Virginia Woolf's History of Sexual Victimization
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Read Ebook {PDF EPUB} from the Lighthouse to Monk's House a Guide to Virginia Woolf's Literary Landscapes by Katherine C
Read Ebook {PDF EPUB} From the Lighthouse to Monk's House A Guide to Virginia Woolf's Literary Landscapes by Katherine C. From the Lighthouse to Monk's House: A Guide to Virginia Woolf's Literary Landscapes by Katherine C. Hill-Miller. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #0556ee20-ce2f-11eb-856e-9999daff4577 VID: #(null) IP: 116.202.236.252 Date and time: Tue, 15 Jun 2021 23:11:31 GMT. From the Lighthouse to Monk's House: A Guide to Virginia Woolf's Literary Landscapes by Katherine C. Hill-Miller. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #056a00f0-ce2f-11eb-8eb8-cb18dba6015e VID: #(null) IP: 116.202.236.252 Date and time: Tue, 15 Jun 2021 23:11:31 GMT. HILL-MILLER, Katherine C(ecelia) HILL-MILLER, Katherine C(ecelia). American, b. 1949. Genres: Writing/Journalism, Language/Linguistics. Career: Kingsborough Community College of the City University of New York, Brooklyn, NY, adjunct lecturer in English, 1972-73; College of William and Mary, Williamsburg, VA, assistant professor of English, 1978-80; Long Island University, C.W. -
Intellectual Backgrounds
Notes NOTES TO THE INTRODUCTION l. These are Renato Poggioli's terms in The Theory ofthe Avant-Garde. eh. 2. Poggioli's entire account illuminates how Bloomsbury was and was not avant-garde. 2. Bloomsbury writers were closely associated at times with the Nation and the New Statesman, but the political and even parts ofthe literary halves ofthese periodicals were edited and written by journalists largely unassociated with the Group. Desmond MacCarthy edited two periodicals that might be considered small magazines, and, though both had Bloomsbury con tributors, neither the Speaker nor Lift and Letters could be called a Blooms bury magazine. 3. Desmond MacCarthy can serve as an illustration of what is involved in determining the membership of Bloomsbury. Recently MacCarthy's son in-law David Cecil has denied his connection with Bloomsbury: 'As he bimself said, "Bloomsbury has never been a spiritual horne to me'" (Cecil, 'Introduction', p. 15). Cecil omits the other half of the sentence from MacCarthy's Bloomsbury memoir, wbich is 'but let me add that I have not got one, although at Cambridge for a few years I fancied that I had'. MacCarthy goes on to call Bloornsbury ahorne away frorn horne and note how he converged on the Group through the Apostles, Clive Bell and the Stephen sisters (SPRlBG, p. 28). To these connections could be added bis association with Roger Fry, wbieh led to bis writing the introduction for the catalogue of the first post-impressionist exhibition. Like Strachey, MacCarthy was more closely involved in Old than New Bloomsbury, but in both he edited periodicals that depended on bis Bloomsbury friends for contributions. -
Leslie Stephen and Masculine Influences on Virginia Woolf and Her Novel, to the Lighthouse Anya Graubard University of Nebraska - Lincoln
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Honors Theses, University of Nebraska-Lincoln Honors Program 3-2019 "The yT rant Father": Leslie Stephen and Masculine Influences on Virginia Woolf and her Novel, To the Lighthouse Anya Graubard University of Nebraska - Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/honorstheses Part of the Art Therapy Commons, Comparative Literature Commons, Creative Writing Commons, Feminist, Gender, and Sexuality Studies Commons, Modern Literature Commons, Psychiatric and Mental Health Commons, Psychoanalysis and Psychotherapy Commons, and the Psychology Commons Graubard, Anya, ""The yT rant Father": Leslie Stephen and Masculine Influences on Virginia Woolf and her Novel, To the Lighthouse" (2019). Honors Theses, University of Nebraska-Lincoln. 96. http://digitalcommons.unl.edu/honorstheses/96 This Thesis is brought to you for free and open access by the Honors Program at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Honors Theses, University of Nebraska-Lincoln by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Graubard 1 “THE TYRANT FATHER”: LESLIE STEPHEN AND MASCULINE INFLUENCES ON VIRGINIA WOOLF AND HER NOVEL, TO THE LIGHTHOUSE An Undergraduate Honors Thesis Submitted in Partial Fulfillment of University Honors Program Requirements University of Nebraska-Lincoln by Anya Graubard, Bachelor of Arts Anthropology College of Arts and Sciences March 8, 2019 Faculty Mentor: Beverley Rilett, Ph.D., English Graubard 2 Abstract This paper examines the volatile yet nurturing relationship between Virginia Woolf and her father, Leslie Stephen. It specifically considers the effects of three male “tyrants” in Woolf’s childhood, including not only her father but also her two half- brothers, who abused her sexually. -
Intellectual Backgrounds
Notes NOTES TO THE INTRODUCTION I. These are Renate Poggioli's terms in TJu Theory ofthe Avant-Garde. ch.2. Poggioli's entire account illuminates how Bloomsbury was and was not avant-garde, 2. Bloomsbury writers were closely associated at times with the Nation and the NewStatesman , but the political and even parts of the literary halves of these periodicals were edited and written by journalists largely unassociated with the Group. Desmond MacCarthy edited two periodicals that might be considered small magazines, and, though both had Bloomsbury con tributors, neither the Neu. QuarterlY nor lift and Letters could be called a Bloomsbury magazine. 3. Desmond MacCarthy can serve as an illustration of what is involved in determining the membership of Bloomsbury. Recently MacCarthy's son in-law David Cecil has denied his connection with Bloomsbury: 'As he himself said, "Bloomsbury has never been a spiritual home to me" (Cecil, 'Introduction', p. 15). Cecil omits the other half of the sentence from MacCarthy's Bloomsbury memoir, which is 'but let me add that I have not got one, although at Cambridge for a few years I fancied that I had'. MacCarthy goes on to call Bloomsbury a home away from home and note how he converged on the Group through the Apostles, Clive Bell and the Stephen sisters (SPR/BG, p. 28). To these connections could be added his association with Roger Fry, which led to his writing the introduction for the catalogue of the first post-impressionist exhibition. Like Strachey, MacCarthy was more closely involved in Old than New Bloomsbury, but in both he edited periodicals that depended on his Bloomsbury friends for contributions. -
VIJRG INIA WOOLJF Moments of Being
VIJRG INIA WOOLJF Moments of Being EDITED WITH AN INTRODUCTION AND NOTES by ]EANNE SCHULKIND SECOND EDITION 0 A Harvest/HBJ Book Harcourt Bracejovanovich, Publishers San Diego New York London A Sketch of the Past Two days ago-Sunday 16th April 1939 to be precise-Nessa said that if I did not start writing my memoirs I should soon be too old. I should be eighty-five, and should have forgotten-witness the unhappy case of Lady Strachey. * As it happens that I am sick of writing Roger's life, perhaps I will spend two or three mornings making a sketch. t There are several difficulties. In the first place, the enormous number of things I can remember; in the second, the number of different ways in which memoirs can be written. As a great memoir reader, I know many different ways. But if I begin to go through them and to analyse them and their merits and faults, the mornings-I cannot take more than two or three at most-will be gone. So without stopping to choose my way, in the sure and certain knowledge that it will find itself-or if not it will not matter -I begin : the first memory. This was of red and purple flowers on a black ground-my mother's dress; and she was sitting either in a train or in an omni bus, and I was on her lap. I therefore saw the flowers she was wearing very close; and can still see purple and red and .blue, I think, against the black; they must have been anemones, I suppose. -
Biography and the Art of Virginia Woolf
UNIVERSITÀ DEGLI STUDI DI MILANO Scuola di Dottorato Humanae Litterae Dipartimento di Lingue e Letterature Straniere Dottorato di Ricerca in Anglistica XXV ciclo “THE PROPER WRITING OF LIVES ”: BIOGRAPHY AND THE ART OF VIRGINIA WOOLF L-Lin/10 – Letteratura Inglese Tesi di Dottorato di: Claudia Cremonesi Tutor: Chiar.ma Prof.ssa Francesca Orestano Co-tutor: Chiar.mo Prof. Carlo Pagetti Coordinatore del Dottorato: Chiar.mo Prof. Alessandro Costazza Anno Accademico 2011-2012 To grandma “What is the meaning of life? That was all—a simple question; one that tended to close in on one with years. The great revelation had never come. The great revelation perhaps never did come. Instead there were little daily miracles, illuminations, matches struck un-expectedly in the dark; here was one.” Virginia Woolf To the Lighthouse Table of contents “The Proper Writing of Lives ”: Biography and The Art of Virginia Woolf 1 Introduction 9 Chapter 1 Biography: definition, metaphors, theory 1.1 A matter of terms: biographia, biography, and life-writing, 9 – 1.2 Definition, 12 – 1.3 Metaphors, 13 – 1.4 Reflections upon biography in the twentieth century, 19 Historical background 1.5 Plutarch, the “father” of biography, 31 – 1.6 Samuel Johnson and his lesson concerning biography, 33 – 1.7 James Boswell and the voice of Dr Johnson, 40 – 1.8 The third among the great: John Gibson Lockhart, 45 – 1.9 James Anthony Froude and the Life of Carlyle controversy, 47 – 1.10 Sir Leslie Stephen and his commitment to national biography, 49 53 Chapter 2 The “new biography” -
Meaning in the Margin: the Letters and Works of David Garnett
MEANING IN THE MARGIN: THE LETTERS AND WORKS OF DAVID GARNETT by Ryan Scott Fletcher APPROVED BY SUPERVISORY COMMITTEE: ___________________________________________ Michael Wilson, Chair ___________________________________________ Patricia Michaelson ___________________________________________ Sean Cotter ___________________________________________ Fred Curchack Copyright 2020 Ryan Scott Fletcher All Rights Reserved In memory of Dr. Sandra Mayfield MEANING IN THE MARGIN: THE LETTERS AND WORKS OF DAVID GARNETT by RYAN SCOTT FLETCHER, BA, MA DISSERTATION Presented to the Faculty of The University of Texas at Dallas in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY IN HUMANITIES-STUDIES IN LITERATURE THE UNIVERSITY OF TEXAS AT DALLAS December 2020 ACKNOWLEDGMENTS A special thanks to my committee chair, Professor Michael Wilson, for his encouragement and sound advice. I also want to thank my committee members, Professor Patricia Michaelson, Professor Sean Cotter, and Professor Fred Curchack, for their continued support throughout the duration of this project. Thank you to Linda Snow, library liaison, and Professor Tim Redman for making me aware of this special collection of letters at The University of Texas at the Harry Ransom Center. September 2020 v MEANING IN THE MARGIN: THE LETTERS AND WORKS OF DAVID GARNETT Ryan Scott Fletcher, PhD The University of Texas at Dallas, 2020 ABSTRACT Supervising Professor: Michael Wilson David Garnett (1892-1981) is mostly known for his minor role as a member in the Bloomsbury Group, meeting in WWI. The Bloomsbury Group is made up of artists, writers, and even a famous economist during the early twentieth century, i.e. Virginia Woolf, Lytton Strachey, and John Maynard Keynes. Scholars rarely notice or even mention Garnett’s impact in shaping modernism as a writer, critic, and editor, especially in London. -
Virginia Woolf Holds a Unique, If Controversial Place in Twentieth
Of Whom Should Virginia Woolf Have Been Afraid: A Study of her Traumatic Life." by Elizabeth Ronis “But I don’t want to go among mad people” Alice remarked. “Oh, you can’t help that,” said the Cat. “ We’re all mad here. I’m mad. You’re mad.” Alice in Wonderland; Lewis Carroll. I believe Carroll meant eccentric, not insane. Virginia Woolf was certainly eccentric but was she insane? Virginia Woolf holds a unique, if controversial place, in Twentieth Century literature. During her lifetime, she was known for her novels and essays and, posthumously, for her diaries and letters. She has become subject for endless numbers of biographies, reminiscences, and doctoral theses. Virginia and her husband Leonard were central figures in the Bloomsbury Group, which took its name from an area in Northeast London. It became the gathering place of friends who originally met at Cambridge. It included painters such as Vanessa Bell, Duncan Grant, (Dora) Carrington, the art critics Roger Fry and Clive Bell, Vanessa’s husband, the writer/ historian Lytton Strachey, his brother James and James’ wife Alix, the translators of Freud, writers E.M. Forster, T.S. Eliot, Saxon Sidney-Turner, and economist John Maynard Keyes and his wife Lydia Lopokova. Most of them became leading figures in the arts, literature, and government of that period. Writing about the Bloomsbury group became a cottage industry. The relationships among the members of the group were complicated, promiscuous, involving multiple partners and often homosexual or bisexual. Dorothy Parker said that the Bloomsbury group was comprised of pairs who had affairs in squares. -
Virginia Woolf Miscellany, Issue 89, Spring 2016 and Issue 90, Fall 2017
NUMBERS 89 and 90 SPRING 2016 AND FALL 2016 ISSUE 89, SPRING 2016 Read the VWM online on Wordpress! ISSUE 90, FALL 2016 TRULY MISCELLANEOUS <https://virginiawoolfmiscellany.wordpress. VIRGINIA WOOLF AND ILLNESS EDITOR: DIANA L. SWANSON com/> GUEST EDITOR: CHERYL HINDRICHS To the Readers: – TABLE of CONTENTS – To the Readers: I hope that, like me, you—dear reader—will See page 12 On Being Ill. “Is that a user’s guide?” This question, find these essays and reviews interesting and International Virginia Woolf or a clever variation on it, became a familiar refrain worthwhile confirmations of the continuing Society Column when the elegant Paris Press edition’s cover, vitality of Woolf’s writings and of Woolf studies. See page 68 conspicuously abandoned on my bed table, caught Having spent much of my scholarly career reading (continues on page 67) the eye of one of the many nurses or phlebotomists and writing about Woolf, I find myself from IVWS Officers and Members-at-Large who rotated through my ward over four weeks— time to time returning to Woolf’s warning about See page 67 weeks coinciding with what should have been my participating in the kind of scholarship which –EVENTS, INFO and CFPs– rereading of Woolf’s 1926 On Being Ill (OBI) as produces “the seventieth study of Keats and his MLA 2017 in Philadelphia well as the impressive range of essays which you use of Miltonic inversion” (A Room of One’s Own See page 3 may now also read at your leisure in the second 118). Beginning in the 1970s, feminist scholars Louisville Conference section of this double issue of the Miscellany, have turned Woolf from a minor modernist See page 3 whether “in the army of the upright” or “lying into a canonical one. -
The Bloomsbury Group Was an Group of Writers, Intellectuals, Philosophers and Artists Who Held Informal Discussions in Bloomsbury
The Bloomsbury Group was an group of writers, intellectuals, philosophers and artists who held informal discussions in Bloomsbury. This collective of friends and relatives lived, Virginia Woolf worked or studied near Bloomsbury in London during the first half of the twentieth century. Their work deeply influenced literature, aesthetics, criticism, and economics as well as modern attitudes towards feminism, J.M. Keynes pacifism, and sexuality. Its best known members were Virginia Woolf, John Maynard Keynes, E. M. Forster and Lytton Strachey. E.M. Forster Virginia Woolf & Lytton Strachey Leslie Stephen was a historian and literary critic. His first wife, Harriet Marian, was the daughter of the novelist William Makepeace Thackeray. His second wife, Julia Prinsep Jackson, was the niece of the pioneering photographer Julia Margaret Cameron.. With Julia, Leslie Stephen had four children: Vanessa, Thoby, Adrian and Virginia. Julia Jackson died young, and when Leslie Stephen died in 1904 the siblings moved to 46 Gordon Square, in Bloomsbury, London, where they began to receive guests "at home". Virginia Woolf with her father, Sir Leslie Stephen 1902 Sir Leslie Stephen was Between 1850 and 1864, Leslie Stephen was a a British historian , writer, philosopher. student, tutor, and a fellow at Cambridge. “I was a liberal after the fashion of those days: a follower of J. S. Mill... I read Comte, too, and became convinced among other things that Noah’s flood was a fiction... Upon my stating in the summer of 1862 that I could no longer take part in the chapel services, I resigned my tutorship.” Julia Jackson (Woolf’s Mother) by Julia Margaret Cameron 1867-1870s Thoby, Vanessa, Virginia, Julia, and Adrian Stephen are seen here at Talland House. -
Virginia Woolf's Illnesses, by Douglass W
Clemson University TigerPrints Monographs Clemson University Digital Press 2004 Virginia Woolf 's Illnesses Douglas W. Orr, M.D. Follow this and additional works at: https://tigerprints.clemson.edu/cudp_mono Recommended Citation Virginia Woolf's Illnesses, by Douglass W. Orr, M.D., edited by Wayne K. Chapman (Clemson, SC: Clemson University Digital Press, 2004), xiv+182 pp. Paper. ISBN 0-9741516-8-8 This Book is brought to you for free and open access by the Clemson University Digital Press at TigerPrints. It has been accepted for inclusion in Monographs by an authorized administrator of TigerPrints. For more information, please contact [email protected]. Virginia Woolf’s Illnesses i VIRGINIA WOOLF’S ILLNESSES ii Virginia Woolf’s Illnesses Douglass W. Orr, M.D. ! Edited by Wayne K. Chapman iii VIRGINIA WOOLF’S ILLNESSES A full-text digital version of this book is available on the Internet, in addition to other works of the press and the Center for Electronic and Digital Publishing, including The South Carolina Review and The Upstart Crow: A Shakespeare Journal. See our Web site at www.clemson.edu/caah/cedp, or call the director at 864-656-5399 for information. Copyright 2004 by Clemson University ISBN 0-9741516-8-8 Published by Clemson University Digital Press at the Center for Electronic and Digital Publishing, College of Architecture, Arts and Humanities, Clemson University, Clemson, South Carolina. Produced in the MATRF Laboratory at Clemson University using Adobe Photoshop 5.5 , Adobe Pagemaker 6.5, Microsoft Word 2000. This book is set in Garamond and was printed by University Printing Services, Office of Publications and Promotional Services, Clemson University. -
4159-1 -WOOLF.Indd
GENERAL BACKGROUND I. BIOGRAPHICAL LANDMARKS Read the seven major items relating to the life of Virginia Woolf while trying to memorize the main information. 1. An extended family 25 January 1882: Adeline Virginia Woolf (née Stephen) was born, the third child and second daughter of Leslie and Julia Stephen. • Leslie Stephen (1832-1904) Critic, biographer (fi rst editor of The Dictionary of National Biography), essayist and ‘man of letters’, he was professionally committed to writing as a member of the late Victorian upper middle class English intelligentsia. Among the many visitors to the household were a number of artists, poets and writers: Henry James (1843-1916, US born English novelist, short story writer and critic), George Eliot (pen name of Mary Ann Evans, 1819- 1880, English novelist noted for her analysis of provincial Victorian society), George Meredith (1828-1909, English novelist and poet), and James Russell Lowell (1819- 1891, US poet, essayist and diplomat) who became Virginia’s godfather (parrain). Together with a great concourse (multitude) of visiting aunts, uncles and cousins, the family included a fairly large number of children as Leslie and his wife Julia had both been married before. 9 Leslie Stephen’s fi rst wife, Harriet Marian a.k.a. ‘Minny’, was the eldest daughter of William Makepeace Thackeray (1811-1863, English novelist). She died in 1875, leaving a daughter, Laura Makepeace Stephen (1870-1945), who was mentally defi cient and spent most of her life in institutions. Minny’s sister, Anne (‘Aunt Anny’), a novelist, was a great help in the Stephen household. 9 Leslie Stephen’s second wife, Mrs Julia Princep Duckworth, née Jackson, (1846- 1895), a close friend of the Thackeray sisters, was a widow with three Duckworth children: – George (1868-1934) – Stella (1869-1897): she looked after the family when her mother died, until she got married.