532 1984 Who controls the past controls the future Istanb ul Int. 1984 Film 540 12 Years a Slave In 1841, Northup an accomplished, free citizen of New Dolby 2013 York, is kidnapped and sold into slavery. Stripped of his identity and deprived of dignity, Northup is ultimately purchased by ruthless plantation owner Edwin Epps and must find the strength to survive. Approx. 134 mins., color. 460 4 Months, 3 Weeks and Two college roommates have 24 hours to make the IFC Films 2 Days 235 500 Nations Story of America’s original inhabitants; filmed at actual TIG 2004 locations from jungles of Central American to the Productions Canadian Artic. Color; 372 mins. 166 Abraham Lincoln (2 This intimate portrait of Lincoln, using authentic stills of Simitar 1994 tapes) the time, will help in understanding the complexities of our Entertainment 16th President of the United States. (94 min.) 402 Abe Lincoln in Illinois “Handsome, dignified, human and moving. WB 2009 (DVD) 430 Afghan Star This timely and moving film follows the dramatic stories Zeitgest video 2009 of your young finalists—two men and two very brave women—as they hazard everything to become the nation’s favorite performer. By observing the Afghani people’s relationship to their pop culture. Afghan Star is the perfect window into a country’s tenuous, ongoing struggle for modernity. What Americans consider frivolous entertainment is downright revolutionary in this embattled part of the world. Approx. 88 min. Color with English subtitles 369 Africa 4 DVDs This epic series presents Africa through the eyes of its National 2001 Episode 1 Episode people, conveying the diversity and beauty of the land and Geographic 5 the compelling personal stories of the people who shape Episode 2 Episode its future. -
2017 Magdalen College Record
Magdalen College Record Magdalen College Record 2017 2017 Conference Facilities at Magdalen¢ We are delighted that many members come back to Magdalen for their wedding (exclusive to members), celebration dinner or to hold a conference. We play host to associations and organizations as well as commercial conferences, whilst also accommodating summer schools. The Grove Auditorium seats 160 and has full (HD) projection fa- cilities, and events are supported by our audio-visual technician. We also cater for a similar number in Hall for meals and special banquets. The New Room is available throughout the year for private dining for The cover photograph a minimum of 20, and maximum of 44. was taken by Marcin Sliwa Catherine Hughes or Penny Johnson would be pleased to discuss your requirements, available dates and charges. Please contact the Conference and Accommodation Office at [email protected] Further information is also available at www.magd.ox.ac.uk/conferences For general enquiries on Alumni Events, please contact the Devel- opment Office at [email protected] Magdalen College Record 2017 he Magdalen College Record is published annually, and is circu- Tlated to all members of the College, past and present. If your contact details have changed, please let us know either by writ- ing to the Development Office, Magdalen College, Oxford, OX1 4AU, or by emailing [email protected] General correspondence concerning the Record should be sent to the Editor, Magdalen College Record, Magdalen College, Ox- ford, OX1 4AU, or, preferably, by email to [email protected]. -
From Real Time to Reel Time: the Films of John Schlesinger
From Real Time to Reel Time: The Films of John Schlesinger A study of the change from objective realism to subjective reality in British cinema in the 1960s By Desmond Michael Fleming Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy November 2011 School of Culture and Communication Faculty of Arts The University of Melbourne Produced on Archival Quality Paper Declaration This is to certify that: (i) the thesis comprises only my original work towards the PhD, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100,000 words in length, exclusive of tables, maps, bibliographies and appendices. Abstract The 1960s was a period of change for the British cinema, as it was for so much else. The six feature films directed by John Schlesinger in that decade stand as an exemplar of what those changes were. They also demonstrate a fundamental change in the narrative form used by mainstream cinema. Through a close analysis of these films, A Kind of Loving, Billy Liar, Darling, Far From the Madding Crowd, Midnight Cowboy and Sunday Bloody Sunday, this thesis examines the changes as they took hold in mainstream cinema. In effect, the thesis establishes that the principal mode of narrative moved from one based on objective realism in the tradition of the documentary movement to one which took a subjective mode of narrative wherein the image on the screen, and the sounds attached, were not necessarily a record of the external world. The world of memory, the subjective world of the mind, became an integral part of the narrative. -
Morrie Gelman Papers, Ca
http://oac.cdlib.org/findaid/ark:/13030/c8959p15 No online items Morrie Gelman papers, ca. 1970s-ca. 1996 Finding aid prepared by Jennie Myers, Sarah Sherman, and Norma Vega with assistance from Julie Graham, 2005-2006; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©2016 The Regents of the University of California. All rights reserved. Morrie Gelman papers, ca. PASC 292 1 1970s-ca. 1996 Title: Morrie Gelman papers Collection number: PASC 292 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 80.0 linear ft.(173 boxes and 2 flat boxes ) Date (inclusive): ca. 1970s-ca. 1996 Abstract: Morrie Gelman worked as a reporter and editor for over 40 years for companies including the Brooklyn Eagle, New York Post, Newsday, Broadcasting (now Broadcasting & Cable) magazine, Madison Avenue, Advertising Age, Electronic Media (now TV Week), and Daily Variety. The collection consists of writings, research files, and promotional and publicity material related to Gelman's career. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Gelman, Morrie Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. -
Caution: Merger Ahead Union Officials Plan to Stay The
INSIDE: METRO DETROIT MOVIE THEATER AND TV LISTINGS MAY 10-16, 1998 THE DETROIT VOL. 3 NO. 26 75 CENTS SuNDAHOURNAL CONTINUING THE STRUGGLE FOR JUSTICE AND CONTRACTS ©TDSJ INSIDE Caution: Merger ahead Union officials plan to stay the By Martha Hindes the spring of 1999, would be the same“strike target,” by which the unions Journal Staff Writer if there had been no merger agreehelp set a pattern for other automak he future seems a bit more ment. ers. uncertain for Chrysler Corp. The announcement last week It was confirmed on Thursday that auto workers, now that theirstunned the automotive world andAmerica’s Chrysler Corp. and company is merging withpushed other events off the eveningGermany’s Daimler-Benz had agreed TGermany’s Daimler-Benz. news. to merge into a wholly new company But United Auto Workers officials The combined new company, calledto be incorporated in Germany. aren’t planning to change their stratDaimlerChrysler, will move up toBarring governmental rejection of the egy when it comes time to negotiatethird a largest auto company in theplan or a turndown this fall by share new national contract in 1999. world in revenues, which are expectholders of both companies, it is to “What would be different?” askeded to be more than $130 billion takein effect in 1999. It is valued at $92 UAW President Stephen P. Yokich1999, and closer in scope to Generalbillion, the largest industrial merger shortly after news broke of theMotors Corp. and Ford Motor Co.in It history. planned merger by the two giant automight make a better “lead” company, companies. -
Ken Russell – 2001
KEN RUSSELL Nato il 3 luglio 1927 a Southampton, Hampshire, in Gran Bretagna, Ken Russell è davvero il ‘ragazzaccio’ del cinema inglese; i suoi fallimenti sono spesso più interessanti dei successi della maggior parte dei registi. La sua propensione per il bizzarro e l’eccessivo si è rivelata ben presto nella sua carriera, con la sua serie di biografie per la BBC su Debussy e Isadora Duncan. Russell ha esordito come regista cinematografico nel 1963 con French Dressing e successivamente ha diretto lo spy thriller Il cervello da un miliardo di dollari (1967, forse il suo film più convenzionale). Il suo terzo film, nel 1969, stato un adattamento sessualmente vivido ma (per i suoi canoni) abbastanza freddo di‘Women in love di D. H. Lawrence, che gli è valso una nomination agli Oscar e il plauso internazionale. E che gli ha anche dato la libertà di sbizzarrirsi con alcune singolari pseudobiografie come L’altra faccia dell’amore (1971), Messia selvaggio (1972), La perdizione (1974), Lisztomania (1975) e Valentino (1977), e di mostrare una strana sorta di versatilità nel 1971, passando dallo ‘scandaloso’I Diavoli a Il boy friend un omaggio ai musical degli anni ‘30. Nel 1975 si è dedicato all’opera rock degli Who Tommy dando al progetto il suo tocco personale: bisogna vedere una scena con Ann-Margaret per crederci. Ha avuto un forte successo commerciale in America con Stati di Allucinazione nel 1980, dopo il quale è tornato ai budget ridotti e ai suoi progetti personali con certi titoli brillanti come China Blue (1984), Gothic (1986), L’ultima Salomè e la commedia horror cult La tana del serpente bianco (entrambi del 1988). -
The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I
The Roy Davids Collection Part III Poetry: Poetical Manuscripts & Portraits of Poets Volume I: A - K Wednesday 10 April 2013 at 1pm New Bond Street, London 2 | Bonhams The Roy Davids Collection Part III Poetry: Poetical Manuscripts and Portraits of Poets Volume I: A-K. Lots 1-263 Wednesday 10 April 2013 at 1pm New Bond Street, London Bonhams Customer Services Illustrations Please see back of catalogue 101 New Bond Street Monday to Friday 8.30am to 6pm Front cover: Lot 229 for Notice to Bidders London W1S 1SR +44 (0) 20 7447 7447 Back cover: Lot 224 www.bonhams.com Inside covers: Lot 151 New bidders must also provide proof Viewing of identity when submitting bids. Bids Friday 5 April 9am to 4.30pm Please see back of catalogue Failure to do this may result in your +44 (0) 20 7447 7448 Sunday 7 April 11am to 3pm for important notice to bidders bids not being processed. +44 (0) 20 7447 7401 fax Monday 8 April 9am to 4.30pm To bid via the internet Tuesday 9 April 9am to 4.30pm Live online bidding is Bidding by telephone will only be please visit www.bonhams.com available for this sale accepted on a lot with a lower Enquiries Please email [email protected] estimate in excess of £400. Please provide details of the lots Matthew Haley with “Live bidding” in the on which you wish to place bids Luke Batterham subject line 48 hours before at least 24 hours prior to the sale. Simon Roberts the auction to register for Francesca Spickernell this service. -
Bibliography in Oral Interpretation of the Non-Speech Journals 1973-74. INSTITUTION Speech Communication Association, New York, N.Y
DOCUMENT RESUME ED 084 569 CS 500 452 AUTHOR Bartlett, John B., Ed. TITLE Bibliography in Oral interpretation of the Non-Speech Journals 1973-74. INSTITUTION Speech Communication Association, New York, N.Y. PUB DATE Nov 73 NOTE 19p.; Distributed through the courtesy of the Oral Interpretation Interest Group of the Speech Communication Association EDRS PRICE MF-$0.65 HC-$3.29 DESCRIPTORS American Literature; Analytical Criticism; *Annotated Bibliographies; English Literature; Fiction; Impressionistic Criticism; *Interpretive Reading; Literary Styles; Literature Reviews; Novels; *Oral Expression; *Periodicals; Poetry; Prose; *Speech Education ABSTRACT There are eight major categories and 198 entries in this annotated bibliography compiled and distributed by the Oral Interpretation Interest Group of the Speech Communication Association. The categories are designated as(1) Type of Literature, (2) Analysis of Literature,(3) Bibliographical Data and Social Background,(4) The Art of Literature,(5) Critical Judgments, (6) The Poet and Tradition,(7) Quantitative Studies, and (8) Miscellaneous. Most of the journal articles cited deal with better-known English language prose writers, poets, and novelists, although some European authors are mentioned. The scholarly journals covered represent English and American literature interests and include, among others, "Swanee Review," "The Review of English Studies," "Journal of Philology," "South Atlantic Quarterly," "Spectator," and "Studies in English Literature." The articles stress oral interpretation possibilities along with literary analysis and criticism of the major works of certain authors. The criticism is analytical, formal, and impressionistic rather than historical and textual. (DS) U S Ot UTMENT OF met,tu toutewor a wrIPeat NATIONAL INSTITUTE OF EDUCATION Dor n/ A t, r, "ttttr t04,. -
Ken Rigby Believes There Are Grounds for Optimism
Bullying in schools Bullying KEN REVISED AND UPDATED Bullying is now widely recognised as a serious problem that aff ects many children in schools. It can take many forms, including direct verbal and physical harassment and indirect forms such as deliberate exclusion and the targeting of individuals using cyber technology. Continual and severe bullying can cause both short term and long term damage making it diffi cult for victims to form intimate relationships Bullying with others and for habitual bullies to avoid following a delinquent lifestyle and becoming perpetrators of domestic violence. Even though this type of abuse aff ects many of our school children, Ken Rigby believes there are grounds for optimism. Th is passionate and motivating book shows that there are ways of reducing the likelihood in schools of bullying occurring in a school and eff ective ways of tackling cases when they do occur. Using up-to-date studies, Bullying in Schools helps us to under stand RIGBY and what the nature of bullying and why it so often takes place in schools. Importantly, it examines and evaluates what schools can do to promote more positive peer relationships within the school community and to do take eff ective and sustainable action to deal with problems that may arise. Teachers, parents, school leaders, policy makers, and health professionals will fi nd it invaluable and empowering. about it Ken Rigby, PhD is a leading international expert in the fi eld of bullying. He is a psychologist and a qualifi ed teacher and guidance offi cer, currently engaged as Adjunct Research Professor and educational consultant based at the University of South Australia. -
Remediating the Eighties: Nostalgia and Retro in British Screen Fiction from 2005 to 2011
REMEDIATING THE EIGHTIES: NOSTALGIA AND RETRO IN BRITISH SCREEN FICTION FROM 2005 TO 2011 Thesis submitted by Caitlin Shaw In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2015 2 3 ABSTRACT This doctoral thesis studies a cycle of British film and television fictions produced in the years 2005-2011 and set retrospectively in the 1980s. In its identification and in-depth textual and contextual analysis of what it terms the ‘Eighties Cycle’, it offers a significant contribution to British film and television scholarship. It examines eighties- set productions as members of a sub-genre of British recent-past period dramas begging unique consideration outside of comparisons to British ‘heritage’ dramas, to contemporary social dramas or to actual history. It shows that incentives for depicting the eighties are wide-ranging; consequently, it situates productions within their cultural and industrial contexts, exploring how these dictate which eighties codes are cited and how they are textually used. The Introduction delineates the Eighties Cycle, establishes the project’s academic and historical basis and outlines its approach. Chapter 1 situates the work within the academic fields that inform it, briefly surveying histories and socio-cultural studies before examining and assessing existing scholarship on Eighties Cycle productions alongside critical literature on 1980s, 90s and contemporary British film and television; nostalgia and retro; modern media, history and memory; British and American period screen fiction; and transmedia storytelling. Chapter 2 considers how a selection of productions employing ‘the eighties’ as a visual and audio style invoke and assign meaning to commonly recognised aesthetic codes according to their targeted audiences and/or intended messages. -
The British War Film, 1939-1980: Culture, History, and Genre
The British War Film, 1939-1980: Culture, History, and Genre by Kevin M. Flanagan B.A., College of William and Mary, 2006 M.A., North Carolina State University, 2009 Submitted to the Graduate Faculty of The Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2015 UNIVERSITY OF PITTSBURGH KENNETH P. DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Kevin M. Flanagan It was defended on April 15, 2015 and approved by Colin MacCabe, Distinguished Professor, Department of English Adam Lowenstein, Associate Professor, Department of English David Pettersen, Assistant Professor, Department of French and Italian Dissertation Advisor: Lucy Fischer, Distinguished Professor, Department of English ii Copyright © by Kevin M. Flanagan 2015 iii THE BRITISH WAR FILM, 1939-1980: CULTURE, HISTORY, AND GENRE Kevin M. Flanagan, Ph.D. University of Pittsburgh, 2015 This dissertation argues that discussions of war representation that privilege the nationalistic, heroic, and redemptively sacrificial strand of storytelling that dominate popular memory in Britain ignore a whole counter-history of movies that view war as an occasion to critique through devices like humor, irony, and existential alienation. Instead of selling audiences on what Graham Dawson has called “the pleasure culture of war” (a nationally self-serving mode of talking about and profiting from war memory), many texts about war are motivated by other intellectual and ideological factors. Each chapter includes historical context and periodizing arguments about different moments in British cultural history, explores genre trends, and ends with a comparative analysis of representative examples. -
ECHOES of MYTH the FEATURE FILMS of JOHN BOORMAN by PETER WILTON JOHNSON M.A. the University of British Columbia, 1984 a THESIS
ECHOES OF MYTH THE FEATURE FILMS OF JOHN BOORMAN By PETER WILTON JOHNSON M.A. The University of British Columbia, 1984 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTERS OF ARTS in THE FACULTY OF GRADUATE STUDIES Department of Theatre We accept this thesis as conforming to the required standard THE UNIVERSITY OF BRITISH COLUMBIA September, 1984 © Peter Wilton Johnson, 1984 In presenting this thesis in partial fulfilment of the requirements for an advanced degree at the University of British Columbia, I agree that the Library shall make it freely available for reference and study. I further agree that permission for extensive copying of this thesis for scholarly purposes may be granted by the head of my department or by his or her representatives. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Department of The University of British Columbia 1956 Main Mall Vancouver, Canada V6T 1Y3 7 DE-6 (3/81) ii ABSTRACT All eight feature films (1965-1981) of John Boorman were viewed and analyzed according to Auteur Theory. The recondite themes and motifs found throughout his work revealed a preoccupationwwith character and events in the Grail legend. Thematically, Boorman's rendering of the Arthurian protagonist revealed him in the modern context of the private eye, the soldier, the defrocked priest, the displaced aristocrat, and the wilderness adventurer. Merlin figures, and women figures intrinsic to the Grail legend appear in all his work. Aesthetically Boorman's feature films are veiled allegories of the Arthurian quest.