Virginia Woolf Miscellany, Issue 89, Spring 2016 and Issue 90, Fall 2017
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Read Ebook {PDF EPUB} from the Lighthouse to Monk's House a Guide to Virginia Woolf's Literary Landscapes by Katherine C
Read Ebook {PDF EPUB} From the Lighthouse to Monk's House A Guide to Virginia Woolf's Literary Landscapes by Katherine C. From the Lighthouse to Monk's House: A Guide to Virginia Woolf's Literary Landscapes by Katherine C. Hill-Miller. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #0556ee20-ce2f-11eb-856e-9999daff4577 VID: #(null) IP: 116.202.236.252 Date and time: Tue, 15 Jun 2021 23:11:31 GMT. From the Lighthouse to Monk's House: A Guide to Virginia Woolf's Literary Landscapes by Katherine C. Hill-Miller. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #056a00f0-ce2f-11eb-8eb8-cb18dba6015e VID: #(null) IP: 116.202.236.252 Date and time: Tue, 15 Jun 2021 23:11:31 GMT. HILL-MILLER, Katherine C(ecelia) HILL-MILLER, Katherine C(ecelia). American, b. 1949. Genres: Writing/Journalism, Language/Linguistics. Career: Kingsborough Community College of the City University of New York, Brooklyn, NY, adjunct lecturer in English, 1972-73; College of William and Mary, Williamsburg, VA, assistant professor of English, 1978-80; Long Island University, C.W. -
It Is Time for Virginia Woolf
TREBALL DE FI DE GRAU Tutor/a: Dra. Ana Moya Gutierrez Grau de: Estudis Anglesos IT IS TIME FOR VIRGINIA WOOLF Ane Iñigo Barricarte Universitat de Barcelona Curso 2018/2019, G2 Barclona, 11 June 2019 ABSTRACT This paper explores the issue of time in two of Virginia Woolf’s novels; Mrs Dalloway and To the Lighthouse. The study will not only consider how the theme is presented in the novels but also in their filmic adaptations, including The Hours, a novel written by Michael Cunningham and film directed by Stephen Daldry. Time covers several different dimensions visible in both novels; physical, mental, historical, biological, etc., which will be more or less relevant in each of the novels and which, simultaneously, serve as a central point to many other themes such as gender, identity or death, among others. The aim of this paper, beyond the exploration of these dimensions and the connection with other themes, is to come to a general and comparative conclusion about time in Virginia Woolf. Key Words: Virginia Woolf, time, adaptations, subjective, objective. Este trabajo consiste en una exploración del tema del tiempo en dos de las novelas de Virginia Woolf; La Señora Dalloway y Al Faro. Dicho estudio, no solo tendrá en cuenta como se presenta el tema en las novelas, sino también en la adaptación cinematográfica de cada una de ellas, teniendo también en cuenta Las Horas, novela escrita por Michael Cunningham y película dirigida por Stephen Daldry. El tiempo posee diversas dimensiones visibles en ambos trabajos; física, mental, histórica, biológica, etc., que cobrarán mayor o menor importancia en cada una de las novelas y que, a su vez, sirven de puntos de unión para otros muchos temas como pueden ser el género, la identidad o la muerte entre otros. -
Postgraduate English: Issue 13
Protopopova Postgraduate English: Issue 13 Postgraduate English www.dur.ac.uk/postgraduate.english ISSN 1756-9761 Issue 13 March 2006 Editors: Ollie Taylor and Kostas Boyiopoulos Virginia Woolf’s Versions of Russia Darya Protopopova* * University of Oxford ISSN 1756-9761 1 Protopopova Postgraduate English: Issue 13 Virginia Woolf’s Versions of Russia Darya Protopopova University of Oxford Postgraduate English, Issue 13, March 2006 Virginia Woolf’s main source of knowledge about Russia was Russian literature. She was interested in the discoveries made by Russian nineteenth-century novelists in the sphere of transferring the depths of human mind into literary narrative. Early in her life she started reading Tolstoy; she became one of the first English admirers of Dostoevsky when Constance Garnett made the first major English translation of Dostoevsky’s novels between 1912 and 1920.[1] In one of her letters she confesses that it is from Tolstoy that the modernists ‘had to break away’.[2] Her reviews of translations from Russian were never solely about Russian literature: she felt it necessary while writing on the literature of Russian people, to comment on the Russian national character. In her 1917 article on Sergei Aksakov, the Russian nineteen-century writer, she denotes ‘the shouts of joy and the love of watching’ as ‘the peculiar property of the Russian people’.[3] Woolf never visited Russia, but her learning about Russian nation from its texts is one of the many examples of her exploring the world through fiction. Her involvement in reviewing and publishing Russian literature (between 1917 and 1946 The Hogarth Press published fifteen translations from Russian)[4] required keeping herself up to date with the political and social events in contemporaryRussia. -
Submission to the UK Press Complaints Commission
This document is made available by Brian Deer as a resource for his Sunday Times investigation of Andrew Wakefield and MMR. The complaint below was suspended on 10 February 2010, following Deer’s request to the PCC that it be heard as a matter of urgency, and the PCC’s consultation with Wakefield, who did not seek to progress it. Both Deer and The Sunday Times reject this complaint as false and disingenuous in all material respects. April 2010. Submission to the UK Press Complaints Commission Complaint from Dr Andrew Wakefield about the Sunday Times article “MMR doctor Andrew Wakefield fixed data on autism” of February 8 th 2009, by Brian Deer. __________________________________________________________________ The articles on pages 1 and, 6 and 7, of the Sunday Times “MMR1 doctor Andrew Wakefield fixed data on autism” of February 8 th 2009, made extremely serious allegations against me. The articles presented, as fact, allegations that I committed scientific fraud inasmuch as I “changed and misreported results in [my] research” 2 in a paper in the medical journal The Lancet in 1998, with the clear implication that this was intended to create the appearance of a possible link between MMR vaccination and autism and that I did it for money. These allegations are false and/or misleading and will have a hugely adverse effect on my credibility as a scientist and my ability to ever practice again in my chosen field. More importantly, the impact of Mr. Deer’s false and misleading claims upon the perception of medical professionals of the medical disorder suffered by the Lancet children and therefore, the provision of adequate care for autistic children, is potentially devastating. -
International Virginia Woolf Society Bibliography of Woolf Studies Published in 2009 (Includes Addenda for Previous Years)
International Virginia Woolf Society Bibliography of Woolf Studies Published in 2009 (includes addenda for previous years) Compiled by Kathryn Klein, SUNY Stony Brook Please send additions to Celia Marshik, IVWS Historian/Bibliographer [email protected] BOOKS Barrett, Eileen, and Ruth O. Saxton, eds. Approaches to Teaching Woolf’s Mrs. Dalloway. New York: Modern Language Association of America, 2009. Benton, Michael. Literary Biography: An Introduction. Chichester, West Sussex: John Wiley & Sons Ltd., 2009. [See chapter 1, “Literary Biography Now and Then” and chapter 11, “Literary Lives: Scenes and Stories”] Brown, Judith. Glamour in Six Dimensions: Modernism and the Radiance of Form. Ithaca, NY: Cornell University Press, 2009. [See chapter 3, “Photography: Virginia Woolf, Grammar, Desire”] Caserio, Robert L., ed. The Cambridge Companion to the Twentieth-Century English Novel. Cambridge University Press, 2009. Clewall, Tammy. Mourning, Modernism, Postmodernism. New York: Palgrave Macmillan, 2009. [See chapter 1, “Woolf and the Great War”] Crapoulet, Emilie. Virginia Woolf, a Musical Life. London: Cecil Woolf, 2009. Crosthwaite, Paul. Trauma, Postmodernism and the Aftermath of World War II. New York: Palgrave Macmillan, 2009. [See chapter 4, “Total War and the English Stream-of Consciousness Novel: from Mrs. Dalloway to Mother London”] Deer, Patrick. Culture in Camouflage: War, Empire, and Modern British Literature. Oxford: Oxford University Press, 2009. [See section titled, “Virginia Woolf‟s „Thoughts on Peace‟” and “„Literature is the common ground‟: Virginia Woolf Outside the Leaning Tower”] Detloff, Madelyn. The Persistence of Modernism: Loss and Mourning in the Twentieth Century. Cambridge, England: Cambridge University Press, 2009. [See chapter 1, “Woolf‟s Resilience” and chapter 6, “Orpheus, AIDS, and The Hours”] DiBattista, Maria. -
Virginia Woolf's Journey to the Lighthouse a Hypertext Essay Exploring Character Development in Jacob’S Room, Mrs
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Supervised Undergraduate Student Research Chancellor’s Honors Program Projects and Creative Work 5-2011 Virginia Woolf's Journey to the Lighthouse A hypertext essay exploring character development in Jacob’s Room, Mrs. Dalloway, and To the Lighthouse Laura Christene Miller [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_chanhonoproj Part of the Literature in English, British Isles Commons Recommended Citation Miller, Laura Christene, "Virginia Woolf's Journey to the Lighthouse A hypertext essay exploring character development in Jacob’s Room, Mrs. Dalloway, and To the Lighthouse" (2011). Chancellor’s Honors Program Projects. https://trace.tennessee.edu/utk_chanhonoproj/1463 This Dissertation/Thesis is brought to you for free and open access by the Supervised Undergraduate Student Research and Creative Work at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Chancellor’s Honors Program Projects by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. 1 Laura Miller Virginia Woolf’s Journey to the Lighthouse: A hypertext essay exploring character development in Jacob’s Room, Mrs. Dalloway, and To the Lighthouse Eng 498: Honors Thesis Project Spring 2011 Director: Dr. Seshagiri Second Reader: Dr. Papke 2 Content The intended format for this essay is as a hypertext. I have printed out the webpages making up -
Virginia Woolf's Carlylean Pilgrimages
Revisiting a Great Man’s House: Virginia Woolf’s Carlylean Pilgrimages MARIE LANIEL LTHOU G H MANY EARLY TWENTIETH -CENTURY WRITERS TEND TO disparage Thomas Carlyle’s moral earnestness, emphatic A hero-worship, and stern authoritarianism, most of them also feel strangely compelled to express ambivalent feelings of involuntary allegiance towards the Victorian sage. Enveloped in spiritual turmoil, Bertrand Russell found comfort by reading Carlyle’s account of his own religious crisis in Sartor Resartus (1833– 34) and felt obliged to acknowledge that he was oddly “moved by rhetoric which [he] could not accept. Carlyle’s ‘Everlasting No’ and ‘Everlasting Yea’ seemed to me very splendid, in spite of my thinking that at bottom they were nonsense” (27). Such remarks help to explain Carlyle’s curiously cloaked influence in the novels of the period, ranging from E. M. Forster’s A Room with a View (1908) to D. H. Lawrence’s Women in Love (1920). In these circumstances, it was perhaps inevitable that James Joyce should recognize the advent of Carlylean rhetoric as a momentous stage in the development of English prose writing by including a true-to-life, if slightly irreverent, impersonation of the Victorian prophet in the “Oxen of the Sun” chapter in Ulysses (1922). Of all modernist writers, Virginia Woolf (1882–1941) was perhaps the most reluctant to acknowledge any debt towards Carlyle. Throughout her life she was impervious to his egotistical rhetoric and critical of his authoritarian streak. In a letter to Margaret Llewelyn-Davies (23 January 1916), Woolf derides his oracular tone and dismisses his gloomy insights as the ravings of a misguided prophet: “I’ve been reading Carlyle’s Past and Present, and wondering whether all his rant has made a scrap CSA 24 2008 118 CARLYLE STUDIE S ANNUAL of difference practically” (Letters 2: 76). -
Scandinavia Cinema
CINEMA SCANDINAVIA issue 1 april 2014 Lars von Trier Nordic Depression Who Killed Palme? The Gender of Millennium Globalised Vikings Swedish Documentary Michael Noer Witches Cinema Scandinavia // 1 Cinema Scandinavia // 1 COVER ART Anthony Carusoe Click here to view more artworks IN THIS ISSUE Editorial News Lars von Trier: Misogynist? Hooked on Nordic Depression Who Killed Palme? The Gender of Millennium Vikings: A Global Trend Swedish Documentary Michael Noer Witches in the Scandinavian Film Released in April Festivals in April Festivals Around the World Awards in March Contribute to the Next Issue Feedback NOTE This is an interactive document. You can click on various links and text to view more information Cinema Scandinavia // 2 OF HORSES AND MEN Cinema Scandinavia // 2 Cinema Scandinavia // 3 WELCOME as well as added visits to Sweden and Denmark. ello. Welcome to Cinema Scandinavia. H I’m in love with the landscape, the wooden hous- es, the woolen sweaters, the charming language. Cinema Scandinavia is a website and Watching a Scandinavian film or television show magazine dedicated to providing an insight to and you can’t help but be absorbed by all these Nordic cinema. elements that have made the region so appealing and distinctive. When I saw my first Scandina- Cinema Scandinavia started towards the vian film, Let the Right One In, I fell in love with end of January in 2014. As I am currently com- the style. Since then, my discovery of Bergman, pleting my Masters degree researching the extent Trier, Vinterberg and Bier has inspired me to to which Scandinavian culture is present in the write and talk about the Scandinavian cinema as cinema, I needed a place to constantly keep my- much as possible. -
Between the Acts Article
‘On different levels ourselves went forward’ : pageantry, class politics and narrative form in Virginia Woolf’s late writing Harker, B http://dx.doi.org/10.1353/elh.2011.0019 Title ‘On different levels ourselves went forward’ : pageantry, class politics and narrative form in Virginia Woolf’s late writing Authors Harker, B Type Article URL This version is available at: http://usir.salford.ac.uk/id/eprint/11555/ Published Date 2011 USIR is a digital collection of the research output of the University of Salford. Where copyright permits, full text material held in the repository is made freely available online and can be read, downloaded and copied for non-commercial private study or research purposes. Please check the manuscript for any further copyright restrictions. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. ‘On different levels ourselves went forward’: pageantry, class politics and narrative form in Virginia Woolf’s late writing. Ben Harker In August 1936 the Rodmell village branch of the Labour Party held its monthly meeting in the usual venue, Monk’s House, the home of Leonard and Virginia Woolf. Those present included the Woolfs, the village postman Mr Fears and his wife, farm- worker Mr Hubbard, the Woolfs’ domestic servant Louie Everest (branch secretary) and her husband Bert, a labourer at the nearby cement works.1 A number of the assembled activists were also the Woolfs’ employees and tenants, and entrenched class dynamics rubbed against more egalitarian objectives: as recently as the 1929 General Election Virginia Woolf had been jolted by the realisation that she and her servants wanted the same side to win, reflecting in her diary that ‘to be ruled by Nelly [Boxall] and Lottie [Hope] would be a disaster.’2 As Raymond Williams points out it in his essay ‘The Bloomsbury Fraction’, the Woolfs’ circle had never been the politically disengaged aesthetes often caricatured by the left. -
Beyond, Beside, and Between the Acts: Woolf, Derrida, and the Politics of a Middle Voice
Woolf, Derrida, and the Politics of a Middle Voice BEYOND, BESIDE, AND BETWEEN THE ACTS WOOLF, DERRIDA, AND THE POLITICS OF A MIDDLE VOICE By CHRISTY CARLSON, B.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the degree Master of Arts McMaster University © Copyright by Christy Carlson, August 1991 MASTER OF ARTS (1991) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: Beyond, Beside, and Between the Acts: Woolf, Derrida, and the Politics of a Middle Voice AUTHOR: Christy Carlson, B.A. (University of Toronto) SUPERVISOR: Dr. Mary O'Connor NUMBER OF PAGES: v, 108 ii Abstract In this thesis, I examine the discourses of Virginia Woolf and Jacques Derrida each from the perspective of the other in an attempt to discuss the insights and limitations of each theory. I begin by considering each writer's version of what I will call the middle voice, a notion that serves as the point of departure for my examination of the linguistic processes of graft and disengagement in both Woolf and Derrida. Turning to the philosophical and political problems that arise when these writers put their versions of the middle voice into practice, I discuss their mutual desire (and inevitable failure) to oppose and displace totalization. Despite the similarity of these projects, however, I argue that they arise from distinct relations to subjectivity and, as a result, different imperatives. Next, I consider the (non)principle that permits and enables these notions (that is, the ungraspable because always already divided origin and the decentralizing or (self)effacing self): the logic of supplementarity. -
John Halperin Bloomsbury and Virginia W
John Halperin ., I Bloomsbury and Virginia WooH: Another VIew . i· "It had seemed to me ever since I was very young," Adrian Stephen wrote in The Dreadnought Hoax in 1936, "that anyone who took up an attitude of authority over anyone else was necessarily also someone who offered a leg to pull." 1 In 1910 Adrian and his sister Virginia and Duncan Grant and some of their friends dressed up as the Emperor of Abyssinia and his suite and perpetrated a hoax upon the Royal Navy. They wished to inspect the Navy's most modern vessel, they said; and the Naval officers on hand, completely fooled, took them on an elaborate tour of some top secret facilities aboard the HMS Dreadnought. When the "Dread nought Hoax," as it came to be called, was discovered, there were furious denunciations of the group in the press and even within the family, since some Stephen relations were Naval officers. One of them wrote to Adrian: "His Majesty's ships are not suitable objects for practical jokes." Adrian replied: "If everyone shared my feelings toward the great armed forces of the world, the world [might] be a happier place to live in . .. armies and suchlike bodies [present] legs that [are] almost irresistible." Earlier a similarly sartorial practical joke had been perpetrated by the same group upon the mayor of Cam bridge, but since he was a grocer rather than a Naval officer the Stephen family seemed unperturbed by this-which was not really a thumbing·of-the-nose at the Establishment. The Dreadnought Hoax was harder to forget. -
Sosyal Bilimler Enstitüsü Dergisi………………………………………
Celal Bayar Üniversitesi CBÜ SOSYAL BİLİMLER DERGİSİ Yıl : 2013 Cilt :11 Sayı :2 EXPERIMENTAL MODERNISM: THE SUBVERSION OF ROMANCE FORMULAS AND THE DISMANTLING OF REALIST REPRESENTATION OF THE CITY IN VIRGINIA WOOLF’S NIGHT AND DAY Araş. Gör. Dr. Çiğdem ALP Çanakkale Onsekiz Mart Üniversitesi, Fen Edebiyat Fakültesi, İngiliz Dili ve Edebiyatı Bölümü ABSTRACT Virginia Woolf’s second novel, Night and Day (1919), has generally been conceived as a typical example of the traditional English novel, which is characterized by the realistic rendering of common life and ordinary people. Some aspects of the book such as chronological order, omniscient narrator, and the traditional plot of love and marriage undoubtedly point to the realist tradition that the novel resides in. However, it is misleading to evaluate the text simply as a realist work because the narrative strategies Woolf employs throughout the book subvert the earlier literary conventions and signal the commencement of modernist literature that has changed the form and content of the English novel in the following decades. Throughout this work, Woolf questions both social and literary conventions by subverting romance formulas and describing psychologically-perceived London. While the subverted romance structure exposes the established views on gender and marriage, the portrayal of London through the consciousness of the characters prevents the novel from being a wholly realist work. The aim of this paper is to analyze how Woolf challenges traditional form and subject matter, and hence lays the ground for her later modernist works. Keywords: Virginia Woolf, Night and Day, realism, modernism, romance, city, feminism MODERNIZME GEÇİŞ: VIRGINIA WOOLF’UN NIGHT AND DAY ROMANINDA ROMANS GELENEĞİNİN VE REALİZMIN YIKIMI ÖZ Virginia Woolf’un ikinci romanı Night and Day (1919), edebiyat eleştirmenleri tarafından genellikle realist İngiliz romanın tipik bir örneği olarak kabul edilir.