Read Ebook {PDF EPUB} From the Lighthouse to Monk's House A Guide to Virginia Woolf's Literary Landscapes by Katherine C.
Fromthe Lighthouse to Monk's House:A Guide to Virginia Woolf's LiteraryLandscapes byKatherine C. Hill-Miller. Our systems have detected unusualtraffic activityfromyour network. Please complete this reCAPTCHA to demonstrate that it's youmakingthe requests and not a robot. Ifyouare havingtrouble seeingor completingthis challenge, this page mayhelp. Ifyoucontinue to experience issues, youcancontact JSTOR support.
Block Reference:#0556ee20-ce2f-11eb-856e-9999daff4577 VID:#(null) IP:116.202.236.252 Date and time:Tue, 15 Jun2021 23:11:31 GMT.
Fromthe Lighthouse to Monk's House:A Guide to Virginia Woolf's LiteraryLandscapes byKatherine C. Hill-Miller. Our systems have detected unusualtraffic activityfromyour network. Please complete this reCAPTCHA to demonstrate that it's youmakingthe requests and not a robot. Ifyouare havingtrouble seeingor completingthis challenge, this page mayhelp. Ifyoucontinue to experience issues, youcancontact JSTOR support.
Block Reference:#056a00f0-ce2f-11eb-8eb8-cb18dba6015e VID:#(null) IP:116.202.236.252 Date and time:Tue, 15 Jun2021 23:11:31 GMT.
HILL-MILLER, Katherine C(ecelia) HILL-MILLER, Katherine C(ecelia). American, b. 1949. Genres:Writing/Journalism, Language/Linguistics. Career:KingsboroughCommunity College ofthe CityUniversityofNew York, Brooklyn, NY, adjunct lecturer inEnglish, 1972-73; College ofWilliamand Mary, Williamsburg, VA, assistant professor ofEnglish, 1978-80; LongIsland University, C.W. Post Center, Greenvale, NY, assistant professor, 1980-84, associate professor, 1984-89, professor ofEnglish, 1989-. UniversityofBonn, guest lecturer, spring, 1986. Publications:(withS. Weidenborner) Writing Effective Paragraphs, 1974; The BantamBook ofSpelling, 1986; MyHideous Progeny:MaryShelley, WilliamGodwin, and the Father-Daughter Relationship, 1995; Fromthe Lighthouse to Monk's House:A Guide to Virginia Woolf's LiteraryLandscapes. Work represented inanthologies. Address:Department ofEnglish, C.W. Post Campus, LongIsland University, 720 NorthernBlvd, Brookville, NY 11548-1300, U.S.A. Online address:[emailprotected]
Cite this article Pick a style below, and copythe text for your bibliography. MLA Chicago APA. "Hill-Miller, Katherine C(ecelia) ."Writers Directory2005 . . Retrieved June 04, 2021 fromEncyclopedia.com: https://www.encyclopedia.com/arts/culture-magazines/hill-miller-katherine-cecelia.
Citationstyles. Encyclopedia.comgives youthe abilityto cite reference entries and articles accordingto commonstyles fromthe ModernLanguage Association (MLA), The Chicago ManualofStyle, and the AmericanPsychologicalAssociation(APA).
Withinthe “Cite this article”tool, pick a style to see how allavailable informationlooks whenformatted accordingto that style. Then, copyand paste the text into your bibliographyor works cited list.
BloggingWoolf. FocusingonVirginia Woolfand the BlooomsburyGroup. Springbreak onthe beachat St. Ives. Friday18 March2011 byPaula Maggio. Technically, I’monspringbreak. I have had a break fromteachingand preparingfor classes, but I haven’t gone anywhere. No sun, no sand, no waves ticklingmytoes.
So I pushed mycurrent project aside and took a three-minute beachbreak inSt. Ives, Cornwall, where Virginia Woolfspent her summers untilthe age of12.
Joinme there now. I’ve got the sunscreen. Share this: Like this: 4 Responses. […] Springbreak onthe beachat St. Ives Rate this:Share this:Like this:LikeBe the first to like this. […] […] Springbreak onthe beachat St. Ives […] Kathy, thanks for the information. IfI ever get back to St. Ives, I willdo mybest to follow your advice. I’llalso add this informationto the InHer Steps page.
I have read your book, and I recommend it to anyone interested infollowinginWoolf’s footsteps. Needless to say–utterlyjealous! But while you’re inSt. Ives, be sure to take the walk to TrenCrom, whichVirginia made manytimes withfather and family. Youcanfind the route inmybook Fromthe Lighthouse to Monk’s House:A Guide to Virginia Woolf’s LiteraryLandscapes (Duckworth, 2001). The best place to beginis at the Badger Inn, where Virginia spent Christmas in1909. (It was thenknownas the Lelant Hotel.) The round trip willtake severalhours, but it’s worthit. Have fun! KathyHill-Miller.
Julia Stephen:FromFreshwater BayTo The Lighthouse. Pityhas no creed. We are bound to these sufferers bythe tie ofsisterhood and while life lasts we willhelp, soothe, and, ifwe can, love them. Womenare not allblind followers ofmen. Theyhave power to think as well, and theywillnot weakentheir power ofhelpingand lovingby fearlesslyowningtheir ignorance whentheyshould be convinced ofit. Womenshould not reject religionmerelybecause theydesire to please men. Manand womanhave equalrights but withdifferent areas ofinfluence. Womendo not stand onthe same ground as menwithregard to work, thoughwe are far fromallowingthat our work is lower or less important thantheirs, but we ought and do claimthe same equalityofmorals. [1]
Whenaunt Julia Margaret Cameron(1815-1879) took analbumenprint ofher ‘favourite niece’, Mrs Herbert Duckworth, the year was 1867 and Mrs Duckworthhad beenmarried for less thana year. She was bornJulia Jackson, and her image would go downinthe annals ofhistoryas one ofthe great beauties, but little is knownofthis mysterious woman. Animage captured ina moment bya familymember would launchinfinite mysteryand curiosity.
Julia Jacksonand Mia Jackson, bythe LondonPhotographic Company. Albumenprint, c. 1867. NationalPortrait Gallery, London, UK. She was bornJulia Prinsep Jacksonon7 February1846 inCalcutta, India, the daughter ofDr. JohnJacksonand Maria Theodosia Pattle, youngest sister ofJulia Margaret Cameron. The Prinsep name enters the frame whenanother aunt, SarahPattle, married HenryThobyPrinsep (1792-1878). She became cousinto their sonValentine CameronPrinsep. Julia and her mother – knownas ‘Mia’ -stayed withSarahand Thoby Prinsep from1848 untilDr. Jacksonreturned to England in1855. The matriarchofthe familymoved theminto Brent Lodge, Hendon, while Julia was educated at home, becomingher mother’s nurse and companion. The Jacksons lived at Brent Lodge for tenyears and the storygoes that a young, 21 year-old beauty, Julia Jackson, paid a visit to her cousins at Little Holland House where she met a 34 year-old barrister named Herbert Duckworth. She later admitted that part ofher attractionto himwas his straightforwardness withher. He stood out amongthe other menwho ‘attempted’ to court her; namely, sculptor Thomas Woolner and painter WilliamHolmanHunt.
Julia and Herbert DuckworthbyOscar Rejlander, 1867. Leslie Stephen’s PhotographAlbum, plate 33a. Mortimer Rare Book Room, Smith College.
Mr. and Mrs. Duckworthwere married for three years. Theywere devoted to eachother, rarelyapart – ‘the greatest happiness that canfallto the lot ofa woman’ [2] – until, inSeptember 1870, while Herbert was attemptingto pick a ripe figfroma tree branch, anundiagnosed internal abscess burst and he died. Julia Duckworthlaygrievingfor hours onher husband’s grave at Orchardleigh. She gave birthto their son, Gerald Duckworth, sixweeks later at the age oftwenty-four. She went frombeingrestrained and undemonstrative to no longer being‘inclined to optimism’, takingona ‘melancholyview oflife’. She would describe her loss usingone simple word:‘shipwreck’. ‘The world was clothed indrab, shrouded ina crape-veil’. [3]
Julia Stephenand Gerald Duckworth, byOscar Rejlander, c. 1871. Leslie Stephen’s PhotographAlbum, plate 34. Mortimer Rare Book Room, SmithCollege.
The fact that Julia was a youngmother would help sustainher. Herbert’s resultingloss left Julia witha lifelongneed to help those sufferingpain, illness, and loss ofanykind. She adopted a stoicismthat onlythose inher inner circle would observe and comment on. She rejected Christianity and beganreadingarticles bya mannamed Leslie Stephenabout agnosticism, whichbrought her muchcomfort. Leslie was married to Minny Thackeray, the daughter ofnovelist WilliamMakepeace Thackeray, and Julia developed a stronglifelongfriendship withMinny’s sister Anny Thackeray.
Harriet Marian(“Minny”) ThackerayStephenand Leslie Stephen, 1867. Leslie Stephen’s PhotographAlbum, plate 35d. Mortimer Rare Book Room, SmithCollege.
Accordingto Leslie’s letters, it was Julia’s remote and reserved approachthat he first noticed about her. She met his practicaland emotional needs. Caringfor Leslie fulfilled her nursingvocationas wellas a need for safety, companionship and appreciation. He later described a winter’s eveningwhenhe and Minnywere sittingat home ‘inperfect happiness’. Julia looked inand found them‘so happytogether that she thought the presence ofa desolate widow incongruous, and left us to returnto her ownsolitaryhearth’. [4] It should not be surprisingthat Julia was visitingthe Stephenfamily, since she was a friend ofthe Thackerays, goingback to her days at Little Holland House. It was Julia who helped Annykeep her manuscripts inorder and did copyingwork for her. Julia said ofAnny, ‘she helped me into some sort ofshelter and made things more realto me again’ [5] whenher husband died. Sadly, it was that night, after Julia’s visit, that Minnywent into severe convulsions and suffered what todaywe would calleclampsia. She died onNovember 28, 1875.
Leslie, Annyand Laura moved from8 SouthwellGardens to 11 Hyde Park Gate SouthinJune 1876, whenLeslie inherited it fromMinny. Julia helped her new neighbours settle in. She had just moved from90 Redcliffe Gardens into 13 Hyde Park Gate. It was duringthis period that Leslie Stephenwould refer to Julia Duckworthas his ‘savingangel’. He was indanger ofbecomingdepressed and a recluse. Julia recognised the signs of griefand spent allofher free time makingherselfavailable to Leslie’s everyneed. Their childrenplayed together and one year later, onJuly5, 1877, Leslie knew he was fallinginlove withJulia. He had papers drawnup namingJulia a household accountant ofsorts, evengivingher guardianship ofhis onlydaughter withMinny, Laura Makepeace Stephen(1870–1945), who was bornthree months premature and suffered from mentalretardation, accordingto Leslie’s letters. [6]
Leslie and Julia StepheninGrindelwald, Switzerland, 1889. ByGabrielLoppé. Leslie Stephen’s PhotographAlbum, plate 39e. Mortimer Rare Book Room, SmithCollege.
OnMarch26 1878, Leslie and Julia were married. EventhoughLaura was looked after bygovernesses ina separate part ofthe house, Julia had her committed to the Earlswood Asylumfor the Imbecile and Weak-Minded. Laura’s familyrarelyvisited her.
Evenwithperiods ofdifficultyintheir marriage, Leslie’s letters reveala harmonious domestic life surrounded bythe joyand happiness his children brought him. It was duringtheir marriage that Leslie became foundingeditor ofthe DictionaryofNationalBiography. He was a well-known editor, critic and biographer bythis time. Together theyhad four children:Vanessa (b. 1879), Thoby(b. 1880), Adeline (b. 1882), and Adrian(b. 1883). Thobywould become knownfor startingthe BloomsburyGroup, and his brother Adrianbecame anauthor, psychoanalyst and member of the group. Vanessa Stephenbecame Vanessa Bell, Englishpainter, interior designer and member ofthe group. The most well-knownofthe siblings was Adeline Stephen, who would become Virginia Woolf.
Julia Stephen, Grindelwald, Switzerland, 1889. ByGabrielLoppé. Leslie Stephen’s PhotographAlbum, plate 39c. Mortimer Rare Book Room, SmithCollege.
Duringtheir marriage, The StephenFamilylived at 22 Hyde Park, whichhad beenJulia’s house prior to her marriage. The childrencomplained about the cold, callingit ‘a regular mausoleum’. It was set ina gloomycul-de-sac across the street fromKensingtonGardens. Accordingto Virginia, ‘her mother sketched the plans ofthe house to save onarchitect’s fees’. The top ofthe house was where Leslie’s large study, library, and nurseries for their four childrencould be found. Vanessa remembers coalfires warmed the nurseries, makingthe house ‘verysnug, ifstuffy’ with‘a veryunhealthyatmosphere’. Windows were never opened. Onthe first floor, three bedrooms were reserved for the Duckworthchildrenas wellas the maritalbedroomand another nursery. The servants used the basement as their ownspace and the kitchenwas looked after bythe cook, Sophie Ferrell. Onthe ground floor youwould find the diningroomand large double roomopeningfrom‘a cheerfullittle room, almost entirely made ofglass witha skylight, windows allalongone side lookingonto the back garden.’ [7] A totalofsixteenpeople lived here and alldaily arrangements were supervised byJulia Stephen.
Whena lamp flares up inthe nursery; Ellen, the housemaid, is called, thenAnnie, the parlor maid, thenAdrian, ‘summoned his mater and Thoby’. Julia successfullydeals witheverysituationshowingexamples ofher energyand enthusiasm. She rises at 6 and ‘defied the burst pipes alone’. She is the kind ofpersonwho ‘sees gold under a coveringofcopper.’ Although, Julia is ‘anardent lover ofrats’ she wants a dogto rid her ofthe creatures that destroyher provisions; she adores birds and scatters crumbs to ‘entice the feathered favorites’. [8]
Accordingto Hyde Park Gate News , ‘there are trips to glass blowing, a ventriloquist, the pantomime, KensingtonPark, the Zoo, birthdayparties, plays, musicals, Gondola rides, skating, and anice carnivalinRegents Park.’ [9]
Talland House, c. 1882-1894. Plate 37c, Mortimer Rare Book Room, SmithCollege. Some ofthe happiest times were spent inSt. Ives, Cornwall, at Talland House, a retreat fromthe citywhere the familyspent summers from1882 to 1894, withvisits fromfriends and relatives. Incontrast to the Hyde Park townhouse, Talland House was fulloflight and warmth. Virginia looked back at her years here as ‘days ofpure enjoyment’. As childrentheyate cherries, cream, bread and jam, grapes, peaches, strawberryices, cake and chocolates and remembered the food most ofalllater inlife. The gardenwas divided into separate sections bythick sweet-smelling escallonia. Virginia explained how everysmallroomhad its ownfunction:the coffee garden, the cricket lawn, the Love Corner—covered inpurple jackmanii, the Fountain, the kitchengarden, the strawberrybeds, the pond, the Lookout place. Theyplayed endless games and activities. A neighbour at St. Ives described Julia’s childrenas, ‘talland fair, never mixingwithother children, almost like Gods and Goddesses.’ [10]
Julia Stephenwas always there to support her familyand friends. She nursed the sick and dying, travelled round Londonbybus visitinghospitals and workhouses, and was never afraid to speak out ‘onbehalfofworkhouse inmates whose half-pint beer allocationhad beenremoved by temperance campaigners’. [11] In1883 she published her book, Notes fromSick Rooms , a discussionofgood nursingpractice, which demonstrated attentionto detailand to language. Her Stories for Children, Essays for Adults’ was published in1987, consistingoftales she told her veryownchildren. Theywere stories that promoted the values offamilylife, includingkindness to animals, withtitles suchas ‘Cat’s Meat’, ‘The Monkeyonthe Moor’ and ‘The Black Cat or the GreyParrot’.
On5 May1895, Julia Stephendied at the age of49. Virginia Woolf’s memories ofher mother would remainpermanentlytangible. She wore a white dressinggownand next to her were great starrypurple passionflowers, the buds part empty, part full. She wore three rings diamond, emerald, and opalwithsilver bracelets that twisted and jingled as she laysleepless. Their sound meant that she would be comingto sooth her restless daughter tellingher ofrainbows and bells. She remembered how her mother held her verystraight. [12]
Julia’s finalwords to her thirteenyear-old daughter as she crept out ofthe door were, ‘Hold yourselfstraight, mylittle Goat’. [13] Julia Stephen, 1894. Plate 38k, Leslie Stephen’s PhotographAlbum. Mortimer Rare Book Room, SmithCollege. KimberlyEve (@musingswriter) is a writer and independent scholar witha focus onthe personallives ofartists and authors ofthe nineteenthcenturyand Victorianera. Her work is featured onher website, VictorianMusings.
Notes & references. Title image:Myniece Julia fullface, byJulia Margaret Cameron. Albumenprint, 1867, NationalPortrait Gallery, London, UK. [1] Julia DuckworthStephen(ed. Diane F. Gillespie & ElizabethSteele), Stories For Children, Essays For Adults (Syracuse, New York: Syracuse UniversityPress, 1987), 243.
[2] Stephen, Martin, Leslie Stephen, Leslie Stephen’s MausoleumBook , (ClarendonPress, 1977), 38. [3] GillianGill, Virginia Woolf:And the WomenWho Shaped Her World (HoughtonMifflinHarcourt, 2019), 143. [4] JohnW. Bicknell(ed.), Selected Letters ofLeslie Stephen. Volume 1:1864-1882, The DeathofMinny(Palgrave Macmillan, 1996), 162. [5] Stephen, Stories For Children, Essays For Adults , 7. [6] JohnW.Bicknell(Ed.), Selected Letters ofLeslie Stephen. Volume 1:1864-1882, The DeathofMinny( Palgrave Macmillan, 1996), 162. [7] J. H. Stape (ed.), Virginia Woolf:Interviews and Recollections (Palgrave Macmillan, 1995). 7. [8] Lowe et al., Versions ofJulia:Five BiographicalConstructions ofJulia Stephen, Volumes 41-47 (CecilWoolf, 2005), 37-38. [9] Lowe et al., Versions ofJulia , 38. [10] Hermione Lee, Virginia Woolf(Chatto + Windus, 1996), 26. [11] PallMallGazette , 4 October 1879. [12] Katherine Hill-Miller, FromThe Lighthouse To Monk’s House:A Guide to Virginia Woolf’s LiteraryLandscapes (BristolClassicalPress: 2003), 36.
[13] Jeanne Schulkind, Virginia Woolf:Moments ofBeing(Harcourt Brace & Company:New York:1985), 84.