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International Virginia Woolf Society Bibliography of Woolf Studies Published in 2009 (Includes Addenda for Previous Years)

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International Virginia Woolf Society Bibliography of Woolf Studies Published in 2009 (Includes Addenda for Previous Years) International Virginia Woolf Society Bibliography of Woolf Studies Published in 2009 (includes addenda for previous years) Compiled by Kathryn Klein, SUNY Stony Brook Please send additions to Celia Marshik, IVWS Historian/Bibliographer [email protected] BOOKS Barrett, Eileen, and Ruth O. Saxton, eds. Approaches to Teaching Woolf’s Mrs. Dalloway. New York: Modern Language Association of America, 2009. Benton, Michael. Literary Biography: An Introduction. Chichester, West Sussex: John Wiley & Sons Ltd., 2009. [See chapter 1, “Literary Biography Now and Then” and chapter 11, “Literary Lives: Scenes and Stories”] Brown, Judith. Glamour in Six Dimensions: Modernism and the Radiance of Form. Ithaca, NY: Cornell University Press, 2009. [See chapter 3, “Photography: Virginia Woolf, Grammar, Desire”] Caserio, Robert L., ed. The Cambridge Companion to the Twentieth-Century English Novel. Cambridge University Press, 2009. Clewall, Tammy. Mourning, Modernism, Postmodernism. New York: Palgrave Macmillan, 2009. [See chapter 1, “Woolf and the Great War”] Crapoulet, Emilie. Virginia Woolf, a Musical Life. London: Cecil Woolf, 2009. Crosthwaite, Paul. Trauma, Postmodernism and the Aftermath of World War II. New York: Palgrave Macmillan, 2009. [See chapter 4, “Total War and the English Stream-of Consciousness Novel: from Mrs. Dalloway to Mother London”] Deer, Patrick. Culture in Camouflage: War, Empire, and Modern British Literature. Oxford: Oxford University Press, 2009. [See section titled, “Virginia Woolf‟s „Thoughts on Peace‟” and “„Literature is the common ground‟: Virginia Woolf Outside the Leaning Tower”] Detloff, Madelyn. The Persistence of Modernism: Loss and Mourning in the Twentieth Century. Cambridge, England: Cambridge University Press, 2009. [See chapter 1, “Woolf‟s Resilience” and chapter 6, “Orpheus, AIDS, and The Hours”] DiBattista, Maria. Imagining Virginia Woolf: An Experiment in Critical Biography. Princeton, NJ: Princeton University Press, 2009. Dickinson, Renée. Female Embodiment and Subjectivity in the Modernist Novel: The Corporeum of Virginia Woolf and Olive Moore. New York: Routledge, 2009. Dunn-Lardeau, Brenda. Le voyage imaginaire dans le temps: Du récit médiéval au roman postmoderne. Grenoble, France: ELLUG, 2009. Engelhardt, Molly. Dancing Out of Line: Ballrooms, Ballets, and Mobility in Victorian Fiction and Culture. Athens, OH: Ohio University Press, 2009. [See chapter 5, “The Mourning After: Dancing the Victorians Past”] Forrester, Viviane. Virginia Woolf. Paris: Albin Michel, 2009. Gan, Wendy. Women, Privacy and Modernity in Early Twentieth-Century British Writing. New York: Palgrave Macmillan, 2009. Gillies, Midge. Writing Lives: Literary Biography. Cambridge: Cambridge University Press, 2009. [See chapter titled, “Bloomsbury: Experiments in Biography”] Hill, Susan. Howards End is on the Landing: A Year of Reading from Home. Profile Books, 2009. [See chapter titled, “Who‟s Afraid”] Hoff, Molly. Virginia Woolf’s Mrs. Dalloway: Invisible Presences. Clemson, SC: Clemson University Digital, 2009. Ivory, Yvonne. The Homosexual Revival of Renaissance Style, 1850-1930. New York: Palgrave Macmillan, 2009. [See chapter 5, “Orlando Emergent: Vita Sackville-West‟s Renaissance Personae”] Koppen, Randi S. Virginia Woolf, Fashion, and Literary Modernity. Edinburgh: Edinburgh University Press, 2009. Koutsantoni, Katerina. Virginia Woolf’s Common Reader. Surrey, England: Ashgate, 2009. Kuper, Adam. Incest and Influence: The Private Life of Bourgeois England. Cambridge, MA: Harvard University Press, 2009. [See chapter 8 “The Bloomsbury Version”] Linett, Maren, ed. Virginia Woolf: An MFS Reader. Baltimore, MD: Johns Hopkins University Press, 2009. Maggio, Paula. Reading the Skies in Virginia Woolf: Woolf on Weather in her Essays, Diaries and Three of her Novels. London: Cecil Woolf, 2009. Majumdar, Robin. Virginia Woolf. New York: Routledge, 2009. McMahan, David L. The Making of Buddhist Modernism. Oxford: Oxford University Press, 2009. [See chapter 8, “Mindfulness, Literature, and the Affirmation of Ordinary Life”] McNees, Eleanor and Sara Veglahn, eds. Woolf Editing/Editing Woolf: Selected Papers from the Eighteenth Annual Conference on Virginia Woolf. Clemson: Clemson University Digital Press, 2009. Murnighan, Jack. Beowulf on the Beach: What to Love and What to Skip in Literature’s Greatest Hits. New York: Random House/Three Rivers Press, 2009. [See chapter titled, “Virginia Woolf: To the Lighthouse] Neuhold, Birgit. Measuring the Sadness: Conrad, Joyce, Woolf and European Epiphany. Frankfurt am Main; New York : P. Lang, 2009. Olson, Liesl. Modernism and the Ordinary. Oxford: Oxford University Press, 2009. [See chapter 2, “Virginia Woolf and the „Cotton Wool of Daily Life‟”] Oser, Lee. The Ethics of Modernism: Moral Ideas in Yeats, Eliot, Joyce, Woolf and Beckett. Cambridge: Cambridge University Press, 2009. Parkins, Wendy. Mobility and Modernity in Women’s Novels, 1850s-1930s: Women Moving Dangerously. New York: Palgrave Macmillan, 2009. [See chapter 7, “Destinations of the Modern Woman”] Reichman, Ravit. The Affective Life of Law: Legal Modernism and the Literary Imagination. Stanford, CA: Stanford Law Books, 2009. [See chapter 1, “Woolf and the Lesson of Torts”] Reynier, Christine. Virginia Woolf’s Ethics of the Short Story. New York: Palgrave Macmillan, 2009. Rubenstein, Roberta. Virginia Woolf and the Russian Point of View. New York: Palgrave Macmillan, 2009. Sachdeva, Mansi. Virginia Woolf: To the Lighthouse. New Dehli: Anmol Publications Pvt Ltd., 2009. Savu, Laura E. Postmortem Postmodernists: The Afterlife of the Author in Recent Narrative. Madison, NJ: Fairleigh Dickinson University Press, 2009. Shannon, Drew Patrick. How Should One Read a Marriage? Private Writings, Public Readings, and Leonard and Virginia Woolf. London: Cecil Woolf, 2009. Strauss, Alix. Death Becomes Them: Unearthing the Suicides of the Brilliant, the Famous, and the Notorious. London: Harper, 2009. [See chapter 3, “Authors”] Suh, Judy. Fascism and Anti-fascism in Twentieth-Century British Fiction. New York: Palgrave Macmillan, 2009. [See chapter 4, “The Comedy of Outsiders in Virginia Woolf‟s The Years”] Tew, Philip and Alex Murray. The Modernism Handbook. London; New York: Continuum, 2009. Thomas, Charles, and Jessica Mann. Godrevy Light: Virginia Woolf’s Lighthouse in history, literature and art. Chacewater, UK: Twelveheads Press, 2009. Whitworth, Michael. Authors in Context: Virginia Woolf. Oxford: Oxford University Press, 2009. Winston, Janet. Woolf’s To the Lighthouse: A Reader’s Guide. London; New York: Continuum, 2009. Zaragoza, María Goretti. Preserving Femininity in Translation: A Strategy-Based Comparative Analysis of Virginia Woolf’s To the Lighthouse in French. Saarbrücken, Germany: LAP, 2009. ARTICLES, BOOK CHAPTERS, & NOTES ---. “Day Out.” The Times [London] 29 April 2009, News sec.: 27. ---. “For Sale: Beach View That Inspired Virginia Woolf.” The Times [London] 19 June 2009, News sec.:30. ---. “Guide to Library Special Collections.” Woolf Studies Annual 15 (2009): 177-194. ---. “The Lesbian Passions Behind Virginia Woolf‟s Wittiest Novel.” Sunday Times [London] 28 June 2009, Magazine: 5. ---. “Victoria Glendinning and Virginia Nicolson in Conversation with Richard Cohen.” Life Writing: The Spirit of the Age and the State of the Art. Ed. Meg Jensen and Jane Jordan. Newcastle upon Tyne, England: Cambridge Scholars, 2009. 180-82. ---. “Woolf‟s Sands of Inspiration Sell for ₤80,000.” Daily Mail [London] 14 July 2009. n.p. Lexis Nexis Academic 18 May 2010. Adolph, Andrea. “Nostalgic Appetites: Female Desire and Wartime Rationing in Virginia Woolf‟s Between the Acts and Noel Streatfield‟s Saplings.” Material Women, 1750-1950: Consuming Desires and Collecting Practices. Ed. Maureen Daly Goggin and Beth Fowkes Tobin. Burlington, VT: Ashgate, 2009. Albrinck, Meg. “„Are YOU in This?‟: Using British Recruiting Posters to Teach Mrs. Dalloway.” Barrett and Saxon, Approaches to Teaching Woolf’s Mrs. Dalloway 53-57. Alegría, Claribel. “Mujeres y literatura.” Cuadernos Hispanoamericanos 708 (2009): 19-24. Amidon, Stevens. “The Years: Mapping a Genre.” CEA Critic: An Official Journal of the College English Association 71.3 (2009): 85-99. Arnold, Anthea. “First Encounter with Virginia Woolf: A Writer’s Diary.” Virginia Woolf Bulletin 31 (2009): 28. Artesi, Catalina Julia. “Presencia de Un cuarto propio, de Virginia Woolf, en las piezas de teatro breve de Griselda Gambaro.” La mujer en la literatura del mundo hispánico. Westminster, CA: Instituto Literario y Cultural Hispánico, 2009. 133-144. Barber, Stephen M. “States of Emergency, States of Freedom: Woolf, History, and the Novel.” Novel: A Forum on Fiction 42.2 (2009): 196-206. Barkway, Stephen. “Note on Woolf‟s Letter to Alys Russell.” Virginia Woolf Bulletin 31 (2009): 5-7. ---. “Note on Woolf‟s Letter to Arnold Bennett.” Virginia Woolf Bulletin 30 (2009): 4-10. ---. “Tenth Annual Virginia Woolf Birthday Lecture.” [report]. Virginia Woolf Bulletin 31 (2009): 65. ---. “Virginia Woolf Today.” Virginia Woolf Bulletin 30 (2009): 51-56. ---. “Virginia Woolf Today.” Virginia Woolf Bulletin 31 (2009): 29-33. ---. “Virginia Woolf Today.” Virginia Woolf Bulletin 32 (2009): 60-63. ---. “Virginia Woolf, Winifred Holtby and her Virginia Woolf.” Virginia Woolf Bulletin 32 (2009): 5-11. Barrett, Eileen. “Materials.” Barrett and Saxon, Approaches to Teaching Woolf’s Mrs. Dalloway 5-19. Bayindir, Turgay. “A House of Her Own: Alice Walker‟s Readjustment of Virginia Woolf‟s A Room of One’s Own
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